Home > Auctions > 4 - 9 March 2025
Ancient Art, Antiquities, Books, Natural History & Coins
From a London, UK, collection, 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
Acquired from Shiraz Antiquities, London W1, UK, on 27 August 1998.
Property of a Bedfordshire, UK, private collector.
Accompanied by an illustrated collector's identification tag.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
Cf. The Corning Museum of Glass, accession number 6.1.4, for type.
with a London, UK gallery 1971-early 2000s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
From a London, UK, collection, 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
Cf. Whitehouse, D., Roman Glass in the Corning Museum of Glass, vol.1, New York, 1997, item 334, for type.
Acquired in the mid 1980s-1990s.
Private collection, Switzerland, thence by descent.
Private collection, since the late 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
Cf. Whitehouse, D., Roman Glass in the Corning Museum of Glass, vol.2, New York, 2001, items 742, 744.
UK private collection before 2000.
Acquired on the UK art market.
Property of a London gentleman.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
Cf. similar amulet in the Metropolitan Museum, New York, item 17.190.491.
The scene and surrounding text refers to the miracle concerning the woman with the issue of blood; the Greek text is abbreviated from Mark 5, 25-34: 'And there was a woman who had had a discharge of blood for twelve years, and who had suffered much under many physicians, and had spent all that she had, and was no better but rather grew worse. She had heard the reports about Jesus and came up behind him in the crowd and touched his garment. For she said, 'If I touch even his garments, I will be made well.' And immediately the flow of blood dried up, and she felt in her body that she was healed of her disease. And Jesus, perceiving in himself that power had gone out from him, immediately turned about in the crowd and said, 'Who touched my garments?' And his disciples said to him, 'You see the crowd pressing around you, and yet you say, ‘Who touched me?' And he looked around to see who had done it. But the woman, knowing what had happened to her, came in fear and trembling and fell down before him and told him the whole truth. And he said to her, 'Daughter, your faith has made you well; go in peace, and be healed of your disease.'
Ex Michael Denis O’Hara in the 1970s.
From the collection of a London, UK, gentleman.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12402-225432.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
Cf. Daux, G., Collection Hélène Stathatos. Les Objets Byzantins et Post-Byzantins, Strasbourg, Amandry, 1957; Wamser, L., Die Welt von Byzanz - Europas Östliches Erbe, München, 2004, items 44, 639, for similar worked rock crystal with religious imagery.
From the collection of a London antiquarian, formed since the 1980s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
For a bronze stamp from Sardis with the Menorah between a bunch of grapes and a palm branch, now in the British Museum under inventory no.1888, 0511. 3.; cf. similar stamp with similar design in Nomos AG Auction 20 (10th July 2020) lot 396.
The first word is the name Iacobus' (Jakob) and the second word (Λιλεβα) is likely derived from the Latin libellarius (scribe or notary), which was borrowed by Hebrew as ‘לבלר ’ (‘liblar’).The latter term is closer in meaning to the medieval ‘clerk’, than to the typical Hebrew word for scribe, ‘סופר’ (‘sofer’).
From the late Alison Barker collection, 1970-1990.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12531-231455.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
Cf. Chadour, A.B., Rings. The Alice and Louis Koch Collection, volume I, Leeds, 1994, item 489, for type.
Property of a Californian, USA, collector.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
From an important London, UK, collection, 1970-1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
Cf. Bailey, D.M., A Catalogue of the Lamps in the British Museum, IV, Lamps of Metal and Stone, and Lampstands, London, 1996, pl.141, for similar; also, Wamser L. and Zahlhaas, G., Rom und Byzanz, Archaologischen Kostbarkeiten aus Bayern, München, 1999.
Mr F.D. collection, acquired on the European art market, 1975 to present.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
Cf. for similar iconography Burckhardt, J., Die Zeit Constantins des Grossen, Leipzig, 1898, pls.68, 69, 88, 90, 91, and especially 201, for similar images; Comstock, M.B. (ed.), Romans and Barbarians, Boston, 1976, p.206, no.246 (ivory plaque with Achilles on Skyros).
The image and gesture is visible on many early Christian sarcophagi of the Constantinian era, representing the deceased with his wife. The bas-relief in question could represent an apostle from a scene representing the twelve disciples with Jesus.
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