Comprising a wide hoop with moulded ropework, tall bezel set with red glass. 3.84 grams, 26.69 mm overall, 17.88 mm internal diameter (approximate size British O 1/2, USA 7 1/4, Europe 15.61, Japan 15)



From an English collection formed before 2000. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Comprising two matched D-shaped decorative handles formed as opposing cornucopiae with pinecone finials. 70 grams total, 67 mm each



Ex private collection, 1970s. Property of a Nottinghamshire gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Representing the Hodegetria, with Mary indicating towards Jesus with her right hand, holding him with her left hand; on the right, a small image of Saint Tekla with veiled head and a long tunica talaris, holding a holy book; the cover set with pearls and semi-precious stones; dedicatory inscription plate in Cyrillic; inscriptions in Greek on the wooden background 'ΜΡ ΘΥ' for 'Mother of God', 'IC XC' for 'Jesus Christ'; over the small image of Saint Tekla Greek inscription 'Ο AΓIA TEKLA'; tempera on wood. 650 grams, 23 x 19.5 cm



Property of a London, UK, gentleman collector. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

The icon, probably Greek in origin and later covered with beat work in Russia, shows the Virgin in the attitude of Mother of Consolation, or in that of Hodegetria. This is the iconographical type of Virgin Mary one encounters most frequently in an Eastern Orthodox church or home, Hodegetria meaning 'Mother of God Pointing the Way'. The Virgin Mary is shown with the Christ on her lap, her eyes looking at the viewer and her right hand indicating Christ, seeming to say 'Follow Him'. Later icons of the Hodegetria were adorned with gilt-silver covers and jewels like this one.

Formed as a seated female with crowned diadem, braided hanks of hair, brooches to the shoulders, frieze of animals to the lower body; after the antique; mounted on a custom-made stand. 111 grams total, 84 mm including stand



Acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Faience moulded scarab with detailed carapace bearing a cartouche at the apex reading men-kheper-Re, the underside with the same cartouche and an old label 'Tuthmosis III or IV or Menkheper-Re (Pianki)'. 65 grams, 67 mm



From a private, UK, collection in the 1980s. Property of a London, UK, antiquarian. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Comprising: barrel-type key, domed button with loop, lock cover with studs to reverse. 43.6 grams total, 27-59 mm



Acquired on the London art market in the late 1980s-1990s. From the family collection of an East London, UK, gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

With repeating script and geometric bands to the body. 1.67 kg, 33 cm wide

Fine condition.

Acquired on the UK art market, 2000s. Property of a Suffolk gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Hollow-formed with central bulb and two spouts; the handle C-shaped with gryphon-head finial, spiked neck and gaping mouth; basal ring and filler-hole with hinge for a cover; nozzles with flange rims and dentilled edge; three suspension chains with suspension hook; after the antique. 949 grams total, 23.7 cm wide



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Rectangular window glass in lead cames with painted image of St. Leodegar standing in a wooded landscape wearing his episcopal mitre and robes, heater shield at bottom; wooden frame; damaged, the glass elements conserved and available for restoration. 6 kg total, 97 cm high



Collection of Lord Sudeley, Toddington Manor, Gloucestershire. with Schweizer Glasmalereien Vorwiegend des XVI & XVII Jahrhunderts, Munich, Hugo Helbing, 4 October 1911, no.7. UK Trade, 2018. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12567-230649. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Leodegar of Poitiers (c. 615 – October 2, 679 AD) was a Burgundian noblemen and Bishop of Autun, son of Saint Sigrada and brother of Saint Warinus. He was an opponent of Ebroin, the Frankish Mayor of the Palace of Neustria, who arranged for him to be blinded and have his tongue cut out. He was later made a martyr and canonised. Lord Sudeley's collection at Toddington Manor, Gloucestershire, was a treasure trove of Gothic Revival architecture, art, and history, reflecting his deep involvement in the manor's design with over 580 architectural drawings. His collection boasted exquisite 17th-century tapestries, heraldic stained glass, and historical artefacts that chronicled the family's lineage, including links to significant English historical events. Financial difficulties led to the dispersal of these items through auctions, yet the legacy of Toddington Manor endures as a testament to one of Britain's cultural and architectural gems.

Rectangular in plan, pierced at upper edge; obverse with low-relief scene of a scribe, reverse with dense text. 37 grams, 57 mm



From a Parisian collection, 1980-2000s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Modelled in the round on a rectangular base, the legs folded beneath the body; after the antique. 10.3 kg, 25.5 cm wide



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Including nude male gripping his buttocks, female with tall spiked hairstyle and other types. 204 grams total, 6.3-15.3 cm



Acquired 1980-2015. Ex Abelita family collection. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.