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Ancient Art, Antiquities, Natural History & Coins
From a family collection mostly formed in the 1940s-1950s, thence by descent.
From a family collection mostly formed in the 1940s-1950s, thence by descent.
For a range of masks from Teotihuacan see Berrin, K., Teotihuacan, Art from the City of the Gods, Thames and Hudson, 1993, pp.188-193.
This is a very classical mask from the early city of Teotihuacan. Such masks were crafted within the city state and surrounds and are considered to have been produced for ceremonial purposes. Larger examples are thought to have been attached to larger wooden structures. This example forms part of a smaller sub set of Teotihuacan masks and has been sensitively carved showing ancient surface wear.
From a family collection mostly formed in the 1940s-1950s, thence by descent.
From a family collection mostly formed in the 1940s-1950s, thence by descent.
From a family collection mostly formed in the 1940s-1950s, thence by descent.
From a family collection mostly formed in the 1940s-1950s, thence by descent.
From a private New York City collection.
Ex Artemis Gallery, Louisville, Colorado, USA, 26 June 2017.
From a family collection of a North American gentleman living in the UK.
From a family collection mostly formed in the 1940s-1950s, thence by descent.
From a family collection mostly formed in the 1940s-1950s, thence by descent.
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000.
From an important Cambridgeshire estate; thence by descent.
See Klein, D., Ecuador, The Secret Art of Precolumbian Ecuador, 5 Continents, Milan, 2002, pp.45-46, for close examples.
These abstract idols represent some of the earliest art forms in Ecuador.
Acquired in the 1970s.
From the Wedemeyer collection.
Acquired 1980-2015.
Ex Abelita family collection.
1909 - 1920 of 3419 LOTS



