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Ancient Art, Antiquities, Natural History & Coins
Acquired from TimeLine Originals, Essex, UK, in 2004.
Ex Stocker collection, Kent, UK, 1955-early 2000s.
Accompanied by a copy of the on line listing.
From the late Alison Barker collection, 1970-1990.
From a family collection mostly formed in the 1940s-1950s, thence by descent.
Acquired on the European art market since the early 2000s.
From the private Northern Ireland collection of R.M.
Cf. Chadour, A.B., Rings. The Alice and Louis Koch Collection, volume I, Leeds, 1994, item 626, for type.
Ex Stocker collection, Kent, UK, 1955-early 2000s.
Ex German art market, 2000s.
Acquired from an EU collector living in London.
From the collection of Surrey, UK, gentleman.
Acquired 1960s-1990s.
Late Alison Barker collection, a retired London barrister.
Cf. Cowgill, J. et al., Knives and Scabbards. Medieval Finds from Excavations in London, London, 1987, no.76, for a similar knife; cf. Colcough, S., Image and Reality in Medieval Weaponry and Warfare: Wales c.1100-c.1450, Bangor University, 2015, no.554C, fig.7.14, for a similar single-edged blade, belonging to a quillon dagger.
From the documentary evidence, the dagger was not a weapon in widespread use. In some sources, daggers are called handsets, presumably originating from the Anglo-Saxon scramasaxes, implying that they were a single-bladed knife rather than a dual-bladed dagger. It is unclear whether such daggers were primarily intended for military or civilian functions; although they may have been used in both, their primary uses were likely to be civilian.
Acquired on the European art market since the early 2000s.
From the private Northern Ireland collection of R.M.
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000.
From an important Cambridgeshire estate; thence by descent.
Acquired on the European art market since the early 2000s.
From the private Northern Ireland collection of R.M.
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000.
From an important Cambridgeshire estate; thence by descent.
Acquired on the European art market since the early 2000s.
From the private Northern Ireland collection of R.M.
1549 - 1560 of 3419 LOTS



