Carved with soft facial features and carefully executed cosmetic lines around the eye, earring, and carefully detailed duplex wig with gently wavy curls; likely from the Ramesside Period; mounted on a custom-made stand.

Modelled in the round with a muscular nude body, his club resting on his shoulder and the hair dressed in rows of tight, close-set curls underneath the Nemean lionskin hood with cloak billowing over his left arm, the paws tied across his chest; mounted on a custom-made display stand.

Carved head of a prepubescent worshipper of Isis, with soft facial features, long nose, small downturned mouth, heavy-lidded eyes, the whole giving the face a sombre or mournful appearance; the hair textured to indicate a short cut and combed forward across the scalp, sidelock above the right ear; mounted on a 16th century carved breccia upper body with leather cuirass and pteruges to right shoulder, cloak draped across the shoulders and fastened at the clavicle on the right side with a disc-brooch; socle base; some restoration.

Modelled in the round and originally part of a monumental statue, the naturalistic right foot encased in a trochades leather sandal with median reversed tongue secured with side straps and thick looped laces; the thick platform sole slightly curved, toes and nails well defined; mounted on a substantial custom-made display stand.

Modelled in the half-round, nude with eyelids half-closed in sleep; a drapery partly covering the head and wrapping around the lower body under the hips; the hairstyle similar to those of the Antonine Dynasty, the peaceful face supported by the hands and the ear pierced to accept an earring; iron reinforcing rod to the feet and the right arm's armilla a later replacement; upper head restored in Parian marble.

An imposing panel divided to four sections by a central cross on a stepped pedestal, the lower and upper arm with branch-like extensions; the upper quadrants with a circlet surrounding a palm tree-shaped motif; each lower quadrant with a bird in profile facing back; mounted on a custom-made display stand.

Carved skull on a short neck with musculature and blood vessels; mandible in place with some teeth in sockets, wisps of hair adhering to the dome of the skull; one zygomatic bone partly absent; square-section socle base.

Carved in the half-round head of a Bodhisattva (probably Maitreya) with fine detailing to the arched brow, aquiline nose, neat moustache and full lips; the eyes heavily lidded, urna to the forehead, long open lobes to the ears; the hair in multi-stranded curling locks gathered into an ushnisha with brow-band below; heavily cleaned, conserved, and mounted on a custom-made stand; supplied with original old wooden base with collector's label: 'Head of Bodhisattva / Fine grain schist / Gandhara, Northwest Pakistan / 4th century'.

Each with an elongated, triangular shape with barbed shoulders, raised midrib and quadrangular spiked tang. 84 grams total, 8-11.2 cm



UK private collection before 2000. Acquired on the UK art market. Property of a London gentleman.

This type of arrowhead came in different varieties and sizes: some of them have barbed shoulders, some rounded shoulders, but both the types had a raised midrib.

Comprising socketted spearheads or javelin heads with small lanceolate and lozenge-shaped heads, lentoid in section; one with a split socket and fastening rivet, another with the fastening hole for the shaft still in situ. 286 grams total, 14.5-19.5 cm



From the collection of the famous author, writer and speaker, Gordon Bailey, Essex, UK; formed since 1968.

The distinction between the early medieval lance and spear is difficult, However the lance (or the javelin), normally employed by mounted warriors, had a small slender and stouter blade, and a short wider socket. Both the spear and javelins could be used as throwing weapons by the 14th-15th century light cavalry, like the Spanish Jinetes.

Piriform body decorated with concentric circles inside a horizontal band, raised ornamental neck, with domed filler-hole, intended to be filled with explosive liquid and wick, used as a hand grenade. 430 grams, 12 cm



From a military inspired collection formed from the 1990s.

The Arabs made good use of these weapons. Their efficiency was described in the account of the siege of Akka in 1189, given by the contemporary historian Ibn al-Athir. He tells how the Christians exercised their engineering skills and built mighty siege towers. The situation was hopeless for the defending Arabs until a man from Damascus showed up, because he knew how to produce Greek Fire: ‘To trick the Christians he first threw some vessels with naphtha and other things, which were not set on fire, upon one of the siege towers, and it was without power. The Christians...climbed the top of the siege tower...the man from Damascus waited until the contents of the vessels were spread all over. When the moment came, he threw a new pot, which was set on fire. In a few moments the fire was spread all over, and the siege tower was eaten up by the flames. The fire was spread in such a hurry that the Christians could not manage to climb down from the siege tower. Men, weapons, everything was eaten up by the flames.’

Piriform body with domed filler-hole, the upper body decorated with petals radiating from the filler-hole; intended to be filled with explosive liquid and wick, used as a hand grenade. 430 grams, 10.6 cm



From a specialist collection of militaria, London, UK, collected 1990s onwards. Accompanied by an academic paper by military specialist Dr Raffaele D'Amato, dated 15 July 2019 and titled 'Eastern Roman Empire - Greek Fire Bomb or Hand Grenade (μεσαίον kακάβιον) 9th-11th century AD'.

Apart from the use of siphons or manual flame-throwers called cheirosiphona, special corps of Roman soldiers employed terracotta grenades, in the form of small jars, abundantly evidenced in archaeological excavations. They were called μεσαία kακαβιά or κυτροκακάβια where the former had a bulbous shape and the latter a more cylindrical form.

Piriform body with domed filler-hole, the upper body decorated with radiating vertical bands with deeply incised dots; intended to be filled with explosive liquid and wick, used as a hand grenade. 435 grams, 11.1 cm



From a specialist collection of militaria, London, UK, collected 1990s onwards. Accompanied by an academic paper by military specialist Dr Raffaele D'Amato, dated 15 July 2019 and titled 'Eastern Roman Empire - Greek Fire Bomb or Hand Grenade (μεσαίον kακάβιον) 9th-11th century AD'.

Apart from the use of siphons or manual flame-throwers called cheirosiphona, special corps of Roman soldiers employed terracotta grenades, in the form of small jars, abundantly evidenced in archaeological excavations. They were called μεσαία kακαβιά or κυτροκακάβια where the former had a bulbous shape and the latter a more cylindrical form.

An ovate ceramic missile with impressed band of roundels to the equator, with a domed filler-hole, intended to be filled with explosive liquid and wick, used as a hand grenade. 616 grams, 12.7 cm



From a military inspired collection formed from the 1990s. Accompanied by an academic paper by military specialist Dr Raffaele D'Amato, dated 15 July 2019 and titled 'Eastern Roman Empire - Greek Fire Bomb or Hand Grenade (μεσαίον kακάβιον) 9th-11th century AD'.

Apart from the use of siphons or manual flame-throwers called cheirosiphona, special corps of Roman soldiers employed terracotta grenades, in the form of small jars, abundantly evidenced in archaeological excavations. They were called μεσαία kακαβιά or κυτροκακάβια where the former had a bulbous shape and the latter a more cylindrical form.

Comprising: a rowel spur of early 13th century date with short neck; a 14th century U-shaped rowel spur with straight neck, five star rowel and squared terminals with fittings and a buckle; a 17th century drop neck spur with multi-pointed rowel, the arched body decorated with transversal lines and bilobate terminals. 280 grams total, 13.2-16.5 cm



From the collection of the famous author, writer and speaker, Gordon Bailey, Essex, UK; formed since 1968.

By the late 13th century A.D., rowel spurs in the West had virtually replaced the old single prick point type spur. The rowel spurs were more effective as a goad and at the same time less damaging to the flank of the horse.

Comprising: a Roman ballista bolt with a pyramidal head; a 15th century iron swallowtail arrowhead; three iron medieval crossbow bolts, with pyramidal point, square-section shaft, tubular socket; two medieval ballista bolts with pyramidal point, square-section shaft, tubular socket; two triangular-shaped arrowheads, with pyramidal head; a triangular Eastern Roman bladed arrowhead with a slightly raised mid-rib; a small Anglo-Saxon arrowhead with lozenge form blade and round socket; all mounted on reconstructed modern shafts with their feathered directional lugs, and presented in a wooden display box. 3.83 kg total, 104 x 22 x 9.5 cm including case



From the collection of the famous author, writer and speaker, Gordon Bailey, Essex, UK; formed since 1968.

Crossbow and bows were the protagonist of the 100 Years War between France and England. The crossbow, a bow fixed at its centre to a wooden stock, was a formidable weapon used by the Genoese crossbowmen, mainly in French service; its heavy bolt could easily penetrate a shield or armour breast plate at close range. The longbow, mainly used by the Welsh archers, was able to pierce armours at greater distance. During the reign of Edward III, the long bow distance was estimated to be 400 yards. The capability of the English and Welsh archers enabled the English to secure a victory over the powerful French Cavalry at the battles of Crecy, Poitiers and Agincourt.

Openwork rectangular panel with hare-and-hound motif, two lateral fixing lugs. 19.2 grams, 60 mm



Property of the vendor's grandfather, thence by family descent, circa 1985. From the private collection of a New York, USA gentleman.

Belt plaques with zoomorphic motifs illustrate not only the recognised unity of the zoomorphic art of the steppes, but also the links between the Sarmatians and the eastern nomadic groups. Important in this respect are similar buckles with representations of camels (Krasnogorovka III, Kurgan 11) or Ordos-style bronze plaques from the Kuban.

Including a double-bladed haladie with hide sheaths, a narrow stiletto with brass-mounted scabbard and other types. 525 grams total, 22.2-37.5 cm



From the family collection of a Maida Vale lady, UK.

Comprising: 14 crossbow bolts with pyramidal point, square-section shaft, and a tubular socket. 1.24 kg total, 32.5 x 22.5 x 5 cm



From the collection of the famous author, writer and speaker, Gordon Bailey, Essex, UK; formed since 1968.

The crossbow, a bow fixed at its centre to a wooden stock, was a formidable weapon reintroduced in Western Europe in 11th century A.D.; it was used by the Genoese crossbowmen, mainly in French service, during the 100 Years War; its heavy bolt could easily penetrate a shield or armour breast plate at close range.

Including triangular-section sockettedtype, triangular barbed type, tanged leaf-shaped type and others. 104 grams total, 23-58 mm



Ex London, UK, collection, 1990s.