Carved with soft facial features and carefully executed cosmetic lines around the eye, earring, and carefully detailed duplex wig with gently wavy curls; likely from the Ramesside Period; mounted on a custom-made stand.

Modelled in the round with a muscular nude body, his club resting on his shoulder and the hair dressed in rows of tight, close-set curls underneath the Nemean lionskin hood with cloak billowing over his left arm, the paws tied across his chest; mounted on a custom-made display stand.

Carved head of a prepubescent worshipper of Isis, with soft facial features, long nose, small downturned mouth, heavy-lidded eyes, the whole giving the face a sombre or mournful appearance; the hair textured to indicate a short cut and combed forward across the scalp, sidelock above the right ear; mounted on a 16th century carved breccia upper body with leather cuirass and pteruges to right shoulder, cloak draped across the shoulders and fastened at the clavicle on the right side with a disc-brooch; socle base; some restoration.

Modelled in the round and originally part of a monumental statue, the naturalistic right foot encased in a trochades leather sandal with median reversed tongue secured with side straps and thick looped laces; the thick platform sole slightly curved, toes and nails well defined; mounted on a substantial custom-made display stand.

Modelled in the half-round, nude with eyelids half-closed in sleep; a drapery partly covering the head and wrapping around the lower body under the hips; the hairstyle similar to those of the Antonine Dynasty, the peaceful face supported by the hands and the ear pierced to accept an earring; iron reinforcing rod to the feet and the right arm's armilla a later replacement; upper head restored in Parian marble.

An imposing panel divided to four sections by a central cross on a stepped pedestal, the lower and upper arm with branch-like extensions; the upper quadrants with a circlet surrounding a palm tree-shaped motif; each lower quadrant with a bird in profile facing back; mounted on a custom-made display stand.

Carved skull on a short neck with musculature and blood vessels; mandible in place with some teeth in sockets, wisps of hair adhering to the dome of the skull; one zygomatic bone partly absent; square-section socle base.

Carved in the half-round head of a Bodhisattva (probably Maitreya) with fine detailing to the arched brow, aquiline nose, neat moustache and full lips; the eyes heavily lidded, urna to the forehead, long open lobes to the ears; the hair in multi-stranded curling locks gathered into an ushnisha with brow-band below; heavily cleaned, conserved, and mounted on a custom-made stand; supplied with original old wooden base with collector's label: 'Head of Bodhisattva / Fine grain schist / Gandhara, Northwest Pakistan / 4th century'.

An imposing panel divided to four sections by a central cross on a stepped pedestal, the lower and upper arm with branch-like extensions; the upper quadrants with a circlet surrounding a palm tree-shaped motif; each lower quadrant with a bird in profile facing back; mounted on a custom-made display stand. 16 kg total, 44.5 cm including stand



Private collection, London, UK. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12179-221676.

The cross, symbol of resurrection and salvation, carried the meaning of Paradise, and a cross on a stepped base derived from that on Golgotha. The birds represented here are probably a symbol of joy of the afterlife, of paradise conceived as the locus refrigerii or refrigerium of the soul. The panel could have been part of a marble iconostasis of a Church of the Eastern Roman Empire, in Southern Italy, although the use of porphyry can suggest a Constantinopolitan provenance.

Recalling workmanship similar to that found in the floor of the Sistine Chapel and other important Roman churches; comprising a stepped rectangular panel with white marble border, square blocks with cross fourchée motifs on porphyry and other fields; mounted on a custom-made stand. 1.06 kg, 38.5 cm wide (1.4 kg total including stand)



French gallery, Paris, 1990s. From a family collection, London, UK.

The Cosmatesque style was a characteristic type of ornamentation of Eastern Roman origin (opus alexandrinum) used by the Roman marble makers of the 12th and 13th centuries AD. It embellishes floors, ciboriums and cloisters of churches by means of polychrome marble inlays of varied and imaginative geometric shapes. The wider use of this decoration began in the 12th century, at which time techniques were improved: the Cosmati floors were made with pieces of stone cut in various shapes and sizes, a property quite different from the mosaics in opus tessellatum, in which the motifs were made from small units all having the same size and shape, or from the opus sectile, intended to create representations with pieces of multicoloured marble cut out and arranged for this purpose. The stones used by Cosmati artists were often material salvaged from the ruins of ancient Roman buildings.

Ovoid plaque with incised amuletic ornament; obverse with nimbate horseman bearing a cross potent spearing a supine stylised female figure, Greek legend above 'oΑΓΟC CICINIC' (St. Sisinnius); reverse with advancing lion and Syrian and Greek legend relating to Μαρία η Αιγυπτία (St. Mary of Egypt). 4.13 grams, 31 mm



From the collection of a gentleman, acquired on the London art market in the 1990s.

In Byzantine folklore, St Sisinnius was the supernatural horseman and opponent of the Gelloudes, a class of female witches.

Flat-section hoop displaying geometric pierced work between raised bands, fluted hemispherical bezel adorned with granules and set with possibly a later polished cabochon sapphire. 8.66 grams, 33.78 mm overall, 16.94 mm internal diameter (approximate size British M 1/2, USA 6 1/4, Europe 13.09, Japan 13)



Acquired 1990s-early 2000s. East Anglian private collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.201084.

Piriform amuletic pendant with manus dei 'hand of God' motif to the side and wreath to the underside enclosing a cross flanked by 'AΩ'. 5 grams, 20 mm



From a London, UK, collection, 1980s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12241-22289.

The shank with herringbone markings in imitation of braiding, trefoil shoulders, drum-shaped bezel with incised cruciform texts 'P+B' and 'ω+KX'. 9.71 grams, 24.51 mm overall, 18.56 mm internal diameter (approximate size British Q, USA 8, Europe 17.49, Japan 16)



German art market. Acquired by the present owner from the above in 2003.

Comprising: buckle loop with dentilled outer edge, impressed triangular cells; D-section tongue curved over the forward edge of the loop, with rectangular shield to the rear with slot; plate formed as a vesica-shaped rear panel with rosette motif and billetted border, forward edge with cells flanking; knop finial to rear edge; obverse with three pierced lugs for attachment to the belt; ferrous hinge-pin. 56 grams, 80 mm



Private UK collection. Acquired in the 1980s. Property of a Cambridgeshire gentleman.

Biconvex in profile with impressed lines dividing the face into zones, each with impressed dots, triangles or other symbols, some extending onto the edges. 68 grams, 55 mm



From a specialised collection of cuneiform texts, formed in the 1950s-1990s. The property of a London gentleman and housed in London, thence by descent to family members. Examined by Professor Wilfrid George Lambert FBA (1926-2011), historian, archaeologist, and specialist in Assyriology and Near Eastern archaeology, in the late 1980s and 1990s. The collection is exceptional for the variety of types, including some very rare and well preserved examples. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12242-220893.

Complete and of spherical form, containing clay 'tokens'; the outer face impressed with enigmatic motifs. 229 grams, 65 mm



Specialised collection of cuneiform texts, the property of a London gentleman and housed in London before 1988. Thence by descent to family members. Examined by Professor Wilfrid George Lambert FBA (1926-2011), historian, archaeologist, and specialist in Assyriology and Near Eastern archaeology, in the late 1980s and early 1990s. The collection is exceptional for the variety of types, including some very rare and well preserved examples.

The impressed detailing on the outer face of the sphere presumably gives an indication as to the contents, but since so few of these items survive intact there is little certainty on the subject.

Complete and of irregular pyramidal form, containing clay 'tokens'; the outer face impressed with enigmatic motifs. 19.8 grams, 32 mm



Specialised collection of cuneiform texts, the property of a London gentleman and housed in London before 1988. Thence by descent to family members. Examined by Professor Wilfrid George Lambert FBA (1926-2011), historian, archaeologist, and specialist in Assyriology and Near Eastern archaeology, in the late 1980s and early 1990s. The collection is exceptional for the variety of types, including some very rare and well preserved examples. Accompanied by an illustrated two page previous cataloguing document.

Tongue-shaped tablet with impressed cuneiform text to one broad face and the upper part of the reverse. 73 grams, 76 mm



From the private collection of the late Dr D.G., 1990s.

Pillow-shaped ceramic tablet with impressed cuneiform text; within its original envelope with impressed cuneiform text to both broad faces and one long edge; cracked to reveal the inner tablet. 263 grams, 94 mm



From the private collection of the late Dr D.G., 1990s.