Carved with soft facial features and carefully executed cosmetic lines around the eye, earring, and carefully detailed duplex wig with gently wavy curls; likely from the Ramesside Period; mounted on a custom-made stand.

Modelled in the round with a muscular nude body, his club resting on his shoulder and the hair dressed in rows of tight, close-set curls underneath the Nemean lionskin hood with cloak billowing over his left arm, the paws tied across his chest; mounted on a custom-made display stand.

Carved head of a prepubescent worshipper of Isis, with soft facial features, long nose, small downturned mouth, heavy-lidded eyes, the whole giving the face a sombre or mournful appearance; the hair textured to indicate a short cut and combed forward across the scalp, sidelock above the right ear; mounted on a 16th century carved breccia upper body with leather cuirass and pteruges to right shoulder, cloak draped across the shoulders and fastened at the clavicle on the right side with a disc-brooch; socle base; some restoration.

Modelled in the round and originally part of a monumental statue, the naturalistic right foot encased in a trochades leather sandal with median reversed tongue secured with side straps and thick looped laces; the thick platform sole slightly curved, toes and nails well defined; mounted on a substantial custom-made display stand.

Modelled in the half-round, nude with eyelids half-closed in sleep; a drapery partly covering the head and wrapping around the lower body under the hips; the hairstyle similar to those of the Antonine Dynasty, the peaceful face supported by the hands and the ear pierced to accept an earring; iron reinforcing rod to the feet and the right arm's armilla a later replacement; upper head restored in Parian marble.

An imposing panel divided to four sections by a central cross on a stepped pedestal, the lower and upper arm with branch-like extensions; the upper quadrants with a circlet surrounding a palm tree-shaped motif; each lower quadrant with a bird in profile facing back; mounted on a custom-made display stand.

Carved skull on a short neck with musculature and blood vessels; mandible in place with some teeth in sockets, wisps of hair adhering to the dome of the skull; one zygomatic bone partly absent; square-section socle base.

Carved in the half-round head of a Bodhisattva (probably Maitreya) with fine detailing to the arched brow, aquiline nose, neat moustache and full lips; the eyes heavily lidded, urna to the forehead, long open lobes to the ears; the hair in multi-stranded curling locks gathered into an ushnisha with brow-band below; heavily cleaned, conserved, and mounted on a custom-made stand; supplied with original old wooden base with collector's label: 'Head of Bodhisattva / Fine grain schist / Gandhara, Northwest Pakistan / 4th century'.

Comprising fragments of black glass decorated with green and yellow rosettes surrounded by white pellets, from the same plate. 40.7 grams total, 16-65 mm



From the collection of Mr N.A., Brussels, 1970s.

Comprising examples with: enamelled bezels; seal bezels; an archer's thumb ring; bezel set with a 'jewel'; hoops with inscriptions around the exterior; hoops with geometric schemes around the exterior; plain examples. 42 grams total, 17-27 mm



Found Berkshire, UK.

Modelled in the round with naturalistic detailing, sitting upright nibbling a nut. 11.7 grams, 25 mm



‘The Ancient Menagerie Collection’ formerly the property of a Cambridgeshire lady, collected since the 1990s and acquired from auctions and dealers throughout Europe and the USA, now ex London collection.

Including La Tène scrolls, rectangular panel with pelta and other types. 46 grams total, 32-53 mm



Property of the vendor's grandfather, thence by family descent, circa 1985. From the private collection of a New York, USA gentleman.

Round-section handle with bulb finial and ribbed baluster, narrow swept blade. 38.4 grams, 20.9 cm



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

Comprising: the majority of a foot with a rectangular socket; a face fragment showing the nose, left eye and part of the right eye; a lozenge-shaped mount with a low-relief image of a standing figure, one rivet in situ. 43.3 grams total, 34-60 mm



Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of Surrey, UK, gentleman.

Modelled in the round, the left hand of Cupid-Eros gripping the stem of a bloom with three radiating leaves; mounted on a custom-made stand. 46 grams total, 72 mm including stand



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

Formed as a plain band with two rolled rims. 2.15 grams, 19.78 mm overall, 16.90 mm internal diameter (approximate size British M, USA 6, Europe 12.46, Japan 12)



Ex property of a late Japanese collector, 1970s-2000s.

Domed intaglio of an eagle in flight over a baseline; later silver ring. 4.45 grams, 25.52 mm overall, 19.60 mm internal diameter (approximate size British S 1/2, USA 9 1/4, Europe 20.63, Japan 19)



Private collection, England.

Comprising two parallel tubes joined at the base and sides, each with flared rim and covered with fine glass trails, applied lateral loops to the rim and handle above; iridescent aqua glass; handle absent; accompanied by a group of handle fragments. 175 grams total, 2.3-17.2 cm



From a collection acquired on the UK art market from various auction houses and collections, primarily before 2000. From an important Cambridgeshire estate; thence by descent.

Mixed group of terracotta tile fragments; offered with fragments of bronze bow brooches and other items. 1.08 kg total, 21-98 mm



Found whilst searching in Devon, Somerset and Wiltshire, UK.

With a deep bowl, everted rim with a rounded lip, flat-section handle with lateral spurs and oval finial. 352 grams, 35.8 cm



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.