Carved with soft facial features and carefully executed cosmetic lines around the eye, earring, and carefully detailed duplex wig with gently wavy curls; likely from the Ramesside Period; mounted on a custom-made stand.

Modelled in the round with a muscular nude body, his club resting on his shoulder and the hair dressed in rows of tight, close-set curls underneath the Nemean lionskin hood with cloak billowing over his left arm, the paws tied across his chest; mounted on a custom-made display stand.

Carved head of a prepubescent worshipper of Isis, with soft facial features, long nose, small downturned mouth, heavy-lidded eyes, the whole giving the face a sombre or mournful appearance; the hair textured to indicate a short cut and combed forward across the scalp, sidelock above the right ear; mounted on a 16th century carved breccia upper body with leather cuirass and pteruges to right shoulder, cloak draped across the shoulders and fastened at the clavicle on the right side with a disc-brooch; socle base; some restoration.

Modelled in the round and originally part of a monumental statue, the naturalistic right foot encased in a trochades leather sandal with median reversed tongue secured with side straps and thick looped laces; the thick platform sole slightly curved, toes and nails well defined; mounted on a substantial custom-made display stand.

Modelled in the half-round, nude with eyelids half-closed in sleep; a drapery partly covering the head and wrapping around the lower body under the hips; the hairstyle similar to those of the Antonine Dynasty, the peaceful face supported by the hands and the ear pierced to accept an earring; iron reinforcing rod to the feet and the right arm's armilla a later replacement; upper head restored in Parian marble.

An imposing panel divided to four sections by a central cross on a stepped pedestal, the lower and upper arm with branch-like extensions; the upper quadrants with a circlet surrounding a palm tree-shaped motif; each lower quadrant with a bird in profile facing back; mounted on a custom-made display stand.

Carved skull on a short neck with musculature and blood vessels; mandible in place with some teeth in sockets, wisps of hair adhering to the dome of the skull; one zygomatic bone partly absent; square-section socle base.

Carved in the half-round head of a Bodhisattva (probably Maitreya) with fine detailing to the arched brow, aquiline nose, neat moustache and full lips; the eyes heavily lidded, urna to the forehead, long open lobes to the ears; the hair in multi-stranded curling locks gathered into an ushnisha with brow-band below; heavily cleaned, conserved, and mounted on a custom-made stand; supplied with original old wooden base with collector's label: 'Head of Bodhisattva / Fine grain schist / Gandhara, Northwest Pakistan / 4th century'.

Standing erect on a lotus-flower dais wearing a paridhana and holding one corner of the mantle uttariya in the left hand. 1.47 kg, 22 cm



From a West Country, UK, collection, 1990s.

Comprising a broad squat turquoise-coloured bowl and four small bell-shaped bowls each with floral motifs and a signature character to the underside. 270 grams total, 6.4-10 cm



From the family collection of a Maida Vale lady, UK.

With piriform body, waisted neck, everted rim and integral rectangular-section loop handles to the equator, circumferential bands of painted lines, reserved roundels and chevrons; one handle repaired. 3.45 kg, 36 cm



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

Formed as a broad upper bowl with flared rim atop a smaller inverted bowl at the base; upper bowl decorated with dense series of interlocking spiral motifs, the base with looser similar motifs. 3.05 kg, 29.5 cm high



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent. Accompanied by an original thermoluminescence analysis report by Oxford Authentication with sample no.N107t24 dated 30 May 2007.

Unglazed ceramic figure of a warrior in a dynamic pose, seated on a rock, wearing a full lamellar armour and a helmet, full cheeks and large eyes. 2.27 kg, 29.5 cm



Ex West Country, UK, collection, 1990s.

Comprising three powder boxes with painted flower to the lid. 252 grams total, 60-62 mm



Ex Butterfield and Butterfield auction with official Hoi An Hoard labels. Accompanied by an illustrated information sheet about the Hoi An shipwreck.

In the mid 15th century a freighting junk loaded with fine Vietnamese pottery sank in an area of the South China Sea called the 'Dragon’s Embrace.' This vessel is part of the shipwreck cargo recovered off the coast of Vietnam at Hoi An. The ceramics themselves were probably made in the area of Chu Dau.

Depicting dancers in vigorous poses, each in a cross-over robe with bell-shaped sleeves, an underdress with long tubular sleeves concealing the hands and one cloud-toed slipper revealed at the base; one with neatly dressed hair in two buns, the other with a grotesque face and wearing a pointed cap. 2.8 kg total, 26.5-27.5 cm



From a West Country, UK, collection, 1990s. Accompanied by thermoluminescence analysis reports nos.18C26042024 and 17C26042024 from Laboratory Kotalla.

With trumpet-shaped body and carinated rim, hollow base, reserved spiral designs on a coral-coloured field. 1.23 kg, 28.5 cm wide



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

Comprising three miniature vessels with painted floral decoration. 61 grams total, 60-63 mm



Ex Sotheby's, Amsterdam, 29-31 January 2007. Accompanied by an illustrated information sheet about the Ca Mau shipwreck.

The Ca Mau shipwreck refers to a cargo of Chinese porcelain sunk between 1723 and 1735 off the coast of Vietnam. The wreck was discovered by Vietnamese fishermen in 1998. It is believed the wreck was a merchant’s junk on its way from Canton (Guangzhou) to Batavia when it caught fire and sank. The ship was carrying goods destined for Dutch traders who had limited access to China and its ports.

Piriform bodied and painted with four netted roundels to the upper body; two loop handles to the equator. 2.36 kg, 32.5 cm



From a West Country, UK, collection, 1990s.

Comprising a dark green glazed low-profile bowl with inverted rim and low foot; tiered stand with four legs with onion knop finials. 1.49 kg total, 23 cm



From a West Country, UK, collection, 1990s.

Comprising: four shallow plates with a painted scene of a robed figure on a donkey travelling through a hilly landscape, companion walking behind carrying a branch on the shoulder; four cups with a similar scenery painted on the outer face. 356 grams total, 70-114 mm



Ex Sotheby's, Amsterdam, 29-31 January 2007. Accompanied by an illustrated information sheet about the Ca Mau shipwreck.

The Ca Mau shipwreck refers to a cargo of Chinese porcelain sunk between 1723 and 1735 off the coast of Vietnam. The wreck was discovered by Vietnamese fishermen in 1998. It is believed the wreck was a merchant’s junk on its way from Canton (Guangzhou) to Batavia when it caught fire and sank. The ship was carrying goods destined for Dutch traders who had limited access to China and its ports.