Carved in the half-round in three-quarter view, youthful male head with stern features, hair gathered in a browband, horns to the brow; from a frieze or relief; mounted on a custom-made stand.

Carved in the round with thick wreath of laurel leaves to the brow, short tousled hair, stern face with thick jaw; mounted on a custom-made stand.

Standing contrapposto with his weight on his right leg and the left leg brought slightly forward; the musculature of the torso displaying well-defined pectoral muscles, prominent abdominal muscles and wide shoulders, the back with equally toned musculature and well-formed rounded buttocks; the veining of the marble accentuating the idealised anatomy; the now-absent head was most probably turned towards the supporting leg and the left arm would have been raised; mounted on a custom-made display stand.

A high-status green chalcedony seal with frieze depicting a seated figure in horned headdress facing a standing figure with arms outstretched, small monkey to the legs; six columns of Akkadian cuneiform text transliterated as: 1. ki-di-nu UGULA KUŠ-MEŠ 2. GAL šà tan-dru-hu- 3. ra-te-er EŠŠANA šu-ši 4. u an-za-an ARAD 5. šà dha-te-ri-iš 6. šak(?) ì-lí-šu 'Kidinu, chief overseer of the equerries(?) of Tan-Ruhurater, King of Susa and Anzan, servant of Haterishshak, his god'. The seal's owner was an official of King Tan-Ruhurater II (circa 1450 B.C.), king of Susa and Anzan. The title used to describe Kidinu is sometimes translated 'high official', elsewhere 'horse groom' or 'animal trainer'; the Elamite deity Haterish is otherwise unknown.

A substantial torch bearer depicting a male lion or panther standing with legs firmly planted on a rectangular base, tail extending to the ground, with a massive circular shaped armature or candelabra issuing from its back and wearing an elaborate muzzle, the eyes retaining shell inlay with a circular hollow for the pupils; to the right of the beast a kneeling nude male wearing a large belt-armour and a diadem, eyes inlaid, left hand extended to the side and holding the lion's leash.

With transverse piercing for suspension. 7.55 grams, 30 mm



From the old Belfort collection, expert Jean Roudillon. Ex Hotel des Ventes de Belfort. Property of a French collector.

The wedjat-eye amulet represents the healed eye of the god Horus, featuring both human and falcon elements. The name wedjat in ancient Egyptian means ‘the one that is sound.’ According to Egyptian mythology, Horus' eye was wounded or taken by the god Seth and restored by Thoth. The wedjat-eye amulet was thought to protect its wearer and bestow the power of recovery and regeneration onto them. As such, it was used by both the living and the dead.

Comprising: square panel with border of repeated motif of an amphora and vine issuing from the top, guilloche, radiating foliage; similar with guilloche enclosing repeating ring motifs, knotwork band and central radiating fleur-de-lys motifs; similar with concentric bands of roundels and central floret; each mounted on a wooden-framed fabric backing. 1.08 kg total, 25.3 x 25.5 cm each



Acquired from Esther Fitzgerald Rare Textiles, London, UK. Property of a North American gallery.

Plano-convex ceramic mould with an incuse image of Hapi standing before a libating vessel and sacred knot. 22 grams, 50 mm



Ex D. Smith collection, 1990s. Property of a Cambridgeshire, UK, gentleman.

In ancient Egyptian mythology, Hapi was considered the embodiment of the annual inundation of the River Nile and the source of life for all living beings in Egypt, including people, animals, and plants. His distinct headdress of papyrus stalks was often used to identify him.

Teardrop-shaped flat pendant pierced at the broad end, with incised text to both faces. 1.70 grams, 36 mm



From the collection of Doctor Girard, a collector for over 60 years. with Hotel des Ventes de Clermont-Ferrand, 22 May 2017. Property of a French collector.

With discoid bezel with incuse profile facing left. 7.03 grams, 23.09 mm overall, 17.15 mm internal diameter (approximate size British G 1/2, USA 3 1/2, Europe 5.55, Japan 5)



Acquired 1980-2015. Ex Abelita family collection.

Figurine of a naked male seated on a rectangular base, his phallus extended forward on which the harp he is playing rests; sold with a later white-glazed heart with blue finial, possibly after the antique. 24.5 grams total, 18-44 mm



From the collection of Doctor Girard, a collector for over 60 years. with Hotel des Ventes de Clermont-Ferrand, 22 May 2017. Property of a French collector.

Scarab with detailed carapace and legs, impressed hieroglyphs to the underside; set in a 19th century gold ring. 2.44 grams, 23.63 mm overall, 17.57 x 16.48 mm internal diameter (approximate size British M, USA 6, Europe 12.46, Japan 12)



From an early 20th century collection.

Restrung beadwork panel of exceptional colour depicting a mummy face mask with false beard; restrung with some later beads. 17.3 grams, 89 mm



Ex Mariaud de Serres, Paris, France, 1980-1990s. From a London, UK, collection.

With horizontal ribbing and reserved geometric design; old stock label '8752'. 5.78 grams, 31 mm



Private collection, Oxford, UK. Acquired from Helios Gallery, December 2009. Private collection, London, UK,

With dorsal pillar, pierced for suspension. 1.76 grams, 25 mm



From the collection of Doctor Girard, a collector for over 60 years. with Hotel des Ventes de Clermont-Ferrand, 22 May 2017. Property of a French collector.

The tyet amulet was associated with the goddess Isis and was often referred to as the "knot" or "girdle" of Isis. It was commonly placed within the mummy wrappings on the upper torso of the deceased, with the belief that it would invoke Isis' protection and safeguard the body, thus ensuring their rebirth in the afterlife.

Restrung group of tubular and annular beads, centrepiece a pendant bust of Pataikos. 8.46 grams, 64 cm long



From an old English deceased estate. Acquired on the London art market in the early 1990s. Property of a London, UK, collector.

Pataikos is a representation of the creator deity Ptah, and his diminutive form is a symbol of his immense magical power.

Carved wedjat amulet with angled suspension hole. 7.08 grams, 26 mm



Ex M.S. Ciappara collection, Norfolk, UK, 1939-1950.

The wedjat-eye amulet represents the healed eye of the god Horus, featuring both human and falcon elements. The name wedjat in ancient Egyptian means ‘the one that is sound.’ According to Egyptian mythology, Horus' eye was wounded or taken by the god Seth and restored by Thoth. The wedjat-eye amulet was thought to protect its wearer and bestow the power of recovery and regeneration onto them. It was very popular and used by both the living and the dead.