Carved in the half-round in three-quarter view, youthful male head with stern features, hair gathered in a browband, horns to the brow; from a frieze or relief; mounted on a custom-made stand.

Carved in the round with thick wreath of laurel leaves to the brow, short tousled hair, stern face with thick jaw; mounted on a custom-made stand.

Standing contrapposto with his weight on his right leg and the left leg brought slightly forward; the musculature of the torso displaying well-defined pectoral muscles, prominent abdominal muscles and wide shoulders, the back with equally toned musculature and well-formed rounded buttocks; the veining of the marble accentuating the idealised anatomy; the now-absent head was most probably turned towards the supporting leg and the left arm would have been raised; mounted on a custom-made display stand.

A high-status green chalcedony seal with frieze depicting a seated figure in horned headdress facing a standing figure with arms outstretched, small monkey to the legs; six columns of Akkadian cuneiform text transliterated as: 1. ki-di-nu UGULA KUŠ-MEŠ 2. GAL šà tan-dru-hu- 3. ra-te-er EŠŠANA šu-ši 4. u an-za-an ARAD 5. šà dha-te-ri-iš 6. šak(?) ì-lí-šu 'Kidinu, chief overseer of the equerries(?) of Tan-Ruhurater, King of Susa and Anzan, servant of Haterishshak, his god'. The seal's owner was an official of King Tan-Ruhurater II (circa 1450 B.C.), king of Susa and Anzan. The title used to describe Kidinu is sometimes translated 'high official', elsewhere 'horse groom' or 'animal trainer'; the Elamite deity Haterish is otherwise unknown.

A substantial torch bearer depicting a male lion or panther standing with legs firmly planted on a rectangular base, tail extending to the ground, with a massive circular shaped armature or candelabra issuing from its back and wearing an elaborate muzzle, the eyes retaining shell inlay with a circular hollow for the pupils; to the right of the beast a kneeling nude male wearing a large belt-armour and a diadem, eyes inlaid, left hand extended to the side and holding the lion's leash.

One with incuse bird, chevron and other motifs to the underside, the other in mottled hardstone. 4.69 grams total, 13-18 mm



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

With bulb and disc finial, integral shank and gusseted suspension loop. 1.03 grams, 17 mm



From an early 20th century collection.

Amulets in the form of poppies were utilised for healing and alleviating pain, as well as for warding off death. These types of amulets were also linked to Osiris, the Egyptian deity of agriculture, death, and the afterlife.

Polished and with integral pierced suspension loop. 0.53 grams, 13 mm



UK gallery, early 2000s.

Including two scarabs with hieroglyphs to the underside, and two rectangular beads with hieroglyphs. 1.32 grams total, 7-10 mm



Ex Emile Bouillon Bey, c. 1880. From the Gaston Maspero Archaeological Fund. with Hotel des Ventes du Perigord, Bergerac, 24 June 2007. Property of a French collector.

Restrung designer group of melon, spherical and other beads. 39 grams, 44 cm long



From the H.N. collection, Milton Keynes, Berkshire, UK, 1990s.

Hand-tinted lithographs of a view over the temple complex at Karnak, and of a view of the Great Hypostyle Hall; each mounted in a glazed wooden frame. 2.9 kg total, 34.5 x 50 cm each



From the private collection of the late Mrs Belinda Ellison, a long time member of the Egyptian Exploration Society, c.1940-2020.

With crisp detail of crosshatched panels, hieroglyphic text in one and a cartouche in the other with the regnal name of Ramesses II (User-Maat-Re-setep-en-Re), supplied with a museum-quality impression. 5.01 grams, 25 mm



Gustave Mustaki, Alexandria, Egypt; exported from Egypt to the UK c.1950. Elsa McLellan, UK; by descent from the above. Private collection, London, UK; by descent from the above.

Modelled in the round with hands to her sides, dished panel above the head. 4.03 grams, 24 mm



Acquired from a London, UK, collection in 1980. From the personal collection of a West London, UK, gentleman.

Comprising: one upper body with crisply formed facial details, dorsal pillar, agricultural tools and seed bag to the reverse; one knee-length with a hieroglyphic inscription to the lower body; each mounted on a custom-made display stand. 135 grams total, 10.2-11.3 cm including stand



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

Group of three scarabs, each with a hieroglyphic inscription to the underside. 5.05 grams total, 16-18 mm



Acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

Mixed scarab and scaraboid group, two with design to the underside. 2.47 grams total, 8-11 mm



From the H.N. collection, Milton Keynes, Berkshire, UK, 1990s.

Mask of Bes in low-relief with lentoid eyes and tongue extended. 2.09 grams, 28 mm



Ex Emile Bouillon Bey, c. 1880. From the Gaston Maspero Archaeological Fund. with Hotel des Ventes du Perigord, Bergerac, 24 June 2007. Property of a French collector.

Bes became one of ancient Egypt's most popular apotropaic deities from the New Kingdom onwards. Despite his somewhat fearful appearance, Bes was the patron and protector of pregnant women and children. He was also believed to protect from snakes.