Carved in the half-round in three-quarter view, youthful male head with stern features, hair gathered in a browband, horns to the brow; from a frieze or relief; mounted on a custom-made stand.

Carved in the round with thick wreath of laurel leaves to the brow, short tousled hair, stern face with thick jaw; mounted on a custom-made stand.

Standing contrapposto with his weight on his right leg and the left leg brought slightly forward; the musculature of the torso displaying well-defined pectoral muscles, prominent abdominal muscles and wide shoulders, the back with equally toned musculature and well-formed rounded buttocks; the veining of the marble accentuating the idealised anatomy; the now-absent head was most probably turned towards the supporting leg and the left arm would have been raised; mounted on a custom-made display stand.

A high-status green chalcedony seal with frieze depicting a seated figure in horned headdress facing a standing figure with arms outstretched, small monkey to the legs; six columns of Akkadian cuneiform text transliterated as: 1. ki-di-nu UGULA KUŠ-MEŠ 2. GAL šà tan-dru-hu- 3. ra-te-er EŠŠANA šu-ši 4. u an-za-an ARAD 5. šà dha-te-ri-iš 6. šak(?) ì-lí-šu 'Kidinu, chief overseer of the equerries(?) of Tan-Ruhurater, King of Susa and Anzan, servant of Haterishshak, his god'. The seal's owner was an official of King Tan-Ruhurater II (circa 1450 B.C.), king of Susa and Anzan. The title used to describe Kidinu is sometimes translated 'high official', elsewhere 'horse groom' or 'animal trainer'; the Elamite deity Haterish is otherwise unknown.

A substantial torch bearer depicting a male lion or panther standing with legs firmly planted on a rectangular base, tail extending to the ground, with a massive circular shaped armature or candelabra issuing from its back and wearing an elaborate muzzle, the eyes retaining shell inlay with a circular hollow for the pupils; to the right of the beast a kneeling nude male wearing a large belt-armour and a diadem, eyes inlaid, left hand extended to the side and holding the lion's leash.

Corbel with head of a cleric forming the crest of two angled lateral facets; wearing a chaperon with band of inset rectangles to the brow; mounted on a custom-made stand. 6.85 kg, 35 cm including stand



Acquired Trevanion & Dean, UK, 15 October 2016, lot 395. Property of a Kent collector.

Rectangular textile panel with six figural scenes within laid work borders; each figure a nimbate saint with couched robes, satin stitch facial features, threaded sequins and other detailing; modern fabric backing. 502 grams, 104 cm



with SVV Prunier, 20 May 2018, no.86. Ex central London gallery.

This substantial embroidered panel comes from an ecclesiastic Dalmatic composed up of various sections, each section comprising an applied figure embroidered in yellow-brown colours with the addition of light blue in some figures. From top to bottom two female saints, probably the Virgin Mary and her Holy Mother Anna; in the second central panels are represented Saint Peter, keys in hand, and probably his brother Andrew. Saint Augustine and Saint Thomas Aquinas are possibly the subjects of the last two vertical panels. The embroidery technique used is including fine worked nué, in which metallic threads are laid down and worked over in silk, with split stitch.

With painted clean-shaven head wearing a gold crown with stem and star above the brow, luxuriant hair, mail gorget or collar to the throat. 28 grams, 10.6 cm



Monastery Stain Glass, 1998. Ex central London gallery.

Comprising an annular body decorated with four raised pyramidal knops each set with an amethyst cabochon, interstitial lobes with pounced surface; sword-shaped pin. 3.72 grams, 19 mm



Found near Brandon, Suffolk, UK. From an East Anglian private collection.

Wooden triptych with recessed panels to inner face, twine hinges; central image of Mary and infant Jesus flanked by nimbate angels; left panel with baptism scene and triumphant horseman; right panel with crucifixion and two nimbate saints; painted knotwork to obverse, 663 grams, 26.5 x 21 cm



Acquired from Owen Hargreaves, London, UK, March 2004. Property of an important West London collector, inventory no.355.

Rectangular vellum leaf with hand-coloured composite scene: top left, Mary in blue mantle holding infant Jesus on her knee, addressing a standing robed figure, red Coptic text above 'How the man with a club foot prayed to Our Lady Mary that she might heal him when he saw the bishop's chastisement'; below left, six standing male figures in colourful robes looking left and a seventh turned to the right with an oversized shoe, red Coptic text above the group 'these are the congregation and this is how he hid his foot with his clothing' and the rightmost figure 'this also is the man with the club foot'; right, seated cleric wearing a mitre beneath a canopy, addressing a group of five followers and pointing to a standing man raising his robe to show his leg, red Coptic text in three panels 'Here is the bishop who asked the Frank that his foot might be healed', 'These are the congregation' and 'How he was healed and how the stone fell from his foot'; mounted in a glazed wooden frame with reveal. 1.88 kg total, 47.2 x 44 cm



Collection of David Buxton (1913-2003), author of 'Travels in Ethiopia', 1949.

The image refers to the 'Miracle of the Lame Man' in which a man, who had been born lame, prayed before the shrine of the Virgin Mary and was healed. Here, the lame man shows the Archbishop his leg, and explains how he had been healed.

Carved portable icon with integral loop, frontal and rear recesses each with a door hinged with thread; painted scenes within of the Crucifixion and the meeting of Saint Abune Tekle Haimanot and Gabra Manfas Keddus (?), St. George attacking a dragon, Mary and Infant Jesus with angels Gabriel and Michael. 91 grams, 10 cm high



Reece Gallery, c. 2010. Ex central London gallery.

A series of icons representing the Virgin of Santa Maria Maggiore were produced in Ethiopia in the 16th and 17th centuries; the icon offered here is one such example. Sitting on the left arm of his mother, Christ gives a blessing with his right hand and holds a book in his left hand, both details showing a close relationship with the Santa Maria Maggiore version.

Leaf from a vellum manuscript with hand-coloured image: Mary, right, nimbate in red floor-length robe and blue mantle holding aloft a soul in yellow kilt, its neck seized by two crouching winged dark-skinned demons; a third demon, left, with protruding tongue seizing the upper body of another soul; foreground: two male figures seated on low stools, each with vellum page in one hand and quill in the other; panels of red Coptic text above the scribes, beside their souls; the right edge damaged, left edge folded and pierced for binding. 40 grams, 29.5 x 26 cm



Collection of David Buxton (1913-2003), author of 'Travels in Ethiopia', 1949.

The image is related to the tale of Virgin Mary and the two brothers who were scribes. In this tale, Mary rescues the souls of the scribes who had committed sins whilst they were engaged in writing a copy of the Book of the Miracles of the Virgin Mary.

Hollow-formed figure standing in contrapposto pose, wearing a chiton and draped himation with decorative borders; the hair bound with ribbons into a cone and the loose ends draped onto the shoulders; sockets for separately cast forearms (absent); rear of neck damaged. 2.3 kg, 28 cm



Discovered in a wall of a castle in Hagetaubin, France. Property of a French collector.

Comprising a flat-section cross with tooling beside the outer edges on both faces, baroque lobed finials and foliage detailing; obverse with applied scroll bearing the 'INRI' legend, fluted starburst panel and Corpus Christi modelled in the round with rivets to the hands and crossed feet. 128 grams, 20.2 cm



Acquired on the UK art market in the 1980s. From an East Anglian private collection.

Comprising two large mounted and framed assemblages displaying intertwined vines and bunches of grapes, both with a folded scroll to base inscribed with Gothic script, one reading 'Dominus Noster' (for Our Lord). 14 kg total, 79 x 56 - 79.5 x 57.5 cm



with Christie's, New York, 19 April 2018, no.169 (part). Ex central London gallery. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12090-217450.

Irregular panel with lead frame, detailed portrait of a bearded male with short hair, wearing a shirt with folding collar and dentilled hem, repaired. 188 grams, 23 cm



De Baecque Vente, Paris, France, 5 March 2022, no.58. Ex central London gallery.