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Ancient Art, Antiquities, Natural History & Coins
Auction Highlights:
Ex private collection, UK.
with Rosebery's, London, UK, 10 December 2013, no.1184.
with Weber Kunsthandel, Cologne, Germany.
Acquired before 1983.
Ex London gallery, 1990s.
Accompanied by an academic report by Dr Raffaele D’Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12038-216335.
The custom of burying the deceased with chariots and the respective yoked animals has been documented since the 3rd millennium B.C. Bronze wheel clamps similar to these have been found in Elamite and Urartian graves, and are consistent with Assyrian and Elamite models. These clamps have important parallels, including those found from the Susa region which show an affinity with Assyrian iconography.
Kuizenga collection, the Netherlands, acquired in Utrecht 21 December 1977.
with Bonhams, London, 7 December 2023, no.154.
This category of swords has been classified by Khorasani as 'swords with a mushroom pommel' and are usually characterised by a solid-cast hilt with a penannular guard, a ribbed or variously decorated grip and the conical hollow-cast mushroom pommel. Usually the blade is multi-fullered and tapers to a sharp tip. Moorey considers them to be from the end of the 2nd millennium B.C.
From a Mayfair, London gallery, 1990s.
Acquired 1980-2015.
Ex Abelita family collection.
According to Moorey, such category of swords were distributed in the Northern Iran area, as proved by the Amarlu finds. Based on the example from the Ashmolean Museum, he dated them to the end of the 2nd millennium B.C., more precisely to a period between 1400-1200 B.C.
From the private collection of a London gentleman, from his grandfather's collection formed before the early 1970s.
From the collection of a gentleman, acquired on the London art market in the 1990s.
The arrowhead seems to carry a Proto-Aramaic or Phoenician inscription like many arrows found in the Levant and Israel. They are usually reporting proper names like ‘Suwar, retainer of Abday’. As far as the function of these arrowheads is concerned, we know that the name inscribed on them was the owner's because successive owner's names were incised on two palimpsest examples. The letters engraved upon our arrow seem to be in the Phoenician alphabet and read ḤŞ’Ḥ’ (arrow of…) on the reverse, and ’Š I Š Q (?) (man of…) on the obverse.
Ex German art market, 2000s.
Acquired from an EU collector living in London.
From the collection of Surrey, UK, gentleman.
From the private collection of a London gentleman, from his grandfather's collection formed before the early 1970s.
Accompanied by an academic report by Dr Raffaele D’Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12044-216404.
The favourite armour of the Scythian noblemen was composed of scales, usually protecting the torso, sometimes the entire body (kataphraktoi). The Scythians found that the most efficient method was to arrange the overlapping ‘fish-scales’ as a corselet made of a number of bronze and iron plates, which then protected the wearer against sword and spear thrusts. Our scales correspond well to bronze scales found in May 1961 in an accidentally destroyed burial in a barrow, near the village of Nadezhda Sovetsky district. They were discovered together with iron scales, a Greek Corinthian helmet, fragments of an amphora, five arrowheads and fragments of an iron sword. Most of these bronze scales were oblong in shape, with a sub-rectangular upper end and a rounded lower end, but slightly bigger than our scales.
From the private collection of a London gentleman, from his grandfather's collection formed before the early 1970s.
From the private collection of a London gentleman, from his grandfather's collection formed before the early 1970s.
From the family collection of a London gentleman; formed in the late 1940s-1950s; thence by descent.
Accompanied by metallurgic analytical report number 114366/569, written by metallurgist Dr Brian Gilmour of the Research Laboratory for Archaeology and the History of Art, University of Oxford.
Accompanied by an academic report by Dr Raffaele D’Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12020-214090.
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