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Ancient Art, Antiquities, Natural History & Coins
Auction Highlights:
Academically researched and catalogued by the late Professor Lambert in the early 1990s.
From a collection acquired from various auction houses in the UK.
From the estate of Mr R.W., a private Wiltshire, UK, collector; thence by descent.
Accompanied by an original typed and signed scholarly note by the late W.G. Lambert, Professor of Assyriology at the University of Birmingham, 1970-1993.
From the property of late Mr SM, London, UK, 1970-1990s, thence by descent.
Examined by Professor Wilfrid George Lambert FBA (1926-2011), historian, archaeologist, and specialist in Assyriology and Near Eastern archaeology, in the late 1980s and early 1990s.
Academically researched and catalogued by the late Professor Lambert in the early 1990s.
From a collection acquired from various auction houses in the UK.
From the estate of Mr R.W., a private Wiltshire, UK, collector; thence by descent.
Accompanied by an original typed and signed scholarly note by the late W.G. Lambert, Professor of Assyriology at the University of Birmingham, 1970-1993.
From the 'S' collection, acquired 1970-1990s.
The collection was seen and studied by W.G. Lambert, late Professor of Assyriology at the University of Birmingham, 1970-1993.
From the 'S' collection, acquired 1970-1990s.
The collection was seen and studied by W.G. Lambert, late Professor of Assyriology at the University of Birmingham, 1970-1993.
Ex Oasis Ancient Art, London, W1, before 1990.
Academically researched and catalogued by the late Professor Lambert in the 1990s.
From a collection acquired from various auction houses in the UK.
From the estate of Mr R.W., a private Wiltshire, UK, collector; thence by descent.
Accompanied by an original handwritten and signed scholarly note by the late W.G. Lambert, Professor of Assyriology at the University of Birmingham, 1970-1993.
From the property of late Mr SM, London, UK, 1970-1990s, thence by descent.
Examined by Professor Wilfrid George Lambert FBA (1926-2011), historian, archaeologist, and specialist in Assyriology and Near Eastern archaeology, in the late 1980s and early 1990s.
Acquired in the 1990s.
Ex West London family collection.
Property of a Bristol, UK, gentleman.
Iconographies and religious scenes seen on Early Dynastic seals are renowned for the further elaborations that depict contesting scenes, usually portraying nude heroes confronting bull-men or rampant, roaring lions. However, animals and heroes were not employed as the favourite motifs during the last part of the Early Dynastic period. Increased popularity of funerary art and banquets were richly practised in Ur, given an ample amount of royal cylinder seals that bear banquet or seated-king related scenes. On Early Dynastic cylinder seals, the image of a seated male figure holding a cup cannot always be interpreted with an extender divinity. It might have suggested a ruler's identity within a royal banquet scene. However, on this seal, the holy vessel and the representations of male worshippers indicate a clear religious significance. Within the traditional Mesopotamian religion, secular kings would have obtained divine power if they had engaged with the goddess Inanna during a sacred marriage. The cup, containing holy ointment or oil, held in the king's hand, might have been as an emblem to signify the elevated rank of a deified king. It might also have been used as an alternative religious practice, connecting the secular authority and the divine power during the Early Dynastic period.
From the Fadel family collection, London, UK, 1970s.
From the Bavarian private collection of F.U., Germany, before 2000.
Acquired Gorny & Mosch, 17 June 2015, lot 246.
Property of a French collector.
Accompanied by a copy of the relevant Gorny & Mosch catalogue pages.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12123-214885.
The proper name of the weather god is not known, as it was expressed with an ideogram in the texts; his name was probably Tarhunna, from Hattic Taru. Among the Luwians he was called Datta and Tarhunt. The Hittite province of Tarhuntassa, south of the heartland of the Hittite Empire, took its name from the latter: 'land of the weather god'.
Acquired on the German art market, 1989-1995.
with The Museum Gallery, 19 Bury Place, London, WC1, UK, 1998-2003.
Property of a London based academic, 2003-present.
From the property of the late Mr SM, London, UK, 1969-1999.
Accompanied by a thermoluminescence analysis report no.N122k33 from Oxford Authentication.
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