Arch-topped and composed of two vertical boards, coated with gesso and skilfully painted on one side; the lunette decorated with a winged sun-disc and two pendant uraei; the central vignette depicting the deceased worshipping the falcon-headed god Ra-Horakhty with the Four Sons of Horus standing behind, each with their name written above; the lower register with six lines of hieroglyphic text providing an offering formula for the benefit of the deceased: Transliteration of the hieroglyphs: 1) ḥtp-dı-͗nsw rꜤ-ḥr-Ꜣḫtı͗nṯr Ꜥ nb pt sḥḏ [.....] wsır͗ ẖntt [ım͗ntt?] 2) nṯr Ꜥ nb Ꜣbḏw dı⸗͗f pr.t-ḫrw t ḥnḳt kꜢ Ꜣpd [....] ḫt nb(t) (n) fr(t) wꜢbt […] 3) ḫt nbt nḏm dı⸗͗f ḥtpw ḏfꜢw [...]f ḫꜢ m t dı⸗͗f ḫꜢ m 4) ḥnḳt dı⸗͗f ẖꜢ ır͗p [...] dı⸗͗f ḫꜢ m ı͗[...] dı⸗͗f ḫꜢ ı(͗Ꜣ)r(r)t dı⸗͗f 5) m snṯr ḥr ḫꜢwt [...] ḳrs nfr ḥr ım͗nt nfr 6) n [..] wsır͗ [......] pꜢ-dı-͗ım͗n(m) ıp͗ Ꜣ.t ms (n) ḫꜢ [....] Translation: 1) An offering that the king and Ra-Horakhty, Great God, Lord of Heaven, the illuminated [...] Osiris Foremost [of the West?] 2) Great God, Lord of Abydos (that) he may give a voice-offering (of) bread, beer, oxen, and fowl […] everything good and pure […] 3) everything sweet, he gives offerings of provisions […] a thousand of bread, he gives a thousand of 4) beer, he gives a thousand of wine […], he gives a thousand of vines, he gives a thousand of 5) incense on the altar […] a good burial in the beautiful West 6) for […] the Osiris[…] Pa-di-Amun-(em)-ipat born (to) Kha[…]; on the verso, an old handwritten collection label reading: 'From Harding & Sm[ith] Collection Sale Sotheby 2 Nov 1922 L.N. 234. A families[sic] stele, arched top, with the deceased worshipping a standing Horus attended by the four Children of Horus and six horizontal lines of inscription in colour. SP/10a'; mounted in a custom-made wooden frame.

Depicted nude in a dynamic pose with his legs apart and the weight of the body upon his right leg, standing in front of a two storey structure, probably an oven; his left arm raised and right arm extended in front of his torso and resting on the edge of the structure; the oven painted pink at the top and white at the bottom with an offering receptacle at floor level.

Squat ovoid in profile, modelled with the legs folded beneath the body, with hollow socket eyes, flared rim to mouth; copper lug on either side.

With inverted echinus lip and tall neck, a ribbed handle to each side with coiling lotus buds and palmettes beneath the handles; Side a) a running winged Gorgon depicted frontally, dressed in a black and red chiton; Side b) an aristocratic warrior wearing a Chalcidian helmet and driving a quadriga, the two central horses superimposed, the other two turned outward; a frieze of lotus buds and a band Greek key motifs below, the neck decorated with red and black palmettes, and elongated lotus blossoms; restored.

With a high foot, laurel wreath encircling the neck, checkerboard and meander patterns alternating around the lower body, roundels of tongue motif to the handles with palmettes and tendrils below; two red-figure scenes to the body: Side a: a high-quality depiction of a kōmos composed of five figures, including a young man holding a torch, a double flute player next to three dancers, all possibly followers of Dionysus; Side b: three draped figures conversing comprising a central female figure between two opposed male figures, one holding a staff; two old labels: one with 3061-133 on the inner rim, and 113/2 (believed to be an old Christie's lot label from the 1960s by Richard Falkiner) on the sidewall, further old accession numbers 321 and 35 under the base.

With D-section hollow-formed hoop and flared ellipsoid bezel, set with a Roman intaglio depicting a war galley under sail.

Grey fabric, broad discus with concentric rings and chamfered shoulder, short nozzle flanked by volute scrolls; scene of two murmillo gladiators in combat, one having fallen to the ground; maker's stamp to the underside 'MAR[..]S'; mounted on a custom-made stand.

A reused tablet with a recessed panel on one side, the last tablet of a legal document which consisted of two (diptychon) or three tablets (triptychon); ten black inked lines of New Roman cursive script, the end of a record of a transaction in formulaic legal language, probably a sales contract, between the buyer (emptor) Bassus and a person called Neronianus; traces of text (perhaps in rustic capitals) to the reverse.

Modelled with naturalistic features, gazing left, sculpted pupils and strong lids; luxuriant beard and moustache framing the face; strong forehead with tightly formed curls emerging from beneath the lion's skin hood; the hood with clear eye detailing and the mane with regularly arranged tufts; original iron pin to the front of the muzzle; mounted on a custom-made display stand.

From a Greek original, wearing a crown of leaves and corymbs, hair falling in straight lines underneath the diadem; full beard composed of four rows of thick tufts with drilled holes; slightly open mouth with a fleshy lower lip; low cheekbones and hollow cheeks; large almond-shaped eyes with lachrymal duct; mounted on a custom-made display stand.

Carved with comma-leaf detailing to the hair, a low brow over almond-shaped eyes, broad triangular nose and thick moustache obscuring the mouth; mounted on a custom-made stand.

Lentoid-section slab with incised grid to each face: one with three columns, impressed roundels and crescents, grid and other symbols; the other face with four columns, each cell filled with marks and symbols.

Pillow-shaped clay tablet with cuneiform text to both broad faces and one edge from Garšana (iv/Šu-Sîn 8?), a receipt for various clothing, with several dedications to the deities Ninsiana, Mami, Dadmuštum and Šubula; Dadmuštum is rarely mentioned, reading: '1 tu ba-tab tuh-hu-um 3-kam us 2 1 tu ša -ga-du ba-tab tug-hu-um / 3-kam us 1 tu ta -ki-ru-um 3-kam us 4 dnin- dsi -an-na 4 tu guz-za 4-kam us 6 2 tu guz-za 4-kam us dma-mi x ? 2 tu guz-za 4-kam us / dda-ad-muš-tum R 8 2 tu niĝ -lam 4-kam us dšu-bu-la ki-la -bi 26 1/3 ma-na 10 2 tu bar-dul us-bar 4 tu sag us-bar 12 5 tu us -bar 4 ma-na 3 tu mug 14 ki !-aš-ta -gar -ta puzur -a-ku-um šu ba-ti 16 iti ki-siki- dnin-a-zu mu ma -gur -mah mu-/dim' translation: '1 (simple) garment batab tuhhum (a kind of fabric?), thrice, medium quality 1 garment šagadu (of linen) batab tuhhum thrice, medium quality 1 garment takirum, thrice, medium quality (for) Ninsiana; 4 tufted garments, in quadruple, medium quality 2 tufted garments, in quadruple, medium quality : (for) Mami 2 tufted garments, in quadruple, medium quality : (for) Dadmuštum. 2 niglam garments, in quadruple, medium quality : (for) Šubula Their weight is 26 1/3 mines. 2 bardul garments (from) the weavers 4 garments if first quality (from) the weavers 5 (simple) garments étoffes (from) the weavers : 4 mines 3 garments in coarse wool Puzur-Akum has received (these garments) from Aštaqar. In the month of Kisiki.Ninazu The year in which the big (ceremonial) boat was built'.

With trumpet-shaped mouth, ibex-shaped finial with curved horns and legs folded beneath the body, spout to the chest; repaired.

A heavy penannular neck torc with carinated body and tapering coiled terminals.

With trapezoidal headplate, shallow bow, narrow triangular foot and pelta-shaped finial, pin-lugs and catch to the reverse; the headplate with (originally silvered) angled panels to the upper corners and D-shaped lug at the middle of the upper edge; rectangular corner panels interrupting a frieze of Salin's Style I face motifs, inner plain band and raised rectangular panel above the junction with the ribbed bow; lappets of Salin's Style I profile heads flanking the junction of the bow with the footplate and vertical bar running to the finial, bisecting a cruciform panel with Salin's Style I zoomorphic forms, and outer plain lobes; finial comprising a disc with four radiating ribbed arms and central boss, pelta-shaped terminal; cleaned and one lateral lobe reattached.

With a slightly domed profile and a raised circumferential border to the upper face; decorated with Celtic designs featuring elaborate curvilinear tendrils and triskele-style swirls enclosing an area of fine-line trumpet spiral designs, set around a central rectangular panel filled with millefiori-style enamel work in the form of an irregular chequerboard of blue and yellow enamel, the circular recesses retaining red enamel traces; two parallel rivets to the reverse.

A bowed anthropomorphic mount in the form of the face of Odin, with oval right and damaged left eye, beard and hair raised to form a convex shape, rounded cheeks, a triangular nose and a beard, moustache with lateral protrusion, the hair openwork and formed of entwined linear elements, five rivet holes present.

Central panel decorated with a heart pierced by two arrows and inscription: 'qui de bon [COER] eyme', and verso openwork carving of blind interlaces and inscription: 'de bon [COER] donne', translating to 'He who loves from the heart, gives with a good heart'; probably given as a love token.

Hollow-formed vessel formed as a male bust; discoid body with chamfered shoulder bearing bands of running zigzag detailing and three splayed feet; the head with low-relief hair and rim of bosses with linear spirals, gracile facial features with lentoid eyes and slender nose, small pouting mouth; short spout to the forehead, filler-hole to top of the head with hinged cover; handle to the rear formed as a reptile with head and forepaws placed on the hair below the hinge and joining the base above one of the feet.

Parcel-gilt bronze crucifix with cloisonné enamel geometric ornament; separate appliqué Corpus Christi, crowned with detailed musculature; lower legs and feet absent; mounted on a custom-made stand.

Inner wooden casket with chamfered rim and separate lid, encased within rectangular gilt-bronze panels with enamel decoration, four gilt-bronze stud feet to the underside; the lid with three nimbate figures, a female saint with palm frond and two flanking figures holding books, all reserved on a blue field with interstitial polychrome rosettes; Side A: nimbate bearded bust of Christ in Majesty with right hand in gesture of benison, left hand supporting a book, flanked by two winged nimbate angels; Side B: nimbate bust of a winged angel in a roundel; Side C: geometric repeating pattern of lozenges with floral fill; Side D: mirror image of Side B.

Substantial D-section hoop, expanding shoulders with reserved flowers and foliage, discoid bezel with intaglio regardant leaping goat in a pelletted ring, fronds and stars in the field, enigmatic inscription 'd[..] / de.to'.

With flat-topped crown, hair hanging in hanks to the shoulders, long D-shaped face with domed eyes, slender figure with ribs emphasised, knee-length loincloth falling in rippling folds; mounted on a custom-made stand.

With bulbous body and rounded foot, angled spout and filler to the shoulder, sturdy loop above, bands of painted geometric ornament. 946 grams, 21 cm high



From an old UK collection. Acquired from Hampstead Auctions, 17 June 2010, no.314. From an important Cambridgeshire estate; thence by descent.

Modelled in the round as a miniature flat-bottomed boat with sternpost and three thwarts, one supporting the reclining figure of the boatman; supplied with a custom-made display stand. 728 grams total, 24.5 cm wide including stand



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent. Accompanied by an old identification tag. Accompanied by an original thermoluminescence analysis report from Oxford Authentication.

A series of ship models, today preserved in the Metropolitan Museum and in the British Museum, depict in considerable detail the features of contemporary vessels, including the helmsman sitting in the bow, the spurs of the ships and the raised stern. All of the preserved ship models come from Amathus, indicating the importance of the site as a maritime centre. Our model could come from the same area. This clay model shows a man who comfortably sits on the back of the ship: we do not know his role and his activity, but – as observed by professor M.A. Mcintosh, he is part of a theōriā, a state pilgrim (theōros). Certainly, he represents the helmsman, the kubernētēs, i.e. the governor who directs the ship.

Tubular terracotta form with crenellated rim, four inward-facing lugs each with a hole beneath, inner ledge, lateral vents and square aperture at the base; hatched texture to the rim; two lateral ledge handles. 12.1 kg, 39.5 cm wide



Ex Stella Pitt Rivers collection, Dorset Museum, UK. Acquired from Sotheby's, London, 13 May 1980, no.160. with Bonhams, London, 15 October 2008, no.139. with Bonhams, London, 29 April 2009, no.340. From an important Cambridgeshire estate; thence by descent. Accompanied by copies of the relevant Bonhams catalogue pages and original lot ticket.

Carved in the round, a figure wearing a floor-length robe and holding a stringed instrument in the crook of his left arm and playing it with his right hand; cascading curls of hair frame the face with a diadem to the brow; underside drilled for insertion of a mounting rod. 1.3 kg, 30 cm



with Bonhams, 26 November 1997, no.276. From an important Cambridgeshire estate; thence by descent.

Carved in the round with stub antlers to the brow; mounted on a custom-made display stand. 982 grams total, 19.7 cm including stand



Acquired before 1947. Ex Wood family collection, UK; thence by descent 1970.

The deer head probably came from a larger votive terracotta sculpture, which depicted a standing doe, perhaps being led to be sacrificed. The presence of the deer could connect the original terracotta to a sanctuary of Diana, whose sacred animal was the deer.

Capsule-shaped with cylindrical neck and flange rim decorated with pellets; solid coloured band to the shoulder above a frieze of racing hounds; band of pellets below; broad strap handle beneath the rim. 87 grams, 13.1 cm



Ex Ancienne collection, W. Hartmann de Geneva. European private collection.

With piriform body, narrow neck and broad rim to the mouth, broad strap handle; painted with radiating strokes to the mouth and shoulder, band or pellets and tongue pattern to the foot; old collector's label 'C Vecchia', probably Civita Vecchia, a seaport serving Rome. 96 grams total, 10 cm high (10.5 cm high including stand)



Private collection Hertfordshire, England. with Ancient Resource Auctions, 2 December 2013, no.124A (US$ 2,500-4,000). Property of a South Australian private collector, with collection reference 14.04. Accompanied by detailed collector's catalogue pages including description and image.

Modelled in the half-round as a mask of a youthful female with large ovoid eyes and small mouth; mounted on a custom-made stand. 1.44 kg total, 20.5 cm high (27 cm high including stand)



Ex PA collection of Greek art, Hertfordshire, UK, 1990s.

Standing with right hand extended, left hand supporting a spherical object, the body draped in a textile garment worn over the head like a cowl. 87 grams, 83 mm



Private collection of Mr S.A., Switzerland, 1990s, thence by descent.

Nude female in arched pose with arms angled backwards behind her head to form a handle; mounted on a custom-made stand. 223 grams total, 11.5 cm high including stand



Ex Charles Ede, 1989 [stock no. 4908]. Acquired from a Japanese collector, 2010. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12051-211850.

Modelled in the round figure of Hercle (Roman Hercules, Greek Herakles) standing nude with the lionskin mantle draped over his extended left forearm, the right arm bent and fist raised (originally holding a club); the hair cut short and radiating from the crown of the head, lentoid eyes flanking a snub nose; mounted on a custom-made stand. 87 grams total, 77 mm (10.2 cm high including stand)



From the estate of Eldert Bontekoe (1954-2020). Ex Ann Arbor, Michigan, USA, acquired before 2000. with Artemis Gallery, Colorado, USA, 26 December 2020, no.8. Property of a South Australian private collector, with collection reference 20.38. Accompanied by an original Artemis Gallery certificate of authenticity dated 27 January 2021. Accompanied by detailed collector's catalogue pages including description and photograph.

Modelled in the round figure standing with arms raised, head tilted upward with shoulder-length hair and horned cap, collar to the throat with large disc closure, pectral pendant on a stylised braided thong; mounted on a custom-made stand; possibly Cypriot workmanship. 277 grams total, 17 cm high including stand



Ex Ernest Ohly collection. Acquired from Woolley & Wallis, Wiltshire, UK, 20 May 2010, no.1010 (part). From an important Cambridgeshire estate; thence by descent. Accompanied by a copy of the Woolley & Wallis catalogue listing and the original lot tag.