A section of tomb wall with a central register of eight rectangular panels each containing hieroglyphs naming offerings for the deceased; the top and bottom groups of eight rectangular panels each contain a depiction of a kneeling offering-bearer; all carved in high-relief; mounted on a custom-made display stand.

The vessel with integral round-section upward-facing handles, a third, round-section handle placed vertically between shoulder and upper neck to rear; laurel sprigs to the neck with traces of gilding; combat scene with Amazons (and Trojans?) below, armed with short swords and crescent shields, most wearing an exomis leaving the shoulder and one breast uncovered; volute palmettes below both side-handles, a panel of tiered and swirling volutes to the rear, all on a band of egg-moulding, repeated around the rim; possibly Apulian or Campanian; restored.

Composed of a shallow bowl and broad flange rim, two integral scalloped handles with scrolled flourishes, tapering to a loop handle with swan head terminals each with incised eye and beak detailing; perforated whirl within roundel to interior base; accompanied by a custom-made display stand.

Modelled in the round with a fragment of stand to the rear; the figure carefully carved to exhibit the delicate facial features and elaborate hairstyle; the palla drawn up over the head and falling over the shoulders to the upper arms; a diadem to the brow with foliage and tendril detailing; elaborate earrings with dangles; necklace of fusiform and tubular beads and a longer one below with piriform plaques; large disc brooch to the left breast with dangles; peplos-style dress draped across the body beneath the palla; left arm bent and hand passing across the body to grasp the hem of the palla with a herringbone bracelet at the wrist; the palla displayed pinned with rosettes to the rear panel; with inscription of thirteen Palmyrene characters above the left shoulder 'NRW' // BRT // 'QM' // ḤBL' meaning 'daughter of Aqima'; traces of red and green pigment; mounted on a custom-made stand by Colin Bowles Ltd.

In a rectangular matrix; cream, olive, pink and other tesserae depicting a bird advancing with head bowed, with banded frame.

Modelled naturalistically in the round, directing his gaze upwards left, the eyes with sculpted pupils originally decorated with stone insertions, his face framed by voluminous short curls swept up off the forehead, sideburns and a moustache.

In a rectangular matrix; cream, olive, pink and other tesserae depicting a perching bird with rosette above.

Divided into six sections by Christogram letters chi and rho, two of the segments with Greek letters alpha and omega, the other four segments with floral ornaments; a laurel wreath to the edge; mounted on a custom-made display stand.

Written across two principal faces and three side edges, reading: 1-2) Say to Zakur-ahum, thus says Uzazza, your brother. 3) I have read the tablet you sent me. You wrote to me as follows: 4-5)'Five nomadic Suteans plundered the district of Zippat and I sent a troop. 6-7) I drove them back. I prevented them from taking anything. 7-8) So this troop left empty-handed. It is to be feared that they will go to the land of Arrapha and raise havoc, take action!' 11) This is what you wrote to me, and I rejoiced greatly. 12) In your tablet is written:'500 nomadic Suteans'. 13) Now, your servants whom you sent to me told me this: 14) 'A troop of 1,500 men has come. 15) Among them were many men with bows.'16 This is what they told me. Now never 17) have there been archers among the nomad-Suteans. 18) Is it not to be feared that the heavily-equipped 19) part of a foreign army is here itself comprising the nomad-Suteans with their bows? 20) The (result of the) divination I found said: 'Fire will devour the base of the reed.' 21) [...] its ... will not reach me. 22-23) [Now], shall I rejoice over the heavily equipped troop (that is) there? 24) [...]. 25-26) Now investigate this troop. 26-27) Send a full report urgently one way or the other, 28-29) so that I may circulate [a swift messenger] so that 29-30) the whole country may be gathered [in my fortresses] and so that I may take action. 31-33) Moreover, earlier, nomadic Suteans assaulted the palace cowherds one evening and 33-34) carried away all the cows from the palace. They left nothing behind. 35-36) There are none left, including the cows they had been entrusted with that evening. The next day, 37) a rescue troop (sent) by Ašrum, in pursuit of them 38) went as far as the banks of the Euphrates, but 39 returned empty-handed. 39) Another thing, 40) concerning what you wrote to me: 41-42) 'Looters set up a siege instrument- kalbanatum against a fortified farm and killed people. In addition, they carried off ten oxen. 43) And Ašrum went in there. Check that 44 their oxen no longer disappear.' This is what you wrote to me. 45-46) Now, shall I rejoice in this matter, or shall I [not] [...] them [...]. 47-48) Now, is there a plunderer who can plunder on my watch? Now, when I hear (about them) 49-50) and as soon as I send a message, do I not put them on the pal? No doubt 51-52) these people are foreigners, but you consider them to be Arrapha inhabitants! Now, precisely according to what you've written to me, 53-54) I'm going to send a fast messenger to the very interior of Arrapha and carry out a check. ; repaired.

Written over two faces; lentoid cross-section.

Matched pair of Samnite triangular breast and backplates, a suite of 'triple-disc' type, each with three repoussé panels with carinated rim, flat spandrel above and curved on the lower sides, with perforated edges to affix to a separate mail garment; rivetted loops to the shoulders for attachment of supporting straps, and similar lateral loops with portion of round-link chain in situ; mounted on a custom-made stand.

Montefortino helmet with bulbous domed skull and a plain crest knob with flattened top; plain and flat neck guard with thickened rim; the front with punched Latin inscription 'A N CFN'; the surface largely covered in marine encrustations; accompanied by a custom-made display stand.

Finely knapped lentoid-section dagger with lateral recesses and square butt; old collector's label '281'.

Long blade with small portion of cortex at the upper end, sharply tapering point with edges worked from both sides.

A slightly bent irregular bar of hacked gold with rectangular cross-section, showing evidence of compression and fracture to each end, some subtle transverse lines on both of the main surfaces.

The substantial heater-shaped plaque with spectacular openwork Urnes style design, the standing beast with entwined tendrils, pronounced head at the apex, narrow ledge to the reverse and rivet holes to each corner with two rivets remaining.

Of tubular form with flared rim and applied collar to the foot, applied trails to the sidewall and four rows of prunts with applied blue-glass ornament.

With a slender D-section hoop, bevelled rectangular cell set with a garnet cabochon; satellite settings at the corners, each with a green cabochon (one absent), the ring preserved in the same condition as it was when found.

With plain circular hoop and square diamond-shaped bezel with replicant natural diamond crystal.

Broadly rectangular in cross-section and constructed from two sheets of gold; the external hoop carrying an etched decorative design comprised of a row of eight-armed stars in relief with a prominent horizontal line connecting the stars; the internal hoop with Latin inscription in block capitals reading '+FORTES FORTVNA IVVAT' translating to 'fortune favours the brave/strong'; straightened.

Comprising ten triangular arrowheads with tangs. 203 grams total, 8.1-15 cm



Acquired 1980-2015. Ex Abelita family collection.

Some of these arrowheads seem to belong to the type V, subcategory types A and C according to the classification of Khorasani and Negahban. In the four categories of triangular bronze arrowheads from Luristan, Marlik and Northern Iran described by Negahban, subtypes A and C of type V are larger arrow heads with barbed shoulders and triangular heads. These types of arrowheads were commonly used in Anatolia and Mesopotamia from the 2nd millennium B.C., but apparently their employment began earlier in this area, where types like these occur alongside the non-barbed, predominantly ribbed and tanged types.

Type M with rhomboid blade with straight edges, ending in squared angles at the base and narrowing as it merges into the round cross-section socket. 313 grams, 40.7 cm



Ex private collection of Mr M.B., Mainz, Germany, since the 1980s. Acquired from the above, 2004.

This type of spears account for half of the found Viking spears, together with types I,K,G,F. Differently from the previous types of Viking spearheads, side wings do not feature commonly in these typologies. A Viking spear of M type, dated at end of 11th century A.D., was found on the Drastar battlefield, showing a cross intermediary between the blade and the shaft.

Conical in shape, comprising a thick hammered bowl and broad rim with carination to the upper edge; remains of crest at brow and rear; a restoration project. 951 grams total, 1-24.5 cm



Ex Axel Guttmann Collection of Ancient Arms and Armour, Germany [1944-2001]. with Hermann Historica, 13 October 2010, lot 2169 [Part].

This type of helmet (called ‘bell-helmet’ by Connolly, 1981, p.70), named pilos after the Greek felt cap (in the Laconian shape, but distinguished from the cap by the noticeable point and the shape of the rim), had a conical shape and was pointed or rounded at the top. Its introduction was linked with the streamlining of Hoplite equipment, and it soon the replaced the closed Corinthian helmet. The helmet was widespread in the Greek and Mediterranean world from the last quarter of the 5th century B.C. and was widely used by continental Greeks, South Italian Greeks and Italic people, Etruscans, and even Romans.

Comprising four large plate sections from a segmented armour for arm (manica) or leg, three with pierced attachment holes to the edges, rounded extremity. 54 grams total, 6-12 mm



Found Northern Europe. UK private collection. Acquired from Redhouse Antiques Centre, York, 2005. Property of a Nottinghamshire gentleman.

On the Adamclisi monument, at least thirteen Roman legionaries and three standard-bearers have the right arm covered by an armoured sleeve (manica). It is likely that this laminated protection of the arm, derived from that worn by the gladiators, was introduced in the Imperial army in the early first century A.D., and extended to the legionaries fighting during the Dacian Wars. Domitian’s militia had already experienced the importance of protecting the arms from enemy falces. Modern scholars however do not consider this the only and exclusive reason for the introduction of this part of equipment to the Roman army between 21 and 70 A.D. The armoured sleeve can often be seen on weaponry trophies of 1st century A.D., not only on those linked with the revolt of Sacrovir, like that of Scafa, but also those related to the civil wars, like the armoury assemblage of Split, where the manica is even furnished with laminated gauntlet. This combat item can also be seen on legionary tombstones like those of Sextus Valerus Severus and Gaius Annius Salutus, both from Mainz; and legionaries of Legio XXII Primigenia, who were based in Mogontiacum between 43-70 A.D. Their tombstones show manicae as part of the decorative edge of weaponry surrounding the inscription of the tombstone. Severus' manica shows eleven plates and a hand shaped section of four plates. As suggested by Paul Brown all this clearly places the manica as being used by Roman legions around 21-70 A.D., with a widespread use throughout the empire at the time of the Dacian Wars. In the following period its use continued: a monument of Legio XIII Gemina, from Apulum (now Alba Julia) still shows a legionary of early third century in lorica segmentata combined with a manica like his predecessors of Adamclisi. Several specimens have been found in all the territories of the Empire, especially in England (Carlisle, Newstead), Austria (Carnuntum), Spain (Santa Marina de Leon), and of course in Romania (Ulpia Sarmizegetusa Trajan). However, we cannot exclude that our fragments are related to the limb armour of Roman heavy cavalryman, the cataphractarius or clibanarius. The peculiarity of the pieces is that they had rounded edges, and were certainly fixed to a leather backing. Also Ammianus (XVI,8) speaks about the lamminarum circuli (circles of laminated sheets) protecting the Roman heavy cavalrymen of the Imperial Guard.

Comprising two triangular-section Greek arrowheads; a gilt triangular-section arrowhead with short tubular socket. 18.9 grams total, 24-40 mm



Acquired in the 1980s-1990s. Property of a Nottinghamshire gentleman.

Comprising two terminals in the form of human-headed horned and winged sphinxes; mounted on a custom-made display stand. 218 grams total, 15 cm wide including stand



From an old London, UK, collection. Ex London, UK, gallery.

The most admirable horse bits ever created by man are undoubtedly those from Luristan, a province in the north-west of Iran which extended along the valleys that make up the central part of the Zagros mountains. Worked in cast bronze with the lost wax process, they almost always had a rigid cannon in round or square bars which were flattened and rolled up around themselves at the ends, but their exceptional feature were the figural side bars. The local metalsmiths, in a period of time between 1200 and 700 B.C. managed to create an infinite number of typologies: horses, oxen, ibex, roosters and various mythological animals.

With a narrow tapering blade, slightly enlarged in the guard area and narrowing again towards the 'ear' pommel. 61 grams, 33 cm



Acquired 1980-2015. Ex Abelita family collection.

The techniques used by Luristan craftsmen to create bronze weapons were highly sophisticated. They used a wide variety of surface finishes: repoussé work, chasing and engraving. The fact that the mountains of Luristan were particularly rich in copper and tin, both required for making bronze, was a significant advantage to the metalworking industry. The weapons produced developed into a plethora of different forms in the 2nd millennium B.C. to at least 800 B.C. These objects include axes and adzes, pick axes, daggers and dirks, spears, swords, helmets and shields. Weapons were usually cast, but armour parts were also made by the hammering process.

With elliptical socket and slightly flaring cheeks with cutting edge. 939 grams, 17.5 cm



Acquired 1990s-early 2000s. East Anglian private collection.

The axe corresponds to the Maxwell-Hyslop Type 20A, similar to specimens from Ordu and purely Asiatic in inspiration. An axe from Giyan has a distinct shaft tube which is not present on the Ordu axe, but the shape of the blade is similar and it is probable that smiths travelling over the Eastern Anatolian and Persian trade routes were responsible for making these typologies of axes.

Comprising three belt mounts later remounted onto brown leather comprising: a rectangular strap end with rounded terminal, decorated with granulated borders, lozenges and chevrons; two roughly D-shaped mounts with apex flourish and waisted sides, also decorated with granulated lozenges and chevrons. 26.5 grams, 12.2 cm long

Fine condition.

Acquired in the 1980s-1990s. Ex an important central London gallery, London W1.

This type of belt element, decorated with granulation, is present in the Avar graves of the second half of the 7th century, and was most likely produced in the workshops of the Eastern Roman Empire, from where they reached the Avar lands as imperial gifts (tomb of Kunbàboni) or spoils of war. They were part of multiple belts, to which sabres and knives were attached, commonly used among Avars, Bulgars and Romans during the 7th and 8th centuries A.D.

With a pattern-welded 'damascened' single-edged T-section blade with swept profile, guard with quadrant profile with rosettes, antler grip with projecting ears; silver-inlaid name panel to one face, with silver-inlaid arabesque panel to the other; blade inscribed with the Arabic year '1172'; silver maker's mark and inscription either side of the blade. 650 grams, 79.5 cm

Very fine condition. Rare.

Acquired in the 1970s. Ex collection of a London gentleman.

The yatagan is a long knife or short sabre that lacks a guard for the hand at the juncture of blade and hilt, and that usually has a double-curve to the edge and an almost straight back. It was one of the favoured side-arms of the Janissary infantry regiments. Yatagans were carried by the Zeibeks, who lived on the Ionian coast, around Smyrna.

Featuring a wedge-shaped blade and a lobed handle; the hilt fitted with an iron plate bending down to form points on each side of the blade, pommel with a discoid brass plate decorated with an incised flower motif. 307 grams, 46 cm



Acquired 1960s-1990s. Late Alison Barker collection, a retired London barrister.

The term 'ballock dagger' was used in medieval times to describe a dagger with a grip bearing a considerable resemblance to a phallic symbol. It was also called 'kidney dagger' during the Victorian times. The constant characteristic is the presence of two roundish and symmetrical bulbs at the guard, with the grip itself emerging upward between them and flaring slightly towards the top, sometimes being surmounted by a cap.

Composed of flared cheeks, convex cutting edge and lentoid-shaped socket with raised circumferential rib and butt, with a vertical rib to the rear. 1.16 kg, 19.2 cm



Acquired 1980-2015. Ex Abelita family collection.

In the 2nd millennium B.C., in the Caucasus area, variants of axes with a curved horizontal blade and a tubular eye developed. The simplest variants of these types were borrowed through the north of Ciscaucasia by the inhabitants of the Eurasian steppes. In the steppes, war axes became, around the middle of the 2nd millennium B.C., the most powerful bronze weapons, spreading far to the east.