A section of tomb wall with a central register of eight rectangular panels each containing hieroglyphs naming offerings for the deceased; the top and bottom groups of eight rectangular panels each contain a depiction of a kneeling offering-bearer; all carved in high-relief; mounted on a custom-made display stand.

The vessel with integral round-section upward-facing handles, a third, round-section handle placed vertically between shoulder and upper neck to rear; laurel sprigs to the neck with traces of gilding; combat scene with Amazons (and Trojans?) below, armed with short swords and crescent shields, most wearing an exomis leaving the shoulder and one breast uncovered; volute palmettes below both side-handles, a panel of tiered and swirling volutes to the rear, all on a band of egg-moulding, repeated around the rim; possibly Apulian or Campanian; restored.

Composed of a shallow bowl and broad flange rim, two integral scalloped handles with scrolled flourishes, tapering to a loop handle with swan head terminals each with incised eye and beak detailing; perforated whirl within roundel to interior base; accompanied by a custom-made display stand.

Modelled in the round with a fragment of stand to the rear; the figure carefully carved to exhibit the delicate facial features and elaborate hairstyle; the palla drawn up over the head and falling over the shoulders to the upper arms; a diadem to the brow with foliage and tendril detailing; elaborate earrings with dangles; necklace of fusiform and tubular beads and a longer one below with piriform plaques; large disc brooch to the left breast with dangles; peplos-style dress draped across the body beneath the palla; left arm bent and hand passing across the body to grasp the hem of the palla with a herringbone bracelet at the wrist; the palla displayed pinned with rosettes to the rear panel; with inscription of thirteen Palmyrene characters above the left shoulder 'NRW' // BRT // 'QM' // ḤBL' meaning 'daughter of Aqima'; traces of red and green pigment; mounted on a custom-made stand by Colin Bowles Ltd.

In a rectangular matrix; cream, olive, pink and other tesserae depicting a bird advancing with head bowed, with banded frame.

Modelled naturalistically in the round, directing his gaze upwards left, the eyes with sculpted pupils originally decorated with stone insertions, his face framed by voluminous short curls swept up off the forehead, sideburns and a moustache.

In a rectangular matrix; cream, olive, pink and other tesserae depicting a perching bird with rosette above.

Divided into six sections by Christogram letters chi and rho, two of the segments with Greek letters alpha and omega, the other four segments with floral ornaments; a laurel wreath to the edge; mounted on a custom-made display stand.

Written across two principal faces and three side edges, reading: 1-2) Say to Zakur-ahum, thus says Uzazza, your brother. 3) I have read the tablet you sent me. You wrote to me as follows: 4-5)'Five nomadic Suteans plundered the district of Zippat and I sent a troop. 6-7) I drove them back. I prevented them from taking anything. 7-8) So this troop left empty-handed. It is to be feared that they will go to the land of Arrapha and raise havoc, take action!' 11) This is what you wrote to me, and I rejoiced greatly. 12) In your tablet is written:'500 nomadic Suteans'. 13) Now, your servants whom you sent to me told me this: 14) 'A troop of 1,500 men has come. 15) Among them were many men with bows.'16 This is what they told me. Now never 17) have there been archers among the nomad-Suteans. 18) Is it not to be feared that the heavily-equipped 19) part of a foreign army is here itself comprising the nomad-Suteans with their bows? 20) The (result of the) divination I found said: 'Fire will devour the base of the reed.' 21) [...] its ... will not reach me. 22-23) [Now], shall I rejoice over the heavily equipped troop (that is) there? 24) [...]. 25-26) Now investigate this troop. 26-27) Send a full report urgently one way or the other, 28-29) so that I may circulate [a swift messenger] so that 29-30) the whole country may be gathered [in my fortresses] and so that I may take action. 31-33) Moreover, earlier, nomadic Suteans assaulted the palace cowherds one evening and 33-34) carried away all the cows from the palace. They left nothing behind. 35-36) There are none left, including the cows they had been entrusted with that evening. The next day, 37) a rescue troop (sent) by Ašrum, in pursuit of them 38) went as far as the banks of the Euphrates, but 39 returned empty-handed. 39) Another thing, 40) concerning what you wrote to me: 41-42) 'Looters set up a siege instrument- kalbanatum against a fortified farm and killed people. In addition, they carried off ten oxen. 43) And Ašrum went in there. Check that 44 their oxen no longer disappear.' This is what you wrote to me. 45-46) Now, shall I rejoice in this matter, or shall I [not] [...] them [...]. 47-48) Now, is there a plunderer who can plunder on my watch? Now, when I hear (about them) 49-50) and as soon as I send a message, do I not put them on the pal? No doubt 51-52) these people are foreigners, but you consider them to be Arrapha inhabitants! Now, precisely according to what you've written to me, 53-54) I'm going to send a fast messenger to the very interior of Arrapha and carry out a check. ; repaired.

Written over two faces; lentoid cross-section.

Matched pair of Samnite triangular breast and backplates, a suite of 'triple-disc' type, each with three repoussé panels with carinated rim, flat spandrel above and curved on the lower sides, with perforated edges to affix to a separate mail garment; rivetted loops to the shoulders for attachment of supporting straps, and similar lateral loops with portion of round-link chain in situ; mounted on a custom-made stand.

Montefortino helmet with bulbous domed skull and a plain crest knob with flattened top; plain and flat neck guard with thickened rim; the front with punched Latin inscription 'A N CFN'; the surface largely covered in marine encrustations; accompanied by a custom-made display stand.

Finely knapped lentoid-section dagger with lateral recesses and square butt; old collector's label '281'.

Long blade with small portion of cortex at the upper end, sharply tapering point with edges worked from both sides.

A slightly bent irregular bar of hacked gold with rectangular cross-section, showing evidence of compression and fracture to each end, some subtle transverse lines on both of the main surfaces.

The substantial heater-shaped plaque with spectacular openwork Urnes style design, the standing beast with entwined tendrils, pronounced head at the apex, narrow ledge to the reverse and rivet holes to each corner with two rivets remaining.

Of tubular form with flared rim and applied collar to the foot, applied trails to the sidewall and four rows of prunts with applied blue-glass ornament.

With a slender D-section hoop, bevelled rectangular cell set with a garnet cabochon; satellite settings at the corners, each with a green cabochon (one absent), the ring preserved in the same condition as it was when found.

With plain circular hoop and square diamond-shaped bezel with replicant natural diamond crystal.

Broadly rectangular in cross-section and constructed from two sheets of gold; the external hoop carrying an etched decorative design comprised of a row of eight-armed stars in relief with a prominent horizontal line connecting the stars; the internal hoop with Latin inscription in block capitals reading '+FORTES FORTVNA IVVAT' translating to 'fortune favours the brave/strong'; straightened.

Comprising two lentoid-section, one a lead glans, and another in stone. 121 grams total, 47-58 mm



Ex Simmons Gallery, London E11, UK, in the 1990s. From a North London collection.

Both the missiles seem to be of ovoid type, type Ia of the Völling classification. The pair finds parallels with examples unearthed at Ham Hill, Somerset, UK. The sling (funda) with its lead missiles (plumbea pondera or glandae) and stone (lapides) was used by special funditores, illustrated on Trajan’s Column where they are simply dressed in broad tunics with no armour, but carry a shield. A fold in their cloak, or sagulum, acted as an ammunition bag. The effectiveness of the slingers was unquestionable and much appreciated, especially against elephants. Celsus, writing towards the end of the 2nd century A.D., described how a slingshot wound was more dangerous and harder to treat than one inflicted by an arrow.

Comprising fifty-one musket balls from the 2nd July 1644 ECW battle of Marston Moor, near York. 787 grams total, 11-18 mm



From a Northampton collector. From the collection of a Lincolnshire, UK, gentleman.

Comprising four interlocking tongue-shaped segments from a lorica squamata; each with double piercing on the top and the two side edges. 4.4 grams, 45 mm



Ex North American private collection. Acquired privately on the European art market in the 1990s. Property of a Buckinghamshire, UK, gentleman.

With rounded shoulders and shallow square-sectioned mid-rib running to the blade tip; short tang with fastening hole. 220 grams, 37 cm



Acquired 1980-2015. Ex Abelita family collection.

The Luristan people produced fine metalwork, which according to Dr. Khorasani, was made possible by a settled period which arose as a result of the defeat of the Elamites by the Babylonians, leaving the Luristani people in relative peace for a period of time after 1200 B.C. According to Khorasani, 'A culture of innovation and experimentation flourished, and the repertoire of the Luristan smiths expanded in the period between 1150-1050 BC.' It became widespread throughout Mesopotamia, the Caucasus and the Near East.

With four-lobed finials, slot to the body, short arm with D-shaped scallop guard. 41 grams, 52 mm



Acquired on the UK art market in the 1990s. Property of a Stowmarket, UK, gentleman.

By Rodgers, with finely shaped 15cm stiletto blade with traces of original black finish tapering to a steel oval guard and fitted with a brass 'beaded and ringed' shaped hilt secured by a copper pommel nut; the hilt bearing the War Department 'broad arrow' and '2' marks near to the guard; with the original leather scabbard fitted with brass rivets and chape, pierced for belt wear and with the side flaps for sewing cut away as commonly seen when belt worn; the dagger showing wear with minor chipping to the blade, and movement in the hilt. 254 grams, 33 cm overall



Property of a Luton, UK gentleman, by inheritance.

In the autumn of 1942, the Rodgers firm produced what many consider to be the best of all the wartime Fairbairn-Sykes knives: the 'Beads and Ridges' model (or 'Beaded and Ringed'); so-called for its distinctive grip pattern to the brass hilt of single rings of tiny beads, interspersed between sections of four to seven plain rings. The blade is delicate and uniform, and the weapon, though light, is well balanced. The blade finish was black (as this example) or nickel. All of this type are considered to be at least scarce. According to both Fredrick Stephens and Leroy Thompson the type was a commercial variant for private purchase; however, there are some rare cases of this type which were officially issued with the War Department broad arrow and number marks, as with this example.

Iron-headed 'Lucerne hammer' on a short wooden shaft; the hammer-face with three sturdy spikes, square-section spearhead above and curved bec de corbin to the rear with two short lateral spikes, languets extending down the faces of the shaft. 2 kg, 1.8 m



Acquired UK art market, 1980s-1990s. Property of a Suffolk, UK, gentleman collector.

With square-section spike and tapering socket. 249 grams, 32 cm



Ex California, USA, collection formed since the late 1960s. European art market before the late 1990s.

Mainly comprising socketted bolts with tapering a facetted square-section tips. 798 grams total, 5.7-10 cm



Acquired 1990s-early 2000s. East Anglian private collection.

Barbed and tanged type with flared shoulder. 15.5 grams, 10.2 cm



UK private collection, 1990s. From the collection of an London antiquarian.

With narrow T-shaped blade with curved edge, large round socket with lateral triangular flanges and rectangular extension to the rear. 785 grams, 18 cm



From the private collection of a London gentleman, from his grandfather's collection formed before the early 1970s.

The Curonians were known as fierce warriors and sailors who were involved in several wars and alliances with the Swedish, Danish and Icelandic Vikings. Baltic tribes created an original and impressive set of weaponry. They included battle knives, battle axes and spears and javelins with medium sized heads of a characteristic shape.

Comprising a curved single-edged iron blade; openwork bronze handle with a standing eagle finial; an open groove to the back of the eagle and handle to accept the folding blade. 37 grams, 14.5 cm



Ex California, USA, collection formed since the late 1960s. European art market before the late 1990s.