A section of tomb wall with a central register of eight rectangular panels each containing hieroglyphs naming offerings for the deceased; the top and bottom groups of eight rectangular panels each contain a depiction of a kneeling offering-bearer; all carved in high-relief; mounted on a custom-made display stand.

The vessel with integral round-section upward-facing handles, a third, round-section handle placed vertically between shoulder and upper neck to rear; laurel sprigs to the neck with traces of gilding; combat scene with Amazons (and Trojans?) below, armed with short swords and crescent shields, most wearing an exomis leaving the shoulder and one breast uncovered; volute palmettes below both side-handles, a panel of tiered and swirling volutes to the rear, all on a band of egg-moulding, repeated around the rim; possibly Apulian or Campanian; restored.

Composed of a shallow bowl and broad flange rim, two integral scalloped handles with scrolled flourishes, tapering to a loop handle with swan head terminals each with incised eye and beak detailing; perforated whirl within roundel to interior base; accompanied by a custom-made display stand.

Modelled in the round with a fragment of stand to the rear; the figure carefully carved to exhibit the delicate facial features and elaborate hairstyle; the palla drawn up over the head and falling over the shoulders to the upper arms; a diadem to the brow with foliage and tendril detailing; elaborate earrings with dangles; necklace of fusiform and tubular beads and a longer one below with piriform plaques; large disc brooch to the left breast with dangles; peplos-style dress draped across the body beneath the palla; left arm bent and hand passing across the body to grasp the hem of the palla with a herringbone bracelet at the wrist; the palla displayed pinned with rosettes to the rear panel; with inscription of thirteen Palmyrene characters above the left shoulder 'NRW' // BRT // 'QM' // ḤBL' meaning 'daughter of Aqima'; traces of red and green pigment; mounted on a custom-made stand by Colin Bowles Ltd.

In a rectangular matrix; cream, olive, pink and other tesserae depicting a bird advancing with head bowed, with banded frame.

Modelled naturalistically in the round, directing his gaze upwards left, the eyes with sculpted pupils originally decorated with stone insertions, his face framed by voluminous short curls swept up off the forehead, sideburns and a moustache.

In a rectangular matrix; cream, olive, pink and other tesserae depicting a perching bird with rosette above.

Divided into six sections by Christogram letters chi and rho, two of the segments with Greek letters alpha and omega, the other four segments with floral ornaments; a laurel wreath to the edge; mounted on a custom-made display stand.

Written across two principal faces and three side edges, reading: 1-2) Say to Zakur-ahum, thus says Uzazza, your brother. 3) I have read the tablet you sent me. You wrote to me as follows: 4-5)'Five nomadic Suteans plundered the district of Zippat and I sent a troop. 6-7) I drove them back. I prevented them from taking anything. 7-8) So this troop left empty-handed. It is to be feared that they will go to the land of Arrapha and raise havoc, take action!' 11) This is what you wrote to me, and I rejoiced greatly. 12) In your tablet is written:'500 nomadic Suteans'. 13) Now, your servants whom you sent to me told me this: 14) 'A troop of 1,500 men has come. 15) Among them were many men with bows.'16 This is what they told me. Now never 17) have there been archers among the nomad-Suteans. 18) Is it not to be feared that the heavily-equipped 19) part of a foreign army is here itself comprising the nomad-Suteans with their bows? 20) The (result of the) divination I found said: 'Fire will devour the base of the reed.' 21) [...] its ... will not reach me. 22-23) [Now], shall I rejoice over the heavily equipped troop (that is) there? 24) [...]. 25-26) Now investigate this troop. 26-27) Send a full report urgently one way or the other, 28-29) so that I may circulate [a swift messenger] so that 29-30) the whole country may be gathered [in my fortresses] and so that I may take action. 31-33) Moreover, earlier, nomadic Suteans assaulted the palace cowherds one evening and 33-34) carried away all the cows from the palace. They left nothing behind. 35-36) There are none left, including the cows they had been entrusted with that evening. The next day, 37) a rescue troop (sent) by Ašrum, in pursuit of them 38) went as far as the banks of the Euphrates, but 39 returned empty-handed. 39) Another thing, 40) concerning what you wrote to me: 41-42) 'Looters set up a siege instrument- kalbanatum against a fortified farm and killed people. In addition, they carried off ten oxen. 43) And Ašrum went in there. Check that 44 their oxen no longer disappear.' This is what you wrote to me. 45-46) Now, shall I rejoice in this matter, or shall I [not] [...] them [...]. 47-48) Now, is there a plunderer who can plunder on my watch? Now, when I hear (about them) 49-50) and as soon as I send a message, do I not put them on the pal? No doubt 51-52) these people are foreigners, but you consider them to be Arrapha inhabitants! Now, precisely according to what you've written to me, 53-54) I'm going to send a fast messenger to the very interior of Arrapha and carry out a check. ; repaired.

Written over two faces; lentoid cross-section.

Matched pair of Samnite triangular breast and backplates, a suite of 'triple-disc' type, each with three repoussé panels with carinated rim, flat spandrel above and curved on the lower sides, with perforated edges to affix to a separate mail garment; rivetted loops to the shoulders for attachment of supporting straps, and similar lateral loops with portion of round-link chain in situ; mounted on a custom-made stand.

Montefortino helmet with bulbous domed skull and a plain crest knob with flattened top; plain and flat neck guard with thickened rim; the front with punched Latin inscription 'A N CFN'; the surface largely covered in marine encrustations; accompanied by a custom-made display stand.

Finely knapped lentoid-section dagger with lateral recesses and square butt; old collector's label '281'.

Long blade with small portion of cortex at the upper end, sharply tapering point with edges worked from both sides.

A slightly bent irregular bar of hacked gold with rectangular cross-section, showing evidence of compression and fracture to each end, some subtle transverse lines on both of the main surfaces.

The substantial heater-shaped plaque with spectacular openwork Urnes style design, the standing beast with entwined tendrils, pronounced head at the apex, narrow ledge to the reverse and rivet holes to each corner with two rivets remaining.

Of tubular form with flared rim and applied collar to the foot, applied trails to the sidewall and four rows of prunts with applied blue-glass ornament.

With a slender D-section hoop, bevelled rectangular cell set with a garnet cabochon; satellite settings at the corners, each with a green cabochon (one absent), the ring preserved in the same condition as it was when found.

With plain circular hoop and square diamond-shaped bezel with replicant natural diamond crystal.

Broadly rectangular in cross-section and constructed from two sheets of gold; the external hoop carrying an etched decorative design comprised of a row of eight-armed stars in relief with a prominent horizontal line connecting the stars; the internal hoop with Latin inscription in block capitals reading '+FORTES FORTVNA IVVAT' translating to 'fortune favours the brave/strong'; straightened.

The vessel with integral round-section upward-facing handles, a third, round-section handle placed vertically between shoulder and upper neck to rear; laurel sprigs to the neck with traces of gilding; combat scene with Amazons (and Trojans?) below, armed with short swords and crescent shields, most wearing an exomis leaving the shoulder and one breast uncovered; volute palmettes below both side-handles, a panel of tiered and swirling volutes to the rear, all on a band of egg-moulding, repeated around the rim; possibly Apulian or Campanian; restored. 3 kg, 46 cm high



Ex collection Woodyat, Rome, Italy, 1912. with Vente Genève, 24 & 25 June 1960. Private European collection. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11581-199028.

The mythological topic of this hydria is fascinating, representing a fight between Amazons and Greek or Trojan heroes (suggested by the central cavalryman wearing a Phrygian cap). During this period, Amazons were no longer represented as Persian or Scythian warriors, as in Attic red-figure ceramics, but depicted as athletic parthenoi and wearing chitons. Rather than oriental costume and armour, the Amazons wear a short exomis with a bare shoulder and breast (Patten, 2013, PI.VI, I, VI,2, 2 and 3).

Both figures represented facing with bare chests, Aphrodite sitting next to the triton and holding himation over her head with her right hand, her right leg raised and the left extended, the lower part of her himation covering the lower half of her body; the lower part of Triton’s body covered by marine foliage, from which the long serpentine tail emerges on the opposite side next to Aphrodite's right leg; possibly from Asia Minor; repaired. 688 grams, 18 cm high



Ex French Sorbonne archaeology professor (deceased); 1960s-2000s. Accompanied by an original thermoluminescence analysis report no.QED2323/FG-0201 from the QED Laboratory, Marseille, France.

Many of the Smyrna and Myrina figures are feminine, the heads modelled in late Hellenistic style. The bodies are often either draped in Tanagra-style robes, or represented as figures of Aphrodite, draped, semi-nude or naked. The association with Triton is linked with the Greek myth of Aphrodite born from sea foam.

With bell-shaped body and narrow chamfered foot, two lateral looped and folded handles, broad everted rim with chamfered edge; remains of black painted design with palmettes. 1.7 kg, 26.5 cm high



with Galerie vom Parkberg, Hamburg, Germany, 1997. Acquired Gerhard Hirsch, Munich, Germany, 24-28 September 2018, lot 677. Accompanied by an original thermoluminescence report from Ralf Kotalla, no.190131, dated 10 March 1997. Accompanied by a copy of the Gerhard Hirsch invoice and export licence.

Comprising two acephalic nude figures: the female shown from behind with rounded buttocks and a voluminous garment draped over her shoulders; the male figure shown frontally with his weight on his left leg, leaning against the female, left hand resting on his hip; mounted on a custom-made display stand. 197 grams, 10.3 cm high (344 grams total, 15 cm high including stand)



Ex French Sorbonne archaeology professor (deceased); 1960s-2000s.

The couple represented here could be a depiction of Eros and Psyche. Terracotta figurines of these divinities are quite common in Hellenistic Asia Minor, the Black Sea, the Near East, with examples from Amisos, Ephesos, Priene and possibly Smyrna, but also in the Cyrenaica and in Sicily. In mainland Greece there are a few examples of related types from Beroia and Pella. However, not all the figurines of couples depict Eros and Psyche. Different types are known from other areas of Greece in the late Hellenistic period, on Crete there are close parallels from the Idaean cave.

Modelled robed with a palmette fan; rectangular slot to reverse, hollow underside; with traces of white engobe and polychromy; recomposed from fragments. 189 grams, 16 cm high



Private collection Adry de Carbuccia, Sainte-Maxime, France, acquired prior to 1975. with Eurl Eve, Paris, 11 December 2013, lot 30. Accompanied by a copy of an Art Loss Register certificate number S00085753, dated 26 March 2014. Accompanied by a copy of a French cultural passport no.1537836. Accompanied by a copy of an original thermoluminescence analysis report no.QED1340/FG-0404 from QED Laboratoire. Accompanied by a copy of the relevant Eurl Eve catalogue pages.

Squat profile, broad body with low sidewall, black and red coloured bands and teardrops; applied strap handles to shoulder amid painted palmettes and scrolls; raised rim. 514 grams, 19 cm wide



Acquired from Charles Ede, London, 1986. with Christie's London, 27 October 2004, lot 451. with Christie ́s London, 20 April 2005, lot 314. Accompanied by a copy of an Art Loss Register certificate number S00085809, dated 27 March 2014. Accompanied by copies of the relevant Christie's catalogue pages.

With pedestal foot, decorated with radiating strokes to the rim, band of leaf ornament surrounding the central profile of a lady of fashion facing left, her hair dressed in a ribboned sakkos with stephane; earrings and necklace in white and ochre. 187 grams, 16.5 cm wide



Acquired by the vendor's father in the 1950s or before; thence by descent 2003.

With squat bulbous body, short neck, slightly dished flared rim and high strap handle to the rear with pierced lobes; bands of geometric painted ornament. 888 grams, 22.2 cm high



From the Steel family collection, 1950s-late 1990s.

With elaborate band of curls to the brow; spout or hole to the rear of the head; mounted on a custom-made display stand with old lot sticker to base. 675 grams total, 19 cm high including stand



Private European collection. with Genève Enchères, 12th December 2017, lot 861. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11612-199036.

Composed of a shallow bowl and broad flange rim, two integral scalloped handles with scrolled flourishes, tapering to a loop handle with swan head terminals each with incised eye and beak detailing; perforated whirl within roundel to interior base; accompanied by a custom-made display stand. 160 grams, 22.2 cm wide (526 grams total including stand)



Ex private South German collection, 1980s. with Christie's, New York, 8 June 2012, lot 86. Accompanied by an academic report by Dr Raffaele D’Amato. Accompanied by copies of the relevant Christie's pages. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11578-198980.

Elaborate silver strainers, such as this present example, were used at symposia and festive occasions for the purpose of preventing the dregs of wine from entering the wine cup. This and other related silver utensils became popular in the later 4th and 3rd century B.C. These highly decorated wine strainers were fitted with dual handles forming loops in the shape of twisting animals, here a swan. Usually they took the form of a shallow dish complete with four rings of perforations in the centre in order to drain the wine. Strainers of this type were used to separate out sediments which could be found in the thick Greek wine. Examples similar to this one have been found in royal tombs in northern Greece, as well as the tomb of a monarch in Sudan.

Comprising a penannular hoop and discoid finials with applied filigree collars; the filigree ornament repeated at the centre. 41.68 grams, 70 mm



Previously in the Mansees collection; formed 1950s-early 1990s. From a large American collection formed in Chicago, Illinois, USA, in 1995. Ex European collection. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate no.11731-200431.

Domed with a rolled rim and vent at the apex; decorative band above the rim with reserved lozenges on a pounced field each with an impressed dimple to the centre; cracked to one side. 19.47 grams, 48 mm

Cracked

Acquired early 1990s. Ex private American collection; thence by descent. Private Swiss collection since 1998.