A section of tomb wall with a central register of eight rectangular panels each containing hieroglyphs naming offerings for the deceased; the top and bottom groups of eight rectangular panels each contain a depiction of a kneeling offering-bearer; all carved in high-relief; mounted on a custom-made display stand.

The vessel with integral round-section upward-facing handles, a third, round-section handle placed vertically between shoulder and upper neck to rear; laurel sprigs to the neck with traces of gilding; combat scene with Amazons (and Trojans?) below, armed with short swords and crescent shields, most wearing an exomis leaving the shoulder and one breast uncovered; volute palmettes below both side-handles, a panel of tiered and swirling volutes to the rear, all on a band of egg-moulding, repeated around the rim; possibly Apulian or Campanian; restored.

Composed of a shallow bowl and broad flange rim, two integral scalloped handles with scrolled flourishes, tapering to a loop handle with swan head terminals each with incised eye and beak detailing; perforated whirl within roundel to interior base; accompanied by a custom-made display stand.

Modelled in the round with a fragment of stand to the rear; the figure carefully carved to exhibit the delicate facial features and elaborate hairstyle; the palla drawn up over the head and falling over the shoulders to the upper arms; a diadem to the brow with foliage and tendril detailing; elaborate earrings with dangles; necklace of fusiform and tubular beads and a longer one below with piriform plaques; large disc brooch to the left breast with dangles; peplos-style dress draped across the body beneath the palla; left arm bent and hand passing across the body to grasp the hem of the palla with a herringbone bracelet at the wrist; the palla displayed pinned with rosettes to the rear panel; with inscription of thirteen Palmyrene characters above the left shoulder 'NRW' // BRT // 'QM' // ḤBL' meaning 'daughter of Aqima'; traces of red and green pigment; mounted on a custom-made stand by Colin Bowles Ltd.

In a rectangular matrix; cream, olive, pink and other tesserae depicting a bird advancing with head bowed, with banded frame.

Modelled naturalistically in the round, directing his gaze upwards left, the eyes with sculpted pupils originally decorated with stone insertions, his face framed by voluminous short curls swept up off the forehead, sideburns and a moustache.

In a rectangular matrix; cream, olive, pink and other tesserae depicting a perching bird with rosette above.

Divided into six sections by Christogram letters chi and rho, two of the segments with Greek letters alpha and omega, the other four segments with floral ornaments; a laurel wreath to the edge; mounted on a custom-made display stand.

Written across two principal faces and three side edges, reading: 1-2) Say to Zakur-ahum, thus says Uzazza, your brother. 3) I have read the tablet you sent me. You wrote to me as follows: 4-5)'Five nomadic Suteans plundered the district of Zippat and I sent a troop. 6-7) I drove them back. I prevented them from taking anything. 7-8) So this troop left empty-handed. It is to be feared that they will go to the land of Arrapha and raise havoc, take action!' 11) This is what you wrote to me, and I rejoiced greatly. 12) In your tablet is written:'500 nomadic Suteans'. 13) Now, your servants whom you sent to me told me this: 14) 'A troop of 1,500 men has come. 15) Among them were many men with bows.'16 This is what they told me. Now never 17) have there been archers among the nomad-Suteans. 18) Is it not to be feared that the heavily-equipped 19) part of a foreign army is here itself comprising the nomad-Suteans with their bows? 20) The (result of the) divination I found said: 'Fire will devour the base of the reed.' 21) [...] its ... will not reach me. 22-23) [Now], shall I rejoice over the heavily equipped troop (that is) there? 24) [...]. 25-26) Now investigate this troop. 26-27) Send a full report urgently one way or the other, 28-29) so that I may circulate [a swift messenger] so that 29-30) the whole country may be gathered [in my fortresses] and so that I may take action. 31-33) Moreover, earlier, nomadic Suteans assaulted the palace cowherds one evening and 33-34) carried away all the cows from the palace. They left nothing behind. 35-36) There are none left, including the cows they had been entrusted with that evening. The next day, 37) a rescue troop (sent) by Ašrum, in pursuit of them 38) went as far as the banks of the Euphrates, but 39 returned empty-handed. 39) Another thing, 40) concerning what you wrote to me: 41-42) 'Looters set up a siege instrument- kalbanatum against a fortified farm and killed people. In addition, they carried off ten oxen. 43) And Ašrum went in there. Check that 44 their oxen no longer disappear.' This is what you wrote to me. 45-46) Now, shall I rejoice in this matter, or shall I [not] [...] them [...]. 47-48) Now, is there a plunderer who can plunder on my watch? Now, when I hear (about them) 49-50) and as soon as I send a message, do I not put them on the pal? No doubt 51-52) these people are foreigners, but you consider them to be Arrapha inhabitants! Now, precisely according to what you've written to me, 53-54) I'm going to send a fast messenger to the very interior of Arrapha and carry out a check. ; repaired.

Written over two faces; lentoid cross-section.

Matched pair of Samnite triangular breast and backplates, a suite of 'triple-disc' type, each with three repoussé panels with carinated rim, flat spandrel above and curved on the lower sides, with perforated edges to affix to a separate mail garment; rivetted loops to the shoulders for attachment of supporting straps, and similar lateral loops with portion of round-link chain in situ; mounted on a custom-made stand.

Montefortino helmet with bulbous domed skull and a plain crest knob with flattened top; plain and flat neck guard with thickened rim; the front with punched Latin inscription 'A N CFN'; the surface largely covered in marine encrustations; accompanied by a custom-made display stand.

Finely knapped lentoid-section dagger with lateral recesses and square butt; old collector's label '281'.

Long blade with small portion of cortex at the upper end, sharply tapering point with edges worked from both sides.

A slightly bent irregular bar of hacked gold with rectangular cross-section, showing evidence of compression and fracture to each end, some subtle transverse lines on both of the main surfaces.

The substantial heater-shaped plaque with spectacular openwork Urnes style design, the standing beast with entwined tendrils, pronounced head at the apex, narrow ledge to the reverse and rivet holes to each corner with two rivets remaining.

Of tubular form with flared rim and applied collar to the foot, applied trails to the sidewall and four rows of prunts with applied blue-glass ornament.

With a slender D-section hoop, bevelled rectangular cell set with a garnet cabochon; satellite settings at the corners, each with a green cabochon (one absent), the ring preserved in the same condition as it was when found.

With plain circular hoop and square diamond-shaped bezel with replicant natural diamond crystal.

Broadly rectangular in cross-section and constructed from two sheets of gold; the external hoop carrying an etched decorative design comprised of a row of eight-armed stars in relief with a prominent horizontal line connecting the stars; the internal hoop with Latin inscription in block capitals reading '+FORTES FORTVNA IVVAT' translating to 'fortune favours the brave/strong'; straightened.

With integral handle shaped as an animal head, sub-circular filling hole, radiating raised lines to the shoulder; a palm leaf to base. 86 grams, 85 mm wide



Acquired before 1990s/early 2000s. From the family collection of Jack Lyttle (1944-2023), Kilmacolm, Scotland; thence by descent to his granddaughter. Property of an East Sussex, UK, gentleman.

With a carinated hoop, notched shoulders supporting a circular bezel with two stylised birds. 4.02 grams, 21.25 mm overall, 17.03 mm internal diameter (approximate size British N, USA 6 1/2, Europe 13.72, Japan 13)



Private collection formed since the 1940s. UK art market. Property of an Essex gentleman.

With square plaque, incuse Daniel in orans pose flanked by two lions. 4.41 grams, 22.27 mm overall, 18.61 mm internal diameter (approximate size British P, USA 7 1/2, Europe 16.23, Japan 15)



From a UK private collection, before 1980.

Cross pommee with roundels to the centre and each arm; suspension loop. 4.96 grams, 39 mm



Acquired on the UK art market before 2000. Property of a Surrey, UK, collector.

Comprising a discoid plaque with filigree rosette to the rim, applied foil leaves and central filigree rosette; wire loop below with carnelian dangle; suspension loop with lapis lazuli, glass and gold-granule collars. 3.1 grams, 53 mm



UK private collection formed before 2000. Ex North London, UK, gallery.

Corner piece with polished face; an old handwritten label to the side reading 'Stone from "Ananiani's" house Damascus May 1861'. 182 grams, 82 mm



Found Damascus, Syria, in May 1861. UK private collection. Property of a Nottinghamshire gentleman. With a late 19th century handwritten identification label attached.

The Chapel of San Anania is a religious building located in a two-room crypt in Damascus, approximately four meters below the current street level, reachable by descending a staircase of twenty-three steps from the courtyard of a house that traditionally is attributed to Ananias, the Christian martyr who helped Saul (who became Paul the Apostle), baptised him and helped him hide and leave Damascus, after he had attracted the hatred of the Jews who had organised his killing. It is an apse of an Eastern Roman basilica from the 5th-6th century, cited several times by Arab historical sources such as al-Mussalabeh (of the Holy Cross), brought to light by the excavations carried out by the count Eustache de Lorey.

Group of two bronze lamps comprising: one with heart-shaped body, squat nozzle with recessed disc finial, hinged lid shaped as a scallop, basal disc with square hole to accept a stand, two curled arms at the rear forming the handle with thumb-pad formed as a perching bird; one slipper-shaped with ovoid nozzle, scooped conical lid with regular piercings, piriform basal ring, curved arm to the rear developing to a leaf-shaped reflector. 748 grams total, 10-14.5 cm



Collected from the 1950s-1980s by a distinguished university professor who served as Department Head, Dean and Vice President for a major university. Ex Emeritus collection, North America. Accompanied by a copy of a Spanish export licence.

Comprising: one with a low-relief Corpus Christi; one with five incised ring-and-dot markings; one with a square central panel and short arms with knop finials; one with conical arms, loop partially absent. 18.4 grams total, 24-45 mm



From the collection of a High Wycombe, Buckinghamshire, UK, gentleman, circa 2000.

Comprising: a penannular bronze earring pair with integral granulated pendant drops; a bronze penannular pair with thick hoop, a white stone bead attached with coiled wire to the hoop; a pair of silver earrings with round-section hoops; a pair of annular bronze hoops with collars, one with a blue glass bead and the other with a collared silver bead. 35.2 grams total, 31-44 mm



Acquired in the 1980s-1990s. Property of a Nottinghamshire gentleman.

Sub-rectangular in form with three polished faces; old handwritten label to one side reading 'Stone from Golden Gate Jerusalem July 1861'. 165 grams, 66 mm



Found Jerusalem in July 1861. UK private collection. Property of a Nottinghamshire gentleman. With a late 19th century handwritten identification label attached.

The Golden Gate, so called in Christian literature, or She'ar Harahamim ('Gate of Mercy') is the oldest of the city gates of the Old City of Jerusalem. It is located on the eastern side of the ancient city walls and it is believed that the meeting at the Golden Gate of Saint Joachim and Saint Anne took place there, an episode depicted in various pictorial cycles dedicated to the life of Saint Anne (including the one by Giotto in the Scrovegni chapel in Padua). The current gate was probably built on the ruins of the older one, in the 6th century A.D., as part of Justinian's building program. According to another theory, the construction took place at the end of the 7th century, by Roman craftsmen hired by the Umayyad caliphs.

Of boot-type with rounded body and short cylindrical neck; lug handle to the rear. 200 grams, 10.2 cm



Acquired before 1990s/early 2000s. From the family collection of Jack Lyttle (1944-2023), Kilmacolm, Scotland; thence by descent to his granddaughter. Property of an East Sussex, UK, gentleman.

Group of tabular weights with markings including incised cross, monogram 'Z', 'N', NE monogram and others. 43.9 grams total, 10-20 mm



Ex Simmons Gallery, London E11, UK, in the 1990s. From a North London collection.