A section of tomb wall with a central register of eight rectangular panels each containing hieroglyphs naming offerings for the deceased; the top and bottom groups of eight rectangular panels each contain a depiction of a kneeling offering-bearer; all carved in high-relief; mounted on a custom-made display stand.

The vessel with integral round-section upward-facing handles, a third, round-section handle placed vertically between shoulder and upper neck to rear; laurel sprigs to the neck with traces of gilding; combat scene with Amazons (and Trojans?) below, armed with short swords and crescent shields, most wearing an exomis leaving the shoulder and one breast uncovered; volute palmettes below both side-handles, a panel of tiered and swirling volutes to the rear, all on a band of egg-moulding, repeated around the rim; possibly Apulian or Campanian; restored.

Composed of a shallow bowl and broad flange rim, two integral scalloped handles with scrolled flourishes, tapering to a loop handle with swan head terminals each with incised eye and beak detailing; perforated whirl within roundel to interior base; accompanied by a custom-made display stand.

Modelled in the round with a fragment of stand to the rear; the figure carefully carved to exhibit the delicate facial features and elaborate hairstyle; the palla drawn up over the head and falling over the shoulders to the upper arms; a diadem to the brow with foliage and tendril detailing; elaborate earrings with dangles; necklace of fusiform and tubular beads and a longer one below with piriform plaques; large disc brooch to the left breast with dangles; peplos-style dress draped across the body beneath the palla; left arm bent and hand passing across the body to grasp the hem of the palla with a herringbone bracelet at the wrist; the palla displayed pinned with rosettes to the rear panel; with inscription of thirteen Palmyrene characters above the left shoulder 'NRW' // BRT // 'QM' // ḤBL' meaning 'daughter of Aqima'; traces of red and green pigment; mounted on a custom-made stand by Colin Bowles Ltd.

In a rectangular matrix; cream, olive, pink and other tesserae depicting a bird advancing with head bowed, with banded frame.

Modelled naturalistically in the round, directing his gaze upwards left, the eyes with sculpted pupils originally decorated with stone insertions, his face framed by voluminous short curls swept up off the forehead, sideburns and a moustache.

In a rectangular matrix; cream, olive, pink and other tesserae depicting a perching bird with rosette above.

Divided into six sections by Christogram letters chi and rho, two of the segments with Greek letters alpha and omega, the other four segments with floral ornaments; a laurel wreath to the edge; mounted on a custom-made display stand.

Written across two principal faces and three side edges, reading: 1-2) Say to Zakur-ahum, thus says Uzazza, your brother. 3) I have read the tablet you sent me. You wrote to me as follows: 4-5)'Five nomadic Suteans plundered the district of Zippat and I sent a troop. 6-7) I drove them back. I prevented them from taking anything. 7-8) So this troop left empty-handed. It is to be feared that they will go to the land of Arrapha and raise havoc, take action!' 11) This is what you wrote to me, and I rejoiced greatly. 12) In your tablet is written:'500 nomadic Suteans'. 13) Now, your servants whom you sent to me told me this: 14) 'A troop of 1,500 men has come. 15) Among them were many men with bows.'16 This is what they told me. Now never 17) have there been archers among the nomad-Suteans. 18) Is it not to be feared that the heavily-equipped 19) part of a foreign army is here itself comprising the nomad-Suteans with their bows? 20) The (result of the) divination I found said: 'Fire will devour the base of the reed.' 21) [...] its ... will not reach me. 22-23) [Now], shall I rejoice over the heavily equipped troop (that is) there? 24) [...]. 25-26) Now investigate this troop. 26-27) Send a full report urgently one way or the other, 28-29) so that I may circulate [a swift messenger] so that 29-30) the whole country may be gathered [in my fortresses] and so that I may take action. 31-33) Moreover, earlier, nomadic Suteans assaulted the palace cowherds one evening and 33-34) carried away all the cows from the palace. They left nothing behind. 35-36) There are none left, including the cows they had been entrusted with that evening. The next day, 37) a rescue troop (sent) by Ašrum, in pursuit of them 38) went as far as the banks of the Euphrates, but 39 returned empty-handed. 39) Another thing, 40) concerning what you wrote to me: 41-42) 'Looters set up a siege instrument- kalbanatum against a fortified farm and killed people. In addition, they carried off ten oxen. 43) And Ašrum went in there. Check that 44 their oxen no longer disappear.' This is what you wrote to me. 45-46) Now, shall I rejoice in this matter, or shall I [not] [...] them [...]. 47-48) Now, is there a plunderer who can plunder on my watch? Now, when I hear (about them) 49-50) and as soon as I send a message, do I not put them on the pal? No doubt 51-52) these people are foreigners, but you consider them to be Arrapha inhabitants! Now, precisely according to what you've written to me, 53-54) I'm going to send a fast messenger to the very interior of Arrapha and carry out a check. ; repaired.

Written over two faces; lentoid cross-section.

Matched pair of Samnite triangular breast and backplates, a suite of 'triple-disc' type, each with three repoussé panels with carinated rim, flat spandrel above and curved on the lower sides, with perforated edges to affix to a separate mail garment; rivetted loops to the shoulders for attachment of supporting straps, and similar lateral loops with portion of round-link chain in situ; mounted on a custom-made stand.

Montefortino helmet with bulbous domed skull and a plain crest knob with flattened top; plain and flat neck guard with thickened rim; the front with punched Latin inscription 'A N CFN'; the surface largely covered in marine encrustations; accompanied by a custom-made display stand.

Finely knapped lentoid-section dagger with lateral recesses and square butt; old collector's label '281'.

Long blade with small portion of cortex at the upper end, sharply tapering point with edges worked from both sides.

A slightly bent irregular bar of hacked gold with rectangular cross-section, showing evidence of compression and fracture to each end, some subtle transverse lines on both of the main surfaces.

The substantial heater-shaped plaque with spectacular openwork Urnes style design, the standing beast with entwined tendrils, pronounced head at the apex, narrow ledge to the reverse and rivet holes to each corner with two rivets remaining.

Of tubular form with flared rim and applied collar to the foot, applied trails to the sidewall and four rows of prunts with applied blue-glass ornament.

With a slender D-section hoop, bevelled rectangular cell set with a garnet cabochon; satellite settings at the corners, each with a green cabochon (one absent), the ring preserved in the same condition as it was when found.

With plain circular hoop and square diamond-shaped bezel with replicant natural diamond crystal.

Broadly rectangular in cross-section and constructed from two sheets of gold; the external hoop carrying an etched decorative design comprised of a row of eight-armed stars in relief with a prominent horizontal line connecting the stars; the internal hoop with Latin inscription in block capitals reading '+FORTES FORTVNA IVVAT' translating to 'fortune favours the brave/strong'; straightened.

Group of steatite and glazed composition scarabs each with hieroglyphs to the underside, the largest with a cartouche of Amenophis III. 10.1 grams total, 13-18 mm



Ex North London, UK, gentleman, 1990s.

Olive-green glazed composition plaque with transverse piercing comprising four addorsed wedjat motifs with black detailing. 32.3 grams, 64 mm



From the private collection of Julian Bird, London, UK. Ex Den of Antiquity, Cambridgeshire, UK. Private collection of Mr T.H., Norfolk, UK. Accompanied by a previous dealer's certificate of authenticity.

Comprising: white rectangular bead with Tilapia fish in high-relief and two cobras flanking a hem ideogram; turquoise frog on heater-shaped base with serpent to the underside; green scaraboid with wedjat to the carapace, Hathor sistrum with cow's horns to the underside; green ram-headed scaraboid with hieroglyphs to the underside; green cylinder with scarab motif; green wedjat with a cartouche of Thutmose III to the reverse; green rectangular bead with djed pillar flanked by ostrich feathers and incuse hieroglyphs to the reverse. 14.3 grams total, 14-27 mm



Two amulets with Bonhams, London, Knightsbridge, UK, 3 October 2000, lot 385 [Part]. Private Swiss collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11593-198956. Accompanied by a copy of the relevant Bonhams catalogue pages.

Glazed composition amuletic pendant of lioness-headed goddess Sekhmet seated on a throne with sceptre held to her chest. 4.75 grams, 39 mm



From the collection of Mr A.M. Ex Artemission, London SW5, UK. Private collection of Mr T.H., Norfolk, UK. Accompanied by a previous dealer's certificate of authenticity and invoice.

Amuletic pendant of seated Isis, wearing a cow's horn headdress with a solar disc, suckling the infant Horus with sidelock of youth, resting on her lap; mounted on a custom-made throne-shaped stand. 30.8 grams total, 65 mm high including stand



Acquired on the London art market prior to 2000. Private collection of Anthony Scammel (1937-2019). Ex Artemission, London SW5, UK. Private collection of Mr T.H., Norfolk, UK. Accompanied by a previous dealer's certificate of authenticity and invoice.

Modelled in the half-round, the figure wearing a conical hood with open front, detailed facial features and ribbed beard, left arm bent, right arm drawn across the body in the folds of a mantle, vertical border to the left chest; mounted on a custom-made stand. 48 grams, 83 mm (69 grams total, 10.9 cm high including stand)



Ex Julien Gréau (1810–1895) who was an omnivorous French collector with a predilection for antiquities. Collection of Louis-Gabriel Bellon (1819-1899), Saint-Nicolas-lez-Arras and Rouen, thence by descent. with Millon & Associes Auctions, Paris, 6th December 2021, lot 41 [Part]. Accompanied by a copy of Collection J. Gréau, Terres Cuites Grecques, by H. Hoffmann, 1891, where this piece is published.

With flared base, press-moulded facial detail, irregular arms encircling a naïve figure of a swaddled baby; old inked collector's number '113' to reverse and label with same; later drilled hole to underside. 87 grams, 82 mm



Collection of Louis-Gabriel Bellon (1819-1899), Saint-Nicolas-lez-Arras and Rouen, thence by descent. with Millon & Associes Auctions, Paris, 6th December 2021, lot 41 [Part].

Of piriform profile with lateral loop handles below the broad shoulder, short neck with flared mouth; bands of painted geometric ornament to the shoulder and equator; circular vent to one face and similar to the reverse with horizontal bar; old collector's labels '8.', 'No.357' and 'Chypre'; mounted on a custom-made display stand. 96 grams, 14 cm high (393 grams total, 15.5 cm including stand)



Collection of Louis-Gabriel Bellon (1819-1899), Saint-Nicolas-lez-Arras and Rouen; thence by descent. with Millon & Associes Auctions, Paris, 6th December 2021, lot 6.

With globular body, three stub legs, flared mouth with spur to the lip; loop handle to the rear; bands of incised geometric ornament. 119 grams, 10.6 cm



Collection of Louis-Gabriel Bellon (1819-1899), Saint-Nicolas-lez-Arras and Rouen, thence by descent. with Millon & Associes Auctions, Paris, 6th December 2021, lot 1.

The figure standing on a small discoid base, wearing a short kilt, with broad chest and slender waist; the left arm bent across the chest and the right arm raised to the forehead in an act of worship; mounted on a custom-made stand. 447 grams total, 22.4 cm high including stand



British private collection, acquired by 2000. Accompanied by a copy of an old photograph showing this item on display in a display cabinet within the previous collectors home. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11950-210856.

Pendant with crescentic body and beast-head finials, vertical upstand with loop finial, three loops beneath with bulbous dangles; mounted on a custom-made stand. 188 grams total, 11 cm including stand



Ex Rosenson collection, New York, 1990s. Acquired from Arte Primitivo, New York City, U.S.A., circa 2010. Private collection of Professor Kenneth Graham, London, UK.

The head covered by a small low-top cap; sharp and pronounced nose, prominent eyebrows, small swollen mouth; the hair divided into two braids; mounted on a custom-made display stand. 53 grams total, 91 mm including stand



Ex Frank Sternberg collection, Zürich, Switzerland, circa 1980-1985. Property of an East Sussex, UK, private collector.

Despite being stylised representations, these bronzes detail the material culture of warriors, tribal leaders, priests, athletes, men and women of the late Bronze Age and Iron Age Sardinian society.