Home > Auctions > 5 - 9 December 2023
Ancient Art, Antiquities, Natural History & Coins
Auction Highlights:
Found Lincolnshire, UK.
Cf. Williams, D., Late Saxon Stirrup-Strap Mounts, York, 1997, items 102-113.
Found Southern England.
Acquired on the UK art market in the 1980s.
From an East Anglian private collection.
Cf. Williams, D., Late Saxon Stirrup-Strap Mounts, York, 1997, item 566, for type.
Found Harston, Cambridgeshire, UK.
Ex Essex collection formed in the 1980s.
From the collection of Dirk Kennis, Belgium.
See Bain, G., Celtic Art - The Methods of Construction, reprinted London, 1996.
The 'key pattern' design appears in Irish and Scottish (Pictish) metalwork and carved stone such as the Nigg Stone (Ross Shire, Scotland) as well as in the borders of the Book of Kells. Recorded, studied, and determined by the Secretary of State’s Expert Adviser as an object of cultural interest. The Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest (RCEWA) considered an application to export this object. The Committee concluded that the object satisfied the third Waverley criterion and is therefore currently not exportable.
Found while searching with a metal detector near Micheldever, near Winchester, Hampshire, UK, on Sunday 17th March 2013.
Accompanied by a copy of the British Museum's Portable Antiquities Scheme (PAS) report no.HAMP-A0905A.
Cf. Marzinzik, S., Early Anglo-Saxon Belt Buckles (Late 5th to 8th centuries AD.), BAR British Series 357, Oxford, 2003, for similar frames from Mucking II, Essex, Grave 823 (pl.82, p.199, no.914a) and from Highdown, West Sussex, Grave 34 (pl.83, p.200, no.581).
Examples are found in southern and eastern England and date broadly from the sixth century (Marzinzik, 2003, 24-5, pl.16).
Ex Colchester, UK, collection, formed 1980s-1990s.
From the collection of Dirk Kennis, Belgium.
Cf. a similar lozengiform brooch in the collection of Market Hall Museum, Warwick under Accession no. 53/11726; Hammond, B., British Artefacts vol.2 - Middle Saxon & Viking, Witham, 2010 p.44-5; Weetch, R., Brooches in Late Anglo-Saxon England within a North West European Context: A Study of Social Identities Between the Eighth and Eleventh Centuries, Unpublished PhD Thesis: University of Reading, 2013.
Lozenge brooches (known as Weetch (2014) Type 31.C ) are not a frequently found type in British archaeology; the British Museum's records list only 34 such items, almost all found in the East Midlands or the Winchester area. Recorded, studied, and determined by the Secretary of State’s Expert Adviser as an object of cultural interest. The Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest (RCEWA) considered an application to export this object. The Committee concluded that the object satisfied the third Waverley criterion and is therefore currently not exportable.
Found Southern England.
Acquired on the UK art market in the 1980s.
From an East Anglian private collection.
Cf. Carver, M., Sutton Hoo. A Seventh Century Princely Burial Ground and its Context, London, 2005, p.234 and fig.115, for discussion of bridle fittings.
The 'zoned' layout of the piece strongly recalls some of the design elements in Kentish disc brooches, where the cells contain inlaid garnets, millefiori glass, meerschaum and other materials (see Arrhenius, B., Merovingian Garnet Jewellery, Stockholm, 1985, figs. 188-193).
Found U.K.
British private collection, acquired by 2000.
Cf. Hines, J., A New Corpus of Anglo-Saxon Great Square-Headed Brooches, London, 1997, items 11(a) Linton Heath for headplate, 17(b) Rothley, for foot.
The meaning of the 'facing mask' motif is probably related to the profile masks so frequently used in Style I art, where the 'pellet' eye is enclosed by an arched frame: the 'facing mask' repeats this motif to produce a pair of eyes in a doubled 'bow'. An element of visual 'riddling' is no doubt present: the design is neither one thing nor the other, but includes elements of both. Distribution of great square-headed brooches was initially concentrated along the valleys of the Rivers Trent, Thames and Severn, though it was later confined to the East Midlands and East Anglia (Hines, 1997, figs. 101, 102).
Found Haddenham near Ely, Cambridgeshire, UK.
From the collection of Dirk Kennis, Belgium.
Cf. Youngs, S. (ed.), The Work of Angels. Masterpieces of Celtic Metalwork, 6th-9th centuries AD, London, 1989, item 183, a disc mount from the Brough of Birsay, Orkney with similar applied spiral motifs.
The cells on the mount were intended to be filled with coloured enamel to produce a rich polychrome effect. Recorded, studied, and determined by the Secretary of State’s Expert Adviser as an object of cultural interest. The Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest (RCEWA) considered an application to export this object. The Committee concluded that the object satisfied the third Waverley criterion and is therefore currently not exportable.
Found Saxmundham, Suffolk, in the 1980s.
From the collection of Dirk Kennis, Belgium.
Cf. Hammond, B., British Artefacts vol.2 - Middle Saxon & Viking, Witham, 2010; Webster, L. & Backhouse, J., The Making of England. Anglo-Saxon Art and Culture AD 600-900, London, 1991, item 138 (Gandersheim), 185.
Details of the decoration recall later 8th century items, such as the lobed tendrils and triquetra motifs on the Franks Casket; the regular disposition of elements recalls a shrine mount from Peterborough (Hammond, 1.12-d) and disc-headed pins (Hammond, 1.10-g, h). Recorded, studied, and determined by the Secretary of State’s Expert Adviser as an object of cultural interest. The Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest (RCEWA) considered an application to export this object. The Committee concluded that the object satisfied the third Waverley criterion and is therefore currently not exportable.
Believed to be found by Mr Bramble, UK.
Recorded and conserved by Gloucestershire museum and held in a museum conservation box.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11977-210855.
Acquired UK art market, 1980s-1990s.
Property of a Suffolk, UK, gentleman collector.
Acquired in the 1980s.
with Christopher Sheppard, London, UK.
Acquired from the above in 2007.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11978-210905.
See prunted beaker in the Getty Museum under accession no.84.DK.528, for general type; see also the Metropolitan Museum of Art, accession no.2010.521, for type.
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