A section of tomb wall with a central register of eight rectangular panels each containing hieroglyphs naming offerings for the deceased; the top and bottom groups of eight rectangular panels each contain a depiction of a kneeling offering-bearer; all carved in high-relief; mounted on a custom-made display stand.

The vessel with integral round-section upward-facing handles, a third, round-section handle placed vertically between shoulder and upper neck to rear; laurel sprigs to the neck with traces of gilding; combat scene with Amazons (and Trojans?) below, armed with short swords and crescent shields, most wearing an exomis leaving the shoulder and one breast uncovered; volute palmettes below both side-handles, a panel of tiered and swirling volutes to the rear, all on a band of egg-moulding, repeated around the rim; possibly Apulian or Campanian; restored.

Composed of a shallow bowl and broad flange rim, two integral scalloped handles with scrolled flourishes, tapering to a loop handle with swan head terminals each with incised eye and beak detailing; perforated whirl within roundel to interior base; accompanied by a custom-made display stand.

Modelled in the round with a fragment of stand to the rear; the figure carefully carved to exhibit the delicate facial features and elaborate hairstyle; the palla drawn up over the head and falling over the shoulders to the upper arms; a diadem to the brow with foliage and tendril detailing; elaborate earrings with dangles; necklace of fusiform and tubular beads and a longer one below with piriform plaques; large disc brooch to the left breast with dangles; peplos-style dress draped across the body beneath the palla; left arm bent and hand passing across the body to grasp the hem of the palla with a herringbone bracelet at the wrist; the palla displayed pinned with rosettes to the rear panel; with inscription of thirteen Palmyrene characters above the left shoulder 'NRW' // BRT // 'QM' // ḤBL' meaning 'daughter of Aqima'; traces of red and green pigment; mounted on a custom-made stand by Colin Bowles Ltd.

In a rectangular matrix; cream, olive, pink and other tesserae depicting a bird advancing with head bowed, with banded frame.

Modelled naturalistically in the round, directing his gaze upwards left, the eyes with sculpted pupils originally decorated with stone insertions, his face framed by voluminous short curls swept up off the forehead, sideburns and a moustache.

In a rectangular matrix; cream, olive, pink and other tesserae depicting a perching bird with rosette above.

Divided into six sections by Christogram letters chi and rho, two of the segments with Greek letters alpha and omega, the other four segments with floral ornaments; a laurel wreath to the edge; mounted on a custom-made display stand.

Written across two principal faces and three side edges, reading: 1-2) Say to Zakur-ahum, thus says Uzazza, your brother. 3) I have read the tablet you sent me. You wrote to me as follows: 4-5)'Five nomadic Suteans plundered the district of Zippat and I sent a troop. 6-7) I drove them back. I prevented them from taking anything. 7-8) So this troop left empty-handed. It is to be feared that they will go to the land of Arrapha and raise havoc, take action!' 11) This is what you wrote to me, and I rejoiced greatly. 12) In your tablet is written:'500 nomadic Suteans'. 13) Now, your servants whom you sent to me told me this: 14) 'A troop of 1,500 men has come. 15) Among them were many men with bows.'16 This is what they told me. Now never 17) have there been archers among the nomad-Suteans. 18) Is it not to be feared that the heavily-equipped 19) part of a foreign army is here itself comprising the nomad-Suteans with their bows? 20) The (result of the) divination I found said: 'Fire will devour the base of the reed.' 21) [...] its ... will not reach me. 22-23) [Now], shall I rejoice over the heavily equipped troop (that is) there? 24) [...]. 25-26) Now investigate this troop. 26-27) Send a full report urgently one way or the other, 28-29) so that I may circulate [a swift messenger] so that 29-30) the whole country may be gathered [in my fortresses] and so that I may take action. 31-33) Moreover, earlier, nomadic Suteans assaulted the palace cowherds one evening and 33-34) carried away all the cows from the palace. They left nothing behind. 35-36) There are none left, including the cows they had been entrusted with that evening. The next day, 37) a rescue troop (sent) by Ašrum, in pursuit of them 38) went as far as the banks of the Euphrates, but 39 returned empty-handed. 39) Another thing, 40) concerning what you wrote to me: 41-42) 'Looters set up a siege instrument- kalbanatum against a fortified farm and killed people. In addition, they carried off ten oxen. 43) And Ašrum went in there. Check that 44 their oxen no longer disappear.' This is what you wrote to me. 45-46) Now, shall I rejoice in this matter, or shall I [not] [...] them [...]. 47-48) Now, is there a plunderer who can plunder on my watch? Now, when I hear (about them) 49-50) and as soon as I send a message, do I not put them on the pal? No doubt 51-52) these people are foreigners, but you consider them to be Arrapha inhabitants! Now, precisely according to what you've written to me, 53-54) I'm going to send a fast messenger to the very interior of Arrapha and carry out a check. ; repaired.

Written over two faces; lentoid cross-section.

Matched pair of Samnite triangular breast and backplates, a suite of 'triple-disc' type, each with three repoussé panels with carinated rim, flat spandrel above and curved on the lower sides, with perforated edges to affix to a separate mail garment; rivetted loops to the shoulders for attachment of supporting straps, and similar lateral loops with portion of round-link chain in situ; mounted on a custom-made stand.

Montefortino helmet with bulbous domed skull and a plain crest knob with flattened top; plain and flat neck guard with thickened rim; the front with punched Latin inscription 'A N CFN'; the surface largely covered in marine encrustations; accompanied by a custom-made display stand.

Finely knapped lentoid-section dagger with lateral recesses and square butt; old collector's label '281'.

Long blade with small portion of cortex at the upper end, sharply tapering point with edges worked from both sides.

A slightly bent irregular bar of hacked gold with rectangular cross-section, showing evidence of compression and fracture to each end, some subtle transverse lines on both of the main surfaces.

The substantial heater-shaped plaque with spectacular openwork Urnes style design, the standing beast with entwined tendrils, pronounced head at the apex, narrow ledge to the reverse and rivet holes to each corner with two rivets remaining.

Of tubular form with flared rim and applied collar to the foot, applied trails to the sidewall and four rows of prunts with applied blue-glass ornament.

With a slender D-section hoop, bevelled rectangular cell set with a garnet cabochon; satellite settings at the corners, each with a green cabochon (one absent), the ring preserved in the same condition as it was when found.

With plain circular hoop and square diamond-shaped bezel with replicant natural diamond crystal.

Broadly rectangular in cross-section and constructed from two sheets of gold; the external hoop carrying an etched decorative design comprised of a row of eight-armed stars in relief with a prominent horizontal line connecting the stars; the internal hoop with Latin inscription in block capitals reading '+FORTES FORTVNA IVVAT' translating to 'fortune favours the brave/strong'; straightened.

With beast facing right, head turned back left; tail curled above to meet the head; within an annulet border with suspension loop above. 5.59 grams, 28 mm high



Private collection formed in Europe in the 1980s. Westminster collection, central London, UK.

Displaying facetted terminals displaying punched circlets, pelletted triangles and faux ropework to the body and faux ropework to the articulate pin head. 21.9 grams, 39 mm wide



From the collection of a North American gentleman, formed in the 1990s.

Penannular brooches with facetted terminals were part of the famous Kostivere hoard, found in Estonia, deposited in around 1220-1230 during the wars of Estonians against the Germans and Danes. The annular brooches with animal ornaments in Urnes style were considered by the archaeologists definitely Scandinavian, more specifically from Gotland.

With complex beast left, facing back to the right, gripping a tendril, within a double rope border with filigree annulets in the field; suspension loop to the apex, decorated with filigree pellets within annulets. 7.57 grams, 49 mm high



Private collection formed in Europe in the 1980s. Westminster collection, central London, UK.

Zoomorphic, in the form of a bird with wing and feather detailing highlighted in filigree, the suspension tube forming the bird's head, curved beak below, beaded filigree collars and coiled wire to each arm of the suspension loop. 5.46 grams, 43 mm



Private collection formed in Europe in the 1980s. Westminster collection, central London, UK.

Decorated with filigree wire borders and a granulated field, truncated conical bosses also adorned with granules, granules forming lozenges to the tubular suspension loop. 7.22 grams, 45 mm



From the collection of a North American gentleman, formed in the 1990s.

With fusiform hexagonal-section crystal bead modified for use as a pendant with the addition of a bronze collar bearing stamped 'bowtie' motifs attached to two lateral straps converging at the end to form a knotted and looped bail; finial formed as a beast-head with raised snout and piriform eyes, shallow flange ears, slanted muzzle; thick bronze wire suspension loop with ends twisted around the shank. 42.01 grams, 83 mm high



Private collection formed in Europe in the 1980s. Westminster collection, central London, UK.

Comprising two discoid pendants displaying Odin gripping two ravens; one with suspension loop. 3.51 grams total, 21 mm each



From the collection of a North American gentleman, formed in the 1990s.

Composed of an elliptical domed body decorated with a transverse band of ribbed decoration featuring four facing masks with pellet eyes; the outer fields with zoomorphic tendril designs edged by a ropework border; geometric motif to the flange; transverse bar and remains of some fitting elements to reverse. 71 grams, 93 mm



From the collection of a North American gentleman, formed in the 1990s.

Comprising: two examples of a long and narrow tongue-shaped type (Paulsen's Gruppe V 2A, Untergruppe C) with scooped upper edge and palmette motif to the centre, a vertical band of reserved stylised ring-chain decoration on a pounced field, long lateral straps and a knop finial (one with an upper arm absent); a subtriangular type (Paulsen's Gruppe I 2, Untergruppe C) with central openwork panel displaying a bird in flight with the fan-shaped tail marked with radiating lines, trilinear bands to the outer sides, upper edges angled and with a lozengiform 'knot' at the apex; a long and rounded tongue-shaped type (Paulsen's Gruppe I 1) with an openwork centre and Ringerike Style bird formed with looped bands, pellets to the pinions, a triangular in plan head joined to the inner faces of the ropework border forming the upper edge of the chape, with a wolf's head at the apex and stepped knop finial (one face damaged); a single plate from a chape of the same type (Gruppe I 1) with a rounded lower edge and the apex absent. 158 grams total, 59-75 mm



From the collection of a North American gentleman, formed in the 1990s.

The slender, tongue-shaped elongated form (Gruppe V2A, Untergruppe C) is regarded by Paulsen (p.118) as Latvian in origin ("Lettland") and 11th century in date. The broader openwork form (Gruppe I 2, Untergruppe C) is associated with the Baltic island of Gotland, which was a major entrepot in the trade network connecting Sweden with the eastern Baltic and the riverine passage south to the Mediterranean; a 10th century date is preferred for this type. The long openwork form (Gruppe I 1) is Scandinavian in origin and appears first in the 10th century; Paulsen's figure 6 from Oland, Sweden, is a close match to the complete example included here.

The substantial heater-shaped plaque with spectacular openwork Urnes style design, the standing beast with entwined tendrils, pronounced head at the apex, narrow ledge to the reverse and rivet holes to each corner with two rivets remaining. 31 grams, 64 mm



Found Norfolk, UK.

Of Williams's Class A Type 10b, a heater-shaped plaque with pierced lug at the apex, two piercings below, low-relief openwork Urnes style design with standing beast and entwined tendrils, narrow ledge to the reverse. 28.3 grams, 53 mm



Found Berkshire, UK.

The mount has the decorative scheme of Williams's Class A Type 10b but its proportions are closer to his Class A Type 11 with a narrow and elongated upper knop.

Of Williams's Group 1 type 11C with raised frame, trefoil below the loop, high-relief wolf image, two holes to lower edge and ledge to the reverse. 26.2 grams, 48 mm



Acquired on the UK art market in the 1990s. Property of a Stowmarket, UK, gentleman.