Knapped bifacial tan knife with fishtail butt to receive a hilt; the rounded tip tapering and flaring along the edges; with a custom-made display stand.

Naturalistically modelled and coloured blue, hieroglyphs on base; pierced for suspension.

Comprising a tall, plain body with two rosettes; crowned by an elaborate palmette and volute design with shallow acanthus stalks and small rosettes; mounted on a custom-made display stand.

The squat oil flask with slender neck and broad everted rim, painted with rosette petals around the mouth and base, spots encircling the rim, horizontal stipes to the strap handle, vegetal motifs and the forequarters of a roaring lion to one face of the body.

Possibly depicting Ganymede or Paris, wearing a soft Phrygian cap with everted brim, the hair swept back from the face; almond-shaped eyes with pronounced eyelids, straight nose and fleshy lips; mounted on a custom-made display stand.

The piriform body with broad, stepped rim and two round-section handles; red-figure frieze depicting two standing women facing, wearing a himation and stephane; the other side with a nude standing warrior wearing an Apulo-Corinthian helmet, holding the reins of his horse, acanthus leaves, ovolo and wave motifs to the neck and lower body; probably from a Cuma workshop.

Comprising a shallow disc with central flower motif inlaid with carnelian and lapis lazuli, surrounded by a beaded border, the outer pearled border inlaid with mostly replicant lapis lazuli, and mother of pearl inserts; three pendants to the lower edge, two with chain and carnelian bead, the central pendant formed as a miniature amphora with filigree, repaired; housed in a custom-made display box.

Tousled curly hair, strong aquiline nose and full mouth; the deep eyes marked by raised eyelids and prominent semi-circular eyebrows; the hair arranged in overlapping rows of locks; repaired; mounted on a later porphyry plinth.

Mould-made and shaped as a sandaled left foot, filling-hole surrounded by a ridge in the ankle area, the sandal with two leather straps tied together near the ankle, wick-hole in the big toe; inscription 'ƩΑΛΣΙϹ' to the base, heel chipped.

Decorated with a frieze of partially preserved acanthus volutes from which emerges a figure of a winged female, possibly a siren, the body and the head of a woman with brown hair, the outstretched wings in pink and yellow; ochre background, cream-coloured line border with a green raised edge (part of the wall) below; mounted on a custom-made display stand.

The left side of a trapping for a horse pulling a chariot, comprising two hammered elements with a hinge; rectangular upper section with a loop to one end, decorated with an eagle-headed genius-demon, wearing a tunic and a fringed kilt, a shawl wrapped around the body, hanging down on the back, carrying a bucket of purifying water in his right hand and a conical pot of incense in his left hand, bracelets to arms, two rows of lotus buds above; the discoid lower section divided in two registers, each with a winged genii in combat with winged bulls; the dividing raised band with fish motifs similar to the border formed of fish; the edges of both elements with punched edges for the attachment of leather lining; Neo-Assyrian or Urartian; mounted on a custom-made display stand.

With a double-edged parallel-sided blade with broad pointed tip; the lower guard inlaid with garnet cloisonné divided into four segments; accompanied by a rectangular scabbard slide inlaid with two rows of garnets and other stone; and a part of a sheet-silver chape.

Comprising a double-edged cutting blade with tapering fullers and hefty tang; the bronze cross guard in Jellinge style with dragon head finials and a central human face to the lower edge; the pommel with seven lobes; accompanied by a bronze openwork chape with central bird motif decorated with stamped ring-and-dot design.

Of solid heavy penannular form, round in section with clubbed terminals.

With slightly tapering socket and openwork bulb above, discoid platform supporting a mounted warrior modelled in the round; horse with long vertical tail and horizontal reins, bowed legs and scrolls at the hooves; warrior astride the horse with legs bent and feet to the rear, helmet with lateral horns and large swept crest with notched edge; arms bent to show the warrior in the act of drawing his falcata sword from the scabbard worn across his midriff; mounted on a custom-made stand.

S-shaped with scrolled flourishes to the dragon-head terminals, remains of inlaid blue and red enamelling to the stylised beast heads, wave and lozenge ornament to the body; free-running tongue with head coiled around the neck of one of the creatures; Romano-British.

With high-relief aviform head and wings and looped ornamental swags, knotwork panels in the field; two holes for mounting; possibly a book-mount, Hiberno-Saxon workmanship.

An excessively rare and almost complete copper-alloy hanging bowl and associated fittings comprising: (i) the bowl with three attached matching hooked escutcheons and suspension rings (ii) the basal disc (iii) a body fragment (or possible repair patch) (iv) a curved bronze fragment (ii) the basal disc with separate frame (iii) fragment of copper-alloy sheet, possibly forming part of a repair to the base of the bow (iv) a curved copper-alloy strip (iv) four skeletal fragments from a sheep or similar.

Of Martin's Group 4 with rectangular headplate and florid face-masks to the three edges and conical eyes, deep bow with with square central panel, footplate with square lateral lappets, triangular face-mask finial with conical eyes; pin-lug and catchplate to the reverse; gilded surface abraded.

Of Hines's Group X with two discs on the headplate in a rectangular frame surrounded by a frieze of facing human masks, and another mask placed centrally above the junction with the bow; shallow bow with three ribs; curved horse-head lappets flanking a vertical shank with facing mask detailing, discoid lobes and an inverted mask below; pin-lugs to the reverse and solder-scar where the catchplate was attached.

Oil on board devotional panel in a gilt wooden frame; the Virgin in a bottle-green gown with gilt collar and cream undershift, crimson mantle; the naked Christ supported on his mother's left hip, his left foot clasped in the interleaved fingers of her right hand; textured gilt field; attributed to a follower of Dirk Bouts.

Openwork winged beast to the centre, its tails curling beneath the body creating the foliate tendrils on which it perches, broad outer roundel decorated with geometric plants alternating with lozenges, extensive remains of blue champlevé enamelling; engraved and chiselled; four attachment holes.

With wooden core to which the embossed sheets have been attached; the obverse with a central nimbate Corpus Christi, an applied rosette above and to the left arm; an angel to the finial of the upper and lower arm with Mary and St John the Evangelist to the side arms; the reverse with a central figure of Jesus holding the Gospel and making the sign of blessing; each finial of the arm with the symbols of the Evangelists (eagle, angel, lion and ox); the cross resting on a floral sphere with a socket below.

Composed of a slender hoop, expanding shoulders decorated with white enamelled foliage and black enamelled pea-pod ornament, repeated around the bezel, bezel with box setting holding a table-cut ruby, white and black enamelled floral design to the underside; minor loss of enamel; likely from France; accompanied by a 'Les Enluminures' hinged presentation box.

Wedge-shaped cheeks with faceted upper and lower faces, roughly round-section socket with gently facetted collar and inverted rim; slightly convex cutting edge. 151 grams, 99 mm



Acquired on the EU art market around 2000. From the collection of a North American gentleman.

Of amorphous form with inclusions to both surfaces; accompanied by a custom-made display stand. 2 kg total, 34.5 cm high including stand



Found Cotham, Newark, Nottinghamshire, UK.

These ingots were cast in shallow scoops carved into boulders or stones at places where the ore was mined and smelted; they were then traded across the Bronze Age world as raw material.

Comprising a pair of heavy crescent-shaped penannular rings each attached to a split ring. 84 grams total, 62-63 mm



Ex old English collection. London art market, 1980s.

Flat in section and tapering to each end, coiled to secure a braid of hair. 1.01 grams, 12 mm



From a late Japanese specialist collector, 1970-2000s.

Complete and one of the best examples in the hoard; triangular flanges rise from the butt to the stop bar; below the septum a hollow to both faces; narrow body expanding to a wide triangular blade with slight flare at the tips; a rare opportunity to acquire a British Bronze Age axe from a recorded treasure hoard. 480 grams, 18 cm



Found near Manston, Kent, UK, 2016. Accompanied by copies of the British Museum's portable Antiquities Scheme (PAS) report no.KENT-495597 and disclaimed as Treasure with reference no.2016 T618.

Comprising one with single spectacle head, and another with two pairs of spectacles forming the head. 44 grams total, 13-18 cm



Ex old English collection. London art market, 1980s.

Comprising four pieces of copper 'bun' ingot, two showing characteristic edge cross-section. 556 grams total, 28-58 mm



UK gallery, early 2000s.

These bun ingots were cast in shallow saucer depressions cut into rock where the copper ore was mined and smelted; they were then carried and traded across Europe before being broken up, melted down and having tin added to form bronze alloy; fragments such as these are frequently found as part of smith's hoards of, usually, worn out tools, weapons and raw material from the Late Bronze Age.

Including a votive axehead; a broadly wedge-shaped axe head; tip of an arrowhead; together with other miscellaneous items. 81 grams total, 22-42 mm



Found from various sites in Berkshire, UK.

Each with laurel wreath design between two concentric circles. 149 grams total, 79 mm wide



Ex old English collection. London art market, 1980s.

Featuring an elliptical socket and wedge-shaped cheeks. 954 grams, 17.5 cm



Acquired 1990s-early 2000s. East Anglian private collection.

With ogival sides, a raised mid-rib and lozenge-shaped shoulders, remains of the tang with a hole for the insertion of the fastening rivet. 223 grams, 31.5 cm



Acquired in the late 19th century. Ex private collection, Liverpool, UK. Helios Gallery Antiquities, Wiltshire, UK. Private collection, Preston, UK. Accompanied by a certificate of authenticity from Helios Gallery no.H3163r.

The top of the sword is missing, and the shape of the blade resembles that of swords of the late European Bronze Age, but the particular shape of the central groove of the blade, which forms a three-quarter median rib before tapering towards the point, could lead one to believe that the sword was of the antennal type with median rib, like the sword from Central Italy preserved in the Calvet Museum, Avignon.

Featuring a convex cutting edge and wedge-shaped cheeks with crescentic blade; socket damaged in antiquity. 159 grams, 71 mm



UK gallery, early 2000s.