Knapped bifacial tan knife with fishtail butt to receive a hilt; the rounded tip tapering and flaring along the edges; with a custom-made display stand.

Naturalistically modelled and coloured blue, hieroglyphs on base; pierced for suspension.

Comprising a tall, plain body with two rosettes; crowned by an elaborate palmette and volute design with shallow acanthus stalks and small rosettes; mounted on a custom-made display stand.

The squat oil flask with slender neck and broad everted rim, painted with rosette petals around the mouth and base, spots encircling the rim, horizontal stipes to the strap handle, vegetal motifs and the forequarters of a roaring lion to one face of the body.

Possibly depicting Ganymede or Paris, wearing a soft Phrygian cap with everted brim, the hair swept back from the face; almond-shaped eyes with pronounced eyelids, straight nose and fleshy lips; mounted on a custom-made display stand.

The piriform body with broad, stepped rim and two round-section handles; red-figure frieze depicting two standing women facing, wearing a himation and stephane; the other side with a nude standing warrior wearing an Apulo-Corinthian helmet, holding the reins of his horse, acanthus leaves, ovolo and wave motifs to the neck and lower body; probably from a Cuma workshop.

Comprising a shallow disc with central flower motif inlaid with carnelian and lapis lazuli, surrounded by a beaded border, the outer pearled border inlaid with mostly replicant lapis lazuli, and mother of pearl inserts; three pendants to the lower edge, two with chain and carnelian bead, the central pendant formed as a miniature amphora with filigree, repaired; housed in a custom-made display box.

Tousled curly hair, strong aquiline nose and full mouth; the deep eyes marked by raised eyelids and prominent semi-circular eyebrows; the hair arranged in overlapping rows of locks; repaired; mounted on a later porphyry plinth.

Mould-made and shaped as a sandaled left foot, filling-hole surrounded by a ridge in the ankle area, the sandal with two leather straps tied together near the ankle, wick-hole in the big toe; inscription 'ƩΑΛΣΙϹ' to the base, heel chipped.

Decorated with a frieze of partially preserved acanthus volutes from which emerges a figure of a winged female, possibly a siren, the body and the head of a woman with brown hair, the outstretched wings in pink and yellow; ochre background, cream-coloured line border with a green raised edge (part of the wall) below; mounted on a custom-made display stand.

The left side of a trapping for a horse pulling a chariot, comprising two hammered elements with a hinge; rectangular upper section with a loop to one end, decorated with an eagle-headed genius-demon, wearing a tunic and a fringed kilt, a shawl wrapped around the body, hanging down on the back, carrying a bucket of purifying water in his right hand and a conical pot of incense in his left hand, bracelets to arms, two rows of lotus buds above; the discoid lower section divided in two registers, each with a winged genii in combat with winged bulls; the dividing raised band with fish motifs similar to the border formed of fish; the edges of both elements with punched edges for the attachment of leather lining; Neo-Assyrian or Urartian; mounted on a custom-made display stand.

With a double-edged parallel-sided blade with broad pointed tip; the lower guard inlaid with garnet cloisonné divided into four segments; accompanied by a rectangular scabbard slide inlaid with two rows of garnets and other stone; and a part of a sheet-silver chape.

Comprising a double-edged cutting blade with tapering fullers and hefty tang; the bronze cross guard in Jellinge style with dragon head finials and a central human face to the lower edge; the pommel with seven lobes; accompanied by a bronze openwork chape with central bird motif decorated with stamped ring-and-dot design.

Of solid heavy penannular form, round in section with clubbed terminals.

With slightly tapering socket and openwork bulb above, discoid platform supporting a mounted warrior modelled in the round; horse with long vertical tail and horizontal reins, bowed legs and scrolls at the hooves; warrior astride the horse with legs bent and feet to the rear, helmet with lateral horns and large swept crest with notched edge; arms bent to show the warrior in the act of drawing his falcata sword from the scabbard worn across his midriff; mounted on a custom-made stand.

S-shaped with scrolled flourishes to the dragon-head terminals, remains of inlaid blue and red enamelling to the stylised beast heads, wave and lozenge ornament to the body; free-running tongue with head coiled around the neck of one of the creatures; Romano-British.

With high-relief aviform head and wings and looped ornamental swags, knotwork panels in the field; two holes for mounting; possibly a book-mount, Hiberno-Saxon workmanship.

An excessively rare and almost complete copper-alloy hanging bowl and associated fittings comprising: (i) the bowl with three attached matching hooked escutcheons and suspension rings (ii) the basal disc (iii) a body fragment (or possible repair patch) (iv) a curved bronze fragment (ii) the basal disc with separate frame (iii) fragment of copper-alloy sheet, possibly forming part of a repair to the base of the bow (iv) a curved copper-alloy strip (iv) four skeletal fragments from a sheep or similar.

Of Martin's Group 4 with rectangular headplate and florid face-masks to the three edges and conical eyes, deep bow with with square central panel, footplate with square lateral lappets, triangular face-mask finial with conical eyes; pin-lug and catchplate to the reverse; gilded surface abraded.

Of Hines's Group X with two discs on the headplate in a rectangular frame surrounded by a frieze of facing human masks, and another mask placed centrally above the junction with the bow; shallow bow with three ribs; curved horse-head lappets flanking a vertical shank with facing mask detailing, discoid lobes and an inverted mask below; pin-lugs to the reverse and solder-scar where the catchplate was attached.

Oil on board devotional panel in a gilt wooden frame; the Virgin in a bottle-green gown with gilt collar and cream undershift, crimson mantle; the naked Christ supported on his mother's left hip, his left foot clasped in the interleaved fingers of her right hand; textured gilt field; attributed to a follower of Dirk Bouts.

Openwork winged beast to the centre, its tails curling beneath the body creating the foliate tendrils on which it perches, broad outer roundel decorated with geometric plants alternating with lozenges, extensive remains of blue champlevé enamelling; engraved and chiselled; four attachment holes.

With wooden core to which the embossed sheets have been attached; the obverse with a central nimbate Corpus Christi, an applied rosette above and to the left arm; an angel to the finial of the upper and lower arm with Mary and St John the Evangelist to the side arms; the reverse with a central figure of Jesus holding the Gospel and making the sign of blessing; each finial of the arm with the symbols of the Evangelists (eagle, angel, lion and ox); the cross resting on a floral sphere with a socket below.

Composed of a slender hoop, expanding shoulders decorated with white enamelled foliage and black enamelled pea-pod ornament, repeated around the bezel, bezel with box setting holding a table-cut ruby, white and black enamelled floral design to the underside; minor loss of enamel; likely from France; accompanied by a 'Les Enluminures' hinged presentation box.

Triangular with thick rectangular-section midrib, rounded shoulders, narrow tip, short tang with hole for fixing pin for the organic grip; accompanied by a custom-made display stand. 285 grams total, 32 cm wide including stand



Acquired 1980s-1990s. From the H.N. collection, Milton Keynes, Bedfordshire, UK.

This tanged bronze blade from Luristan belongs to a category of Luristan swords still in use in the Achaemenid Period, as proved by a blade with a perished handle (probably bone or wood) of the same type, in the National Museum of Iran (2694/15633). Examples without inscriptions like our model have been classified by Grotkamp-Schepers in the Solingen Museum as pieces from Luristan.

Roughly wedge-shaped with one broken edge and one chamfered. 280 grams, 92 mm



Found Berkshire, UK.

Of repoussé form, slightly convex in profile with two concentric bands of pierced ornament and two attachment holes at edge. 36 grams, 95 mm



Ex English collection, pre-2000. The Kusmirek Collection, UK. Accompanied by a previous dealer's certificate of authenticity.

Comprising axeheads of different types, together with a pickaxe with a small hammer-style butt. 5.48 kg total, 16-30 cm



Acquired 1990s-early 2000s. East Anglian private collection.

Various axes of similar types have been recovered from the colonies of the New World. One of our specimen seems to be a French hatchet marked with a cross and circle, like the one found in the estate of Tom Wnuck.

A slender crescentic axehead with attachment arms, single rivet hole to each terminal. 418 grams, 26 cm



Ex property of B.C., previously in a 1970s collection. Property of a Ruislip, UK, gentleman, by inheritance. Accompanied by a copy of a previous dealer's certificate of authenticity.

Composed of four arms tipped with triangular spikes. 24 grams, 73 mm



Acquired on the German art market around 2000s. From the collection of an EU gentleman living in the UK.

Caltrops were scattered on battlefields in an effort to stop or slow advancing enemy cavalry or foot soldiers; regardless of how a caltrop lands, one spike is always facing upwards. Caesar used widely them at Alesia (Caes., BG 7.73; 82): 'Stakes a foot long, with iron hooks attached to them, were entirely sunk in the ground before these, and were planted in every place at small intervals; these they called spurs'.

Comprising seventeen tanged arrowheads, most of them having large elongated triangular blades and raised midrib; one with long tang. 105 grams total, 34 - 82 mm



Acquired 1980-2015. Ex Abelita family collection.

Most of these arrowhead seem to belong to the type V, subcategory types A and C according to the classification of Khorasani and Negahban. In the four categories of triangular bronze arrowheads from Luristan, Marlik and Northern Iran individuated by Negahban, subtypes A and C are small triangular arrowheads with barbed shoulders. The arrowhead with squared shoulders belongs to type III of the same classification.

The blade with a lozenge-shaped cross-section; restored handle with bulbous cross-guard, waisted grip and flared pommel. 195 grams, 37.2 cm



Found on the Thames foreshore at Vintry, Southwark, London, UK.

Formed with a gently curving profile and showing transverse grooves from the carving technique; bearing handwritten collector's inventory number 'RO518.01.00'. 182 grams, 53 cm



Private U.K. family collection formed in the early 1970s. The property of Mr and Mrs P.R. of East Sussex. Thence by descent to family members.

With 40mm (1½") turn-off barrel, box-lock with sliding safety marked 'CLARK' left and 'LONDON' right; fitted with plain wood butt and octagonal escutcheon; action working. 280 grams, 16 cm



Acquired on the UK market. Property of a Kent collector.

Sold as an exempt item under Section 58 (2) of the Firearms Act, 1968, to be held as a curiosity or ornament. No license required but buyer must be over 18 years of age. Overseas bidders should note that, due to UK regulations governing export of all firearms, overseas buyers will need to make arrangements for shipping this lot out of the UK directly, by air freight, with a specialist company or agent.

Each a scrolled bar formed as a serpent or other animal with stylised geometric detailing; attachment perforations to both terminals. 19.6 grams total, 64-66 mm



Acquired on the London art market, 1980s-1990s.

In the 1st century B.C.-1st century A.D., the Celtic fastening system of the ring mail armour (gallica, lorica ferro aspera) became the standard in the Imperial Roman army, with a pivot attached to the breast and hinged to the edges of the humeralia (shoulder guards). The chest fastener had various different designs. The double hooks, S-shaped and usually with snake-head terminals, were secured by a central rivet on the chest. The system allowed excellent freedom of movement, giving greater protection to the shoulders and the arms. Similar fasteners for infantry mail have been found on the Kalkriese battlefield, some of them also decorated with niello and inscribed with the name of the soldier.

Cylindrical in shape, the upper section with alternating holes and vertical rows of three prominent spikes, short cylindrical shaft. 363 grams, 14.5 cm



Collected from 1979-1999. From the collection of the late Mr S.M., London, UK.

This knopped mace head was probably made using the lost-wax method. It corresponds to the type M 2.A.b of the classification of Gernez: single-cylinder spiked maces. These elements are rare and quite diverse. They consist of a metal cylinder with rows of juxtaposed points. There are between 3 and 8 rows each, comprising 3 to 5 more or less pronounced spikes.