Knapped bifacial tan knife with fishtail butt to receive a hilt; the rounded tip tapering and flaring along the edges; with a custom-made display stand.

Naturalistically modelled and coloured blue, hieroglyphs on base; pierced for suspension.

Comprising a tall, plain body with two rosettes; crowned by an elaborate palmette and volute design with shallow acanthus stalks and small rosettes; mounted on a custom-made display stand.

The squat oil flask with slender neck and broad everted rim, painted with rosette petals around the mouth and base, spots encircling the rim, horizontal stipes to the strap handle, vegetal motifs and the forequarters of a roaring lion to one face of the body.

Possibly depicting Ganymede or Paris, wearing a soft Phrygian cap with everted brim, the hair swept back from the face; almond-shaped eyes with pronounced eyelids, straight nose and fleshy lips; mounted on a custom-made display stand.

The piriform body with broad, stepped rim and two round-section handles; red-figure frieze depicting two standing women facing, wearing a himation and stephane; the other side with a nude standing warrior wearing an Apulo-Corinthian helmet, holding the reins of his horse, acanthus leaves, ovolo and wave motifs to the neck and lower body; probably from a Cuma workshop.

Comprising a shallow disc with central flower motif inlaid with carnelian and lapis lazuli, surrounded by a beaded border, the outer pearled border inlaid with mostly replicant lapis lazuli, and mother of pearl inserts; three pendants to the lower edge, two with chain and carnelian bead, the central pendant formed as a miniature amphora with filigree, repaired; housed in a custom-made display box.

Tousled curly hair, strong aquiline nose and full mouth; the deep eyes marked by raised eyelids and prominent semi-circular eyebrows; the hair arranged in overlapping rows of locks; repaired; mounted on a later porphyry plinth.

Mould-made and shaped as a sandaled left foot, filling-hole surrounded by a ridge in the ankle area, the sandal with two leather straps tied together near the ankle, wick-hole in the big toe; inscription 'ƩΑΛΣΙϹ' to the base, heel chipped.

Decorated with a frieze of partially preserved acanthus volutes from which emerges a figure of a winged female, possibly a siren, the body and the head of a woman with brown hair, the outstretched wings in pink and yellow; ochre background, cream-coloured line border with a green raised edge (part of the wall) below; mounted on a custom-made display stand.

The left side of a trapping for a horse pulling a chariot, comprising two hammered elements with a hinge; rectangular upper section with a loop to one end, decorated with an eagle-headed genius-demon, wearing a tunic and a fringed kilt, a shawl wrapped around the body, hanging down on the back, carrying a bucket of purifying water in his right hand and a conical pot of incense in his left hand, bracelets to arms, two rows of lotus buds above; the discoid lower section divided in two registers, each with a winged genii in combat with winged bulls; the dividing raised band with fish motifs similar to the border formed of fish; the edges of both elements with punched edges for the attachment of leather lining; Neo-Assyrian or Urartian; mounted on a custom-made display stand.

With a double-edged parallel-sided blade with broad pointed tip; the lower guard inlaid with garnet cloisonné divided into four segments; accompanied by a rectangular scabbard slide inlaid with two rows of garnets and other stone; and a part of a sheet-silver chape.

Comprising a double-edged cutting blade with tapering fullers and hefty tang; the bronze cross guard in Jellinge style with dragon head finials and a central human face to the lower edge; the pommel with seven lobes; accompanied by a bronze openwork chape with central bird motif decorated with stamped ring-and-dot design.

Of solid heavy penannular form, round in section with clubbed terminals.

With slightly tapering socket and openwork bulb above, discoid platform supporting a mounted warrior modelled in the round; horse with long vertical tail and horizontal reins, bowed legs and scrolls at the hooves; warrior astride the horse with legs bent and feet to the rear, helmet with lateral horns and large swept crest with notched edge; arms bent to show the warrior in the act of drawing his falcata sword from the scabbard worn across his midriff; mounted on a custom-made stand.

S-shaped with scrolled flourishes to the dragon-head terminals, remains of inlaid blue and red enamelling to the stylised beast heads, wave and lozenge ornament to the body; free-running tongue with head coiled around the neck of one of the creatures; Romano-British.

With high-relief aviform head and wings and looped ornamental swags, knotwork panels in the field; two holes for mounting; possibly a book-mount, Hiberno-Saxon workmanship.

An excessively rare and almost complete copper-alloy hanging bowl and associated fittings comprising: (i) the bowl with three attached matching hooked escutcheons and suspension rings (ii) the basal disc (iii) a body fragment (or possible repair patch) (iv) a curved bronze fragment (ii) the basal disc with separate frame (iii) fragment of copper-alloy sheet, possibly forming part of a repair to the base of the bow (iv) a curved copper-alloy strip (iv) four skeletal fragments from a sheep or similar.

Of Martin's Group 4 with rectangular headplate and florid face-masks to the three edges and conical eyes, deep bow with with square central panel, footplate with square lateral lappets, triangular face-mask finial with conical eyes; pin-lug and catchplate to the reverse; gilded surface abraded.

Of Hines's Group X with two discs on the headplate in a rectangular frame surrounded by a frieze of facing human masks, and another mask placed centrally above the junction with the bow; shallow bow with three ribs; curved horse-head lappets flanking a vertical shank with facing mask detailing, discoid lobes and an inverted mask below; pin-lugs to the reverse and solder-scar where the catchplate was attached.

Oil on board devotional panel in a gilt wooden frame; the Virgin in a bottle-green gown with gilt collar and cream undershift, crimson mantle; the naked Christ supported on his mother's left hip, his left foot clasped in the interleaved fingers of her right hand; textured gilt field; attributed to a follower of Dirk Bouts.

Openwork winged beast to the centre, its tails curling beneath the body creating the foliate tendrils on which it perches, broad outer roundel decorated with geometric plants alternating with lozenges, extensive remains of blue champlevé enamelling; engraved and chiselled; four attachment holes.

With wooden core to which the embossed sheets have been attached; the obverse with a central nimbate Corpus Christi, an applied rosette above and to the left arm; an angel to the finial of the upper and lower arm with Mary and St John the Evangelist to the side arms; the reverse with a central figure of Jesus holding the Gospel and making the sign of blessing; each finial of the arm with the symbols of the Evangelists (eagle, angel, lion and ox); the cross resting on a floral sphere with a socket below.

Composed of a slender hoop, expanding shoulders decorated with white enamelled foliage and black enamelled pea-pod ornament, repeated around the bezel, bezel with box setting holding a table-cut ruby, white and black enamelled floral design to the underside; minor loss of enamel; likely from France; accompanied by a 'Les Enluminures' hinged presentation box.

The tapering blade with a single cutting edge; replica wooden handle with bulbous guard and pommel. 94 grams, 29.2 cm



Found on the Thames foreshore at Vintry, Southwark, London, UK.

Comprising seven tanged examples, three with barbs. 132 grams total, 9.1-11.4 cm



Acquired 1980-2015. Ex Abelita family collection.

With a piriform body and domed mouth, stepped rings to the foot, engraved decoration on the shoulders with crosses and grapes; intended to be filled with explosive liquid and wick, used as a hand grenade. 573 grams, 15 cm



Acquired 1990s. From the H.N. collection, Milton Keynes, Bedfordshire, UK. Accompanied by an academic paper by military specialist Dr Raffaele D'Amato, dated 15 July 2019 and titled 'Eastern Roman Empire - Greek Fire Bomb or Hand Grenade (μεσαίον kακάβιον) 9th-11th century AD'.

Apart from the use of siphons or manual flame-throwers called cheirosiphona, special Roman soldiers employed terracotta grenades, in the form of small jars, abundantly evidenced in archaeological excavations. Such were the γανωτα, vessels (sometimes also in bronze) used for Greek fire. They were called μεσαία kακαβιά or κυτροκακάβια where the former had a bulbous shape and the latter a more cylindrical form.

The undulating blade with a single cutting edge, guard and tang, together with a chape (belonging) with decorative incising. 159 grams, 26 cm



Acquired on the UK art market. Property of a Ruislip, UK, gentleman, by inheritance.

Comprising a hoop with reserved triangular ornament on the edges and triangular plaque with foliage motifs, raised central panel with frond motif. 22.61 grams, 34.77 mm overall, 25.16 mm internal diameter



Acquired in the 1990s. Ex Cambridgeshire, UK, collection.

Archer rings in Late Byzantium and the medieval Balkans were connected with the employment of the powerful composite bow, but very often, in the 14th century they served as insignia of rank for aristocratic noblemen. Archaeological findings of archers’ rings originate mainly from fortified towns, including mining centres. Many were made in bone, simple in design and undecorated. In contrast, the ones made in bronze and silver were usually decorated in rather uniform style, consisting of floral motifs on the head, mostly tulip and foliage, and linear motifs around the edges. This decoration combined Turkish, Central European and Eastern Roman traditional patterns.

Composed of a variety of axehead types, each with a roughly circular socket, including one example with punched crescents to one face. 1.5 kg total, 9.1 - 12.8 cm



Ex property of B.C., previously in a 1970s collection. Property of a Ruislip, UK, gentleman, by inheritance. Accompanied by a previous dealer's certificate of authenticity.

Comprising: a dagger quillon guard dated 15th-16th century A.D. with X-motifs and accompanied by a Portable Antiquities Scheme record; a partial chape with openwork heart motif; lobed and domed pommel; section of chainmail; four pommels for knives or other utensils, including examples with simple ornamentation. 135 grams total, 12-60 mm



Found Berkshire, UK. Accompanied by a copy of the British Museum's Portable Antiquities Scheme (PAS) report no.BERK-A95853 for the 15th century quillon guard.

Comprising seventeen tanged arrowheads, the most of them having large elongated triangular blades and raised midrib, sharp central groove, cylindrical or squared stem for the shaft, barbed shoulders and convex sides; one with lanceolate head and rounded shoulders with long tang and foliate section; another narrow and foliate in shape. 126 grams total, 43-76 mm



Acquired 1980-2015. Ex Abelita family collection.

These arrowheads seem to belong to the type V, subcategory types A, C and D according to the classification of Khorasani and Negahban. In the four categories of triangular bronze arrowheads from Luristan, Marlik and Northern Iran individuated by Negahban, subtypes C and D of type V are larger arrow or javelin heads, C with barbed shoulders and D with round shoulders. Subtype A is substantially similar to C, but smaller.

Of knightly form; composed of a straight double-edged blade of 35.5 inches in length and with central fuller, cruciform hilt, steel cross-guard and bound wooden handle; accompanied by a tooled leather scabbard. 1.3 kg, 1.07 cm



Acquired from MDL Historic Military Antiques, IK, 2015. The Kusmirek Collection, UK. Accompanied by copies of the purchase invoice and details.

Comprising four tanged arrowheads, having large elongated triangular blades and raised midrib, sharp central groove, rectangular section stem with handle for the shaft, barbed shoulders and convex or squared sides. 161 grams total, 13-17 cm



From the private collection of the late Mr S.M., London, UK, 1969-1999; thence by descent.

These arrowheads seem to belong to the type V, subcategory types A and C according to the classification of Khorasani and Negahban. In the four categories of triangular bronze arrowheads from Luristan, Marlik and Northern Iran individuated by Negahban, subtypes A and C of type V are larger arrow heads with barbed shoulders and triangular heads. These types of arrowheads were commonly used in Anatolia and Mesopotamia from the 2nd millennium B.C., but apparently their employment began earlier in this area, where types like these occur alongside the non-barbed, predominantly ribbed and tanged types.

The mixed group comprising a knapped stone arrowhead and two tanged copper-alloy arrowheads of different types. 38 grams total, 3.5-10 cm



Acquired on the UK art market, the bronze arrowheads from DRG Coins and Antiquities, Essex, UK. Ex private Merseyside, UK, collection.

Piriform body with domed filler-hole, raised vertical flanges to the shoulder; intended to be filled with explosive liquid and wick, used as a hand grenade. 500 grams, 12 cm



Acquired 1980-2015. Ex Abelita family collection. Accompanied by an academic paper by military specialist Dr Raffaele D'Amato, dated 15 July 2019 and titled 'Eastern Roman Empire - Greek Fire Bomb or Hand Grenade (μεσαίον kακάβιον) 9th-11th century AD'.

Apart from the use of siphons or manual flame-throwers called cheirosiphona, special corps of Roman soldiers employed terracotta grenades, in the form of small jars, abundantly evidenced in archaeological excavations. Such were the γανωτα, vessels (sometimes also of bronze) used for Greek fire. They were called μεσαία kακαβιά or κυτροκακάβια where the former had a bulbous shape and the latter a more cylindrical form.