Knapped bifacial tan knife with fishtail butt to receive a hilt; the rounded tip tapering and flaring along the edges; with a custom-made display stand.

Naturalistically modelled and coloured blue, hieroglyphs on base; pierced for suspension.

Comprising a tall, plain body with two rosettes; crowned by an elaborate palmette and volute design with shallow acanthus stalks and small rosettes; mounted on a custom-made display stand.

The squat oil flask with slender neck and broad everted rim, painted with rosette petals around the mouth and base, spots encircling the rim, horizontal stipes to the strap handle, vegetal motifs and the forequarters of a roaring lion to one face of the body.

Possibly depicting Ganymede or Paris, wearing a soft Phrygian cap with everted brim, the hair swept back from the face; almond-shaped eyes with pronounced eyelids, straight nose and fleshy lips; mounted on a custom-made display stand.

The piriform body with broad, stepped rim and two round-section handles; red-figure frieze depicting two standing women facing, wearing a himation and stephane; the other side with a nude standing warrior wearing an Apulo-Corinthian helmet, holding the reins of his horse, acanthus leaves, ovolo and wave motifs to the neck and lower body; probably from a Cuma workshop.

Comprising a shallow disc with central flower motif inlaid with carnelian and lapis lazuli, surrounded by a beaded border, the outer pearled border inlaid with mostly replicant lapis lazuli, and mother of pearl inserts; three pendants to the lower edge, two with chain and carnelian bead, the central pendant formed as a miniature amphora with filigree, repaired; housed in a custom-made display box.

Tousled curly hair, strong aquiline nose and full mouth; the deep eyes marked by raised eyelids and prominent semi-circular eyebrows; the hair arranged in overlapping rows of locks; repaired; mounted on a later porphyry plinth.

Mould-made and shaped as a sandaled left foot, filling-hole surrounded by a ridge in the ankle area, the sandal with two leather straps tied together near the ankle, wick-hole in the big toe; inscription 'ƩΑΛΣΙϹ' to the base, heel chipped.

Decorated with a frieze of partially preserved acanthus volutes from which emerges a figure of a winged female, possibly a siren, the body and the head of a woman with brown hair, the outstretched wings in pink and yellow; ochre background, cream-coloured line border with a green raised edge (part of the wall) below; mounted on a custom-made display stand.

The left side of a trapping for a horse pulling a chariot, comprising two hammered elements with a hinge; rectangular upper section with a loop to one end, decorated with an eagle-headed genius-demon, wearing a tunic and a fringed kilt, a shawl wrapped around the body, hanging down on the back, carrying a bucket of purifying water in his right hand and a conical pot of incense in his left hand, bracelets to arms, two rows of lotus buds above; the discoid lower section divided in two registers, each with a winged genii in combat with winged bulls; the dividing raised band with fish motifs similar to the border formed of fish; the edges of both elements with punched edges for the attachment of leather lining; Neo-Assyrian or Urartian; mounted on a custom-made display stand.

With a double-edged parallel-sided blade with broad pointed tip; the lower guard inlaid with garnet cloisonné divided into four segments; accompanied by a rectangular scabbard slide inlaid with two rows of garnets and other stone; and a part of a sheet-silver chape.

Comprising a double-edged cutting blade with tapering fullers and hefty tang; the bronze cross guard in Jellinge style with dragon head finials and a central human face to the lower edge; the pommel with seven lobes; accompanied by a bronze openwork chape with central bird motif decorated with stamped ring-and-dot design.

Of solid heavy penannular form, round in section with clubbed terminals.

With slightly tapering socket and openwork bulb above, discoid platform supporting a mounted warrior modelled in the round; horse with long vertical tail and horizontal reins, bowed legs and scrolls at the hooves; warrior astride the horse with legs bent and feet to the rear, helmet with lateral horns and large swept crest with notched edge; arms bent to show the warrior in the act of drawing his falcata sword from the scabbard worn across his midriff; mounted on a custom-made stand.

S-shaped with scrolled flourishes to the dragon-head terminals, remains of inlaid blue and red enamelling to the stylised beast heads, wave and lozenge ornament to the body; free-running tongue with head coiled around the neck of one of the creatures; Romano-British.

With high-relief aviform head and wings and looped ornamental swags, knotwork panels in the field; two holes for mounting; possibly a book-mount, Hiberno-Saxon workmanship.

An excessively rare and almost complete copper-alloy hanging bowl and associated fittings comprising: (i) the bowl with three attached matching hooked escutcheons and suspension rings (ii) the basal disc (iii) a body fragment (or possible repair patch) (iv) a curved bronze fragment (ii) the basal disc with separate frame (iii) fragment of copper-alloy sheet, possibly forming part of a repair to the base of the bow (iv) a curved copper-alloy strip (iv) four skeletal fragments from a sheep or similar.

Of Martin's Group 4 with rectangular headplate and florid face-masks to the three edges and conical eyes, deep bow with with square central panel, footplate with square lateral lappets, triangular face-mask finial with conical eyes; pin-lug and catchplate to the reverse; gilded surface abraded.

Of Hines's Group X with two discs on the headplate in a rectangular frame surrounded by a frieze of facing human masks, and another mask placed centrally above the junction with the bow; shallow bow with three ribs; curved horse-head lappets flanking a vertical shank with facing mask detailing, discoid lobes and an inverted mask below; pin-lugs to the reverse and solder-scar where the catchplate was attached.

Oil on board devotional panel in a gilt wooden frame; the Virgin in a bottle-green gown with gilt collar and cream undershift, crimson mantle; the naked Christ supported on his mother's left hip, his left foot clasped in the interleaved fingers of her right hand; textured gilt field; attributed to a follower of Dirk Bouts.

Openwork winged beast to the centre, its tails curling beneath the body creating the foliate tendrils on which it perches, broad outer roundel decorated with geometric plants alternating with lozenges, extensive remains of blue champlevé enamelling; engraved and chiselled; four attachment holes.

With wooden core to which the embossed sheets have been attached; the obverse with a central nimbate Corpus Christi, an applied rosette above and to the left arm; an angel to the finial of the upper and lower arm with Mary and St John the Evangelist to the side arms; the reverse with a central figure of Jesus holding the Gospel and making the sign of blessing; each finial of the arm with the symbols of the Evangelists (eagle, angel, lion and ox); the cross resting on a floral sphere with a socket below.

Composed of a slender hoop, expanding shoulders decorated with white enamelled foliage and black enamelled pea-pod ornament, repeated around the bezel, bezel with box setting holding a table-cut ruby, white and black enamelled floral design to the underside; minor loss of enamel; likely from France; accompanied by a 'Les Enluminures' hinged presentation box.

Composed of a leaf-shaped blade with a raised penannular rib and slot below the shoulder connected to the grip with lateral flanges and integral pommel, recessed to accept an organic insert. 264 grams, 37.5 cm



From an old English collection, formed in the 1980s. The Kusmirek Collection, UK.

This dirk, cast in one piece mould, belongs to the daggers that Medvedskaya believes support the thesis that majority of them were cast in one piece. However, there are examples where the penannular grip was cast on later on the dagger or dirk.

Heelband with geometric motifs, channelling and lozengiform terminals, pierced work neck and large free-running rowel. 252 grams, 22 cm



Acquired from Rusty Old Arms, UK, 2014. The Kusmirek Collection, UK. Accompanied by copies of the ROA invoice and listing.

The blade composed of a straight, double edge with single fuller and clear running wolf marks; signed 'S AH A GOM' in both fullers with 'shooting star' below and with punched crown mark just below the hilt; twisted wire grip, thumb ring, leaf-shaped guard to hilt, bulbous pommel. 826 grams, 84 cm



Acquired from West Street Antiques, Dorking, Surrey, UK, 2015. The Kusmirek Collection, UK. Accompanied by copy of a previous listing and item ticket.

Comprising a narrow leaf-shaped blade with midrib and lateral channels, rounded shoulders, short tang with attachment hole. 445 grams, 45.5 cm



Ex German collection, Cologne, formed 1980s-1990. The Kusmirek Collection, UK.

The metalworking techniques used in making bronze weapons in early Iran were very complex. Surfaces were often finished in repoussé work, and some of the weapons were chased, others engraved. The function of the ridges here was not only decorative, however, but principally to reduce suction and thus allow the blade to be withdrawn speedily. The ruling elites of warrior horsemen were buried in the graves with their weapons and horses which are the main sources of the Luristan and North-Western bronze weapons.

Comprising a Mesolithic flint arrowhead of triangular form; a paddle shaped arrowhead with a flat, comparatively wide mid-rib (Elamite or Old Babylonian); a fully developed bronze arrowhead with a large lozenge-section midrib and triangular barbed blade; an arrowhead with a long slender blade with rounded shoulders and wide flat mid-rib (both Luristan); two bronze arrowheads with slender lozenge-shaped blade and socket extending near the tip, with a side lug (Scythian); a lozenge form blade with a wide socket and high mid-rib (Greek); a large arrowhead with leaf-shaped blade and thin stop ridge collar; a sub-triangular arrowhead with the blade running diagonally to the stop ridge collar at its base; a lozenge-shaped arrowhead with a flat blade, circular stop ridge and long spiked tang (all three Roman); a bronze votive arrow. 75 grams total, 32-96 mm



Acquired on the UK art market. Property of a Ruislip, UK, gentleman, by inheritance.

In the Greek warfare, archers were mainly employed by Scythians and Cretans. Both used composite bows made of wood, horn, bone and sinew. This explains the great range of Scythian arrowheads also found on the Greek sites.

With a short tang and long blade, raised midrib, a rivet to the base. 254 grams, 33 cm



Acquired 1980-2015. Ex Abelita family collection.

The spearhead belongs to type 2 according to the classification of Khorasani. A similar specimen was excavated by Negahban in Marlik.

With cylindrical head and narrow flanged base, the head divided in four petals. 490 grams, 60 mm



Acquired on the UK art market. Property of a Ruislip, UK, gentleman, by inheritance.

Assyrian and Urartian officers are identified by their weapons in the reliefs. It is not so easy to definitely identify cavalry officers on the palace reliefs of the Assyrian kings, but their identification is based mainly on the context they appear in, and on some insignia (mace, sceptre) they carry with them. Hence, the mace was not only a practical weapon, but also a command insignia.

Composed of a C-shaped socketted hilt and slender blade with single cutting edge slightly curved towards the tip; the outer face of the socket, the top edge and one side of the blade inlaid with gilt inscription, the other side of the blade displaying two gilt felines. 91 grams, 31.5 cm



London collection since the 1980s. Property of a Canadian family.

The gilding process used on the blade seems to be an exceptionally rare example of what was known in medieval Islamic literary sources as ‘gold water’. The blade seems to have been decorated with a Kufic inscription to three sides. It bears witness to the extraordinary sophistication of the metalworkers and jewellers of this period.

Displaying incised dashed lines to the bezel. 3.19 grams, 23.87 mm overall, 14.01 mm internal diameter (approximate size British F 1/2, USA 3, Europe 4.3, Japan 4)



Private collection formed since the 1940s. UK art market. Property of an Essex gentleman.

With central socket and shaft; cutting blade set vertically at a right-angle; the short pick-adze blade arranged horizontally. 1.3 kg, 26 cm



Acquired 1980-2015. Ex Abelita family collection.

The earliest axe-adzes from the 3rd millennium B.C. were weapons and tools furnished with socket holes. Usually a socket was a more secure way of attaching the object to a wooden haft than having a tang. These weapons developed into a plethora of different forms in the 2nd millennium B.C., and the numerous new forms and were used until at least 800 B.C.

Comprising a full face shield with broad wavy bars and a small mouth opening, a wide hinged visor; the visor and the front section of the helmet secured by large hook-and-eye closures on the right-hand side; the crown with a tall ridge running from front to back, small collar for protecting the neck. 1.14 kg, 25 cm high



Acquired from Andrew Bennett in 2016. The Kusmirek Collection, UK. Accompanied by a copy of a payment confirmation from Andrew Bennett, dated 1st June 2016. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no. 11768-203986.

This variation of the burgonet helmet is thought to have originated in the Savoy region of southeast France, and was very popular with heavy cavalry (Reiters) serving with a variety of Continental armies of the period. The term Savoyard is a reference to a large number of these helmets that the Swiss captured from the troops of the Duke of Savoy during an unsuccessful assault on the city of Genoa in 1602. The undulated bars and the small mouth of the visor are all indicative of the Savoyard style. The hinges on the side allowed the front of the helmet as a whole to be lifted away from the rear, aiding the wearer to place it over his head.

Featuring flanges to the socket, a rectangular butt and cheeks with shorter upper and longer lower edges. 334 grams, 15.5 cm



From the private collection of a London gentleman, from his grandfather's collection formed before the early 1970s.