Knapped bifacial tan knife with fishtail butt to receive a hilt; the rounded tip tapering and flaring along the edges; with a custom-made display stand.

Naturalistically modelled and coloured blue, hieroglyphs on base; pierced for suspension.

Comprising a tall, plain body with two rosettes; crowned by an elaborate palmette and volute design with shallow acanthus stalks and small rosettes; mounted on a custom-made display stand.

The squat oil flask with slender neck and broad everted rim, painted with rosette petals around the mouth and base, spots encircling the rim, horizontal stipes to the strap handle, vegetal motifs and the forequarters of a roaring lion to one face of the body.

Possibly depicting Ganymede or Paris, wearing a soft Phrygian cap with everted brim, the hair swept back from the face; almond-shaped eyes with pronounced eyelids, straight nose and fleshy lips; mounted on a custom-made display stand.

The piriform body with broad, stepped rim and two round-section handles; red-figure frieze depicting two standing women facing, wearing a himation and stephane; the other side with a nude standing warrior wearing an Apulo-Corinthian helmet, holding the reins of his horse, acanthus leaves, ovolo and wave motifs to the neck and lower body; probably from a Cuma workshop.

Comprising a shallow disc with central flower motif inlaid with carnelian and lapis lazuli, surrounded by a beaded border, the outer pearled border inlaid with mostly replicant lapis lazuli, and mother of pearl inserts; three pendants to the lower edge, two with chain and carnelian bead, the central pendant formed as a miniature amphora with filigree, repaired; housed in a custom-made display box.

Tousled curly hair, strong aquiline nose and full mouth; the deep eyes marked by raised eyelids and prominent semi-circular eyebrows; the hair arranged in overlapping rows of locks; repaired; mounted on a later porphyry plinth.

Mould-made and shaped as a sandaled left foot, filling-hole surrounded by a ridge in the ankle area, the sandal with two leather straps tied together near the ankle, wick-hole in the big toe; inscription 'ƩΑΛΣΙϹ' to the base, heel chipped.

Decorated with a frieze of partially preserved acanthus volutes from which emerges a figure of a winged female, possibly a siren, the body and the head of a woman with brown hair, the outstretched wings in pink and yellow; ochre background, cream-coloured line border with a green raised edge (part of the wall) below; mounted on a custom-made display stand.

The left side of a trapping for a horse pulling a chariot, comprising two hammered elements with a hinge; rectangular upper section with a loop to one end, decorated with an eagle-headed genius-demon, wearing a tunic and a fringed kilt, a shawl wrapped around the body, hanging down on the back, carrying a bucket of purifying water in his right hand and a conical pot of incense in his left hand, bracelets to arms, two rows of lotus buds above; the discoid lower section divided in two registers, each with a winged genii in combat with winged bulls; the dividing raised band with fish motifs similar to the border formed of fish; the edges of both elements with punched edges for the attachment of leather lining; Neo-Assyrian or Urartian; mounted on a custom-made display stand.

With a double-edged parallel-sided blade with broad pointed tip; the lower guard inlaid with garnet cloisonné divided into four segments; accompanied by a rectangular scabbard slide inlaid with two rows of garnets and other stone; and a part of a sheet-silver chape.

Comprising a double-edged cutting blade with tapering fullers and hefty tang; the bronze cross guard in Jellinge style with dragon head finials and a central human face to the lower edge; the pommel with seven lobes; accompanied by a bronze openwork chape with central bird motif decorated with stamped ring-and-dot design.

Of solid heavy penannular form, round in section with clubbed terminals.

With slightly tapering socket and openwork bulb above, discoid platform supporting a mounted warrior modelled in the round; horse with long vertical tail and horizontal reins, bowed legs and scrolls at the hooves; warrior astride the horse with legs bent and feet to the rear, helmet with lateral horns and large swept crest with notched edge; arms bent to show the warrior in the act of drawing his falcata sword from the scabbard worn across his midriff; mounted on a custom-made stand.

S-shaped with scrolled flourishes to the dragon-head terminals, remains of inlaid blue and red enamelling to the stylised beast heads, wave and lozenge ornament to the body; free-running tongue with head coiled around the neck of one of the creatures; Romano-British.

With high-relief aviform head and wings and looped ornamental swags, knotwork panels in the field; two holes for mounting; possibly a book-mount, Hiberno-Saxon workmanship.

An excessively rare and almost complete copper-alloy hanging bowl and associated fittings comprising: (i) the bowl with three attached matching hooked escutcheons and suspension rings (ii) the basal disc (iii) a body fragment (or possible repair patch) (iv) a curved bronze fragment (ii) the basal disc with separate frame (iii) fragment of copper-alloy sheet, possibly forming part of a repair to the base of the bow (iv) a curved copper-alloy strip (iv) four skeletal fragments from a sheep or similar.

Of Martin's Group 4 with rectangular headplate and florid face-masks to the three edges and conical eyes, deep bow with with square central panel, footplate with square lateral lappets, triangular face-mask finial with conical eyes; pin-lug and catchplate to the reverse; gilded surface abraded.

Of Hines's Group X with two discs on the headplate in a rectangular frame surrounded by a frieze of facing human masks, and another mask placed centrally above the junction with the bow; shallow bow with three ribs; curved horse-head lappets flanking a vertical shank with facing mask detailing, discoid lobes and an inverted mask below; pin-lugs to the reverse and solder-scar where the catchplate was attached.

Oil on board devotional panel in a gilt wooden frame; the Virgin in a bottle-green gown with gilt collar and cream undershift, crimson mantle; the naked Christ supported on his mother's left hip, his left foot clasped in the interleaved fingers of her right hand; textured gilt field; attributed to a follower of Dirk Bouts.

Openwork winged beast to the centre, its tails curling beneath the body creating the foliate tendrils on which it perches, broad outer roundel decorated with geometric plants alternating with lozenges, extensive remains of blue champlevé enamelling; engraved and chiselled; four attachment holes.

With wooden core to which the embossed sheets have been attached; the obverse with a central nimbate Corpus Christi, an applied rosette above and to the left arm; an angel to the finial of the upper and lower arm with Mary and St John the Evangelist to the side arms; the reverse with a central figure of Jesus holding the Gospel and making the sign of blessing; each finial of the arm with the symbols of the Evangelists (eagle, angel, lion and ox); the cross resting on a floral sphere with a socket below.

Composed of a slender hoop, expanding shoulders decorated with white enamelled foliage and black enamelled pea-pod ornament, repeated around the bezel, bezel with box setting holding a table-cut ruby, white and black enamelled floral design to the underside; minor loss of enamel; likely from France; accompanied by a 'Les Enluminures' hinged presentation box.

Shaped as an equal-armed cross, surface decorated with pellet-in-circles, catch and fastening pin on the back; polished. 5.27 grams, 28 mm



Acquired on the UK art market. Property of a Ruislip, UK, gentleman, by inheritance.

The cross fibulae was part of a Roman female costume in the Mediterranean and in the regions around the Mediterranean. They were used to close the cloak at chest height.

Rectangular leather case with turned and seamed end (vertical seam absent); reverse with tooled panels of foliage and tendrils in rectangular frames, obverse with large tooled rosette in a tondo on a hatched field with geometric frame. 130 grams, 45 cm



Acquired from the London trade. Ex central London gallery.

Slender round-section arms with integral suspension loop, raised central panel to both faces, X-motif to both. 2.53 grams, 30 mm



Acquired in Europe before 2001.

Sub-circular in form, displaying an inscription in raised Greek lettering to the upper and side faces; pierced for attachment; the main inscription on the border should be read 'Μ ΔΗΜ ΞΕΙΖΟΓ ΒΛΙΑ TΟΥ ΛΙΟΥΚΟΥ ΑΔΡΑΤΟΥ ΤΟΥ ΥΠΑΤΙΚΟΥ' = M(ichail) Dem(etrios) Exizoglos to the consularis Ioulios Quadratos. 257 grams, 15 cm wide



Ex Simmons Gallery, London E11, UK, in the 1990s. From a North London collection.

The vessel was probably part of a gift given by a certain Michail Demetrios to an officer of (ΥΠΑΤΙΚΟΥ) i.e. Consularis Rank. The shape recalls that of small tripods stands.

Globular-bodied with a cylindrical neck and everted rim, applied trails around the neck and shallow vertical ribbing rising from the base up the lower body. 15.3 grams, 57 mm



Ex Coincraft, London WC1. Ex private Merseyside, UK, collection. Accompanied by a Coincraft certificate of authenticity.

Carinated with a domed upper face, circular filling hole and spout, remains of handle, raised linear motifs. 65 grams, 90 mm



Acquired 1970s onwards. Private collection of Michael O'Hara, Cambridgeshire, UK. Ex private collection of Benjamin Hyde-Smith, Hertfordshire, UK.

Comprising: a cross buckle with pin; the upper plate of a small enkolpion with a praying Virgin or Saint; two orthodox pectoral crosses, both with inscription 'IC' (Iesus) 'XC' (Christos ) 'NIKA' (Christ is victorious); the smallest cross with invocation-prayer engraved on the back. 51.8 grams total, 36-73 mm



Acquired on the UK art market. Property of a Ruislip, UK, gentleman, by inheritance.

The fragment of the simpler Maltese cross mount corresponds to the type E2 of Schulze-Dörrlamm, here with straight arms with rounded corners. It resembles the cross-shaped hinge fittings of the belt buckles from Herrera de Pisuerga and tomb 9 from El Tesorillo from Visigoth Spain, two bronze fittings from Lusitania and the buckle with busts of saints and the Greek inscription 'Light and Life' from Korbous in Tunisia. These kind of buckles were also found in male warrior graves.

Mainly comprising ornamental buckles and mounts, including openwork and zoomorphic examples. 115 grams total, 28-71 mm



Acquired in London in 1982. Property of a central London gentleman.

The translucent globular body with raised ribs running vertically around the equator, with everted neck and mouth. 29 grams, 72 mm



Ex Coincraft, London WC1. Ex private Merseyside, UK, collection. Accompanied by a Coincraft certificate of authenticity.

Comprising six circular commercial weights of different types and sizes, including examples stamped with letter motifs. 61 grams total, 10-27 mm



Ex Simmons Gallery, London E11, UK, in the 1990s. From a North London collection.

The biggest weight is a one ounce weight, having an engraved monogram of Γ and Α. The flans of circular coin weights were turned on a lathe in the 6th century A.D., giving them a neat appearance. The designs are usually quite simple and often crudely executed, either engraved or slipped.

Facetted hoop supporting an ellipsoid bezel with forked cross (crucifixus dolorosus )supporting a cross-in-roudel motif, cross potent to each flank. 4.20 grams, 24.91 mm overall, 20.22 mm internal diameter (approximate size British U, USA 10, Europe 22.52, Japan 21)



Collected from 1969-1999. From the collection of the late Mr S.M., London, UK.

The molded body of broadly globular form and displaying a 'net' pattern, with everted neck and mouth. 35 grams, 77 mm



Ex Coincraft, London WC1. Ex private Merseyside, UK, collection. Accompanied by a Coincraft certificate of authenticity.