Knapped bifacial tan knife with fishtail butt to receive a hilt; the rounded tip tapering and flaring along the edges; with a custom-made display stand.

Naturalistically modelled and coloured blue, hieroglyphs on base; pierced for suspension.

Comprising a tall, plain body with two rosettes; crowned by an elaborate palmette and volute design with shallow acanthus stalks and small rosettes; mounted on a custom-made display stand.

The squat oil flask with slender neck and broad everted rim, painted with rosette petals around the mouth and base, spots encircling the rim, horizontal stipes to the strap handle, vegetal motifs and the forequarters of a roaring lion to one face of the body.

Possibly depicting Ganymede or Paris, wearing a soft Phrygian cap with everted brim, the hair swept back from the face; almond-shaped eyes with pronounced eyelids, straight nose and fleshy lips; mounted on a custom-made display stand.

The piriform body with broad, stepped rim and two round-section handles; red-figure frieze depicting two standing women facing, wearing a himation and stephane; the other side with a nude standing warrior wearing an Apulo-Corinthian helmet, holding the reins of his horse, acanthus leaves, ovolo and wave motifs to the neck and lower body; probably from a Cuma workshop.

Comprising a shallow disc with central flower motif inlaid with carnelian and lapis lazuli, surrounded by a beaded border, the outer pearled border inlaid with mostly replicant lapis lazuli, and mother of pearl inserts; three pendants to the lower edge, two with chain and carnelian bead, the central pendant formed as a miniature amphora with filigree, repaired; housed in a custom-made display box.

Tousled curly hair, strong aquiline nose and full mouth; the deep eyes marked by raised eyelids and prominent semi-circular eyebrows; the hair arranged in overlapping rows of locks; repaired; mounted on a later porphyry plinth.

Mould-made and shaped as a sandaled left foot, filling-hole surrounded by a ridge in the ankle area, the sandal with two leather straps tied together near the ankle, wick-hole in the big toe; inscription 'ƩΑΛΣΙϹ' to the base, heel chipped.

Decorated with a frieze of partially preserved acanthus volutes from which emerges a figure of a winged female, possibly a siren, the body and the head of a woman with brown hair, the outstretched wings in pink and yellow; ochre background, cream-coloured line border with a green raised edge (part of the wall) below; mounted on a custom-made display stand.

The left side of a trapping for a horse pulling a chariot, comprising two hammered elements with a hinge; rectangular upper section with a loop to one end, decorated with an eagle-headed genius-demon, wearing a tunic and a fringed kilt, a shawl wrapped around the body, hanging down on the back, carrying a bucket of purifying water in his right hand and a conical pot of incense in his left hand, bracelets to arms, two rows of lotus buds above; the discoid lower section divided in two registers, each with a winged genii in combat with winged bulls; the dividing raised band with fish motifs similar to the border formed of fish; the edges of both elements with punched edges for the attachment of leather lining; Neo-Assyrian or Urartian; mounted on a custom-made display stand.

With a double-edged parallel-sided blade with broad pointed tip; the lower guard inlaid with garnet cloisonné divided into four segments; accompanied by a rectangular scabbard slide inlaid with two rows of garnets and other stone; and a part of a sheet-silver chape.

Comprising a double-edged cutting blade with tapering fullers and hefty tang; the bronze cross guard in Jellinge style with dragon head finials and a central human face to the lower edge; the pommel with seven lobes; accompanied by a bronze openwork chape with central bird motif decorated with stamped ring-and-dot design.

Of solid heavy penannular form, round in section with clubbed terminals.

With slightly tapering socket and openwork bulb above, discoid platform supporting a mounted warrior modelled in the round; horse with long vertical tail and horizontal reins, bowed legs and scrolls at the hooves; warrior astride the horse with legs bent and feet to the rear, helmet with lateral horns and large swept crest with notched edge; arms bent to show the warrior in the act of drawing his falcata sword from the scabbard worn across his midriff; mounted on a custom-made stand.

S-shaped with scrolled flourishes to the dragon-head terminals, remains of inlaid blue and red enamelling to the stylised beast heads, wave and lozenge ornament to the body; free-running tongue with head coiled around the neck of one of the creatures; Romano-British.

With high-relief aviform head and wings and looped ornamental swags, knotwork panels in the field; two holes for mounting; possibly a book-mount, Hiberno-Saxon workmanship.

An excessively rare and almost complete copper-alloy hanging bowl and associated fittings comprising: (i) the bowl with three attached matching hooked escutcheons and suspension rings (ii) the basal disc (iii) a body fragment (or possible repair patch) (iv) a curved bronze fragment (ii) the basal disc with separate frame (iii) fragment of copper-alloy sheet, possibly forming part of a repair to the base of the bow (iv) a curved copper-alloy strip (iv) four skeletal fragments from a sheep or similar.

Of Martin's Group 4 with rectangular headplate and florid face-masks to the three edges and conical eyes, deep bow with with square central panel, footplate with square lateral lappets, triangular face-mask finial with conical eyes; pin-lug and catchplate to the reverse; gilded surface abraded.

Of Hines's Group X with two discs on the headplate in a rectangular frame surrounded by a frieze of facing human masks, and another mask placed centrally above the junction with the bow; shallow bow with three ribs; curved horse-head lappets flanking a vertical shank with facing mask detailing, discoid lobes and an inverted mask below; pin-lugs to the reverse and solder-scar where the catchplate was attached.

Oil on board devotional panel in a gilt wooden frame; the Virgin in a bottle-green gown with gilt collar and cream undershift, crimson mantle; the naked Christ supported on his mother's left hip, his left foot clasped in the interleaved fingers of her right hand; textured gilt field; attributed to a follower of Dirk Bouts.

Openwork winged beast to the centre, its tails curling beneath the body creating the foliate tendrils on which it perches, broad outer roundel decorated with geometric plants alternating with lozenges, extensive remains of blue champlevé enamelling; engraved and chiselled; four attachment holes.

With wooden core to which the embossed sheets have been attached; the obverse with a central nimbate Corpus Christi, an applied rosette above and to the left arm; an angel to the finial of the upper and lower arm with Mary and St John the Evangelist to the side arms; the reverse with a central figure of Jesus holding the Gospel and making the sign of blessing; each finial of the arm with the symbols of the Evangelists (eagle, angel, lion and ox); the cross resting on a floral sphere with a socket below.

Composed of a slender hoop, expanding shoulders decorated with white enamelled foliage and black enamelled pea-pod ornament, repeated around the bezel, bezel with box setting holding a table-cut ruby, white and black enamelled floral design to the underside; minor loss of enamel; likely from France; accompanied by a 'Les Enluminures' hinged presentation box.

Composed of a variety of ring types and sizes from various time periods, including examples with decorative bezels. 86 grams total, 14-24 mm



Acquired on the German art market around 2000s. From the collection of an EU gentleman living in the UK.

Composed of a number of brooch types, including one with remains of enamelled decoration and one with tinning; most with pins absent. 81 grams total, 24-48 mm



Found Wiltshire and UK. Ex private Merseyside, UK, collection.

Comprising a section of the rim and inner wall of a mortarium vessel; stamped 'CAMV' within a rectangular panel to the upper face of the rim; repaired. 263 grams, 19 cm



Found Bedfordhire, 1980s. Property of a Kempston, UK gentleman.

The abbreviation of CAMV for the ancient town of Camulodunum (modern Colchester, Essex) is well attested and commonly seen on the coins of the Celtic king Cunobelin.

Carved facing left, with deep-set hooded eyes and a hooked beak, stylised feather detailing to the head; mounted on a custom-made display base. 1.88 kg total, 23 cm high including stand



Ex Simmons Gallery, London E11, UK. Ex London collection, 1980s-1990s.

In the Greco-Roman world, the eagle was the symbol of Zeus. It is most probable that this eagle flanked a statue of the god. A story is bruited abroad to the effect that Zeus, wanting to determine the centre of the world, let eagles fly of equal speed from west and east. The birds, flying in opposite directions, met at Pytho and that marked the central point of the whole world.

Fifty five studs, most with conical or domed heads and a square-section pin tapering to a sharp point. 1.6 kg total, 26- 50 mm



From a UK collection before 2000. Acquired from a London, UK, gallery.

With painted designs in white, ochre, claret, crimson and blue. 411 grams total, 61-83 mm



Acquired in the 19th century. Ex Jeger collection, Switzerland.

Six brooches of various types, including one example with remains of polychrome enamelling; incomplete. 46 grams total, 22-62 mm



Found Essex, UK.

Mostly tabular in form, displaying varying numbers of dimples to one or multiple faces. 181 grams total,13-29 mm



Ex Simmons Gallery, London E11, UK, in the 1990s. From a North London collection.

Mainly composed of restrung opaque beads of various sizes, mainly irregular oblate and barrel shapes. 19.8 grams, 50 cm long



UK gallery, early 2000s.

With stepped shoulders, D-shaped plaque, incised peacock design. 3.39 grams, 23.50 mm overall, 20.62 mm internal diameter (approximate size British U 1/2, USA 10 1/4, Europe 23.15, Japan 22)



Private collection formed in the 1970s. Ex property of an Essex, UK, businessman. Ex private Merseyside, UK, collection.

The frontal section of an enkolpion, with the representation of crucified Jesus among Saint Mary and Saint John; Christ dressed in a long tunic (colobium) decorated with parallel stripes (clavi) and patterned hatches, his head turned to the right; his wounds on the cross are marked by nails; the cross standing upon a small hill, identified by rare inscription 'Ο ΤΟΠΟС КРАΝΙΟΥ' (a place of a skull, Matthew 27:33), indicating Golgota; the titulum with inscription 'Ι(ΗСΟΥ)С X(ΡΙ СΤΟ)C' (Jesus Christ), and the sun (left) with the moon (right); the central inscription corresponds to the words of the Gospel of John 19:26: 'here is your son, (ΙΔΕ Ο Υ {ΙΟ} С {C}ΟΥ ) here is your Mother (ΙΔΟΥ Η ΜΗΤ{Η}Ρ CΟΥ)'. 56.5 grams, 86 mm



Formerly in a 1980s collection. Acquired on the UK art market. Previously the property of an Essex gentleman.

Usually the reliquary crosses or enkolpia, were composed of two separate halves, inside of which a relic of a saint was contained; this could have been a piece of cloth or a bone. This extraordinary piece is very rare due to containing part of the Gospel of John about the Crucifixion.

Primarily truncated spherical forms, a number displaying letters, monograms and other patterns or markings. 276 grams total, 11-32 mm



Ex Simmons Gallery, London E11, UK, in the 1990s. From a North London collection.