Knapped bifacial tan knife with fishtail butt to receive a hilt; the rounded tip tapering and flaring along the edges; with a custom-made display stand.

Naturalistically modelled and coloured blue, hieroglyphs on base; pierced for suspension.

Comprising a tall, plain body with two rosettes; crowned by an elaborate palmette and volute design with shallow acanthus stalks and small rosettes; mounted on a custom-made display stand.

The squat oil flask with slender neck and broad everted rim, painted with rosette petals around the mouth and base, spots encircling the rim, horizontal stipes to the strap handle, vegetal motifs and the forequarters of a roaring lion to one face of the body.

Possibly depicting Ganymede or Paris, wearing a soft Phrygian cap with everted brim, the hair swept back from the face; almond-shaped eyes with pronounced eyelids, straight nose and fleshy lips; mounted on a custom-made display stand.

The piriform body with broad, stepped rim and two round-section handles; red-figure frieze depicting two standing women facing, wearing a himation and stephane; the other side with a nude standing warrior wearing an Apulo-Corinthian helmet, holding the reins of his horse, acanthus leaves, ovolo and wave motifs to the neck and lower body; probably from a Cuma workshop.

Comprising a shallow disc with central flower motif inlaid with carnelian and lapis lazuli, surrounded by a beaded border, the outer pearled border inlaid with mostly replicant lapis lazuli, and mother of pearl inserts; three pendants to the lower edge, two with chain and carnelian bead, the central pendant formed as a miniature amphora with filigree, repaired; housed in a custom-made display box.

Tousled curly hair, strong aquiline nose and full mouth; the deep eyes marked by raised eyelids and prominent semi-circular eyebrows; the hair arranged in overlapping rows of locks; repaired; mounted on a later porphyry plinth.

Mould-made and shaped as a sandaled left foot, filling-hole surrounded by a ridge in the ankle area, the sandal with two leather straps tied together near the ankle, wick-hole in the big toe; inscription 'ƩΑΛΣΙϹ' to the base, heel chipped.

Decorated with a frieze of partially preserved acanthus volutes from which emerges a figure of a winged female, possibly a siren, the body and the head of a woman with brown hair, the outstretched wings in pink and yellow; ochre background, cream-coloured line border with a green raised edge (part of the wall) below; mounted on a custom-made display stand.

The left side of a trapping for a horse pulling a chariot, comprising two hammered elements with a hinge; rectangular upper section with a loop to one end, decorated with an eagle-headed genius-demon, wearing a tunic and a fringed kilt, a shawl wrapped around the body, hanging down on the back, carrying a bucket of purifying water in his right hand and a conical pot of incense in his left hand, bracelets to arms, two rows of lotus buds above; the discoid lower section divided in two registers, each with a winged genii in combat with winged bulls; the dividing raised band with fish motifs similar to the border formed of fish; the edges of both elements with punched edges for the attachment of leather lining; Neo-Assyrian or Urartian; mounted on a custom-made display stand.

With a double-edged parallel-sided blade with broad pointed tip; the lower guard inlaid with garnet cloisonné divided into four segments; accompanied by a rectangular scabbard slide inlaid with two rows of garnets and other stone; and a part of a sheet-silver chape.

Comprising a double-edged cutting blade with tapering fullers and hefty tang; the bronze cross guard in Jellinge style with dragon head finials and a central human face to the lower edge; the pommel with seven lobes; accompanied by a bronze openwork chape with central bird motif decorated with stamped ring-and-dot design.

Of solid heavy penannular form, round in section with clubbed terminals.

With slightly tapering socket and openwork bulb above, discoid platform supporting a mounted warrior modelled in the round; horse with long vertical tail and horizontal reins, bowed legs and scrolls at the hooves; warrior astride the horse with legs bent and feet to the rear, helmet with lateral horns and large swept crest with notched edge; arms bent to show the warrior in the act of drawing his falcata sword from the scabbard worn across his midriff; mounted on a custom-made stand.

S-shaped with scrolled flourishes to the dragon-head terminals, remains of inlaid blue and red enamelling to the stylised beast heads, wave and lozenge ornament to the body; free-running tongue with head coiled around the neck of one of the creatures; Romano-British.

With high-relief aviform head and wings and looped ornamental swags, knotwork panels in the field; two holes for mounting; possibly a book-mount, Hiberno-Saxon workmanship.

An excessively rare and almost complete copper-alloy hanging bowl and associated fittings comprising: (i) the bowl with three attached matching hooked escutcheons and suspension rings (ii) the basal disc (iii) a body fragment (or possible repair patch) (iv) a curved bronze fragment (ii) the basal disc with separate frame (iii) fragment of copper-alloy sheet, possibly forming part of a repair to the base of the bow (iv) a curved copper-alloy strip (iv) four skeletal fragments from a sheep or similar.

Of Martin's Group 4 with rectangular headplate and florid face-masks to the three edges and conical eyes, deep bow with with square central panel, footplate with square lateral lappets, triangular face-mask finial with conical eyes; pin-lug and catchplate to the reverse; gilded surface abraded.

Of Hines's Group X with two discs on the headplate in a rectangular frame surrounded by a frieze of facing human masks, and another mask placed centrally above the junction with the bow; shallow bow with three ribs; curved horse-head lappets flanking a vertical shank with facing mask detailing, discoid lobes and an inverted mask below; pin-lugs to the reverse and solder-scar where the catchplate was attached.

Oil on board devotional panel in a gilt wooden frame; the Virgin in a bottle-green gown with gilt collar and cream undershift, crimson mantle; the naked Christ supported on his mother's left hip, his left foot clasped in the interleaved fingers of her right hand; textured gilt field; attributed to a follower of Dirk Bouts.

Openwork winged beast to the centre, its tails curling beneath the body creating the foliate tendrils on which it perches, broad outer roundel decorated with geometric plants alternating with lozenges, extensive remains of blue champlevé enamelling; engraved and chiselled; four attachment holes.

With wooden core to which the embossed sheets have been attached; the obverse with a central nimbate Corpus Christi, an applied rosette above and to the left arm; an angel to the finial of the upper and lower arm with Mary and St John the Evangelist to the side arms; the reverse with a central figure of Jesus holding the Gospel and making the sign of blessing; each finial of the arm with the symbols of the Evangelists (eagle, angel, lion and ox); the cross resting on a floral sphere with a socket below.

Composed of a slender hoop, expanding shoulders decorated with white enamelled foliage and black enamelled pea-pod ornament, repeated around the bezel, bezel with box setting holding a table-cut ruby, white and black enamelled floral design to the underside; minor loss of enamel; likely from France; accompanied by a 'Les Enluminures' hinged presentation box.

The obverse with a scene of Anubis recumbent on a pylon-shaped shrine with a standing sceptre in front; the reverse painted with a djed pillar flanked by two knots of Isis, remains of polychrome painted pigment; three piercings to both sides of the top; accompanied by a custom-made display stand. 71 grams, 85 mm wide (223 grams total, 10.5 cm including stand)

Fine condition.

From an early 20th century collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11104-182800.

Pectorals worn by the living were made from metal, usually gold; for the dead, glazed composition was an acceptable substitute, indicating the funerary nature of such objects. Circular piercings have been made through the cavetto cornice, enabling the piece to be stitched to the bandages covering a mummy's chest. The shape of the pectoral imitates that of a pylon, the rectangular tower which flanked the gateway into an Egyptian temple. The cavetto cornice is decorated with a winged and gilded sun-disk. All four sides are adorned with a block pattern. A jackal reclining on a pylon-shaped shrine represents Anubis, god of embalming. He has a magical tie or scarf around his neck and is shown with a flagellum. Such imagery is found in New Kingdom tombs at Thebes. In front of the shrine is the sekhem sceptre of power. The reverse depicts a djed pillar, believed to represent the backbone with ribs of Osiris, god of the dead, flanked by the Girdle of Isis or 'tit' amulet. Both were standard funerary amulets.

Finely knapped bifacial hand axe of triangular form with rounded butt; with printed and inked 'MADIJEN / EI:190M / THEBES / 1905' findspot label; with custom-made display stand. 480 grams total, 16.5 cm



Found Madijen, Thebes, 1905. Old German collection, before 1920.

Comprising: a blue-glazed eye of Horus amulet with bifacial detailing, pierced for suspension; a glazed Shu amulet, suspended on a slender gold bar and pendant hoop; offered with a black stone stamp seal engraved with a bird standing left, pierced for suspension. 5.06 grams total, 13-26 mm



Collected since the 1970s. Ex Everitt collection, acquired by descent 2017.

Comprising a quantity of small beads, of mixed shapes, colours and materials; each pierced for stringing. 59 grams total, 2-7 mm



UK gallery, early 2000s.

Carinated with slender cylindrical spout, stirrup-type handle and narrow foot; trace remains of painted geometric decoration. 106 grams, 79 mm high



Acquired in Europe before 1994.

Comprising over 20 hollow-formed bicones. 790 grams total, 21-96 mm



Acquired 1960s-1990s. Late Alison Barker collection, a retired London barrister.

Formed using sheet-gold in the shape of an animal bounding left, incised detailing to the coat; accompanied by a display mount. 33.78 grams total, 71 mm including stand



Ex Symes Gallery, Mayfair, London, UK. Exhibited in 'Schythian Gold', pre 1999.

Featuring stylised horn and tufted coat detailing, the ram's face with humanesque features; curved profile. 22.2 grams, 39 mm



Collected from 1969-1999. From the collection of the late Mr S.M., London, UK.

The keeled bow with a central bulb, integral pin and large catch-plate. 29 grams, 89 mm



From the family collection of a Surrey gentleman since before 1960.

The function of the catch-plate fibulae was utilitarian and decorative, they were used for woollen clothing (Herodotus V, 87) and they have been found in houses, tombs and as votive offerings in sanctuaries. Our fibula is an early type, very often found in the graves of the Greek colonies of Southern Italy and widespread in the Magna Graecia. This typology was introduced there by the Greeks. Like all female fibulae, it functioned as a clothing fastener, usually worn as a pair on each shoulder.

Each with a squat, spherical body adorned with decoratively twisted filigree wire and granules around the equator. 1.85 grams total, 9 mm each



Collected from 1970-1999. From the collection of the late Mr S.M., London, UK.

C-section moulding with female face, pierced at the brow. 127 grams, 10.4 cm



Acquired 1970s-1996. Property of a North American collector. London collection, 2016.

Arched bow with a central bulb and ribbed collar, integral pin and large catch-plate. 93 grams, 99 mm



From the family collection of a Surrey gentleman since before 1960.

The function of the catch-plate fibulae was utilitarian and decorative, they were used for woollen clothing (Herodotus V, 87) and they have been found in houses, tombs and as votive offerings in sanctuaries. Our fibula is an early type, very often found in the graves of the Greek colonies of Southern Italy and widespread in the Magna Graecia. This typology was introduced there by the Greeks. Like all female fibulae, it functioned as a clothing fastener, usually worn as a pair on each shoulder.