Knapped bifacial tan knife with fishtail butt to receive a hilt; the rounded tip tapering and flaring along the edges; with a custom-made display stand.

Naturalistically modelled and coloured blue, hieroglyphs on base; pierced for suspension.

Comprising a tall, plain body with two rosettes; crowned by an elaborate palmette and volute design with shallow acanthus stalks and small rosettes; mounted on a custom-made display stand.

The squat oil flask with slender neck and broad everted rim, painted with rosette petals around the mouth and base, spots encircling the rim, horizontal stipes to the strap handle, vegetal motifs and the forequarters of a roaring lion to one face of the body.

Possibly depicting Ganymede or Paris, wearing a soft Phrygian cap with everted brim, the hair swept back from the face; almond-shaped eyes with pronounced eyelids, straight nose and fleshy lips; mounted on a custom-made display stand.

The piriform body with broad, stepped rim and two round-section handles; red-figure frieze depicting two standing women facing, wearing a himation and stephane; the other side with a nude standing warrior wearing an Apulo-Corinthian helmet, holding the reins of his horse, acanthus leaves, ovolo and wave motifs to the neck and lower body; probably from a Cuma workshop.

Comprising a shallow disc with central flower motif inlaid with carnelian and lapis lazuli, surrounded by a beaded border, the outer pearled border inlaid with mostly replicant lapis lazuli, and mother of pearl inserts; three pendants to the lower edge, two with chain and carnelian bead, the central pendant formed as a miniature amphora with filigree, repaired; housed in a custom-made display box.

Tousled curly hair, strong aquiline nose and full mouth; the deep eyes marked by raised eyelids and prominent semi-circular eyebrows; the hair arranged in overlapping rows of locks; repaired; mounted on a later porphyry plinth.

Mould-made and shaped as a sandaled left foot, filling-hole surrounded by a ridge in the ankle area, the sandal with two leather straps tied together near the ankle, wick-hole in the big toe; inscription 'ƩΑΛΣΙϹ' to the base, heel chipped.

Decorated with a frieze of partially preserved acanthus volutes from which emerges a figure of a winged female, possibly a siren, the body and the head of a woman with brown hair, the outstretched wings in pink and yellow; ochre background, cream-coloured line border with a green raised edge (part of the wall) below; mounted on a custom-made display stand.

The left side of a trapping for a horse pulling a chariot, comprising two hammered elements with a hinge; rectangular upper section with a loop to one end, decorated with an eagle-headed genius-demon, wearing a tunic and a fringed kilt, a shawl wrapped around the body, hanging down on the back, carrying a bucket of purifying water in his right hand and a conical pot of incense in his left hand, bracelets to arms, two rows of lotus buds above; the discoid lower section divided in two registers, each with a winged genii in combat with winged bulls; the dividing raised band with fish motifs similar to the border formed of fish; the edges of both elements with punched edges for the attachment of leather lining; Neo-Assyrian or Urartian; mounted on a custom-made display stand.

With a double-edged parallel-sided blade with broad pointed tip; the lower guard inlaid with garnet cloisonné divided into four segments; accompanied by a rectangular scabbard slide inlaid with two rows of garnets and other stone; and a part of a sheet-silver chape.

Comprising a double-edged cutting blade with tapering fullers and hefty tang; the bronze cross guard in Jellinge style with dragon head finials and a central human face to the lower edge; the pommel with seven lobes; accompanied by a bronze openwork chape with central bird motif decorated with stamped ring-and-dot design.

Of solid heavy penannular form, round in section with clubbed terminals.

With slightly tapering socket and openwork bulb above, discoid platform supporting a mounted warrior modelled in the round; horse with long vertical tail and horizontal reins, bowed legs and scrolls at the hooves; warrior astride the horse with legs bent and feet to the rear, helmet with lateral horns and large swept crest with notched edge; arms bent to show the warrior in the act of drawing his falcata sword from the scabbard worn across his midriff; mounted on a custom-made stand.

S-shaped with scrolled flourishes to the dragon-head terminals, remains of inlaid blue and red enamelling to the stylised beast heads, wave and lozenge ornament to the body; free-running tongue with head coiled around the neck of one of the creatures; Romano-British.

With high-relief aviform head and wings and looped ornamental swags, knotwork panels in the field; two holes for mounting; possibly a book-mount, Hiberno-Saxon workmanship.

An excessively rare and almost complete copper-alloy hanging bowl and associated fittings comprising: (i) the bowl with three attached matching hooked escutcheons and suspension rings (ii) the basal disc (iii) a body fragment (or possible repair patch) (iv) a curved bronze fragment (ii) the basal disc with separate frame (iii) fragment of copper-alloy sheet, possibly forming part of a repair to the base of the bow (iv) a curved copper-alloy strip (iv) four skeletal fragments from a sheep or similar.

Of Martin's Group 4 with rectangular headplate and florid face-masks to the three edges and conical eyes, deep bow with with square central panel, footplate with square lateral lappets, triangular face-mask finial with conical eyes; pin-lug and catchplate to the reverse; gilded surface abraded.

Of Hines's Group X with two discs on the headplate in a rectangular frame surrounded by a frieze of facing human masks, and another mask placed centrally above the junction with the bow; shallow bow with three ribs; curved horse-head lappets flanking a vertical shank with facing mask detailing, discoid lobes and an inverted mask below; pin-lugs to the reverse and solder-scar where the catchplate was attached.

Oil on board devotional panel in a gilt wooden frame; the Virgin in a bottle-green gown with gilt collar and cream undershift, crimson mantle; the naked Christ supported on his mother's left hip, his left foot clasped in the interleaved fingers of her right hand; textured gilt field; attributed to a follower of Dirk Bouts.

Openwork winged beast to the centre, its tails curling beneath the body creating the foliate tendrils on which it perches, broad outer roundel decorated with geometric plants alternating with lozenges, extensive remains of blue champlevé enamelling; engraved and chiselled; four attachment holes.

With wooden core to which the embossed sheets have been attached; the obverse with a central nimbate Corpus Christi, an applied rosette above and to the left arm; an angel to the finial of the upper and lower arm with Mary and St John the Evangelist to the side arms; the reverse with a central figure of Jesus holding the Gospel and making the sign of blessing; each finial of the arm with the symbols of the Evangelists (eagle, angel, lion and ox); the cross resting on a floral sphere with a socket below.

Composed of a slender hoop, expanding shoulders decorated with white enamelled foliage and black enamelled pea-pod ornament, repeated around the bezel, bezel with box setting holding a table-cut ruby, white and black enamelled floral design to the underside; minor loss of enamel; likely from France; accompanied by a 'Les Enluminures' hinged presentation box.

The goddess modelled seated in anthropomorphic form, nursing her infant son Horus and wearing the horned crown; repaired; mounted on a 1920s type custom-made display stand. 360 grams total, 18 cm including stand



Acquired 1970s onwards. Private collection of Michael O'Hara, Cambridgeshire, UK. Ex private collection of Benjamin Hyde-Smith, Hertfordshire, UK.

Isis was the wife of the god Osiris and the mother of Horus; symbolically she was thus mother to the pharaoh. The abundance of statuettes of Isis in this pose attest to her role as a life-giver and protector in ancient Egyptian belief systems.

Carved naturalistically in the round with a scarab beetle to the top of the naked figure's bald head; repaired; accompanied by an old customised collector's box. 27 grams, 60 mm high



Property of a European Gentleman. with Christie's, New York, 5-6 December 2001, lot 265. Accompanied by an academic report by Egyptologist Paul Whelan. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11842-206821.

The distinctive folds of skin, and the belly swell of his slightly chubby body mark this as the work of a skilled artisan.

Striding on a rectangular base, right arm held by her side, the other wrapped around her torso; wearing a modius of cobras topped by a horned sun disc; turquoise glaze; with reverse suspension loop. 4.87 grams, 52 mm



Acquired in Europe before 1998.

Comprising a clavus decorated with various bright colours (green, brown, pink, blue, yellow) with stiff animal figures (dragons and stylised eagles) and a cockerel(?) inside the orbiculus. 138 grams, 70 x 18.2 cm



Acquired 1970s-1996. Property of a North American collector. London collection, 2016.

Tabby technique on linen and wool. It is highly probable that this tapestry was part of a tunic decoration, the clavus with preserved orbiculus, running vertically on the breast and on the back of it.

Comprising 31 fragments of linen and wool textiles decorated with various subject matter: geometric motifs; symbolic interlaced panels and frieze; vases; human and animal figures; the designs executed using a variety of colours; displayed in a ring binder. 768 grams, 29 x 25 cm



Acquired 1970s-1996. Property of a North American collector. London collection, 2016.

Green glazed composition amuletic bead with cartouche of Thutmose III flanked by two pairs of rearing cobras to the underside. 5.45 grams, 21 mm



From a family collection formed 1900-1950; by descent circa 1980.

Naturalistically modelled and coloured blue, hieroglyphs on base; pierced for suspension. 4.55 grams, 20 mm



Ex collection of Emil Saad, Paris-Alexandria.

Rectangular amuletic bead with hieroglyphic text to both faces, central cartouche to one face. 1.67 grams, 17 mm



From a family collection formed 1900-1950; by descent circa 1980.

Amuletic scarab bead with cartouche of Thutmose III flanked by erect sacred uraei to the underside. 1.96 grams, 16 mm



From a family collection formed 1900-1950; by descent circa 1980.

Carved with simple anatomical detailing with hieroglyphs to base with the goddess Maat (of truth) and the Red Crown of Lower Egypt; set in a later gold swivel bezel supported by a tapering, round-section gold hoop bearing a maker's mark stamped in triangular cartouche. 6.99 grams, 27.44 mm overall, 16.97 mm internal diameter (approximate size British L, USA 5 3/4, Europe 11.24, Japan 10)



Collected since the 1970s. Ex Everitt collection, acquired by descent 2017.

The round-section hoop tapering towards the bezel where the arms overlap and form coil sleeves around the opposite shoulder, gold fly attached to the bezel with two mounting loops, with simple detailing to the upper body, possibly incorporating a human face; possibly a marriage. 5.28 grams, 27.27 mm overall, 19.10 mm internal diameter (approximate size British S 1/2, USA 9 1/4, Europe 20.63, Japan 19)



Acquired in the late 1980s-early 1990s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11847-204562.

The gold fly was an emblem of valour.

The 19th century ring with D-section hoop expanding at the shoulders; the oval intaglio engraved with a seated woman offering food or drink from a cup to a creature with the body of a crocodile and a falcon head; accompanied by a custom-made display case and impression. 5.23 grams, 23.98 mm overall, 18.87 mm internal diameter (approximate size British Q 1/2, USA 8 1/4, Europe 18.12, Japan 17)



Acquired in the 1980s. with Christie's, Ancient Jewellery, 7 December 2006, lot 277. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.11779-204569.

An important creator god, Soknopaios is depicted here with the crocodile body of Sobek and the falcon head of Re. It has been suggested that the falcon head of Soknopaios alludes to association with the goddess Isis's son Horus. It can also depict an image of the so-called ‘nine shaped one’ (εννεάμορφος), a figure mentioned several times in the magical rituals written in Greek but with a strong Egyptian religious background. This deity is often understood as the bios (i.e. an incarnation) of the supreme god Amun-Re, often accompanied by a surrounding ouroboros serpent.