Knapped bifacial tan knife with fishtail butt to receive a hilt; the rounded tip tapering and flaring along the edges; with a custom-made display stand.

Naturalistically modelled and coloured blue, hieroglyphs on base; pierced for suspension.

Comprising a tall, plain body with two rosettes; crowned by an elaborate palmette and volute design with shallow acanthus stalks and small rosettes; mounted on a custom-made display stand.

The squat oil flask with slender neck and broad everted rim, painted with rosette petals around the mouth and base, spots encircling the rim, horizontal stipes to the strap handle, vegetal motifs and the forequarters of a roaring lion to one face of the body.

Possibly depicting Ganymede or Paris, wearing a soft Phrygian cap with everted brim, the hair swept back from the face; almond-shaped eyes with pronounced eyelids, straight nose and fleshy lips; mounted on a custom-made display stand.

The piriform body with broad, stepped rim and two round-section handles; red-figure frieze depicting two standing women facing, wearing a himation and stephane; the other side with a nude standing warrior wearing an Apulo-Corinthian helmet, holding the reins of his horse, acanthus leaves, ovolo and wave motifs to the neck and lower body; probably from a Cuma workshop.

Comprising a shallow disc with central flower motif inlaid with carnelian and lapis lazuli, surrounded by a beaded border, the outer pearled border inlaid with mostly replicant lapis lazuli, and mother of pearl inserts; three pendants to the lower edge, two with chain and carnelian bead, the central pendant formed as a miniature amphora with filigree, repaired; housed in a custom-made display box.

Tousled curly hair, strong aquiline nose and full mouth; the deep eyes marked by raised eyelids and prominent semi-circular eyebrows; the hair arranged in overlapping rows of locks; repaired; mounted on a later porphyry plinth.

Mould-made and shaped as a sandaled left foot, filling-hole surrounded by a ridge in the ankle area, the sandal with two leather straps tied together near the ankle, wick-hole in the big toe; inscription 'ƩΑΛΣΙϹ' to the base, heel chipped.

Decorated with a frieze of partially preserved acanthus volutes from which emerges a figure of a winged female, possibly a siren, the body and the head of a woman with brown hair, the outstretched wings in pink and yellow; ochre background, cream-coloured line border with a green raised edge (part of the wall) below; mounted on a custom-made display stand.

The left side of a trapping for a horse pulling a chariot, comprising two hammered elements with a hinge; rectangular upper section with a loop to one end, decorated with an eagle-headed genius-demon, wearing a tunic and a fringed kilt, a shawl wrapped around the body, hanging down on the back, carrying a bucket of purifying water in his right hand and a conical pot of incense in his left hand, bracelets to arms, two rows of lotus buds above; the discoid lower section divided in two registers, each with a winged genii in combat with winged bulls; the dividing raised band with fish motifs similar to the border formed of fish; the edges of both elements with punched edges for the attachment of leather lining; Neo-Assyrian or Urartian; mounted on a custom-made display stand.

With a double-edged parallel-sided blade with broad pointed tip; the lower guard inlaid with garnet cloisonné divided into four segments; accompanied by a rectangular scabbard slide inlaid with two rows of garnets and other stone; and a part of a sheet-silver chape.

Comprising a double-edged cutting blade with tapering fullers and hefty tang; the bronze cross guard in Jellinge style with dragon head finials and a central human face to the lower edge; the pommel with seven lobes; accompanied by a bronze openwork chape with central bird motif decorated with stamped ring-and-dot design.

Of solid heavy penannular form, round in section with clubbed terminals.

With slightly tapering socket and openwork bulb above, discoid platform supporting a mounted warrior modelled in the round; horse with long vertical tail and horizontal reins, bowed legs and scrolls at the hooves; warrior astride the horse with legs bent and feet to the rear, helmet with lateral horns and large swept crest with notched edge; arms bent to show the warrior in the act of drawing his falcata sword from the scabbard worn across his midriff; mounted on a custom-made stand.

S-shaped with scrolled flourishes to the dragon-head terminals, remains of inlaid blue and red enamelling to the stylised beast heads, wave and lozenge ornament to the body; free-running tongue with head coiled around the neck of one of the creatures; Romano-British.

With high-relief aviform head and wings and looped ornamental swags, knotwork panels in the field; two holes for mounting; possibly a book-mount, Hiberno-Saxon workmanship.

An excessively rare and almost complete copper-alloy hanging bowl and associated fittings comprising: (i) the bowl with three attached matching hooked escutcheons and suspension rings (ii) the basal disc (iii) a body fragment (or possible repair patch) (iv) a curved bronze fragment (ii) the basal disc with separate frame (iii) fragment of copper-alloy sheet, possibly forming part of a repair to the base of the bow (iv) a curved copper-alloy strip (iv) four skeletal fragments from a sheep or similar.

Of Martin's Group 4 with rectangular headplate and florid face-masks to the three edges and conical eyes, deep bow with with square central panel, footplate with square lateral lappets, triangular face-mask finial with conical eyes; pin-lug and catchplate to the reverse; gilded surface abraded.

Of Hines's Group X with two discs on the headplate in a rectangular frame surrounded by a frieze of facing human masks, and another mask placed centrally above the junction with the bow; shallow bow with three ribs; curved horse-head lappets flanking a vertical shank with facing mask detailing, discoid lobes and an inverted mask below; pin-lugs to the reverse and solder-scar where the catchplate was attached.

Oil on board devotional panel in a gilt wooden frame; the Virgin in a bottle-green gown with gilt collar and cream undershift, crimson mantle; the naked Christ supported on his mother's left hip, his left foot clasped in the interleaved fingers of her right hand; textured gilt field; attributed to a follower of Dirk Bouts.

Openwork winged beast to the centre, its tails curling beneath the body creating the foliate tendrils on which it perches, broad outer roundel decorated with geometric plants alternating with lozenges, extensive remains of blue champlevé enamelling; engraved and chiselled; four attachment holes.

With wooden core to which the embossed sheets have been attached; the obverse with a central nimbate Corpus Christi, an applied rosette above and to the left arm; an angel to the finial of the upper and lower arm with Mary and St John the Evangelist to the side arms; the reverse with a central figure of Jesus holding the Gospel and making the sign of blessing; each finial of the arm with the symbols of the Evangelists (eagle, angel, lion and ox); the cross resting on a floral sphere with a socket below.

Composed of a slender hoop, expanding shoulders decorated with white enamelled foliage and black enamelled pea-pod ornament, repeated around the bezel, bezel with box setting holding a table-cut ruby, white and black enamelled floral design to the underside; minor loss of enamel; likely from France; accompanied by a 'Les Enluminures' hinged presentation box.

Comprised of a crescent loop with bird-head finials, punched-point detailing and cloison eyes; tongue with beast-head finial; plaque with separate square panel of raised ornament with garnet cloison to each corner, larger central cloison surrounded by eight smaller, profile bird-head to the rear with garnet cloison eye. 190 grams, 18 cm

Very fine condition.

Acquired in Munich in the 1970s. From an old European collection. Property of an important West London collector. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no. 11831-206924.

Numerous examples of these buckles, together with stirrup fibulae with buttons, were found in the necropolis of the Bosphorus, brought from the Danube area in the first and second half of the 6th century. They were part of the equipment of burials in crypts or inhumation tombs, dated from the end of the 6th century to the 7th century. Accurate comparisons can be made with a specimen recovered in burial tomb 315 of Eski Kermen, (first half of the 7th century), a grave belonging to a woman of Alan ethnic group, buried with Gothic ornaments.

With zones of applied granulation to the D-shaped body, applied bosses with granule clusters, filigree borders and detailing, straps to the reverse. 10.5 grams, 57 mm



From the collection of a North American gentleman, formed in the 1990s.

The flat-section cruciform body with integral suspension loop adorned with scrolled filigree and ropework ornament, interlace knot to each arm of the cross set in a granulated field and enclosed within a ropework border; polished rock crystal cabochon set in a circular cell at the centre. 7.04 grams, 51 mm



Private collection formed in Europe in the 1980s. Westminster collection, central London, UK.

With integral loop; the openwork plaque with banded border and four panels, internal stylised zoomorph with hatched panel to the hip, gripping three-fingered hands to the body and border, two detailed feet, clearly visible facing mask below the loop with pellet eyes. 8.44 grams, 35 mm



From the collection of a North American gentleman, formed in the 1990s.

There is a class of discoid pendants with banded borders and contorted figures found in the hinterland of the Baltic region, associated with the influence of Scandinavian settlers. The design of these items recalls specific elements of Scandinavian art - for example, the 'gripping hands' motif is a feature of the Oseberg Style named after the famous Norwegian ship-burial. Oseberg Style is associated with the beginnings of the Viking age, and was current in the 9th century when Scandinavian settlers began to establish centres of trade and political control in the area of the rivers Dnieper and Volga. The motif has been interpreted as a horse and linked with various legends and mythic figures.

With integral loop, border enclosing a low-relief image of a male face between two birds, grasped by arms at the necks, small loop to the top. 1.6 grams, 22 mm



From the collection of a North American gentleman, formed in the 1990s.

Composed of an openwork discoid body displaying the two mythical ravens Huginn and Muninn positioned back-to-back, heads turned to face each other, simple detailing to their feathers and raised notched border; suspension loop to apex. 6.01 grams, 30 mm high



From the private collection of a London gentleman, from his grandfather's collection formed before the early 1970s.

In Norse mythology, these two ravens were sent on daily flights around the world by the god Odin. Believed to have been granted the power of speech by Odin, the birds would perch on the god's shoulders to relay news gathered on their travels.

Portion of a lateral arm or head from a monumental cross of the Mercian Group with scoops at the junction with the shaft; Side A: a panel of dense knotwork within a raised border; Side B: a panel of coiled tendrils enmeshing the stems with vine-leaf finials; tooling and other marks to the undecorated faces; outer face (end): shallow incised cross. 5.67 kg total, 30 cm high including stand



Acquired in the 1980s. Ex S. Sherlock collection, Stoke-on-Trent, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11891-205888.

The lateral scoops form a partial round hole, one of four which give these crosses their characteristic form.

With a mounting stud at each corner; parcel-gilt surface with central reserved square filled with red enamel; cruciform motif, a scaphoid cell at each corner with red enamel fill, four interstitial panels with chip-carved Style I ornament. 19.8 grams, 31 mm



Found near Lakenheath, Suffolk, UK, circa 2012. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11892-204383.

The use of enamel is unusual in early Anglo-Saxon contexts, except in parts of East Anglia where it may have been preferred as an alternative to garnet cloisonné.

Discoid and hollow to the reverse with raised rim and shallow suspension hook with beast-head facetting; panel of three La Tène spirals and comma-leaf motifs, central void. 25.5 grams, 57 mm



Found near Grimsby, Lincolnshire, UK, circa 2010. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11893-204384.

Bowl mounts in groups of three are believed to have adorned the rim of bronze cauldrons which were used for the public dispensing of beer or mead at feasts. They are usually decorated in a manner which suggests that they were made in the north or northwest of Britain, and were either traded with the Anglo-Saxon kingdoms or, more likely, they formed part of the circulation of prestige goods among leading families in ritualised gift exchange.

The three arms with rounded terminals and domed outer face; the filigree interlace motif embellished with granulations and larger pellets, highly stylised dragonesque heads with slanted eyes and curled moustaches facing outwards from the end of each arm; reverse slightly concave, featuring a pin lug and catchplate, together with two articulate suspension loops. 17.3 grams, 58 mm



Private collection formed in Europe in the 1980s. Westminster collection, central London, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11894-206847.

The openwork body roughly triangular in plan with rounded corners, the apex formed as a facing beast head, the frame as the creature's sinuous limbs which form an interlace motif below; suspension loop above. 7.18 grams, 33 mm



Private collection formed in Europe in the 1980s. Westminster collection, central London, UK.

Standing with a beak-like face, ears, hooves and a long curled tail, spirals on the upper legs. 78 grams, 77 mm



Private collection formed in Europe in the 1980s. Westminster collection, central London, UK.