A fragment of amorphous form, decorated in relief with scrolling tendrils and anthemion, painted egg-and-dart ornament above, surmounted by moulded bands and a frieze of meander and chequerboard panels; remains of red and black painted pigment.

Formed as the bust of Eros looking upwards, stub wings to his shoulders, holding a goose to his chest; conical socket above each wing; eyes with silver inserts; old collector's label '1994 51.75' to the reverse; mounted on a custom-made stand; likely a socket base.

Comprising a rectangular plate, richly decorated with embossed laurel leaves in a grid, framed with raised bosses, the buckle loop comprising opposing dragons with open mouths, holding a spherical tongue-rest, another pair of smaller dragon heads to base, the tongue with a smaller pair of punch-decorated dragon heads.

Hemispherical in form, repoussé interior displaying graduated concentric registers of stylised and mythical animals within tessellating cartouches; a low relief mesomphalos decorated with rosette at centre; geometric ornament around the rim.

Displaying a corrugated rim above and below; two advancing soldiers, each striding forwards over the headless body of a dead enemy, carrying a severed head in each hand; the soldiers shown bearded and each wearing a pointed and segmented helmet with a recess to accommodate the ears, a cuirass and thigh-length tunic, with a bow over one shoulder and a sword slung from a waist belt; mounted on a custom-made display stand.

Of penannular form with expanded sections at the centre and to both shoulders.

Comprising a rectangular headplate with two panels of chip-carved Style I ornament, flanking a beast-head with triangular muzzle and two pellet eyes, raised three-sided frame and outer band of pellets above beast-heads with lentoid eyes; the shallow bow with raised median rib, flanges to the edges and punched pellet detailing; footplate with beast-head between curved pellet lines, pierced horse-head lappets, lozengiform central panel with knot of Style I limbs; two lateral discs, one pierced to accept a stud and the other with a domed stud in place; the finial a disc with human mask inverted; pin-lug and part of catch to the reverse.

Displaying chased panels populated with Style I zoomorphs and geometric forms, borders of annulets, raised masks to the upper corners of the headplate; applied discoid boss to bow decorated with a rosette, addorsed beast heads below; extensive remains of gilding; pin lug and catchplate to reverse and remains of ancient repair, lower part absent.

Comprising a round-section crescent with flared ends terminating in two curved spatulate flat panels, each with a ropework border surrounding a two-band knotwork motif; cleaned and conserved.

The weeping Virgin with her head bowed to the left and hands raised to her chest on a dotted gilt background, an expression of pain on her delicately formed face; wearing a white veil and a black long-sleeved robe, the veil arranged as a headdress and covering her hair; on wood and mounted in a later carved wooden architectural frame.

Shown beneath an arcade, offering his cloak on the end of his sword to the beggar at his feet; polychrome detailing; repaired with lead cames and held in a wooden frame.

Composed from irregular painted panels bearing mainly foliage designs and figural elements; Mary crowned and enthroned with infant Jesus on her knee, in a lobed vesica-shaped panel held with lead cames; mounted in a wooden frame with modern replacements.

Carved in the half-round with a frieze composed of interlaced foliage with two rows of acanthus leaves and foliage scrolls, framing a lion's head on one side and a human head on the other, remains of lion's mane to the third; drilled holes to the raised surfaces and sockets for the insertion of decorative stones.

The bar with central D-shaped block pierced vertically by a stud surmounted by the suspension loop, with four pierced flanges to the underside; the frame in two sections, the larger a U-shaped rod with pivot for the bar, the smaller pivoting within the inner face, both pierced on the inner face; the block inscribed to one face with capital S and to the other with intersecting Vs; the bar inscribed to one face in capitals 'A DOMINI TECVM' and to the other in coarsely incised capitals 'AVEMARIA G[R]ACIAPLE[NA]'; the smaller rod inscribed in capitals 'CREATOREN CELI ET TERRE ET IN [IES]VN'; the larger inscribed with a band of scrolled decoration and the text in Lombardic capitals 'SOLI DEO HONOR ET GLORIA'; the accompanying letter discusses the texts (1) Ave Maria G[r]acia ple[n]a Dominus Tecum 'Hail Mary full of grace, the Lord [is] with thee'; (2) Soli Deo Honor et Gloria 'Honour and glory to God alone'; (3) Creatorem celi et terrae et inferum 'creator of heaven and earth and in Jesus'. The intersecting Vs may form a monogram for A[ve] M[aria]; the 1847 letter describes the findspot as 'found at Kirkleavington near Yarm in the sill of a brook' in the North Riding of Yorkshire.

Gold hoop and discoid bezel with incuse ropework border; incuse image of a bird of prey perching with wings spread and head turned; blackletter incuse and reversed inscription in an arc above the bird's head and pinions '·al : for : ye : best ·' (all for the best); repair to hoop.

Or a leg ring inscribed '+Earle of Rutland' in derivative black letter script, for a female merlin or sparrow hawk (due to the youth of Edmund Plantagenet who died aged 17); the ring with a convex interior face.

Displaying large flower heads, foliage and a skull to the outer face, enhanced with black enamelling; interior inscribed in a cursive script 'In god alone wee two are one', together with possible maker's stamps 'D' and 'F' in two rectangular cartouches.

Composed of a gently carinated hoop, the interior inscribed in cursive script 'Love is the bond of pease'.

Composed of a decoratively notched hoop divided into chased rhomboidal panels displaying foliate tendrils and horizontal hatching alternately; the interior inscribed in Roman capitals with the Latin phrase: 'x x x x VIVE x VT x VIVAS'.

Set comprising gold five pounds, two pounds, sovereign and half sovereign. Obvs: profile bust with GEORGIVS VI D G BR OMN REX F D IND IMP legends. Revs: St George and dragon; date in exergue; with original Royal Mint hinged red leatherette case of issue.

Integral loop, border enclosing a low-relief image of a male facing mask between two birds embraced at the necks. 3.58 grams, 24 mm



From the collection of a North American gentleman, formed in the 1990s.

The iconography of the pendant is evidently based on the mythological representation of Odin, whose ravens, Huginn and Muninn, were his spirit companions and confidents. Huginn and Muninn travelled around the world bringing news and information to their master. Odin sent them out at dawn to gather information and they returned in the evening, sitting on the god's shoulders and whispering the news into his ears. It is from these ravens that the raven-god kenning representing Odin was derived.

Formed as a gold cap set with polished garnet; free-running suspension loop above. 0.54 grams, 17 mm



Acquired 1970-2010. Collection of a late Japanese gentleman.

Adorned with filigree wire and twisted wire collars. 0.91 grams, 10 mm



From the collection of a North American gentleman, formed in the 1990s.

Strap connector with rectangular panel to the middle with four bosses to each side; short bar with lozenge-shaped strap holes, knops to each point. 26.6 grams, 83 mm



Found UK. Ex North Country collection; formed between 1970-2000.

Integral suspension loop, Borre style regardant beast in relief to one face, raised chevrons to the loop. 10.1 grams, 41 mm



From the collection of a North American gentleman, formed in the 1990s.

Stamped with sunburst or flowerhead motifs to both faces. 16.4 grams, 30 mm



From the collection of a North American gentleman, formed in the 1990s.

Of piriform shape with collar and loop above, scrolled tendril motifs to each face; Baltic. 23.6 grams, 38 mm



Acquired on the German art market before 2000. From an old Munich collection.

Adorned with repoussé chevrons and applied granules; replaced loop. 1.17 grams, 15 mm



From the collection of a North American gentleman, formed in the 1990s.

Pendants in the form of miniature buckets have been found in a number of pagan Anglo-Saxon and Viking contexts and are generally made of bronze or iron, with gold examples being rare; three gold examples were found with the hoard from Hoen, Norway. Bronze bucket amulets have been found at Driffield in Yorkshire, and Vimose bog in Denmark, among other places. In form they represent wooden buckets bound with bronze or iron bands which have been found in Anglo-Saxon and Viking graves and are believed to have held mead or ale and were used to replenish the cups from which warriors drank. As amulets they probably represent the ecstatic power of alcoholic drink and the role of women as the dispensers of these precious beverages.

Pierced for rivets for mounting; mostly Thomas's Class A (Types 1,2,5) Class B (Type 2) with interlace or geometric schemes; with an appliqué mount with facing mask and hood ending in bird-heads. 50 grams total, 32-45 mm



From the collection of a North American gentleman, formed in the 1990s.

Formed with a tongue-shaped body, of Williams's Class A Type 11 with pierced trefoil lug above, ledge to the reverse, two fixing holes, high-relief profile wolf with head thrown back; Anglo-Scandinavian or Viking. 23.88 grams, 49 mm



Found near Lincoln, Lincolnshire, UK.

The cross forming suspension loops on its back, engraved and punched feather and eye detailing; pin lug and catchplate to reverse; likely Weetch type 30B. 7.02 grams, 34 mm



From the collection of a North American gentleman, formed in the 1990s.

The profile of the bird's beak suggests this is an eagle (symbolic of the Resurrection and St John) rather than a dove (symbol of the Holy Spirit), although either are a possibility. There is a group of three pierced holes on the bird's breast which might symbolise the Holy Trinity.

Comprising three Baltic short spear and javelins heads with lentoid-section lanceolate blade, two with short neck and one with elongated socket, all with tapering circular socket with forge-welded split, remains of wood inside the shafts. 545 grams total, 25.5-30 cm



Acquired 1971-1972. From the collection of the vendor's father. Property of a London, UK, collector.

The Curonians were known as fierce warriors, excellent sailors and pirates. They were involved in several wars and alliances with Swedish, Danish and Icelandic Vikings. Baltic tribes created an original and impressive set of weaponry. They included battle knives, battle axes and spears and javelins with medium sized heads of a characteristic shape.