A fragment of amorphous form, decorated in relief with scrolling tendrils and anthemion, painted egg-and-dart ornament above, surmounted by moulded bands and a frieze of meander and chequerboard panels; remains of red and black painted pigment.

Formed as the bust of Eros looking upwards, stub wings to his shoulders, holding a goose to his chest; conical socket above each wing; eyes with silver inserts; old collector's label '1994 51.75' to the reverse; mounted on a custom-made stand; likely a socket base.

Comprising a rectangular plate, richly decorated with embossed laurel leaves in a grid, framed with raised bosses, the buckle loop comprising opposing dragons with open mouths, holding a spherical tongue-rest, another pair of smaller dragon heads to base, the tongue with a smaller pair of punch-decorated dragon heads.

Hemispherical in form, repoussé interior displaying graduated concentric registers of stylised and mythical animals within tessellating cartouches; a low relief mesomphalos decorated with rosette at centre; geometric ornament around the rim.

Displaying a corrugated rim above and below; two advancing soldiers, each striding forwards over the headless body of a dead enemy, carrying a severed head in each hand; the soldiers shown bearded and each wearing a pointed and segmented helmet with a recess to accommodate the ears, a cuirass and thigh-length tunic, with a bow over one shoulder and a sword slung from a waist belt; mounted on a custom-made display stand.

Of penannular form with expanded sections at the centre and to both shoulders.

Comprising a rectangular headplate with two panels of chip-carved Style I ornament, flanking a beast-head with triangular muzzle and two pellet eyes, raised three-sided frame and outer band of pellets above beast-heads with lentoid eyes; the shallow bow with raised median rib, flanges to the edges and punched pellet detailing; footplate with beast-head between curved pellet lines, pierced horse-head lappets, lozengiform central panel with knot of Style I limbs; two lateral discs, one pierced to accept a stud and the other with a domed stud in place; the finial a disc with human mask inverted; pin-lug and part of catch to the reverse.

Displaying chased panels populated with Style I zoomorphs and geometric forms, borders of annulets, raised masks to the upper corners of the headplate; applied discoid boss to bow decorated with a rosette, addorsed beast heads below; extensive remains of gilding; pin lug and catchplate to reverse and remains of ancient repair, lower part absent.

Comprising a round-section crescent with flared ends terminating in two curved spatulate flat panels, each with a ropework border surrounding a two-band knotwork motif; cleaned and conserved.

The weeping Virgin with her head bowed to the left and hands raised to her chest on a dotted gilt background, an expression of pain on her delicately formed face; wearing a white veil and a black long-sleeved robe, the veil arranged as a headdress and covering her hair; on wood and mounted in a later carved wooden architectural frame.

Shown beneath an arcade, offering his cloak on the end of his sword to the beggar at his feet; polychrome detailing; repaired with lead cames and held in a wooden frame.

Composed from irregular painted panels bearing mainly foliage designs and figural elements; Mary crowned and enthroned with infant Jesus on her knee, in a lobed vesica-shaped panel held with lead cames; mounted in a wooden frame with modern replacements.

Carved in the half-round with a frieze composed of interlaced foliage with two rows of acanthus leaves and foliage scrolls, framing a lion's head on one side and a human head on the other, remains of lion's mane to the third; drilled holes to the raised surfaces and sockets for the insertion of decorative stones.

The bar with central D-shaped block pierced vertically by a stud surmounted by the suspension loop, with four pierced flanges to the underside; the frame in two sections, the larger a U-shaped rod with pivot for the bar, the smaller pivoting within the inner face, both pierced on the inner face; the block inscribed to one face with capital S and to the other with intersecting Vs; the bar inscribed to one face in capitals 'A DOMINI TECVM' and to the other in coarsely incised capitals 'AVEMARIA G[R]ACIAPLE[NA]'; the smaller rod inscribed in capitals 'CREATOREN CELI ET TERRE ET IN [IES]VN'; the larger inscribed with a band of scrolled decoration and the text in Lombardic capitals 'SOLI DEO HONOR ET GLORIA'; the accompanying letter discusses the texts (1) Ave Maria G[r]acia ple[n]a Dominus Tecum 'Hail Mary full of grace, the Lord [is] with thee'; (2) Soli Deo Honor et Gloria 'Honour and glory to God alone'; (3) Creatorem celi et terrae et inferum 'creator of heaven and earth and in Jesus'. The intersecting Vs may form a monogram for A[ve] M[aria]; the 1847 letter describes the findspot as 'found at Kirkleavington near Yarm in the sill of a brook' in the North Riding of Yorkshire.

Gold hoop and discoid bezel with incuse ropework border; incuse image of a bird of prey perching with wings spread and head turned; blackletter incuse and reversed inscription in an arc above the bird's head and pinions '·al : for : ye : best ·' (all for the best); repair to hoop.

Or a leg ring inscribed '+Earle of Rutland' in derivative black letter script, for a female merlin or sparrow hawk (due to the youth of Edmund Plantagenet who died aged 17); the ring with a convex interior face.

Displaying large flower heads, foliage and a skull to the outer face, enhanced with black enamelling; interior inscribed in a cursive script 'In god alone wee two are one', together with possible maker's stamps 'D' and 'F' in two rectangular cartouches.

Composed of a gently carinated hoop, the interior inscribed in cursive script 'Love is the bond of pease'.

Composed of a decoratively notched hoop divided into chased rhomboidal panels displaying foliate tendrils and horizontal hatching alternately; the interior inscribed in Roman capitals with the Latin phrase: 'x x x x VIVE x VT x VIVAS'.

Set comprising gold five pounds, two pounds, sovereign and half sovereign. Obvs: profile bust with GEORGIVS VI D G BR OMN REX F D IND IMP legends. Revs: St George and dragon; date in exergue; with original Royal Mint hinged red leatherette case of issue.

Incuse geometric detail to the hoop, flange with wheel motif. 10.19 grams, 34.62 mm overall, 20.76 mm internal diameter (approximate size British W 1/2, USA 11 1/4, Europe 25.66, Japan 24)



English collection, early 2000s. Ex central London gallery.

Primarily composed of socketted types with triangular cross-sections. 198 grams total, 26-43 mm



Ex private collection, 1980s. Acquired on the UK art market in the 1990s.

Leaf-shaped blade with pronounced midrib, square-section neck with flared ends and thick square-section tang. 299 grams, 26.7 cm



Ex German collection, Cologne, 1980-1990s.

The spearhead belongs to the type I of tripartite spears with broad mid-rib, reinforced shaft opening to reveal the tang and rounded shoulders. The blade with curved shoulders, a sharp point and a rectangular mid-rib. Stutzinger dated these pieces to 1200-1100 B.C.

Including socketted heads of various types, each with a convex cutting edge. 4.27 kg total, 12-19.2 cm



Acquired 1990s-early 2000s. East Anglian private collection.

Curved cutting edge and tongue-shaped mounting blade to the rear. 180 grams, 18.1 cm



English collection, 1990s. Ex North London gallery.

Three tanged arrowheads with broadly leaf-shaped heads with shallow barbs, each with a raised midrib to both faces. 83 grams total, 13.5-14.5 cm



Ex private collection, 1980s. Acquired on the UK art market in the 1990s.

Triangular profile with projecting midribs, round shank with raised collar above the square-section tapered tang. 186 grams, 28.5 cm



Ex German collection, Cologne, 1980-1990s.

This variant of the tripartite spear is characterised by a rhomboidal or swollen section blade, often with a short intermediate part widened so as to form a clean stop and with a curved tang, sometimes ending in a button (here unfortunately missing). Most spears have medium dimensions (23 cm to 36 cm), but others are elongated (more than 50 cm).

Each a scrolled bar with gently carinated upper face, formed as serpents or other animals with stylised geometric detailing; attachment perforations to one terminal. 16.5 grams total, 65 mm each



Acquired on the London art market, 1980s-1990s.

In the 1st century B.C.-1st century A.D., the Celtic fastening system of the ring mail armour (gallica, lorica ferro aspera) became the standard in the Imperial Roman army, with a pivot attached to the breast and hinged to the edges of the humeralia (shoulder guards). The chest fastener had various different designs. The double hooks, S-shaped and usually with snake-head terminals, were secured by a central rivet on the chest. The system allowed excellent freedom of movement, giving greater protection to the shoulders and the arms. Similar fasteners for infantry mail have been found on the Kalkriese battlefield, some of them also decorated with niello and inscribed with the name of the soldier.

With pierced crescent motifs to the shank, free-running star-shaped rowel and geometric engraving to heelband with lozengiform terminals. 349 grams, 22 cm



Acquired from Czerny's Auctions, Italy, 2016, lot 390. The Kusmirek Collection, UK. Accompanied by copy of Czerny's invoice and lot details.

Suitable for use with an onager or other catapult-type siege weapon; with smooth surface. 1.4 kg, 10 cm



Acquired 1971-1972. From the collection of the vendor's father. Property of a London, UK, collector.

The operation of the onager (Latin for 'wild ass') is first mentioned in 353 A.D. by Ammianus Marcellinus in his Res Gestae and more fully in Vegetius's Epitoma Rei Militaris probably written in the reign of Emperor Theodosius I (378-395 A.D.).

Short triangular two-edged blade with thick midrib, long round-section neck with V-shaped recesses to the lower end, tapering square-section tang. 268 grams, 34.5 cm



Ex German collection, Cologne, 1980-1990s.

The spearhead belongs to a typology of spears widespread in the Marlik region, which Negahban divided into two categories. This spearhead belongs to type II, spearheads with triangular blades with rather short blade and shaft with a long tang, the total length of the blade being less than that of the shaft and tang together.

Comprising a smooth, slightly curved and unornamented blade, the hilt wrapped with organic plaited and plain string; tubular bamboo(?) scabbard wrapped with plaited string. 886 grams, 91 cm long



Ex Reeman Dansie, Colchester, Essex, UK.

The dha may have its origins with the Tai people who migrated to the area from present-day Yunnan Province in southern China. This sabre varied considerably according to locality but they shared some features that define them apart from other weapons and tools of the area, like the round cross-section grip, a long, gently curving blade with a single edge, and the absence of a guard.