A fragment of amorphous form, decorated in relief with scrolling tendrils and anthemion, painted egg-and-dart ornament above, surmounted by moulded bands and a frieze of meander and chequerboard panels; remains of red and black painted pigment.

Formed as the bust of Eros looking upwards, stub wings to his shoulders, holding a goose to his chest; conical socket above each wing; eyes with silver inserts; old collector's label '1994 51.75' to the reverse; mounted on a custom-made stand; likely a socket base.

Comprising a rectangular plate, richly decorated with embossed laurel leaves in a grid, framed with raised bosses, the buckle loop comprising opposing dragons with open mouths, holding a spherical tongue-rest, another pair of smaller dragon heads to base, the tongue with a smaller pair of punch-decorated dragon heads.

Hemispherical in form, repoussé interior displaying graduated concentric registers of stylised and mythical animals within tessellating cartouches; a low relief mesomphalos decorated with rosette at centre; geometric ornament around the rim.

Displaying a corrugated rim above and below; two advancing soldiers, each striding forwards over the headless body of a dead enemy, carrying a severed head in each hand; the soldiers shown bearded and each wearing a pointed and segmented helmet with a recess to accommodate the ears, a cuirass and thigh-length tunic, with a bow over one shoulder and a sword slung from a waist belt; mounted on a custom-made display stand.

Of penannular form with expanded sections at the centre and to both shoulders.

Comprising a rectangular headplate with two panels of chip-carved Style I ornament, flanking a beast-head with triangular muzzle and two pellet eyes, raised three-sided frame and outer band of pellets above beast-heads with lentoid eyes; the shallow bow with raised median rib, flanges to the edges and punched pellet detailing; footplate with beast-head between curved pellet lines, pierced horse-head lappets, lozengiform central panel with knot of Style I limbs; two lateral discs, one pierced to accept a stud and the other with a domed stud in place; the finial a disc with human mask inverted; pin-lug and part of catch to the reverse.

Displaying chased panels populated with Style I zoomorphs and geometric forms, borders of annulets, raised masks to the upper corners of the headplate; applied discoid boss to bow decorated with a rosette, addorsed beast heads below; extensive remains of gilding; pin lug and catchplate to reverse and remains of ancient repair, lower part absent.

Comprising a round-section crescent with flared ends terminating in two curved spatulate flat panels, each with a ropework border surrounding a two-band knotwork motif; cleaned and conserved.

The weeping Virgin with her head bowed to the left and hands raised to her chest on a dotted gilt background, an expression of pain on her delicately formed face; wearing a white veil and a black long-sleeved robe, the veil arranged as a headdress and covering her hair; on wood and mounted in a later carved wooden architectural frame.

Shown beneath an arcade, offering his cloak on the end of his sword to the beggar at his feet; polychrome detailing; repaired with lead cames and held in a wooden frame.

Composed from irregular painted panels bearing mainly foliage designs and figural elements; Mary crowned and enthroned with infant Jesus on her knee, in a lobed vesica-shaped panel held with lead cames; mounted in a wooden frame with modern replacements.

Carved in the half-round with a frieze composed of interlaced foliage with two rows of acanthus leaves and foliage scrolls, framing a lion's head on one side and a human head on the other, remains of lion's mane to the third; drilled holes to the raised surfaces and sockets for the insertion of decorative stones.

The bar with central D-shaped block pierced vertically by a stud surmounted by the suspension loop, with four pierced flanges to the underside; the frame in two sections, the larger a U-shaped rod with pivot for the bar, the smaller pivoting within the inner face, both pierced on the inner face; the block inscribed to one face with capital S and to the other with intersecting Vs; the bar inscribed to one face in capitals 'A DOMINI TECVM' and to the other in coarsely incised capitals 'AVEMARIA G[R]ACIAPLE[NA]'; the smaller rod inscribed in capitals 'CREATOREN CELI ET TERRE ET IN [IES]VN'; the larger inscribed with a band of scrolled decoration and the text in Lombardic capitals 'SOLI DEO HONOR ET GLORIA'; the accompanying letter discusses the texts (1) Ave Maria G[r]acia ple[n]a Dominus Tecum 'Hail Mary full of grace, the Lord [is] with thee'; (2) Soli Deo Honor et Gloria 'Honour and glory to God alone'; (3) Creatorem celi et terrae et inferum 'creator of heaven and earth and in Jesus'. The intersecting Vs may form a monogram for A[ve] M[aria]; the 1847 letter describes the findspot as 'found at Kirkleavington near Yarm in the sill of a brook' in the North Riding of Yorkshire.

Gold hoop and discoid bezel with incuse ropework border; incuse image of a bird of prey perching with wings spread and head turned; blackletter incuse and reversed inscription in an arc above the bird's head and pinions '·al : for : ye : best ·' (all for the best); repair to hoop.

Or a leg ring inscribed '+Earle of Rutland' in derivative black letter script, for a female merlin or sparrow hawk (due to the youth of Edmund Plantagenet who died aged 17); the ring with a convex interior face.

Displaying large flower heads, foliage and a skull to the outer face, enhanced with black enamelling; interior inscribed in a cursive script 'In god alone wee two are one', together with possible maker's stamps 'D' and 'F' in two rectangular cartouches.

Composed of a gently carinated hoop, the interior inscribed in cursive script 'Love is the bond of pease'.

Composed of a decoratively notched hoop divided into chased rhomboidal panels displaying foliate tendrils and horizontal hatching alternately; the interior inscribed in Roman capitals with the Latin phrase: 'x x x x VIVE x VT x VIVAS'.

Set comprising gold five pounds, two pounds, sovereign and half sovereign. Obvs: profile bust with GEORGIVS VI D G BR OMN REX F D IND IMP legends. Revs: St George and dragon; date in exergue; with original Royal Mint hinged red leatherette case of issue.

Modelling a muscular male torso with naturalistic anatomical detailing. 1.49 kg, 53 cm high



Acquired 1990s-early 2000s. East Anglian private collection.

Composed of a tapering wooden blunt-tipped shaft, waisted grip with raised ribs and 'button' terminal. 309 grams, 43 cm



The Kusmirek Collection, UK.

Swedish made bolt action model M96 with matching serial No.890, full wood stock with steel butt plate, trigger guard, sling swivels and fore-end, hinged backsight with slide; fitted with correct bayonet dated 1916 with steel scabbard and leather frog. 4.05 kg, 148 cm



Acquired from Arundel Militaria Ltd, UK, 2016. The Kusmirek Collection, UK. Accompanied by copies of invoice and listing and original Birmingham Gun Barrel Proof House Deactivation Certificate No.96730.

Sold as an exempt item under Section 58 (2) of the Firearms Act, 1968, to be held as a curiosity or ornament. No license required but buyer must be over 18 years of age. Overseas bidders should note that, due to UK regulations governing export of all firearms, overseas buyers will need to make arrangements for shipping this lot out of the UK directly, by air freight, with a specialist company or agent.

Comprising three caltrops, hand-forged with square-section in the form of four welded arrowheads. 34 grams total, 50 mm each



Acquired on the German art market around 2000. From the collection of Surrey, UK, gentleman.

Caltrops were a kind of 'landmine' of the ancient world an mentioned in the Classical period. Nevertheless, they turned into real military weapons only in Dark Ages. Their systematic and wide use by the Eastern Romans, who called it tribolos, is noticeable. In 1082, Emperor Alexios Komnenos used caltrops against the Norman cavalry in the Balkans. Anna Komnena tells us in detail of her father’s intentions: ‘He marched against Bohemond with a new idea for victory. He had iron caltrops made and since he expected the battle to take place on the next day, the evening before scattered them over the plain between the two armies at the point where he guessed that the Kelts (the Normans) would make a heavy cavalry attack. The plan was to frustrate the first and irresistible charge when the caltrops pierced the horses’ hooves.’ Unfortunately for the Romans the Normans avoided battle on the ‘minefield’, outflanked the enemy and gained victory.

Displaying shallow striations running vertically around the body; cylindrical socket. 828 grams, 64 mm wide



Acquired 1990s-early 2000s. East Anglian private collection.

This kind of later maces, typical of 15th century, had irregularly shaped heads, with spheres having holes for the insertion of the shaft. Incised, parallel strips formed a cross ornament running horizontally and vertically. Grooved lines were carved in the fields between.

Finno-Ugrian with triangular-section blade widening to a broad bevelled edge with spur to the underside, socket with extended lower sleeve. 779 grams, 17.5 cm



Acquired 1971-1972. From the collection of the vendor's father. Property of a London, UK, collector.

During their struggles against Germans and Teutonic Knights, deceased pagans were often cremated along with damaged or ceremonially sacrificed weaponry. If swords were generally reserved for the military elite, the side axe was one of the most commonly used weapons.

Mainly comprising socketted arrowheads of triangular type, including at least one barbed and one tanged example. 213 grams total, 32-56 mm



Ex private collection, 1980s. Acquired on the UK art market in the 1990s.

Comprising curved and flat plates, some incorporating shaped regions, raised borders and seized ring loops. 450 grams total, 7.2-19.5 cm



Acquired 1990s-early 2000s. East Anglian private collection.

Comprising a leaf-shaped blade with lozenge cross-section, raised midrib, closed tubular socket; accompanied by a custom-made display stand. 1.76 kg total, 43.5 cm including stand



Acquired 1971-1972. From the collection of the vendor's father. Property of a London, UK, collector.

The spear belongs to the type A of the first main group of Viking spears, the so-called Frankish spearheads, which occur between 750 and 950 A.D., but mainly in the 8th and 9th centuries. The Mediterranean influence is still evident on the foliate shape of the blade.

Composed of a tanged and barbed blade with raised midrib to both faces, extending the full-length of the weapon. 470 grams, 57 cm



Private UK collection, 1980s. Ex London gallery.

In the last ninety years many such tanged blades have been considered coming from centres of production of North-West Iran, like Amlash and Marlik. Without context an accurate dating is impossible, but the shape recalls the rapiers of Bronze Age or Early Iron Age.

Four tanged arrowheads of barbed and leaf-shaped types, including examples with pronounced midribs. 90 grams total, 8.7-14.5 cm



Ex G. White collection, 1990s.

Featuring a fullered blade with wood-scale hilt and press-release stud; stamped with a maker's mark and issue date. 557 grams, 50.2 cm



Acquired from The Lanes Armoury, Brighton, UK. The Kusmirek Collection, UK. Accompanied by a Lanes Armoury certificate of authenticity.