A fragment of amorphous form, decorated in relief with scrolling tendrils and anthemion, painted egg-and-dart ornament above, surmounted by moulded bands and a frieze of meander and chequerboard panels; remains of red and black painted pigment.

Formed as the bust of Eros looking upwards, stub wings to his shoulders, holding a goose to his chest; conical socket above each wing; eyes with silver inserts; old collector's label '1994 51.75' to the reverse; mounted on a custom-made stand; likely a socket base.

Comprising a rectangular plate, richly decorated with embossed laurel leaves in a grid, framed with raised bosses, the buckle loop comprising opposing dragons with open mouths, holding a spherical tongue-rest, another pair of smaller dragon heads to base, the tongue with a smaller pair of punch-decorated dragon heads.

Hemispherical in form, repoussé interior displaying graduated concentric registers of stylised and mythical animals within tessellating cartouches; a low relief mesomphalos decorated with rosette at centre; geometric ornament around the rim.

Displaying a corrugated rim above and below; two advancing soldiers, each striding forwards over the headless body of a dead enemy, carrying a severed head in each hand; the soldiers shown bearded and each wearing a pointed and segmented helmet with a recess to accommodate the ears, a cuirass and thigh-length tunic, with a bow over one shoulder and a sword slung from a waist belt; mounted on a custom-made display stand.

Of penannular form with expanded sections at the centre and to both shoulders.

Comprising a rectangular headplate with two panels of chip-carved Style I ornament, flanking a beast-head with triangular muzzle and two pellet eyes, raised three-sided frame and outer band of pellets above beast-heads with lentoid eyes; the shallow bow with raised median rib, flanges to the edges and punched pellet detailing; footplate with beast-head between curved pellet lines, pierced horse-head lappets, lozengiform central panel with knot of Style I limbs; two lateral discs, one pierced to accept a stud and the other with a domed stud in place; the finial a disc with human mask inverted; pin-lug and part of catch to the reverse.

Displaying chased panels populated with Style I zoomorphs and geometric forms, borders of annulets, raised masks to the upper corners of the headplate; applied discoid boss to bow decorated with a rosette, addorsed beast heads below; extensive remains of gilding; pin lug and catchplate to reverse and remains of ancient repair, lower part absent.

Comprising a round-section crescent with flared ends terminating in two curved spatulate flat panels, each with a ropework border surrounding a two-band knotwork motif; cleaned and conserved.

The weeping Virgin with her head bowed to the left and hands raised to her chest on a dotted gilt background, an expression of pain on her delicately formed face; wearing a white veil and a black long-sleeved robe, the veil arranged as a headdress and covering her hair; on wood and mounted in a later carved wooden architectural frame.

Shown beneath an arcade, offering his cloak on the end of his sword to the beggar at his feet; polychrome detailing; repaired with lead cames and held in a wooden frame.

Composed from irregular painted panels bearing mainly foliage designs and figural elements; Mary crowned and enthroned with infant Jesus on her knee, in a lobed vesica-shaped panel held with lead cames; mounted in a wooden frame with modern replacements.

Carved in the half-round with a frieze composed of interlaced foliage with two rows of acanthus leaves and foliage scrolls, framing a lion's head on one side and a human head on the other, remains of lion's mane to the third; drilled holes to the raised surfaces and sockets for the insertion of decorative stones.

The bar with central D-shaped block pierced vertically by a stud surmounted by the suspension loop, with four pierced flanges to the underside; the frame in two sections, the larger a U-shaped rod with pivot for the bar, the smaller pivoting within the inner face, both pierced on the inner face; the block inscribed to one face with capital S and to the other with intersecting Vs; the bar inscribed to one face in capitals 'A DOMINI TECVM' and to the other in coarsely incised capitals 'AVEMARIA G[R]ACIAPLE[NA]'; the smaller rod inscribed in capitals 'CREATOREN CELI ET TERRE ET IN [IES]VN'; the larger inscribed with a band of scrolled decoration and the text in Lombardic capitals 'SOLI DEO HONOR ET GLORIA'; the accompanying letter discusses the texts (1) Ave Maria G[r]acia ple[n]a Dominus Tecum 'Hail Mary full of grace, the Lord [is] with thee'; (2) Soli Deo Honor et Gloria 'Honour and glory to God alone'; (3) Creatorem celi et terrae et inferum 'creator of heaven and earth and in Jesus'. The intersecting Vs may form a monogram for A[ve] M[aria]; the 1847 letter describes the findspot as 'found at Kirkleavington near Yarm in the sill of a brook' in the North Riding of Yorkshire.

Gold hoop and discoid bezel with incuse ropework border; incuse image of a bird of prey perching with wings spread and head turned; blackletter incuse and reversed inscription in an arc above the bird's head and pinions '·al : for : ye : best ·' (all for the best); repair to hoop.

Or a leg ring inscribed '+Earle of Rutland' in derivative black letter script, for a female merlin or sparrow hawk (due to the youth of Edmund Plantagenet who died aged 17); the ring with a convex interior face.

Displaying large flower heads, foliage and a skull to the outer face, enhanced with black enamelling; interior inscribed in a cursive script 'In god alone wee two are one', together with possible maker's stamps 'D' and 'F' in two rectangular cartouches.

Composed of a gently carinated hoop, the interior inscribed in cursive script 'Love is the bond of pease'.

Composed of a decoratively notched hoop divided into chased rhomboidal panels displaying foliate tendrils and horizontal hatching alternately; the interior inscribed in Roman capitals with the Latin phrase: 'x x x x VIVE x VT x VIVAS'.

Set comprising gold five pounds, two pounds, sovereign and half sovereign. Obvs: profile bust with GEORGIVS VI D G BR OMN REX F D IND IMP legends. Revs: St George and dragon; date in exergue; with original Royal Mint hinged red leatherette case of issue.

Sharply pointed with raised midrib to each face, square shoulders pierced to accept the fixings for the hilt, stub tang. 217 grams, 35.5 cm



Ex German collection, Cologne, 1980-1990s.

The two holes on the shoulders of the blade provided attachment for a separate hilt. This could have been a penannular grip, which can be seen on some swords from Sangtarashan; or in north-west Iranian blades with rectangular guard and flanged hilt, where the guard was rivetted to the blade, like in some swords in the Axel Guttmann collection.

Featuring an oval-shaped socket, straight upper edge and curved lower edge with slightly convex cutting edge. 1.2 kg, 14.5 cm



Acquired 1990s-early 2000s. East Anglian private collection.

Unadorned weapons, especially axes, adzes and picks, were made by Luristan craftsmen using simple clay or stone bivalve moulds, into which was inserted a core to form the socket for the shaft. Typically, the metallic composition consisted of a combination of arsenical bronze and copper, together with a small percentage of lead.

Square in plan with a slightly convex openwork panel composed of alternating circular cells and leaf-like ovals, central male head with long hair and stylised facial features, possibly wearing a helmet; attachment loop to each corner on the reverse. 8.27 grams, 22 mm

Fine condition.

Acquired in the 1980s-1990s. Ex an important central London gallery, London W1.

Composed of a piriform body with 'feather' design and eccentrically placed domed mouth; intended to be filled with explosive liquid and wick, and used as a hand grenade; chipped foot. 613 grams, 17 cm



Collected before 1970. Ex gallery of C.M., UK. Accompanied by an academic paper by military specialist Dr Raffaele D'Amato, dated 15 July 2019 and titled 'Eastern Roman Empire - Greek Fire Bomb or Hand Grenade (μεσαίον kακάβιον) 9th-11th century AD'.

Apart from the use of siphons or manual flame-throwers called cheirosiphona, special corps of Roman soldiers employed terracotta grenades, in the form of small jars, abundantly evidenced in archaeological excavations. Such were the γανωτα, vessels (sometimes also of bronze) used for Greek fire. They were called μεσαία kακαβιά or κυτροκακάβια where the former had a bulbous shape and the latter a more cylindrical form.

Retaining a free-running suspension loop. 598 grams, 22 cm



Acquired 1990s-early 2000s. East Anglian private collection.

The device (manus ferreae) was invented by the Romans in approximately 260 B.C.The grappling hook was originally used in naval warfare to catch ship rigging so that it could be boarded (the famous harpax of Agrippa at the battle of Actium in 31 B.C.), then widely employed in the siege wars.

Mainly comprising tanged examples of barbed, conical and leaf-shaped types with midribs. 162 grams total, 39-88 mm



Acquired 1990s. From the collection of a late Japanese weaponry collector.

By Rodgers, with finely shaped 15cm stiletto blade with traces of original black finish tapering to a steel oval guard and fitted with a brass 'beaded and ringed' shaped hilt secured by a copper pommel nut; the hilt bearing the War Department 'broad arrow' and '2' marks near to the guard; with the original leather scabbard fitted with brass rivets and chape, pierced for belt wear and with the side flaps for sewing cut away as commonly seen when belt worn; the dagger showing wear with minor chipping to the blade. 254 grams, 33 cm overall



Property of a Luton, UK gentleman, by inheritance.

In the autumn of 1942, the Rodgers firm produced what many consider to be the best of all the wartime Fairbairn-Sykes knives: the 'Beads and Ridges' model (or 'Beaded and Ringed'); so-called for its distinctive grip pattern to the brass hilt of single rings of tiny beads, interspersed between sections of four to seven plain rings. The blade is delicate and uniform, and the weapon, though light, is well balanced. The blade finish was black (as this example) or nickel. All of this type are considered to be at least scarce. According to both Fredrick Stephens and Leroy Thompson the type was a commercial variant for private purchase; however, there are some rare cases of this type which were officially issued with the War Department broad arrow and number marks, as with this example.

Primarily composed of socketted types, most triangular in section. 186 grams, 26-45 mm



Ex private collection, 1980s. Acquired on the UK art market in the 1990s.

Comprising: two matching ogival plates with pellet borders; a trefoil plate with border of radiating lines framing three concentric circle and oval motifs; a plate with five lobes decorated with dashed lines and six concentric oval motifs at the centre; ogival plate with scalloped border, trefoil motif at centre; ogival plate with pellet border divided into three 'petals' by larger single pellets, scrolling vegetal motif; a floral style plate composed of discoid dimples; irregular hexagonal plate, the shape repeated at the centre, pellet border; trilobate plate with three single pellets to the perimeter and pellet border; ogival plate with expanded waist, raised 'wings' and rounded lozenge against a background of radiating lines; nine with three attachment lugs to reverse, one with two lugs. 31.8 grams total, 17-26 mm

Fine condition.

Acquired in the 1980s-1990s. Ex an important central London gallery, London W1.

The belt fittings find various comparisons with non-ferrous belt appliqués found in the territories of the Volga Bulgars, like specimens from the Semenovsky village. These items were parts of long warrior belts, the leather surfaces decorated all over with such bronze and silver appliqués. Symbols of ranks and elite warrior aristocracy, these belts also served a utilitarian purpose of suspending weapons such as a bow, quiver or a sabre.

Mainly comprising socketted spearheads and tanged arrowheads of various types, including conical, triangular-section, bodkin and lanceolate types. 408 grams total, 3.3-20 cm



UK private collection, 1990s. Acquired from a provincial auction.

Comprising four bolts with lanceolate-pyramidal heads. 166 grams total, 68-88 mm



From a private European collection, formed in the 1980s. The Kusmirek Collection, UK.

Comprising leaf-shaped and triangular, tanged and barbed arrowheads. 70 grams total, 9.1-12.4 cm



English private collection, acquired 1970s. The Kusmirek Collection, UK.

The arrowheads correspond to the classification of the arrowheads with elongated triangular shape with barbed shoulders and lanceolate head with rounded shoulders from the category type V, according to the studies of Khorasani and the excavations in Negahban.