A fragment of amorphous form, decorated in relief with scrolling tendrils and anthemion, painted egg-and-dart ornament above, surmounted by moulded bands and a frieze of meander and chequerboard panels; remains of red and black painted pigment.

Formed as the bust of Eros looking upwards, stub wings to his shoulders, holding a goose to his chest; conical socket above each wing; eyes with silver inserts; old collector's label '1994 51.75' to the reverse; mounted on a custom-made stand; likely a socket base.

Comprising a rectangular plate, richly decorated with embossed laurel leaves in a grid, framed with raised bosses, the buckle loop comprising opposing dragons with open mouths, holding a spherical tongue-rest, another pair of smaller dragon heads to base, the tongue with a smaller pair of punch-decorated dragon heads.

Hemispherical in form, repoussé interior displaying graduated concentric registers of stylised and mythical animals within tessellating cartouches; a low relief mesomphalos decorated with rosette at centre; geometric ornament around the rim.

Displaying a corrugated rim above and below; two advancing soldiers, each striding forwards over the headless body of a dead enemy, carrying a severed head in each hand; the soldiers shown bearded and each wearing a pointed and segmented helmet with a recess to accommodate the ears, a cuirass and thigh-length tunic, with a bow over one shoulder and a sword slung from a waist belt; mounted on a custom-made display stand.

Of penannular form with expanded sections at the centre and to both shoulders.

Comprising a rectangular headplate with two panels of chip-carved Style I ornament, flanking a beast-head with triangular muzzle and two pellet eyes, raised three-sided frame and outer band of pellets above beast-heads with lentoid eyes; the shallow bow with raised median rib, flanges to the edges and punched pellet detailing; footplate with beast-head between curved pellet lines, pierced horse-head lappets, lozengiform central panel with knot of Style I limbs; two lateral discs, one pierced to accept a stud and the other with a domed stud in place; the finial a disc with human mask inverted; pin-lug and part of catch to the reverse.

Displaying chased panels populated with Style I zoomorphs and geometric forms, borders of annulets, raised masks to the upper corners of the headplate; applied discoid boss to bow decorated with a rosette, addorsed beast heads below; extensive remains of gilding; pin lug and catchplate to reverse and remains of ancient repair, lower part absent.

Comprising a round-section crescent with flared ends terminating in two curved spatulate flat panels, each with a ropework border surrounding a two-band knotwork motif; cleaned and conserved.

The weeping Virgin with her head bowed to the left and hands raised to her chest on a dotted gilt background, an expression of pain on her delicately formed face; wearing a white veil and a black long-sleeved robe, the veil arranged as a headdress and covering her hair; on wood and mounted in a later carved wooden architectural frame.

Shown beneath an arcade, offering his cloak on the end of his sword to the beggar at his feet; polychrome detailing; repaired with lead cames and held in a wooden frame.

Composed from irregular painted panels bearing mainly foliage designs and figural elements; Mary crowned and enthroned with infant Jesus on her knee, in a lobed vesica-shaped panel held with lead cames; mounted in a wooden frame with modern replacements.

Carved in the half-round with a frieze composed of interlaced foliage with two rows of acanthus leaves and foliage scrolls, framing a lion's head on one side and a human head on the other, remains of lion's mane to the third; drilled holes to the raised surfaces and sockets for the insertion of decorative stones.

The bar with central D-shaped block pierced vertically by a stud surmounted by the suspension loop, with four pierced flanges to the underside; the frame in two sections, the larger a U-shaped rod with pivot for the bar, the smaller pivoting within the inner face, both pierced on the inner face; the block inscribed to one face with capital S and to the other with intersecting Vs; the bar inscribed to one face in capitals 'A DOMINI TECVM' and to the other in coarsely incised capitals 'AVEMARIA G[R]ACIAPLE[NA]'; the smaller rod inscribed in capitals 'CREATOREN CELI ET TERRE ET IN [IES]VN'; the larger inscribed with a band of scrolled decoration and the text in Lombardic capitals 'SOLI DEO HONOR ET GLORIA'; the accompanying letter discusses the texts (1) Ave Maria G[r]acia ple[n]a Dominus Tecum 'Hail Mary full of grace, the Lord [is] with thee'; (2) Soli Deo Honor et Gloria 'Honour and glory to God alone'; (3) Creatorem celi et terrae et inferum 'creator of heaven and earth and in Jesus'. The intersecting Vs may form a monogram for A[ve] M[aria]; the 1847 letter describes the findspot as 'found at Kirkleavington near Yarm in the sill of a brook' in the North Riding of Yorkshire.

Gold hoop and discoid bezel with incuse ropework border; incuse image of a bird of prey perching with wings spread and head turned; blackletter incuse and reversed inscription in an arc above the bird's head and pinions '·al : for : ye : best ·' (all for the best); repair to hoop.

Or a leg ring inscribed '+Earle of Rutland' in derivative black letter script, for a female merlin or sparrow hawk (due to the youth of Edmund Plantagenet who died aged 17); the ring with a convex interior face.

Displaying large flower heads, foliage and a skull to the outer face, enhanced with black enamelling; interior inscribed in a cursive script 'In god alone wee two are one', together with possible maker's stamps 'D' and 'F' in two rectangular cartouches.

Composed of a gently carinated hoop, the interior inscribed in cursive script 'Love is the bond of pease'.

Composed of a decoratively notched hoop divided into chased rhomboidal panels displaying foliate tendrils and horizontal hatching alternately; the interior inscribed in Roman capitals with the Latin phrase: 'x x x x VIVE x VT x VIVAS'.

Set comprising gold five pounds, two pounds, sovereign and half sovereign. Obvs: profile bust with GEORGIVS VI D G BR OMN REX F D IND IMP legends. Revs: St George and dragon; date in exergue; with original Royal Mint hinged red leatherette case of issue.

Aluminium bodied binocular trench periscope with green finish, fitted with folding handle and leather neck strap; with original leather case fitted with shoulder strap and belt/webbing loop. 1.69 kg, 29.5 cm



The Kusmirek Collection, UK.

Of folding type, composed of a wooden shaft, steel head; with leather sheath with loop. 1.23 kg, 58 cm



The Kusmirek Collection, UK.

Comprising five rectangular-section doubled links with curved fetter and two loops to one end, barrel lock and hasp to the other. 2.2 kg, 87 cm

Fine condition; lock mechanism absent.

Acquired in the 1990s. From an important English collection.

Suitable for use with an onager or other catapult-type siege weapon; with smooth finished surface. 3 kg, 13 cm



Acquired 1971-1972. From the collection of the vendor's father. Property of a London, UK, collector.

The operation of the onager (Latin for 'wild ass') is first mentioned in 353 A.D. by Ammianus Marcellinus in his Res Gestae and more fully in Vegetius's Epitoma Rei Militaris probably written in the reign of Emperor Theodosius I (378-395 A.D.).

Stamped 2642 in Thai numerals at top of blade with 'tiger mask' mark for Siam, together with original British marks, fitted with wood grip scales and spring release button; the scabbard with original throat and chape, modified in Thailand to replace the original leather main section. 726 grams, 58.5 cm



Property of a Luton, UK gentleman, by inheritance.

The Type 62 is a re-badged British Pattern 1907 bayonet. Siam purchased 10,000 SMLE rifles and Pattern 1907 bayonets from Britain in 1919 to equip the 'Wild Tiger Corps', royal bodyguard of Vajiravudh, King Rama VI (reigned 1910–1925). The tiger figural on the ricasso is representative of the Wild Tiger Corps. Year 2462 on the Buddhist Calendar corresponds to 1919. SMLE rifles and Pattern 1907 bayonets were taken from British stocks, refurbished by Birmingham Small Arms (BSA), and remarked with Siamese markings. The bayonets were shipped with standard steel-mounted leather scabbards. However, the leather rapidly deteriorated in the tropical climate, so the Siamese made a replacement steel scabbard body to which the original steel mounts were brazed.

Composed of a leaf-shaped blade with raised midrib to both faces, broad shaft to flange, tapering tang. 442 grams, 38.7 cm



Private UK collection, 1980s. Ex London gallery.

The spearhead belongs to a typology of spears widespread in the Marlik region, which Negahban divided into two categories. This spearhead belongs to type I, spearheads with long blades, broad midrib, rectangular sectioned tang and reinforced shaft opening to reveal the tang and rounded shoulders.

Piriform in shape with raised lugs to the upper body with stamped concentric roundels between. 588 grams, 15.3 cm



Family collection, acquired 1980-2015. Ex property of a North London gentleman. Accompanied by an academic paper by military specialist Dr Raffaele D'Amato, dated 15 July 2019 and titled 'Eastern Roman Empire - Greek Fire Bomb or Hand Grenade (μεσαίον kακάβιον) 9th-11th century AD'.

Apart from the use of siphons or manual flame-throwers called cheirosiphona, special corps of Roman soldiers employed terracotta grenades, in the form of small jars, abundantly evidenced in archaeological excavations. Such were the γανωτα, vessels (sometimes also of bronze) used for Greek fire. They were called μεσαία kακαβιά or κυτροκακάβια where the former had a bulbous shape and the latter a more cylindrical form.

Each with a long and narrow blade, the longer of square section, the shorter rectangular, each fitted with traditional slender, straight hilt, guard and finger-ring. 657 grams total, 85-106 cm



Acquired from Czerny's Auctions, Italy, 2016, lot 280. The Kusmirek Collection, UK. Accompanied by a copy of Czerny's invoice and listing.

Triangular with thick rectangular-section midrib, rounded shoulders, narrow tip, short tang with inserted fixing pin for the organic grip. 472 grams, 42.2 cm



Ex German collection, Cologne, 1980-1990s.

This tanged bronze blade from Luristan belongs to a category of Luristan swords still in use in Achaemenid Period, as proved from a blade with a perished handle (probably bone or wood) of the same type, in the National Museum of Iran (2694/15633). Examples without inscriptions like our model have been classified by Grotkamp-Schepers in the Solingen Museum as pieces from Luristan.

Featuring scooped upper and lower edges, convex cutting edge and round-section socket; mounted on a modern wooden shaft. 2.8 kg, 91.5 cm



From an English collection, acquired 1990s. The Kusmirek Collection, UK.

Mixed group of semi-rigid bronze scales with scalloped lower edges, pierced for attachment; together with two small panels of articulated lamina scales. 30 grams total, 10-65 mm



Acquired in the late 1980s. The Kusmirek Collection, UK.

A new form of rigid scale-armour, typified by pieces found in Britannia (Corbridge, Carlisle), Pannonia (Musov), Moesia (Iron Gates) and in various other provinces of the empire, was introduced earlier in the Antonine Period, and continued for all of the 3rd and 4th centuries A.D. The new body protection was realised with scales attached by wire to each of their four neighbouring scales. These new scales tended to be not only very small, but also long and slender and needed to be carefully shaped around the neck.

Comprising tanged arrowheads of various types, including leaf-shaped, lozengiform, triangular and leaf-shaped examples, together with others. 66 grams total, 41-88 mm



Acquired on the German art market, before 2000. Ex German collection. The Kusmirek Collection, UK.