A fragment of amorphous form, decorated in relief with scrolling tendrils and anthemion, painted egg-and-dart ornament above, surmounted by moulded bands and a frieze of meander and chequerboard panels; remains of red and black painted pigment.

Formed as the bust of Eros looking upwards, stub wings to his shoulders, holding a goose to his chest; conical socket above each wing; eyes with silver inserts; old collector's label '1994 51.75' to the reverse; mounted on a custom-made stand; likely a socket base.

Comprising a rectangular plate, richly decorated with embossed laurel leaves in a grid, framed with raised bosses, the buckle loop comprising opposing dragons with open mouths, holding a spherical tongue-rest, another pair of smaller dragon heads to base, the tongue with a smaller pair of punch-decorated dragon heads.

Hemispherical in form, repoussé interior displaying graduated concentric registers of stylised and mythical animals within tessellating cartouches; a low relief mesomphalos decorated with rosette at centre; geometric ornament around the rim.

Displaying a corrugated rim above and below; two advancing soldiers, each striding forwards over the headless body of a dead enemy, carrying a severed head in each hand; the soldiers shown bearded and each wearing a pointed and segmented helmet with a recess to accommodate the ears, a cuirass and thigh-length tunic, with a bow over one shoulder and a sword slung from a waist belt; mounted on a custom-made display stand.

Of penannular form with expanded sections at the centre and to both shoulders.

Comprising a rectangular headplate with two panels of chip-carved Style I ornament, flanking a beast-head with triangular muzzle and two pellet eyes, raised three-sided frame and outer band of pellets above beast-heads with lentoid eyes; the shallow bow with raised median rib, flanges to the edges and punched pellet detailing; footplate with beast-head between curved pellet lines, pierced horse-head lappets, lozengiform central panel with knot of Style I limbs; two lateral discs, one pierced to accept a stud and the other with a domed stud in place; the finial a disc with human mask inverted; pin-lug and part of catch to the reverse.

Displaying chased panels populated with Style I zoomorphs and geometric forms, borders of annulets, raised masks to the upper corners of the headplate; applied discoid boss to bow decorated with a rosette, addorsed beast heads below; extensive remains of gilding; pin lug and catchplate to reverse and remains of ancient repair, lower part absent.

Comprising a round-section crescent with flared ends terminating in two curved spatulate flat panels, each with a ropework border surrounding a two-band knotwork motif; cleaned and conserved.

The weeping Virgin with her head bowed to the left and hands raised to her chest on a dotted gilt background, an expression of pain on her delicately formed face; wearing a white veil and a black long-sleeved robe, the veil arranged as a headdress and covering her hair; on wood and mounted in a later carved wooden architectural frame.

Shown beneath an arcade, offering his cloak on the end of his sword to the beggar at his feet; polychrome detailing; repaired with lead cames and held in a wooden frame.

Composed from irregular painted panels bearing mainly foliage designs and figural elements; Mary crowned and enthroned with infant Jesus on her knee, in a lobed vesica-shaped panel held with lead cames; mounted in a wooden frame with modern replacements.

Carved in the half-round with a frieze composed of interlaced foliage with two rows of acanthus leaves and foliage scrolls, framing a lion's head on one side and a human head on the other, remains of lion's mane to the third; drilled holes to the raised surfaces and sockets for the insertion of decorative stones.

The bar with central D-shaped block pierced vertically by a stud surmounted by the suspension loop, with four pierced flanges to the underside; the frame in two sections, the larger a U-shaped rod with pivot for the bar, the smaller pivoting within the inner face, both pierced on the inner face; the block inscribed to one face with capital S and to the other with intersecting Vs; the bar inscribed to one face in capitals 'A DOMINI TECVM' and to the other in coarsely incised capitals 'AVEMARIA G[R]ACIAPLE[NA]'; the smaller rod inscribed in capitals 'CREATOREN CELI ET TERRE ET IN [IES]VN'; the larger inscribed with a band of scrolled decoration and the text in Lombardic capitals 'SOLI DEO HONOR ET GLORIA'; the accompanying letter discusses the texts (1) Ave Maria G[r]acia ple[n]a Dominus Tecum 'Hail Mary full of grace, the Lord [is] with thee'; (2) Soli Deo Honor et Gloria 'Honour and glory to God alone'; (3) Creatorem celi et terrae et inferum 'creator of heaven and earth and in Jesus'. The intersecting Vs may form a monogram for A[ve] M[aria]; the 1847 letter describes the findspot as 'found at Kirkleavington near Yarm in the sill of a brook' in the North Riding of Yorkshire.

Gold hoop and discoid bezel with incuse ropework border; incuse image of a bird of prey perching with wings spread and head turned; blackletter incuse and reversed inscription in an arc above the bird's head and pinions '·al : for : ye : best ·' (all for the best); repair to hoop.

Or a leg ring inscribed '+Earle of Rutland' in derivative black letter script, for a female merlin or sparrow hawk (due to the youth of Edmund Plantagenet who died aged 17); the ring with a convex interior face.

Displaying large flower heads, foliage and a skull to the outer face, enhanced with black enamelling; interior inscribed in a cursive script 'In god alone wee two are one', together with possible maker's stamps 'D' and 'F' in two rectangular cartouches.

Composed of a gently carinated hoop, the interior inscribed in cursive script 'Love is the bond of pease'.

Composed of a decoratively notched hoop divided into chased rhomboidal panels displaying foliate tendrils and horizontal hatching alternately; the interior inscribed in Roman capitals with the Latin phrase: 'x x x x VIVE x VT x VIVAS'.

Set comprising gold five pounds, two pounds, sovereign and half sovereign. Obvs: profile bust with GEORGIVS VI D G BR OMN REX F D IND IMP legends. Revs: St George and dragon; date in exergue; with original Royal Mint hinged red leatherette case of issue.

Comprising a pivoting visor, one piece skull raising to a small medial comb and fitted at the nape with a plume holder, flower-shaped pivots, front and rear gorget formed of a single plate. 3.9 kg, 37 cm high



The Kusmirek Collection, UK.

The helmet is a reproduction of a foot-combat helm, or great bascinet, used between the end of 15th and the first half of 16th century in the battles and tournaments. A similar helmet is that of Sir Giles Capel (1485-1556), a prominent figure at Henry VIII's court. These helmets were characterised by a unique rounded pierced visor with (here 60) slots for sight and ventilation. Helmets of this massive size and distinctive type were intended for foot-combat, a sporting contest fought by two fully armoured warriors armed with poleaxes, spears or swords. However, in this reproduction the visor has been mounted upon a separated collar.

Comprising mostly military weapons: a bayonet; sabre; two swords. 3.5 kg total, 89-110 cm



Acquired 1990s-early 2000s. East Anglian private collection.

One of the swords shows analogies with post-1846 Wilkinson types, regulation steel hilt and steel scabbard with two loose rings. The Wilkinson style officers' blade was a compromise cut and thrust sabre blade with a fuller (groove), found on huge numbers of antique British military officers' swords. It replaced the pipeback blade previously used on officers' swords.

The barbed head with tapering cylindrical stem and biconical lead weight. 85 grams, 15 cm



Ex J. Layne collection, 1990s.

The lead-weighted darts known as plumbatae mamillatae, (or breasted javelin) were short darts mounted upon a shaft, of the same shape, and thrown from a short distance. A Roman soldier would typically carry around 5-6 of these darts at any one time, fastened to the back of his shield. They could be thrown overhand or underhand, with an effective throwing range of up to 60 meters by trained soldiers.

Featuring a circular opening to receive fuse and plug to one face; hollow-formed. 3.9 kg, 11 cm diameter

Fine condition.

Acquired after 2000. Property of a Buckinghamshire, UK, gentleman.

The shrapnel shell is named after Lieutenant-General Henry Shrapnel (1761-1842), a British officer who devised the hollow, gunpowder-filled ball that was fused to explode either in the air or on the ground with the resulting ball fragments proving to be an effective anti-personnel weapon; later types were filled with lead musket balls and powder to make the weapon even more effective against troops; such projectiles were used both with field artillery cannon and with mortars.

Comprising eight caltrops, hand-forged with square-section spikes. 494 grams total, 83-92 mm



Acquired 1971-1972. From the collection of the vendor's father. Property of a London, UK, collector.

Caltrops were scattered on battlefields in an effort to stop or slow advancing enemy cavalry or foot soldiers; regardless of how a caltrop lands, one spike is always facing upwards. Caesar used widely them at Alesia (Caes., BG 7.73; 82): 'Stakes a foot long, with iron hooks attached to them, were entirely sunk in the ground before these, and were planted in every place at small intervals; these they called spurs'.

Featuring wedge-shaped cheeks, a convex cutting edge and rounded terminal. 106 grams, 18.6 cm



UK private collection formed before 2000. Ex North London, UK, gallery.

The flat axe belongs to Type 1, sub-type a.4 of the Çetin-Bilgi classification of flat axes. They have concave-sided blade, rectangular in section, a splayed cutting edge and a narrow butt. The first examples of axe-type weapons appear in the last phase of the Late Chalcolithic Age in the Middle East and Anatolia.

Long, parallel-sided with deep midrib, broad tip, round-section neck with V-shaped recess to each face and thick square-section tang. 468 grams, 47 cm



Ex German collection, Cologne, 1980-1990s.

This weapon belongs to the type 1 of the spear-head classification of Khorasani, mainly from Marlik or Amlash areas. Similar pieces have been dated by Stutzinger to 1200-1100 BC.

Featuring hammered helmet detailing together with mythical creatures and coiled snakes. 1.5 kg, 30.5 cm high



Acquired 1990s-early 2000s. East Anglian private collection.

The helmet is modelled upon the pseudo-Corinthian models of antiquity. The gryphon represented refers to the wars between these mythological creatures and the Arimaspes.

Standard issue steel helmet with leather liner and fabric chin-strap, finished green. 1.14 kg, 31 wide



The Kusmirek Collection, UK.

Composed of a flanged and rounded butt, shaped lower edge and convex cutting edge. 688 grams, 16.2 cm



Ex American collection, acquired 1980-200. The Kusmirek Collection, UK.

Each a tapering scrolled bar of zoomorphic form representing serpents or other animals with stylised geometric detailing; attachment perforations to both terminals. 32.7 grams total, 63-67 mm



Acquired on the London art market, 1980s-1990s.

In the 1st century B.C.-1st century A.D., the Celtic fastening system of the ring mail armour (gallica, lorica ferro aspera) became the standard in the Imperial Roman army, with a pivot attached to the breast and hinged to the edges of the humeralia (shoulder guards). The chest fastener had various different designs. The double hooks, S-shaped and usually with snake-head terminals, were secured by a central rivet on the chest. The system allowed excellent freedom of movement, giving greater protection to the shoulders and the arms. Similar fasteners for infantry mail have been found on the Kalkriese battlefield, some of them also decorated with niello and inscribed with the name of the soldier.

Narrow triangular casting with gentle midrib and narrow point, scooped shoulders, long flat-section tang with lobe finial. 129 grams, 36 cm



Ex German collection, Cologne, 1980-1990s.

The type of the present dirk or dagger corresponds to type IX of Medvedskaya classification. The type consists of a bronze blade with organic handle, possibly made of bone or wood, and a long tang, which was usually bent at the extremity. According to Moorey, the exact dating of these pieces is uncertain.