A fragment of amorphous form, decorated in relief with scrolling tendrils and anthemion, painted egg-and-dart ornament above, surmounted by moulded bands and a frieze of meander and chequerboard panels; remains of red and black painted pigment.

Formed as the bust of Eros looking upwards, stub wings to his shoulders, holding a goose to his chest; conical socket above each wing; eyes with silver inserts; old collector's label '1994 51.75' to the reverse; mounted on a custom-made stand; likely a socket base.

Comprising a rectangular plate, richly decorated with embossed laurel leaves in a grid, framed with raised bosses, the buckle loop comprising opposing dragons with open mouths, holding a spherical tongue-rest, another pair of smaller dragon heads to base, the tongue with a smaller pair of punch-decorated dragon heads.

Hemispherical in form, repoussé interior displaying graduated concentric registers of stylised and mythical animals within tessellating cartouches; a low relief mesomphalos decorated with rosette at centre; geometric ornament around the rim.

Displaying a corrugated rim above and below; two advancing soldiers, each striding forwards over the headless body of a dead enemy, carrying a severed head in each hand; the soldiers shown bearded and each wearing a pointed and segmented helmet with a recess to accommodate the ears, a cuirass and thigh-length tunic, with a bow over one shoulder and a sword slung from a waist belt; mounted on a custom-made display stand.

Of penannular form with expanded sections at the centre and to both shoulders.

Comprising a rectangular headplate with two panels of chip-carved Style I ornament, flanking a beast-head with triangular muzzle and two pellet eyes, raised three-sided frame and outer band of pellets above beast-heads with lentoid eyes; the shallow bow with raised median rib, flanges to the edges and punched pellet detailing; footplate with beast-head between curved pellet lines, pierced horse-head lappets, lozengiform central panel with knot of Style I limbs; two lateral discs, one pierced to accept a stud and the other with a domed stud in place; the finial a disc with human mask inverted; pin-lug and part of catch to the reverse.

Displaying chased panels populated with Style I zoomorphs and geometric forms, borders of annulets, raised masks to the upper corners of the headplate; applied discoid boss to bow decorated with a rosette, addorsed beast heads below; extensive remains of gilding; pin lug and catchplate to reverse and remains of ancient repair, lower part absent.

Comprising a round-section crescent with flared ends terminating in two curved spatulate flat panels, each with a ropework border surrounding a two-band knotwork motif; cleaned and conserved.

The weeping Virgin with her head bowed to the left and hands raised to her chest on a dotted gilt background, an expression of pain on her delicately formed face; wearing a white veil and a black long-sleeved robe, the veil arranged as a headdress and covering her hair; on wood and mounted in a later carved wooden architectural frame.

Shown beneath an arcade, offering his cloak on the end of his sword to the beggar at his feet; polychrome detailing; repaired with lead cames and held in a wooden frame.

Composed from irregular painted panels bearing mainly foliage designs and figural elements; Mary crowned and enthroned with infant Jesus on her knee, in a lobed vesica-shaped panel held with lead cames; mounted in a wooden frame with modern replacements.

Carved in the half-round with a frieze composed of interlaced foliage with two rows of acanthus leaves and foliage scrolls, framing a lion's head on one side and a human head on the other, remains of lion's mane to the third; drilled holes to the raised surfaces and sockets for the insertion of decorative stones.

The bar with central D-shaped block pierced vertically by a stud surmounted by the suspension loop, with four pierced flanges to the underside; the frame in two sections, the larger a U-shaped rod with pivot for the bar, the smaller pivoting within the inner face, both pierced on the inner face; the block inscribed to one face with capital S and to the other with intersecting Vs; the bar inscribed to one face in capitals 'A DOMINI TECVM' and to the other in coarsely incised capitals 'AVEMARIA G[R]ACIAPLE[NA]'; the smaller rod inscribed in capitals 'CREATOREN CELI ET TERRE ET IN [IES]VN'; the larger inscribed with a band of scrolled decoration and the text in Lombardic capitals 'SOLI DEO HONOR ET GLORIA'; the accompanying letter discusses the texts (1) Ave Maria G[r]acia ple[n]a Dominus Tecum 'Hail Mary full of grace, the Lord [is] with thee'; (2) Soli Deo Honor et Gloria 'Honour and glory to God alone'; (3) Creatorem celi et terrae et inferum 'creator of heaven and earth and in Jesus'. The intersecting Vs may form a monogram for A[ve] M[aria]; the 1847 letter describes the findspot as 'found at Kirkleavington near Yarm in the sill of a brook' in the North Riding of Yorkshire.

Gold hoop and discoid bezel with incuse ropework border; incuse image of a bird of prey perching with wings spread and head turned; blackletter incuse and reversed inscription in an arc above the bird's head and pinions '·al : for : ye : best ·' (all for the best); repair to hoop.

Or a leg ring inscribed '+Earle of Rutland' in derivative black letter script, for a female merlin or sparrow hawk (due to the youth of Edmund Plantagenet who died aged 17); the ring with a convex interior face.

Displaying large flower heads, foliage and a skull to the outer face, enhanced with black enamelling; interior inscribed in a cursive script 'In god alone wee two are one', together with possible maker's stamps 'D' and 'F' in two rectangular cartouches.

Composed of a gently carinated hoop, the interior inscribed in cursive script 'Love is the bond of pease'.

Composed of a decoratively notched hoop divided into chased rhomboidal panels displaying foliate tendrils and horizontal hatching alternately; the interior inscribed in Roman capitals with the Latin phrase: 'x x x x VIVE x VT x VIVAS'.

Set comprising gold five pounds, two pounds, sovereign and half sovereign. Obvs: profile bust with GEORGIVS VI D G BR OMN REX F D IND IMP legends. Revs: St George and dragon; date in exergue; with original Royal Mint hinged red leatherette case of issue.

The scabbard with bronze hoop reinforcements to the upper third decorated with bands of punched holes; lateral suspension flap between bronze plates with reserved interlace motifs on hatched field; hilt with Borre Style ring-chain motifs to the upper end; hollow to the upper face. 119 grams, 24 cm



From the collection of a North American gentleman, formed in the 1990s.

Comprising eight caltrops, hand-forged with square-section spikes. 250 grams total, 79-84 mm



Acquired 1971-1972. From the collection of the vendor's father. Property of a London, UK, collector.

Caltrops were scattered on battlefields in an effort to stop or slow advancing enemy cavalry or foot soldiers; regardless of how a caltrop lands, one spike is always facing upwards.

Black and red cloth with gold-coloured banding and 'button'; red lining and typed label reading 'Sergent BUYUKISPIR Haluk 1o R.E. Quartier Viénot C.S.L.E./S.I.H.L.E....'. 197 grams, 24.5 cm wide



Acquired from Czerny's Auctions, Italy, lot 104, 2016. The Kusmirek Collection, UK. Accompanied by copy of Czerny's invoice and information.

Comprising a leaf-shaped blade and long tubular socket. 388 grams, 42.2 cm



UK collection since the 1990s. Property of a Sussex, UK, teacher.

The more common weapons of Finno-Ugrian people were axes commonly found from all Finnic areas, as well as spears. Among Baltic-Finnic people, especially in Finland and Karelia, knives called 'puukko' were common, as well as axes, spears, flat bows and long bows, while swords were usually imported from Germanic areas, Sweden or from elsewhere Scandinavia, some having often typically Scandinavian animal ornaments, although there are some Finnish made finds too.

Triangular profile with two parallel fullers tapering to a rounded tip, the tang forming an extension of the midrib. 194 grams, 30.7 cm



Ex German collection, Cologne, 1980-1990s.

The metalworking techniques used in making bronze weapons in Luristan were very complex. Surfaces were often finished in repoussé work, and some of the weapons were chased, others engraved.

Narrow triangular blade with raised median panel, scooped shoulders and short tang with pierced bulb finial. 370 grams, 45 cm



Ex German collection, Cologne, 1980-1990s.

The hilt of this magnificent sword would have originally been made of organic material. The forms of hilt are often replicated on cast metal counterparts. As proved by excavations of sites like Sangtarashan, stones were often used for decorating metal weapons, especially for bronze dagger pommels.

Comprising four gilt copper-alloy sword belt fittings: a large buckle plate with ogival head and trefoil plate; a buckle with roughly D-shaped loop and shell-style plate, triangular-section tongue; a buckle composed of an oval head and roughly rectangular plate decorated with an X-motif and enigmatic forms in each quarter, articulate tongue; a C-section mount displaying raised floral vines. 67 grams total, 37-59 mm

Fine condition.

Acquired in the 1980s-1990s. Ex an important central London gallery, London W1.

These wonderful fittings show similarities with examples from the Caucasus and Kuban regions. They show parallels with specimens from the Verchne-Szaltovo area, for example a bronze buckle from the catacomb grave no.11.

American Vietnam War era helmet with composition liner with leather lining; leather and fabric chin strap; ace over 1 painted to one side in white. 1.5 kg, 28.5 cm wide



The Kusmirek Collection, UK.

Six-shot 7mm calibre double action Belgian proofed revolver with 55mm (2¼") barrel with hinged loading gate, extractor mounted at right side, folding trigger and fitted with plain wood butt scales; action stiff. 245 grams, 14 cm



Acquired from ROA Antique Arms Ltd. The Kusmirek Collection, UK. Accompanied by copy of the ROA listing.

Sold as an exempt item under Section 58 (2) of the Firearms Act, 1968, to be held as a curiosity or ornament. No license required but buyer must be over 18 years of age. Overseas bidders should note that, due to UK regulations governing export of all firearms, overseas buyers will need to make arrangements for shipping this lot out of the UK directly, by air freight, with a specialist company or agent.

Pear-shaped ceramic vessel with domed filler-hole, circumferential impressed bands to the shoulder and equator; intended to be filled with explosive liquid and wick, used as a hand grenade. 490 grams, 15 cm



Ex London, UK, collection, 1990s. Accompanied by an academic paper by military specialist Dr Raffaele D'Amato, dated 15 July 2019 and titled 'Eastern Roman Empire - Greek Fire Bomb or Hand Grenade (μεσαίον kακάβιον) 9th-11th century AD'.

Apart from the use of siphons or manual flame-throwers called cheirosiphona, special corps of Roman soldiers employed terracotta grenades, in the form of small jars, abundantly evidenced in archaeological excavations. Such were the γανωτα, vessels (sometimes also of bronze) used for Greek fire. They were called μεσαία kακαβιά or κυτροκακάβια where the former had a bulbous shape and the latter a more cylindrical form.

Standard British naval issue dark blue rating's cap with Toronto maker's ink stamp and date inside, fitted with black fabric 'H.M.S.' ribbon and chin-strap. 196 grams, 25 cm



Acquired from The Historic Flying Clothing Company, 2014. The Kusmirek Collection, UK. Accompanied by a copy of a previous invoice.

Each a scrolled and angled bar tapering to a gently carinated zoomorphic terminal, formed as a serpent or other animal with stylised geometric detailing; attachment perforations to both terminals. 33 grams total, 70 mm each



Acquired on the London art market, 1980s-1990s.

In the 1st century B.C.-1st century A.D., the Celtic fastening system of the ring mail armour (gallica, lorica ferro aspera) became the standard in the Imperial Roman army, with a pivot attached to the breast and hinged to the edges of the humeralia (shoulder guards). The chest fastener had various different designs. The double hooks, S-shaped and usually with snake-head terminals, were secured by a central rivet on the chest. The system allowed excellent freedom of movement, giving greater protection to the shoulders and the arms. Similar fasteners for infantry mail have been found on the Kalkriese battlefield, some of them also decorated with niello and inscribed with the name of the soldier.