A fragment of amorphous form, decorated in relief with scrolling tendrils and anthemion, painted egg-and-dart ornament above, surmounted by moulded bands and a frieze of meander and chequerboard panels; remains of red and black painted pigment.

Formed as the bust of Eros looking upwards, stub wings to his shoulders, holding a goose to his chest; conical socket above each wing; eyes with silver inserts; old collector's label '1994 51.75' to the reverse; mounted on a custom-made stand; likely a socket base.

Comprising a rectangular plate, richly decorated with embossed laurel leaves in a grid, framed with raised bosses, the buckle loop comprising opposing dragons with open mouths, holding a spherical tongue-rest, another pair of smaller dragon heads to base, the tongue with a smaller pair of punch-decorated dragon heads.

Hemispherical in form, repoussé interior displaying graduated concentric registers of stylised and mythical animals within tessellating cartouches; a low relief mesomphalos decorated with rosette at centre; geometric ornament around the rim.

Displaying a corrugated rim above and below; two advancing soldiers, each striding forwards over the headless body of a dead enemy, carrying a severed head in each hand; the soldiers shown bearded and each wearing a pointed and segmented helmet with a recess to accommodate the ears, a cuirass and thigh-length tunic, with a bow over one shoulder and a sword slung from a waist belt; mounted on a custom-made display stand.

Of penannular form with expanded sections at the centre and to both shoulders.

Comprising a rectangular headplate with two panels of chip-carved Style I ornament, flanking a beast-head with triangular muzzle and two pellet eyes, raised three-sided frame and outer band of pellets above beast-heads with lentoid eyes; the shallow bow with raised median rib, flanges to the edges and punched pellet detailing; footplate with beast-head between curved pellet lines, pierced horse-head lappets, lozengiform central panel with knot of Style I limbs; two lateral discs, one pierced to accept a stud and the other with a domed stud in place; the finial a disc with human mask inverted; pin-lug and part of catch to the reverse.

Displaying chased panels populated with Style I zoomorphs and geometric forms, borders of annulets, raised masks to the upper corners of the headplate; applied discoid boss to bow decorated with a rosette, addorsed beast heads below; extensive remains of gilding; pin lug and catchplate to reverse and remains of ancient repair, lower part absent.

Comprising a round-section crescent with flared ends terminating in two curved spatulate flat panels, each with a ropework border surrounding a two-band knotwork motif; cleaned and conserved.

The weeping Virgin with her head bowed to the left and hands raised to her chest on a dotted gilt background, an expression of pain on her delicately formed face; wearing a white veil and a black long-sleeved robe, the veil arranged as a headdress and covering her hair; on wood and mounted in a later carved wooden architectural frame.

Shown beneath an arcade, offering his cloak on the end of his sword to the beggar at his feet; polychrome detailing; repaired with lead cames and held in a wooden frame.

Composed from irregular painted panels bearing mainly foliage designs and figural elements; Mary crowned and enthroned with infant Jesus on her knee, in a lobed vesica-shaped panel held with lead cames; mounted in a wooden frame with modern replacements.

Carved in the half-round with a frieze composed of interlaced foliage with two rows of acanthus leaves and foliage scrolls, framing a lion's head on one side and a human head on the other, remains of lion's mane to the third; drilled holes to the raised surfaces and sockets for the insertion of decorative stones.

The bar with central D-shaped block pierced vertically by a stud surmounted by the suspension loop, with four pierced flanges to the underside; the frame in two sections, the larger a U-shaped rod with pivot for the bar, the smaller pivoting within the inner face, both pierced on the inner face; the block inscribed to one face with capital S and to the other with intersecting Vs; the bar inscribed to one face in capitals 'A DOMINI TECVM' and to the other in coarsely incised capitals 'AVEMARIA G[R]ACIAPLE[NA]'; the smaller rod inscribed in capitals 'CREATOREN CELI ET TERRE ET IN [IES]VN'; the larger inscribed with a band of scrolled decoration and the text in Lombardic capitals 'SOLI DEO HONOR ET GLORIA'; the accompanying letter discusses the texts (1) Ave Maria G[r]acia ple[n]a Dominus Tecum 'Hail Mary full of grace, the Lord [is] with thee'; (2) Soli Deo Honor et Gloria 'Honour and glory to God alone'; (3) Creatorem celi et terrae et inferum 'creator of heaven and earth and in Jesus'. The intersecting Vs may form a monogram for A[ve] M[aria]; the 1847 letter describes the findspot as 'found at Kirkleavington near Yarm in the sill of a brook' in the North Riding of Yorkshire.

Gold hoop and discoid bezel with incuse ropework border; incuse image of a bird of prey perching with wings spread and head turned; blackletter incuse and reversed inscription in an arc above the bird's head and pinions '·al : for : ye : best ·' (all for the best); repair to hoop.

Or a leg ring inscribed '+Earle of Rutland' in derivative black letter script, for a female merlin or sparrow hawk (due to the youth of Edmund Plantagenet who died aged 17); the ring with a convex interior face.

Displaying large flower heads, foliage and a skull to the outer face, enhanced with black enamelling; interior inscribed in a cursive script 'In god alone wee two are one', together with possible maker's stamps 'D' and 'F' in two rectangular cartouches.

Composed of a gently carinated hoop, the interior inscribed in cursive script 'Love is the bond of pease'.

Composed of a decoratively notched hoop divided into chased rhomboidal panels displaying foliate tendrils and horizontal hatching alternately; the interior inscribed in Roman capitals with the Latin phrase: 'x x x x VIVE x VT x VIVAS'.

Set comprising gold five pounds, two pounds, sovereign and half sovereign. Obvs: profile bust with GEORGIVS VI D G BR OMN REX F D IND IMP legends. Revs: St George and dragon; date in exergue; with original Royal Mint hinged red leatherette case of issue.

Formed with a carinated body, everted rim, handle with thumb rest and vestigial handles, rare. 240 grams, 10 cm wide



From an important specialist collection formed in London, UK, before 1988.

Composed of a carinated hoop with geometric ornament and expanded shoulders, engraved calligraphic inscription to the rectangular bezel. 10.78 grams, 24.49 mm overall, 19.25 mm internal diameter (approximate size British S, USA 9, Europe 20, Japan 19)



From the collection of a North American gentleman, formed in the 1990s.

Polished surfaces with piercing through the flanks. 24.9 grams, 32 mm



Acquired 1969-1999. From the private collection of the late Mr S.M., London, UK, thence by descent. Accompanied by a copy of a report by Dr. Habil. Pieter Gert van der Veen Head of the Biblical Archaeology study form (ABA) der Studiengemeinschaft Wort und Wissen e.V.

Accompanying note dates the weight to the Neo-Assyrian period, 8th-7th century B.C.

Of globular form with domed upper face bearing incised characters and a flat base; likely limestone. 44.7 grams, 33 mm



Gabby family collection since the late 1960s; thence by descent.

Ellipsoid bezel with incise calligraphic legend 'bhsmir Awaz Bake'. 10.42 grams, 30.90 mm overall, 15.74 mm internal diameter (approximate size British J 1/2, USA 5, Europe 9.32, Japan 9)



Acquired by the vendor's father on the UK art market, before 1990.

Roughly cylindrical in shape; the ibex with stylised detailing. 147 grams, 17.8 cm



From an old German collection, Cologne, Germany. From the collection of a North American gentleman.

Composed mainly of blue glass and faience beads of various shades and types, including annular, spherical, tubular and others; restrung. 10.5 grams, 70 cm long



Ex W.J. collection, 1990s.

Modelled with a tapering rectangular body, head with pinched features facing forwards, hands raised to chest with palms placed flat against the chest, shown wearing a neck ornament and with an elaborate hair style arranged at the back of the head; mounted on a custom-made display stand. 182 grams total, 14.5cm including stand



Ex North Yorkshire collection from the 1990s.

Composed of two differently sized conical 'nails'. 250 grams total, 7.2-11.5 cm



Acquired 1970-1990. Ex collection of a deceased gentleman by descent to his family.

Comprising cream-coloured stone or shell beads of various types, including one decorated with punched ring-and-dot ornament; restrung. 11.4 grams, 64 cm long



Ex W.J. collection, 1990s.

Unglazed with painted rosette motif, deep rim. 800 grams, 24 cm



London, UK, collection, 1990s.

Segmented disc with loop to the reverse; accompanied by an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Stamp Seal of Bronze. 47 x 46 x 16 mm. This is round, with flat face and flat back, on which is mounted, not quite in the middle, a suspension loop. The design on the face, done in raised lines, consists of a kind of rosette; a central small circle with 'petals' and loops around it, within an outer rim. This comes from west central Asia and dates to c. 2200-1800 B.C. The metal is in good condition and could be cleaned,[sic] The rim is a little worn.' 74 grams, 47 mm



From an important London, UK, collection, 1970s. Accompanied by a scholarly note by Professor Wilfrid George Lambert FBA (1926-2011), historian, archaeologist, and specialist in Assyriology and Near Eastern archaeology.