A fragment of amorphous form, decorated in relief with scrolling tendrils and anthemion, painted egg-and-dart ornament above, surmounted by moulded bands and a frieze of meander and chequerboard panels; remains of red and black painted pigment.

Formed as the bust of Eros looking upwards, stub wings to his shoulders, holding a goose to his chest; conical socket above each wing; eyes with silver inserts; old collector's label '1994 51.75' to the reverse; mounted on a custom-made stand; likely a socket base.

Comprising a rectangular plate, richly decorated with embossed laurel leaves in a grid, framed with raised bosses, the buckle loop comprising opposing dragons with open mouths, holding a spherical tongue-rest, another pair of smaller dragon heads to base, the tongue with a smaller pair of punch-decorated dragon heads.

Hemispherical in form, repoussé interior displaying graduated concentric registers of stylised and mythical animals within tessellating cartouches; a low relief mesomphalos decorated with rosette at centre; geometric ornament around the rim.

Displaying a corrugated rim above and below; two advancing soldiers, each striding forwards over the headless body of a dead enemy, carrying a severed head in each hand; the soldiers shown bearded and each wearing a pointed and segmented helmet with a recess to accommodate the ears, a cuirass and thigh-length tunic, with a bow over one shoulder and a sword slung from a waist belt; mounted on a custom-made display stand.

Of penannular form with expanded sections at the centre and to both shoulders.

Comprising a rectangular headplate with two panels of chip-carved Style I ornament, flanking a beast-head with triangular muzzle and two pellet eyes, raised three-sided frame and outer band of pellets above beast-heads with lentoid eyes; the shallow bow with raised median rib, flanges to the edges and punched pellet detailing; footplate with beast-head between curved pellet lines, pierced horse-head lappets, lozengiform central panel with knot of Style I limbs; two lateral discs, one pierced to accept a stud and the other with a domed stud in place; the finial a disc with human mask inverted; pin-lug and part of catch to the reverse.

Displaying chased panels populated with Style I zoomorphs and geometric forms, borders of annulets, raised masks to the upper corners of the headplate; applied discoid boss to bow decorated with a rosette, addorsed beast heads below; extensive remains of gilding; pin lug and catchplate to reverse and remains of ancient repair, lower part absent.

Comprising a round-section crescent with flared ends terminating in two curved spatulate flat panels, each with a ropework border surrounding a two-band knotwork motif; cleaned and conserved.

The weeping Virgin with her head bowed to the left and hands raised to her chest on a dotted gilt background, an expression of pain on her delicately formed face; wearing a white veil and a black long-sleeved robe, the veil arranged as a headdress and covering her hair; on wood and mounted in a later carved wooden architectural frame.

Shown beneath an arcade, offering his cloak on the end of his sword to the beggar at his feet; polychrome detailing; repaired with lead cames and held in a wooden frame.

Composed from irregular painted panels bearing mainly foliage designs and figural elements; Mary crowned and enthroned with infant Jesus on her knee, in a lobed vesica-shaped panel held with lead cames; mounted in a wooden frame with modern replacements.

Carved in the half-round with a frieze composed of interlaced foliage with two rows of acanthus leaves and foliage scrolls, framing a lion's head on one side and a human head on the other, remains of lion's mane to the third; drilled holes to the raised surfaces and sockets for the insertion of decorative stones.

The bar with central D-shaped block pierced vertically by a stud surmounted by the suspension loop, with four pierced flanges to the underside; the frame in two sections, the larger a U-shaped rod with pivot for the bar, the smaller pivoting within the inner face, both pierced on the inner face; the block inscribed to one face with capital S and to the other with intersecting Vs; the bar inscribed to one face in capitals 'A DOMINI TECVM' and to the other in coarsely incised capitals 'AVEMARIA G[R]ACIAPLE[NA]'; the smaller rod inscribed in capitals 'CREATOREN CELI ET TERRE ET IN [IES]VN'; the larger inscribed with a band of scrolled decoration and the text in Lombardic capitals 'SOLI DEO HONOR ET GLORIA'; the accompanying letter discusses the texts (1) Ave Maria G[r]acia ple[n]a Dominus Tecum 'Hail Mary full of grace, the Lord [is] with thee'; (2) Soli Deo Honor et Gloria 'Honour and glory to God alone'; (3) Creatorem celi et terrae et inferum 'creator of heaven and earth and in Jesus'. The intersecting Vs may form a monogram for A[ve] M[aria]; the 1847 letter describes the findspot as 'found at Kirkleavington near Yarm in the sill of a brook' in the North Riding of Yorkshire.

Gold hoop and discoid bezel with incuse ropework border; incuse image of a bird of prey perching with wings spread and head turned; blackletter incuse and reversed inscription in an arc above the bird's head and pinions '·al : for : ye : best ·' (all for the best); repair to hoop.

Or a leg ring inscribed '+Earle of Rutland' in derivative black letter script, for a female merlin or sparrow hawk (due to the youth of Edmund Plantagenet who died aged 17); the ring with a convex interior face.

Displaying large flower heads, foliage and a skull to the outer face, enhanced with black enamelling; interior inscribed in a cursive script 'In god alone wee two are one', together with possible maker's stamps 'D' and 'F' in two rectangular cartouches.

Composed of a gently carinated hoop, the interior inscribed in cursive script 'Love is the bond of pease'.

Composed of a decoratively notched hoop divided into chased rhomboidal panels displaying foliate tendrils and horizontal hatching alternately; the interior inscribed in Roman capitals with the Latin phrase: 'x x x x VIVE x VT x VIVAS'.

Set comprising gold five pounds, two pounds, sovereign and half sovereign. Obvs: profile bust with GEORGIVS VI D G BR OMN REX F D IND IMP legends. Revs: St George and dragon; date in exergue; with original Royal Mint hinged red leatherette case of issue.

Composed mainly of graduated glass beads of various shades of green, including annular, oblate, spherical, tubular and other types; restrung. 13.3 grams, 70 cm long



Ex W.J. collection, 1990s.

Composed mainly of semi-opaque beads of tubular, spherical, carinated and other types, including gold in glass and examples with iridescence, together with a sheet-gold repoussé bead; restrung. 15.3 grams, 49 cm long



Ex Garcia collection, France, 1990s.

Modelled in the round, seated cross-legged on a rectangular base, featuring semi-naturalistic facial and anatomical features and an exaggerated phallus; suspension loop to reverse. 9.13 grams, 36 mm high

Fine condition.

Acquired 1969-1999. London collection of the late Mr S.M., thence by descent.

Displaying a figural scene in relief showing the Dioscuri, wearing a crested helmet and raising the right arm in salutation; the bust of Sol wearing a radiate crown and the horned bust of moon surmounted by a crescent, border to the perimeter representing two snakes; the inner border with seven six-pointed stars, a large dolphin-like creature swimming to the right, to the left a group of round objects; to the right of the left hand rider, a three-legged offering table with three candle-sticks; between the sun and the moon a standing female deity dressed in peplos and chiton, facing right with her right arm raised in front of her; behind the moon a bird waddling to left; to the right of the left hand rider, a cockerel; beneath the horse’s hooves two prostrate figures lying face down, head to the right and left, the right figure with the left knee bent in supplication; at the centre, between the two horsemen, a standing female deity in long chiton (Helen of Troy); behind the right horse, a standing male figure facing left with his right hand raised in salutation, wearing a knee length tunica, short boots and a heavy cloak; on the lower margin a small prostrate figure with head to the right, limbs extended, a twin-handled wine cup, a standard surmounted by a lamp, a figure hanging head down from a stunted tree and a lion stalking left. 61 grams, 70 mm



From the collection of a North American gentleman, formed in the 1990s.

The plaque contains a complex iconography of divine figures and symbols, probably associated with Thracian or Dacian beliefs of the Lower Danube region, but also with the Greek myth of the divine twins Castor and Pollux (the Dioscuri), an important element of Roman religion since its origins, here mixed with the cult of the Danubian rider. Presiding over the whole scene is usually the Sol Invictus (the unconquered sun-god) and his sister the Moon (Selene).

Modelled with a raised tail and stylised anatomical features; mounting knop to base. 7.2 grams, 25 mm



From the collection of an EU gentleman formed in the 2000s. Acquired on the UK market.

With openwork design enclosed in a notched roundel, addorsed c-shaped central spokes and punched ring-and-dot motifs; hinged pin and catchplate to the reverse; complete. 14.8 grams, 37 mm



Acquired 1970s-1980s. From a London brooch collector, UK.

Most discoid in form and displaying a variety of designs: a ring of dimples; dot-in-ring motifs within roundels; 'stars' with dimpled terminals; a five-pointed star; a lozenge-shaped counter displaying punched ring-and-dot motifs to one face. 24.4 grams total, 21-41 mm



Gabby family collection since the late 1960s; thence by descent.

From the upper part of a vessel, displaying a bird, a satyr head and a caduceus, a leaping wild horse and a gladiator within a roundel. 71.9 grams, 98 mm



Acquired 1960s-1990s. From the late Alison Barker collection, a retired London barrister.

These kind of fragments are often found in military camps. In addition to simple cooking pots, jugs, plates and mortars, the household effects of a contubernium (the smallest organised unit of soldiers in the Roman army composed of eight legionaries) also included finer eating and drinking utensils. To avoid confusion, many soldiers marked their dishes with their names and, if necessary, repaired them with the help of lead clips.

Comprising: one of four crescents around central lozenge, complete with pin and catchplate to reverse; a discoid example displaying crescent and comma-shaped openwork. 18.5 grams total, 32-40 mm



From the collection of a North American gentleman, formed in the 1990s.

Comprising a trio of graduated bird-headed pins, two with stylised feather detailing. 19.7 grams total, 42-54 mm



Acquired before 1980. Ex property of a London, UK, collector.

Composed of a gold sphere with granule cluster below, ribbed shank and suspension loop with filigree borders; hollow-formed. 0.83 grams, 21 mm



With Persepolis Gallery, Mayfair, London, UK; in the 1980s. Ex private collection, London, UK.

Formed with an openwork pelta-shaped body with roughly circular void; sub-rectangular projecting fitting lug. 94 grams, 86 mm



Acquired on the EU art market around 2000. From the collection of a North American gentleman.