A fragment of amorphous form, decorated in relief with scrolling tendrils and anthemion, painted egg-and-dart ornament above, surmounted by moulded bands and a frieze of meander and chequerboard panels; remains of red and black painted pigment.

Formed as the bust of Eros looking upwards, stub wings to his shoulders, holding a goose to his chest; conical socket above each wing; eyes with silver inserts; old collector's label '1994 51.75' to the reverse; mounted on a custom-made stand; likely a socket base.

Comprising a rectangular plate, richly decorated with embossed laurel leaves in a grid, framed with raised bosses, the buckle loop comprising opposing dragons with open mouths, holding a spherical tongue-rest, another pair of smaller dragon heads to base, the tongue with a smaller pair of punch-decorated dragon heads.

Hemispherical in form, repoussé interior displaying graduated concentric registers of stylised and mythical animals within tessellating cartouches; a low relief mesomphalos decorated with rosette at centre; geometric ornament around the rim.

Displaying a corrugated rim above and below; two advancing soldiers, each striding forwards over the headless body of a dead enemy, carrying a severed head in each hand; the soldiers shown bearded and each wearing a pointed and segmented helmet with a recess to accommodate the ears, a cuirass and thigh-length tunic, with a bow over one shoulder and a sword slung from a waist belt; mounted on a custom-made display stand.

Of penannular form with expanded sections at the centre and to both shoulders.

Comprising a rectangular headplate with two panels of chip-carved Style I ornament, flanking a beast-head with triangular muzzle and two pellet eyes, raised three-sided frame and outer band of pellets above beast-heads with lentoid eyes; the shallow bow with raised median rib, flanges to the edges and punched pellet detailing; footplate with beast-head between curved pellet lines, pierced horse-head lappets, lozengiform central panel with knot of Style I limbs; two lateral discs, one pierced to accept a stud and the other with a domed stud in place; the finial a disc with human mask inverted; pin-lug and part of catch to the reverse.

Displaying chased panels populated with Style I zoomorphs and geometric forms, borders of annulets, raised masks to the upper corners of the headplate; applied discoid boss to bow decorated with a rosette, addorsed beast heads below; extensive remains of gilding; pin lug and catchplate to reverse and remains of ancient repair, lower part absent.

Comprising a round-section crescent with flared ends terminating in two curved spatulate flat panels, each with a ropework border surrounding a two-band knotwork motif; cleaned and conserved.

The weeping Virgin with her head bowed to the left and hands raised to her chest on a dotted gilt background, an expression of pain on her delicately formed face; wearing a white veil and a black long-sleeved robe, the veil arranged as a headdress and covering her hair; on wood and mounted in a later carved wooden architectural frame.

Shown beneath an arcade, offering his cloak on the end of his sword to the beggar at his feet; polychrome detailing; repaired with lead cames and held in a wooden frame.

Composed from irregular painted panels bearing mainly foliage designs and figural elements; Mary crowned and enthroned with infant Jesus on her knee, in a lobed vesica-shaped panel held with lead cames; mounted in a wooden frame with modern replacements.

Carved in the half-round with a frieze composed of interlaced foliage with two rows of acanthus leaves and foliage scrolls, framing a lion's head on one side and a human head on the other, remains of lion's mane to the third; drilled holes to the raised surfaces and sockets for the insertion of decorative stones.

The bar with central D-shaped block pierced vertically by a stud surmounted by the suspension loop, with four pierced flanges to the underside; the frame in two sections, the larger a U-shaped rod with pivot for the bar, the smaller pivoting within the inner face, both pierced on the inner face; the block inscribed to one face with capital S and to the other with intersecting Vs; the bar inscribed to one face in capitals 'A DOMINI TECVM' and to the other in coarsely incised capitals 'AVEMARIA G[R]ACIAPLE[NA]'; the smaller rod inscribed in capitals 'CREATOREN CELI ET TERRE ET IN [IES]VN'; the larger inscribed with a band of scrolled decoration and the text in Lombardic capitals 'SOLI DEO HONOR ET GLORIA'; the accompanying letter discusses the texts (1) Ave Maria G[r]acia ple[n]a Dominus Tecum 'Hail Mary full of grace, the Lord [is] with thee'; (2) Soli Deo Honor et Gloria 'Honour and glory to God alone'; (3) Creatorem celi et terrae et inferum 'creator of heaven and earth and in Jesus'. The intersecting Vs may form a monogram for A[ve] M[aria]; the 1847 letter describes the findspot as 'found at Kirkleavington near Yarm in the sill of a brook' in the North Riding of Yorkshire.

Gold hoop and discoid bezel with incuse ropework border; incuse image of a bird of prey perching with wings spread and head turned; blackletter incuse and reversed inscription in an arc above the bird's head and pinions '·al : for : ye : best ·' (all for the best); repair to hoop.

Or a leg ring inscribed '+Earle of Rutland' in derivative black letter script, for a female merlin or sparrow hawk (due to the youth of Edmund Plantagenet who died aged 17); the ring with a convex interior face.

Displaying large flower heads, foliage and a skull to the outer face, enhanced with black enamelling; interior inscribed in a cursive script 'In god alone wee two are one', together with possible maker's stamps 'D' and 'F' in two rectangular cartouches.

Composed of a gently carinated hoop, the interior inscribed in cursive script 'Love is the bond of pease'.

Composed of a decoratively notched hoop divided into chased rhomboidal panels displaying foliate tendrils and horizontal hatching alternately; the interior inscribed in Roman capitals with the Latin phrase: 'x x x x VIVE x VT x VIVAS'.

Set comprising gold five pounds, two pounds, sovereign and half sovereign. Obvs: profile bust with GEORGIVS VI D G BR OMN REX F D IND IMP legends. Revs: St George and dragon; date in exergue; with original Royal Mint hinged red leatherette case of issue.

Comprising: one silver with extended tapering stem, balustered upper body and eraser to top; one bronze with tapering stem, balustered mid-section and eraser to top, the upper body decorated with hatched lozenges. 15.1 grams total, 9.5-11.1 cm



From the collection of an EU gentleman formed around 2000. Acquired on the UK art market.

The coin mounted on 22 carat gold foil, framed with an art print signed by the artist David McAllister, depicting scenes of Roman military activity; limited edition number 152/1150. 1.24 kg, 37.5 x 49.5 cm



Essex gallery, early 2000s.

David McAllister's exciting design is a 'one of a kind' work that portrays the might and riches of the Roman civilisation. This limited edition print is a celebration of the award winning artist's lifetime dedication to historical paintings of the ancient world. To enhance appreciation of this rare and historic work, each individual print is signed and numbered by the artist.

Composed mainly of opaque glass beads of various colours, together with a number of stone beads, and incorporating beads of various types; restrung. 20.5 grams, 77 cm long



Ex W.J. collection, 1990s.

The openwork figure shown standing left on a groundline, simple detailing to the eye and mane; pin lug, pin and catchplate to reverse. 10.6 grams, 37 mm



Acquired on the German art market around 2000. From the collection of a Surrey, UK, gentleman.

Slender bodied and tapering towards the terminals, filigree crescents across the body adorned with five granules; integral gusseted suspension loop. 2.1 grams, 23 mm



From the collection of an EU gentleman formed in the 1990s. Acquired on the UK art market.

Mostly from vessel rims and bowls and decorated in relief with architectural, foliate and geometric designs. 399 grams total, 3-14.5 cm



Found Billingsgate spoil from the Thames foreshore, London, UK.

The roundel with tiered borders, the grotesque head in high relief at the centre, modelled with semi-naturalistic detailing, full beard and pointed ears; remains of mounting lug to reverse. 39.3 grams, 36 mm wide



Found near Colchester, Essex, 2000. Property of an Essex gentleman.

Featuring a shallow piriform bowl, raised neck with movable pinned hinge attached to the hexagonal-section handle and shortened polyhedral knob finial, allowing the handle to be folded into the bowl. 15.5 grams, 14 cm



UK collection, early 1990s and before. Acquired on the UK art market since the early 2000s. From a private collection, Lancashire, UK.

As today, the spoon was used as a measure for dosage in ancient times. Both the cochlear and the ligula could have been used to measure different quantities, particularly in the practice of medicine and in the kitchen. Isidore (Origines, XVI, 26.3) tells us that the cochlear was the smallest unit size and was worth half a drachma.

Comprising a flat-section hoop and rectangular panel, short shank and disc-shaped head with cruciform void and pellets in the interstitial quadrants. 3.98 grams, 17.81 mm overall, 15.08 mm internal diameter (approximate size British H 1/2, USA 4, Europe 6.81, Japan 6)



Acquired 1960s-1990s. Late Alison Barker collection, a retired London barrister.

With ribbed suspension loop, applied granules to the junction and finials. 2.04 grams, 17 mm



From the collection of an EU gentleman formed in the 1990s. Acquired on the UK art market.

Comprising four junctions to reverse, comma-shaped beast with dense vegetal decorative scheme. 20.2 grams, 35 mm



Acquired in the 1970s. From an English private collection.

Modelled in the round with closely-cropped hair. 19.2 kg, 31 cm high



Acquired 1960s-1990s. Late Alison Barker collection, a retired London barrister.