A fragment of amorphous form, decorated in relief with scrolling tendrils and anthemion, painted egg-and-dart ornament above, surmounted by moulded bands and a frieze of meander and chequerboard panels; remains of red and black painted pigment.

Formed as the bust of Eros looking upwards, stub wings to his shoulders, holding a goose to his chest; conical socket above each wing; eyes with silver inserts; old collector's label '1994 51.75' to the reverse; mounted on a custom-made stand; likely a socket base.

Comprising a rectangular plate, richly decorated with embossed laurel leaves in a grid, framed with raised bosses, the buckle loop comprising opposing dragons with open mouths, holding a spherical tongue-rest, another pair of smaller dragon heads to base, the tongue with a smaller pair of punch-decorated dragon heads.

Hemispherical in form, repoussé interior displaying graduated concentric registers of stylised and mythical animals within tessellating cartouches; a low relief mesomphalos decorated with rosette at centre; geometric ornament around the rim.

Displaying a corrugated rim above and below; two advancing soldiers, each striding forwards over the headless body of a dead enemy, carrying a severed head in each hand; the soldiers shown bearded and each wearing a pointed and segmented helmet with a recess to accommodate the ears, a cuirass and thigh-length tunic, with a bow over one shoulder and a sword slung from a waist belt; mounted on a custom-made display stand.

Of penannular form with expanded sections at the centre and to both shoulders.

Comprising a rectangular headplate with two panels of chip-carved Style I ornament, flanking a beast-head with triangular muzzle and two pellet eyes, raised three-sided frame and outer band of pellets above beast-heads with lentoid eyes; the shallow bow with raised median rib, flanges to the edges and punched pellet detailing; footplate with beast-head between curved pellet lines, pierced horse-head lappets, lozengiform central panel with knot of Style I limbs; two lateral discs, one pierced to accept a stud and the other with a domed stud in place; the finial a disc with human mask inverted; pin-lug and part of catch to the reverse.

Displaying chased panels populated with Style I zoomorphs and geometric forms, borders of annulets, raised masks to the upper corners of the headplate; applied discoid boss to bow decorated with a rosette, addorsed beast heads below; extensive remains of gilding; pin lug and catchplate to reverse and remains of ancient repair, lower part absent.

Comprising a round-section crescent with flared ends terminating in two curved spatulate flat panels, each with a ropework border surrounding a two-band knotwork motif; cleaned and conserved.

The weeping Virgin with her head bowed to the left and hands raised to her chest on a dotted gilt background, an expression of pain on her delicately formed face; wearing a white veil and a black long-sleeved robe, the veil arranged as a headdress and covering her hair; on wood and mounted in a later carved wooden architectural frame.

Shown beneath an arcade, offering his cloak on the end of his sword to the beggar at his feet; polychrome detailing; repaired with lead cames and held in a wooden frame.

Composed from irregular painted panels bearing mainly foliage designs and figural elements; Mary crowned and enthroned with infant Jesus on her knee, in a lobed vesica-shaped panel held with lead cames; mounted in a wooden frame with modern replacements.

Carved in the half-round with a frieze composed of interlaced foliage with two rows of acanthus leaves and foliage scrolls, framing a lion's head on one side and a human head on the other, remains of lion's mane to the third; drilled holes to the raised surfaces and sockets for the insertion of decorative stones.

The bar with central D-shaped block pierced vertically by a stud surmounted by the suspension loop, with four pierced flanges to the underside; the frame in two sections, the larger a U-shaped rod with pivot for the bar, the smaller pivoting within the inner face, both pierced on the inner face; the block inscribed to one face with capital S and to the other with intersecting Vs; the bar inscribed to one face in capitals 'A DOMINI TECVM' and to the other in coarsely incised capitals 'AVEMARIA G[R]ACIAPLE[NA]'; the smaller rod inscribed in capitals 'CREATOREN CELI ET TERRE ET IN [IES]VN'; the larger inscribed with a band of scrolled decoration and the text in Lombardic capitals 'SOLI DEO HONOR ET GLORIA'; the accompanying letter discusses the texts (1) Ave Maria G[r]acia ple[n]a Dominus Tecum 'Hail Mary full of grace, the Lord [is] with thee'; (2) Soli Deo Honor et Gloria 'Honour and glory to God alone'; (3) Creatorem celi et terrae et inferum 'creator of heaven and earth and in Jesus'. The intersecting Vs may form a monogram for A[ve] M[aria]; the 1847 letter describes the findspot as 'found at Kirkleavington near Yarm in the sill of a brook' in the North Riding of Yorkshire.

Gold hoop and discoid bezel with incuse ropework border; incuse image of a bird of prey perching with wings spread and head turned; blackletter incuse and reversed inscription in an arc above the bird's head and pinions '·al : for : ye : best ·' (all for the best); repair to hoop.

Or a leg ring inscribed '+Earle of Rutland' in derivative black letter script, for a female merlin or sparrow hawk (due to the youth of Edmund Plantagenet who died aged 17); the ring with a convex interior face.

Displaying large flower heads, foliage and a skull to the outer face, enhanced with black enamelling; interior inscribed in a cursive script 'In god alone wee two are one', together with possible maker's stamps 'D' and 'F' in two rectangular cartouches.

Composed of a gently carinated hoop, the interior inscribed in cursive script 'Love is the bond of pease'.

Composed of a decoratively notched hoop divided into chased rhomboidal panels displaying foliate tendrils and horizontal hatching alternately; the interior inscribed in Roman capitals with the Latin phrase: 'x x x x VIVE x VT x VIVAS'.

Set comprising gold five pounds, two pounds, sovereign and half sovereign. Obvs: profile bust with GEORGIVS VI D G BR OMN REX F D IND IMP legends. Revs: St George and dragon; date in exergue; with original Royal Mint hinged red leatherette case of issue.

Bearing a monogram: a combination of the letters 'C', 'A' and 'E', for 'C A E S' referring to Julius Caesar. 65.04 grams, 37 mm

Fine condition.

Found near to a village close to Seville, 1960-1970. From an old Spanish collection. Swiss private collection. Accompanied by a copy of the Spanish export licence. Accompanied by an academic paper by military specialist Dr Raffaele D'Amato, dated 4th May 2022 and titled Roman Res Publica - Lead Slingshots (glandes) of Caesarian Age - 45 B.C circa.

The shot (type IIb of the Völling classification) is marked with the abbreviated name of Julius Caesar; it was used in quantity at the Battle of Monda (or Munda) against the last fellows of Pompey, the leaders of the Optimates, on the 17th March 45 B.C. Similar shots were used in the civil war among Pompey and Caesar, and in all Caesar's wars. The funditores of Caesar's age were part of the light infantry. Caesar speaks of his Balearic slingers during the conquest of Gaul, who were usually covered by a short tunic, leather or rope sandals, a coat to cover them, but which could also have been used to store projectiles. Rather, they used a satchel to carry very deadly lead-like stones or bullets. The men employed several slings: one was tied around the head for quick employment should the other break during the battle.

Comprising four triangular plates each with curved profile mounted with the frontal and rear plates overlapping the lateral ones, rivetted; two small lateral rings for attachment of cheek-plates; mounted on a custom-made display stand. 3.36 kg total, 44 cm high including stand

Good condition; surface with some rusting but complete in its structure.

Acquired 1971-1972. From the collection of the vendor's father. Property of a London, UK, collector. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no. 11754-202772.

The type of helmet composed from rivetted plates is a long-lived military fashion depicted from Late Antiquity to the medieval period.

Comprising: one heater-shaped with openwork raven motif to each face; one similar with openwork raven enmeshed in tendrils; one with fleur-de-lys to the centre of each upper edge and a lobed spur to each side; one with openwork quatrefoil to each face and knop finial to the apex. 145 grams total, 55-85 mm



From the collection of a North American gentleman, formed in the 1990s.

Comprising a double-edged tapering blade showing shallow fullers and wide cutting edges; boat-shaped lower guard with inlaid vertical copper bands; the upper guard decorated in similar fashion; five-lobed pommel with deep grooves between the lobes, each lobe inlaid with copper bands. 1.05 kg, 90 cm



Acquired 1990s-early 2000s. East Anglian private collection. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11592-199910.

It is the decoration and the structure of the sword that suggest classifying it as a type H of Petersen, rather than type R which usually presents a five-lobed pommel. The copper markings are artistically consistent with archaeological examples of decorative work of Viking swords, notably with the one in Suomen Kansallismuseo, Helsinki, published by Peirce (2002, pp.6off.). The decoration, which here takes the form of vertical copper lines, is striped as on the Helsinki specimen.

Comprising a fine double-edged tapering blade, shallow fullers and defined cutting edges showing traces of employment; short, rectangular-section lower guard and tapering tang, tea-cosy pommel of early type; some restoration. 1.2 kg, 92.5 cm



Acquired 1990s-early 2000s. East Anglian private collection. Accompanied by an academic report by Dr Raffaele D'Amato.

The sword is Petersen type X (Petersen, 1919, pp.158ff) and Oakeshott type XI (1991, pp.53ff.), finding good parallels in various similar Viking and Norman age specimens (Peirce, 2002, pp.115 ff.). The overall proportions of our specimen are eye-catching and it is strikingly similar to a pattern-welded sword found with a large number of other objects, at Camp de Péran, Côtes-d'Armor, France, in a 10th century context, probably linked with the early Norman settlers in Normandy or Norman raids in Brittany (Roesdhal, Wilson, 1992, p.321, cat. n.359; Renaud, 2000, p.100).

Composed of a double-edged tapering blade of Petersen Type T variant, with a slightly rounded point, shallow fullers; boat-shaped cross guard with traces of vertical silver strips, narrow tang; boat-shaped upper guard supporting a five-lobed pommel with traces of silver inlay. 1.05 kg, 89.5 cm

The general blade structure is still homogenous, few delamination traces on the sides, some flaking along the pattern-welds, small corrosion damages along the edge; in general fine condition, an excellent weapon.

Acquired 1971-1972. From the collection of the vendor's father. Property of a London, UK, collector. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11755-202775.

Of Petersen Type S variant with a double-edged blade, shallow fullers and a rounded point; boat-shaped upper and lower guard with some remains of silver inlay, the pommel also showing traces of silver decoration. 1.3 kg, 87.5 cm

The structure of the blade is still homogenous but presents delamination on various part, corrosion damage along the edge and deep corrosion and pitting due to permanence in the water.

Acquired 1971-1972. From the collection of the vendor's father. Property of a London, UK, collector. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11756 - 202774.

Viking swords of Type S are commonly found in Nordic countries and in Eastern Europe, with only a small number found in Western Europe. The type was often characterised by splendid decoration achieved with silver and copper inlays, of which here some traces are still visible.

Comprising a single-edged blade, whittle tang and cylindrical grip terminating in a bulbous openwork pommel. 178 grams, 31 cm



Acquired 1960s-1990s. Late Alison Barker collection, a retired London barrister.

Carried universally throughout Europe, the kidney dagger or ballock dagger (dague a rognons) seems to have been used by all classes of society. Early effigies and brasses prove that the ballock dagger was a knightly weapon. Later on, the more elaborate daggers suggest that it was also a weapon of the emerging merchant and artisan classes. Of course there are also some very simple and crude examples which would probably have been used by the peasants.

Featuring a hexagonal brass pommel engraved with a fleur-de-lis to one side and a dragon to the other; pierced tang, two short quillons inclining towards the blade, terminating in lion head-shaped finials; straight single-edged blade, with side ridges to both faces of the blade, tapering to a fine point. 177 grams, 34 cm

Tang is heavily corroded, trace of employment on the battlefield.

Acquired 1960s-1990s. Late Alison Barker collection, a retired London barrister.

Quillon daggers were predominantly employed as a military weapon. During the 16th century, this dagger continued to be popular, although the hilt no longer resembled that of the contemporary sword, as sword hilts had developed into more intricate forms.

Of Oakeshott Type XII or XIII with a double-edged, well-balanced tapering blade, shallow fullers and a parallel-sided straight lower guard of cross style 2; medium tang and disc pommel of type K with chamfered sides; the blade with later inlaid markings, one side with Passau wolf, the other side with cross within a circle; cleaned and conserved. 1.39 kg, 95 cm

fine condition, restored.

Acquired 1990s-early 2000s. East Anglian private collection. Accompanied by an academic report by Dr Raffaele D'Amato.

The sword’s blade presents analogies with a sword of type XIIIa (Aleksic, 2007, pl.7,1) sharing the same type of pommel and the same length of the fuller. The sword, found in the Danube near the village Visnjica, is now in the City Museum, Belgrad, and presents a cross and a wolf impressed on the blade and inlaid with a yellow metal.

Comprising a straight, flat triple fuller, double edged and tapering blade engraved with imperial orb sign, Passau wolf mark dated 15th century and 'DIGN LAGDIGNLA', with steel hilt comprising of down-turned quillons with ball finials and single ring outer defence, the bars of round section; matching inner defence bar with matching decoration to the quillons, spherical pommel rebound leather grip with original 'Turk's heads' to top and bottom but worn. 1.46 kg, 1.05 m



Acquired from Military Swords Ltd, UK, 2017. The Kusmirek Collection, UK. Accompanied by a copy of an invoice. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.203964.

Comprising a broad, double-edged blade with rounded tip, shallow central fuller to the upper third of both sides; flat guard with stepped central panel, D-section arms formed in a horizontal S-curve, 'cat's head' truncated type pommel with an integral central boss to both faces; the tang with a sword-shaped stamp, the blade with an inlaid three-armed workshop mark and another stamp, including a V surmounted by a cross. 1.37 kg, 1.18 m

Restored and protected with a possible vertical suspension in acid solution, on the blade traces of delamination and flaking along the pattern-welds, some corrosion damages but in general very good condition.

From an English collection, acquired 1990s. The Kusmirek Collection, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11771-203963.

The Schiavonesca sword was used by Dalmatian mercenaries serving in the Venetian state armies, and were produced by the workshops of the Serenissima to which the marks probably belong. Many of these swords were produced in Dubrovnik, a Croatian city under the Venetian rule. Dr Aleksić mentions the swordsmith Radonja Vukotić, who made an agreement with blacksmith Andrija Miletin at the beginning of September 1436, to produce swords together in the following year.