A fragment of amorphous form, decorated in relief with scrolling tendrils and anthemion, painted egg-and-dart ornament above, surmounted by moulded bands and a frieze of meander and chequerboard panels; remains of red and black painted pigment.

Formed as the bust of Eros looking upwards, stub wings to his shoulders, holding a goose to his chest; conical socket above each wing; eyes with silver inserts; old collector's label '1994 51.75' to the reverse; mounted on a custom-made stand; likely a socket base.

Comprising a rectangular plate, richly decorated with embossed laurel leaves in a grid, framed with raised bosses, the buckle loop comprising opposing dragons with open mouths, holding a spherical tongue-rest, another pair of smaller dragon heads to base, the tongue with a smaller pair of punch-decorated dragon heads.

Hemispherical in form, repoussé interior displaying graduated concentric registers of stylised and mythical animals within tessellating cartouches; a low relief mesomphalos decorated with rosette at centre; geometric ornament around the rim.

Displaying a corrugated rim above and below; two advancing soldiers, each striding forwards over the headless body of a dead enemy, carrying a severed head in each hand; the soldiers shown bearded and each wearing a pointed and segmented helmet with a recess to accommodate the ears, a cuirass and thigh-length tunic, with a bow over one shoulder and a sword slung from a waist belt; mounted on a custom-made display stand.

Of penannular form with expanded sections at the centre and to both shoulders.

Comprising a rectangular headplate with two panels of chip-carved Style I ornament, flanking a beast-head with triangular muzzle and two pellet eyes, raised three-sided frame and outer band of pellets above beast-heads with lentoid eyes; the shallow bow with raised median rib, flanges to the edges and punched pellet detailing; footplate with beast-head between curved pellet lines, pierced horse-head lappets, lozengiform central panel with knot of Style I limbs; two lateral discs, one pierced to accept a stud and the other with a domed stud in place; the finial a disc with human mask inverted; pin-lug and part of catch to the reverse.

Displaying chased panels populated with Style I zoomorphs and geometric forms, borders of annulets, raised masks to the upper corners of the headplate; applied discoid boss to bow decorated with a rosette, addorsed beast heads below; extensive remains of gilding; pin lug and catchplate to reverse and remains of ancient repair, lower part absent.

Comprising a round-section crescent with flared ends terminating in two curved spatulate flat panels, each with a ropework border surrounding a two-band knotwork motif; cleaned and conserved.

The weeping Virgin with her head bowed to the left and hands raised to her chest on a dotted gilt background, an expression of pain on her delicately formed face; wearing a white veil and a black long-sleeved robe, the veil arranged as a headdress and covering her hair; on wood and mounted in a later carved wooden architectural frame.

Shown beneath an arcade, offering his cloak on the end of his sword to the beggar at his feet; polychrome detailing; repaired with lead cames and held in a wooden frame.

Composed from irregular painted panels bearing mainly foliage designs and figural elements; Mary crowned and enthroned with infant Jesus on her knee, in a lobed vesica-shaped panel held with lead cames; mounted in a wooden frame with modern replacements.

Carved in the half-round with a frieze composed of interlaced foliage with two rows of acanthus leaves and foliage scrolls, framing a lion's head on one side and a human head on the other, remains of lion's mane to the third; drilled holes to the raised surfaces and sockets for the insertion of decorative stones.

The bar with central D-shaped block pierced vertically by a stud surmounted by the suspension loop, with four pierced flanges to the underside; the frame in two sections, the larger a U-shaped rod with pivot for the bar, the smaller pivoting within the inner face, both pierced on the inner face; the block inscribed to one face with capital S and to the other with intersecting Vs; the bar inscribed to one face in capitals 'A DOMINI TECVM' and to the other in coarsely incised capitals 'AVEMARIA G[R]ACIAPLE[NA]'; the smaller rod inscribed in capitals 'CREATOREN CELI ET TERRE ET IN [IES]VN'; the larger inscribed with a band of scrolled decoration and the text in Lombardic capitals 'SOLI DEO HONOR ET GLORIA'; the accompanying letter discusses the texts (1) Ave Maria G[r]acia ple[n]a Dominus Tecum 'Hail Mary full of grace, the Lord [is] with thee'; (2) Soli Deo Honor et Gloria 'Honour and glory to God alone'; (3) Creatorem celi et terrae et inferum 'creator of heaven and earth and in Jesus'. The intersecting Vs may form a monogram for A[ve] M[aria]; the 1847 letter describes the findspot as 'found at Kirkleavington near Yarm in the sill of a brook' in the North Riding of Yorkshire.

Gold hoop and discoid bezel with incuse ropework border; incuse image of a bird of prey perching with wings spread and head turned; blackletter incuse and reversed inscription in an arc above the bird's head and pinions '·al : for : ye : best ·' (all for the best); repair to hoop.

Or a leg ring inscribed '+Earle of Rutland' in derivative black letter script, for a female merlin or sparrow hawk (due to the youth of Edmund Plantagenet who died aged 17); the ring with a convex interior face.

Displaying large flower heads, foliage and a skull to the outer face, enhanced with black enamelling; interior inscribed in a cursive script 'In god alone wee two are one', together with possible maker's stamps 'D' and 'F' in two rectangular cartouches.

Composed of a gently carinated hoop, the interior inscribed in cursive script 'Love is the bond of pease'.

Composed of a decoratively notched hoop divided into chased rhomboidal panels displaying foliate tendrils and horizontal hatching alternately; the interior inscribed in Roman capitals with the Latin phrase: 'x x x x VIVE x VT x VIVAS'.

Set comprising gold five pounds, two pounds, sovereign and half sovereign. Obvs: profile bust with GEORGIVS VI D G BR OMN REX F D IND IMP legends. Revs: St George and dragon; date in exergue; with original Royal Mint hinged red leatherette case of issue.

Comprising blades and handles of various types and dates, including examples with decorative elements. 740 grams total, 9-18.4 cm



Acquired 1990s-early 2000s. East Anglian private collection.

Decorated with polychrome glaze, the animal standing left in a lozenge with borders; displayed in a wooden frame. 530 grams, 19 x 19 cm



Acquired 1990s-early 2000s. East Anglian private collection.

Displaying a figural scene in raised relief; reclining Jupiter beside a tree, Cupid in a biga chariot, standing group of Venus, Vulcanus and erotes; seated Dis Pater and dying Hercules with dog; mounted on a custom-made display stand. 36.9 kg total, 1.3 m wide including stand



French collection, 1960s-early 2000s. From an important Paris gallery, France. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11696-199341.

Restrung beads, mainly barrel-shaped, fusiform, globular and square-section types, trail decorated. 178 grams, 1.12 m

Fine condition.

Acquired before 2000. Property of a Suffolk gentleman.

Modelled in relief with semi-naturalistic features; free-standing. 200 grams, 87 mm



Acquired UK market. Ian Roper collection.

Displaying a scene composed of a young man punting, turning his attention towards a duck on the water behind; tiles of varying thickness. 436 grams total, 12.5 x 12.3 - 12.5 x 13 cm



Acquired 1990s-early 2000s. East Anglian private collection.

The group comprising: a 1960s FAB Hardy's Sheffield coal miners pickaxe with an ash wood shaft; a 1950s/1960s Patent pulp Thetford helmet fitted with a late 19th/ early 20th century Premier Acetylene brass miners helmet lamp, together with copies of the birth and death certificates of the lamp's former owner. 2.25 kg total, 27-80 cm



Acquired from Colonial Soldier, UK, and elsewhere. The Kusmirek Collection, UK. Accompanied by copies of birth and death certificates for the lamp owner and a listing for the pick.

The Virgin holding the infant Christ, gesturing towards him with her right hand, wearing a carmine red maphorion embellished with golden pearled embroidery, elaborate cuffs and neckline to the himation; Christ making the blessing sign with his hand, the green chiton and orange himation embellished with red folds; both figures nimbate within a shallow recess and framed by a red border, inscription 'ΜΡ ΘΥ' for 'Mother of God' flanking the Virgin's halo, 'IC XC' for 'Jesus Christ' over the Child’s head; winged nimbate ‘Angel of God’ and nimbate Saint Matrona in rectangular panels on either side; split and repaired. 896 grams, 31.2 cm



Ex French gallery, Paris.

For the Orthodox believers, the Mother of God (Theotokos) carries a special meaning. The believers relate to her as a mother who suffered and lived through the death of her son, a figure not only of love and compassion, but also of fortitude and sacrifice.

In Renaissance style, composed of a hemispherical bowl with four fixing lobes, foot and upper body octagonal with pierced geometric design, ornamental finial and chain for suspension. 930 grams, 85 cm high



Acquired 1990s-early 2000s. East Anglian private collection.

Set on a free-standing base with hollow reverse, INRI lettering in a banner above. 280 grams, 38 cm high



Acquired 1960s-1990s. Late Alison Barker collection, a retired London barrister.

Composed of mainly discoid-shaped tokens displaying letters, symbols and geometric motifs. 88 grams total, 14-26 mm



Found Thames foreshore spoil, 1980s.

Comprising: bells; buckles; decorative fittings and mounts; thimble; heart-shaped mount; ring stamped '925'; together with other miscellaneous items. 269 grams total, 11-64 mm



Found Wiltshire, UK.