A fragment of amorphous form, decorated in relief with scrolling tendrils and anthemion, painted egg-and-dart ornament above, surmounted by moulded bands and a frieze of meander and chequerboard panels; remains of red and black painted pigment.

Formed as the bust of Eros looking upwards, stub wings to his shoulders, holding a goose to his chest; conical socket above each wing; eyes with silver inserts; old collector's label '1994 51.75' to the reverse; mounted on a custom-made stand; likely a socket base.

Comprising a rectangular plate, richly decorated with embossed laurel leaves in a grid, framed with raised bosses, the buckle loop comprising opposing dragons with open mouths, holding a spherical tongue-rest, another pair of smaller dragon heads to base, the tongue with a smaller pair of punch-decorated dragon heads.

Hemispherical in form, repoussé interior displaying graduated concentric registers of stylised and mythical animals within tessellating cartouches; a low relief mesomphalos decorated with rosette at centre; geometric ornament around the rim.

Displaying a corrugated rim above and below; two advancing soldiers, each striding forwards over the headless body of a dead enemy, carrying a severed head in each hand; the soldiers shown bearded and each wearing a pointed and segmented helmet with a recess to accommodate the ears, a cuirass and thigh-length tunic, with a bow over one shoulder and a sword slung from a waist belt; mounted on a custom-made display stand.

Of penannular form with expanded sections at the centre and to both shoulders.

Comprising a rectangular headplate with two panels of chip-carved Style I ornament, flanking a beast-head with triangular muzzle and two pellet eyes, raised three-sided frame and outer band of pellets above beast-heads with lentoid eyes; the shallow bow with raised median rib, flanges to the edges and punched pellet detailing; footplate with beast-head between curved pellet lines, pierced horse-head lappets, lozengiform central panel with knot of Style I limbs; two lateral discs, one pierced to accept a stud and the other with a domed stud in place; the finial a disc with human mask inverted; pin-lug and part of catch to the reverse.

Displaying chased panels populated with Style I zoomorphs and geometric forms, borders of annulets, raised masks to the upper corners of the headplate; applied discoid boss to bow decorated with a rosette, addorsed beast heads below; extensive remains of gilding; pin lug and catchplate to reverse and remains of ancient repair, lower part absent.

Comprising a round-section crescent with flared ends terminating in two curved spatulate flat panels, each with a ropework border surrounding a two-band knotwork motif; cleaned and conserved.

The weeping Virgin with her head bowed to the left and hands raised to her chest on a dotted gilt background, an expression of pain on her delicately formed face; wearing a white veil and a black long-sleeved robe, the veil arranged as a headdress and covering her hair; on wood and mounted in a later carved wooden architectural frame.

Shown beneath an arcade, offering his cloak on the end of his sword to the beggar at his feet; polychrome detailing; repaired with lead cames and held in a wooden frame.

Composed from irregular painted panels bearing mainly foliage designs and figural elements; Mary crowned and enthroned with infant Jesus on her knee, in a lobed vesica-shaped panel held with lead cames; mounted in a wooden frame with modern replacements.

Carved in the half-round with a frieze composed of interlaced foliage with two rows of acanthus leaves and foliage scrolls, framing a lion's head on one side and a human head on the other, remains of lion's mane to the third; drilled holes to the raised surfaces and sockets for the insertion of decorative stones.

The bar with central D-shaped block pierced vertically by a stud surmounted by the suspension loop, with four pierced flanges to the underside; the frame in two sections, the larger a U-shaped rod with pivot for the bar, the smaller pivoting within the inner face, both pierced on the inner face; the block inscribed to one face with capital S and to the other with intersecting Vs; the bar inscribed to one face in capitals 'A DOMINI TECVM' and to the other in coarsely incised capitals 'AVEMARIA G[R]ACIAPLE[NA]'; the smaller rod inscribed in capitals 'CREATOREN CELI ET TERRE ET IN [IES]VN'; the larger inscribed with a band of scrolled decoration and the text in Lombardic capitals 'SOLI DEO HONOR ET GLORIA'; the accompanying letter discusses the texts (1) Ave Maria G[r]acia ple[n]a Dominus Tecum 'Hail Mary full of grace, the Lord [is] with thee'; (2) Soli Deo Honor et Gloria 'Honour and glory to God alone'; (3) Creatorem celi et terrae et inferum 'creator of heaven and earth and in Jesus'. The intersecting Vs may form a monogram for A[ve] M[aria]; the 1847 letter describes the findspot as 'found at Kirkleavington near Yarm in the sill of a brook' in the North Riding of Yorkshire.

Gold hoop and discoid bezel with incuse ropework border; incuse image of a bird of prey perching with wings spread and head turned; blackletter incuse and reversed inscription in an arc above the bird's head and pinions '·al : for : ye : best ·' (all for the best); repair to hoop.

Or a leg ring inscribed '+Earle of Rutland' in derivative black letter script, for a female merlin or sparrow hawk (due to the youth of Edmund Plantagenet who died aged 17); the ring with a convex interior face.

Displaying large flower heads, foliage and a skull to the outer face, enhanced with black enamelling; interior inscribed in a cursive script 'In god alone wee two are one', together with possible maker's stamps 'D' and 'F' in two rectangular cartouches.

Composed of a gently carinated hoop, the interior inscribed in cursive script 'Love is the bond of pease'.

Composed of a decoratively notched hoop divided into chased rhomboidal panels displaying foliate tendrils and horizontal hatching alternately; the interior inscribed in Roman capitals with the Latin phrase: 'x x x x VIVE x VT x VIVAS'.

Set comprising gold five pounds, two pounds, sovereign and half sovereign. Obvs: profile bust with GEORGIVS VI D G BR OMN REX F D IND IMP legends. Revs: St George and dragon; date in exergue; with original Royal Mint hinged red leatherette case of issue.

Formed with a slender triangular blade, raised midrib with flat upper face, penannular guard and scooped shoulders, columnar grip with two gusseted hoops, the upper half of the grip is decorated with vertical lines, the lower part with horizontal grooves, crescent pommel; short sword or dagger. 430 grams, 44 cm



Ex Alexander Cotton collection, Hampshire, UK 1980s.

This short sword or dagger belongs to the category of blades with pennanular guard, with hilt and guard cast in one piece with the grip. This solid weapon has separate sets of encircling ribs on the grip. Negahban excavated similar weapons from the Marlik cemeteries, although sometimes the type combines grip and penannular guard with flanged hilts open to accept inlays.

Featuring a prominently curved guard extending out from the ricasso of the blade and partly framing the hilt, thick midrib extending slightly above the ricasso. 346 grams, 43.5 cm



Acquired 1980-2015. Ex Abelita family collection.

The hilt of such swords was made separately, and unfortunately is nearly always missing from the archaeological records. Similar excavated examples have been recorded from the South Caspian area from Tomadjan and Ghalekuti.

Comprising a long tapering blade, rectangular-section hilt with raised circular bosses, horned crescent-shaped guard curved to accept the blade and a large bifurcated pommel formed as two ear-lobes with ribbed joining shank. 1.17 kg, 66 cm



Acquired in the early-1990s. Ex Guernsey collection. The Kusmirek Collection, UK.

This kind of sword was entirely made of cast bronze. They were characterised by an 'ear' pommel and raised mid-rib on the blade, square shoulders and rectangular, open guard. The handle was cast on the blade. The square and solid sectioned handle has bossed with reinforcements which allow a better grip.

The blade with a tapering profile, triangular in overall form, with square shoulders, penannular guard with strong midrib, flanged hilt with straight grip, widening slightly into a fan-shaped pommel. 363 grams, 47.5 cm



Acquired from Alan Cherry, Bournemouth, UK. Ex Alexander Cotton collection, Hampshire, UK 1980s.

These types of short sword or dirks were usually cast in one piece, and the penannular rib in relief was cast on at the same time with the handle of the blade. In some cases, however, the penannular rib was later cast on the dagger, possibly to strengthen a weak point at the junction of hilt and blade. The flanged hilt was originally filled with organic material like bone.

Formed with a long triangular blade, thick midrib with parallel fullers, rectangular guard, long tang with folded end. 668 grams, 73 cm



Acquired on the London art market, prior to 1980s. The Kusmirek Collection, UK.

This sword finds a good parallel with a bronze sword with bell-shaped pommel, today in the National Museum of Tehran. Originally these swords had separately made hilt which was then cast on the blade. These swords were more typical of the North-West Persian territory, especially in the Amlash and Gilan areas.

Composed of a double-edged triangular blade with lentoid cross-section, long lower guard with strip extensions to both faces and edges, iron grip, bronze cotton-reel pommel. 635 grams, 35.5 cm



Ex West German collection, Cologne. The Kusmirek Collection, UK.

Comprising a leaf-shaped blade with broad midrib to both faces, square-section tang and pommel with discoid bronze top displaying a stylised floral or geometric motif with parallel pairs of lines radiating from the centre and a pellet in each segment. 693 grams, 42 cm



Ex old English collection. Acquired from Timeline Originals, UK, 2015. The Kusmirek Collection, UK.

This type of daggers include lanceolate blades with a pronounced piercing and cutting function, often reinforced with a convex stiffening rib or fullers that follow the contour of the blade (Gorelik, 2003, pls. IV, 15-21, 23-25). It is commonly believed that the fullers were designed to drain blood, but this is a misconception; their purpose is to increase the strength of the blade and reduce its weight.

Of Naue II Type, with broad flattened midrib to both faces of the iron blade, the blade gently broadening below the tip, serrated edges at the base, flanged rivetted guard and hilt for the insertion of the organic handle and rhomboid-section grip. 245 grams, 43.5 cm



Acquired 1960s-1990s. Late Alison Barker collection, a retired London barrister.

The Naue II, also known as the grip-tongue sword, was one of the longest lasting of all sword types. First appearing in the late Bronze Age it lasted well into the Iron Age, a span of 500-700 years, and it was made both in bronze and iron. As early as 1450 B.C., in northern Italy, smiths came up with an early type of a sword now known as the Naue II. It spread first into central Europe, Scandinavia and the British Isles. By 1200 B.C. it had spread to Greece, Crete, the Aegean Islands, the Levant, Palestine and Egypt. It was quite popular in Greece and the Aegean, but it is in Central Europe that the greatest number has been found. In all these areas it was the standard sword until the 7th century B.C. with iron replacing bronze, but still the same basic design.

Accompanied by a scabbard with fragments of the slider; the sword with lentoid-section two-edged iron blade, tapering gently to a broad point; slightly bent square-section tang; the fragments of the scabbard show a broad, slender sheath with stepped lower end, the obverse face rolled over the edges to clasp the reverse plate; the suspension elements comprising a fragment of the transverse bars clasping the front and back plates connected to vertical flared straps with a stepped slider-loop to the centre, once framed by two more similar bars with vertical straps forming a hollow square in which the slider-loop sits; mounted on a wall display mount. 1.5 kg total, 87 cm



Private collection, Munich, Germany, 1970s. Private collection, London, UK, 2014, acquired from the above.

Celtic swords of this period were longer, reaching one meter in length, with the tip having the tendency to be rounded, while the scabbards were less decorated or more simply ornamented than the swords of the previous period.

Featuring a leaf-shaped double-edged iron blade, shallow fullers tapering to a point, short straight quillons, a soldered two-part grip with ridged middle bulge, the flat pommel surmounted with two spherical finials. 255 grams, 31 cm



Acquired 1990s-early 2000s. East Anglian private collection.

This type of dagger presents a plate handle system, very similar to that of the Fronton sword and bilobular types, but unlike these, it develops to an antenna terminal on the pommel. It is a type of dagger that is documented in peninsular necropoleis of Hispania from the Iron Age II, such as La Mercadera, Requijana de Gormaz or Uxama. It is type V of short antennae daggers according the classification of F. Quesada Sanz, a possible ancestor of the Roman pugio.

Featuring a distinctively shaped ring at the end of the grip, double-edged relatively short blade and a tapered tip. 376 grams, 58 cm



Acquired 1990s-early 2000s. East Anglian private collection. Accompanied by an academic report by Dr Raffaele D'Amato.

This kind of sword - called by modern scholars as ringknaufschwert or ring-pommel sword - was firstly diffused amongst the auxiliary troops, probably Sarmatians and Germans, and then, during the 2nd century A.D., was also commonly used amongst the milites legionis and the officers. The shape of their blades is similar to the Pompey typology, but a slightly less acute angle characterises the passage from the blade to the short point. There were longer specimens like spatha, opening the transformation of the legionary gladius in the longer spatha specimens of the successive period, and also shorter specimens. An important dating element for earlier specimens is the sword from the Matrica grave, in Pannonia, dated exactly to 147 A.D. based on the other grave goods. Specimens of the second half of 2nd century A.D. are known from Wehringen and Geneva (180 A.D.). A specimen from Bosnia could be chronologically assigned to the same period, although such kind of swords became much more widespread for infantry and cavalry in later times. However, the importance of such swords has been recently associated with the rank of the provincial officers who used them, including miniature variations of such swords used as pendants as insignia badge of the staff of the Provincial governors. It was connected with the image of the sword and the dagger as a symbol of the Imperial power.

Comprising a wide double-edged blade of Illerup-Wyhl typology; blood channels and later inlays to both sides. 652 grams, 83 cm



Acquired 1990s-early 2000s. East Anglian private collection.

Specimens of Roman spathae of 2nd-3rd centuries have been found in large numbers in Danish bogs (Nydam, Straubing, Thorsberg, Illerup). The Straubing-Nydam type shows straight and convergent cutting edges, the width of which is reduced along the blade.