A fragment of amorphous form, decorated in relief with scrolling tendrils and anthemion, painted egg-and-dart ornament above, surmounted by moulded bands and a frieze of meander and chequerboard panels; remains of red and black painted pigment.

Formed as the bust of Eros looking upwards, stub wings to his shoulders, holding a goose to his chest; conical socket above each wing; eyes with silver inserts; old collector's label '1994 51.75' to the reverse; mounted on a custom-made stand; likely a socket base.

Comprising a rectangular plate, richly decorated with embossed laurel leaves in a grid, framed with raised bosses, the buckle loop comprising opposing dragons with open mouths, holding a spherical tongue-rest, another pair of smaller dragon heads to base, the tongue with a smaller pair of punch-decorated dragon heads.

Hemispherical in form, repoussé interior displaying graduated concentric registers of stylised and mythical animals within tessellating cartouches; a low relief mesomphalos decorated with rosette at centre; geometric ornament around the rim.

Displaying a corrugated rim above and below; two advancing soldiers, each striding forwards over the headless body of a dead enemy, carrying a severed head in each hand; the soldiers shown bearded and each wearing a pointed and segmented helmet with a recess to accommodate the ears, a cuirass and thigh-length tunic, with a bow over one shoulder and a sword slung from a waist belt; mounted on a custom-made display stand.

Of penannular form with expanded sections at the centre and to both shoulders.

Comprising a rectangular headplate with two panels of chip-carved Style I ornament, flanking a beast-head with triangular muzzle and two pellet eyes, raised three-sided frame and outer band of pellets above beast-heads with lentoid eyes; the shallow bow with raised median rib, flanges to the edges and punched pellet detailing; footplate with beast-head between curved pellet lines, pierced horse-head lappets, lozengiform central panel with knot of Style I limbs; two lateral discs, one pierced to accept a stud and the other with a domed stud in place; the finial a disc with human mask inverted; pin-lug and part of catch to the reverse.

Displaying chased panels populated with Style I zoomorphs and geometric forms, borders of annulets, raised masks to the upper corners of the headplate; applied discoid boss to bow decorated with a rosette, addorsed beast heads below; extensive remains of gilding; pin lug and catchplate to reverse and remains of ancient repair, lower part absent.

Comprising a round-section crescent with flared ends terminating in two curved spatulate flat panels, each with a ropework border surrounding a two-band knotwork motif; cleaned and conserved.

The weeping Virgin with her head bowed to the left and hands raised to her chest on a dotted gilt background, an expression of pain on her delicately formed face; wearing a white veil and a black long-sleeved robe, the veil arranged as a headdress and covering her hair; on wood and mounted in a later carved wooden architectural frame.

Shown beneath an arcade, offering his cloak on the end of his sword to the beggar at his feet; polychrome detailing; repaired with lead cames and held in a wooden frame.

Composed from irregular painted panels bearing mainly foliage designs and figural elements; Mary crowned and enthroned with infant Jesus on her knee, in a lobed vesica-shaped panel held with lead cames; mounted in a wooden frame with modern replacements.

Carved in the half-round with a frieze composed of interlaced foliage with two rows of acanthus leaves and foliage scrolls, framing a lion's head on one side and a human head on the other, remains of lion's mane to the third; drilled holes to the raised surfaces and sockets for the insertion of decorative stones.

The bar with central D-shaped block pierced vertically by a stud surmounted by the suspension loop, with four pierced flanges to the underside; the frame in two sections, the larger a U-shaped rod with pivot for the bar, the smaller pivoting within the inner face, both pierced on the inner face; the block inscribed to one face with capital S and to the other with intersecting Vs; the bar inscribed to one face in capitals 'A DOMINI TECVM' and to the other in coarsely incised capitals 'AVEMARIA G[R]ACIAPLE[NA]'; the smaller rod inscribed in capitals 'CREATOREN CELI ET TERRE ET IN [IES]VN'; the larger inscribed with a band of scrolled decoration and the text in Lombardic capitals 'SOLI DEO HONOR ET GLORIA'; the accompanying letter discusses the texts (1) Ave Maria G[r]acia ple[n]a Dominus Tecum 'Hail Mary full of grace, the Lord [is] with thee'; (2) Soli Deo Honor et Gloria 'Honour and glory to God alone'; (3) Creatorem celi et terrae et inferum 'creator of heaven and earth and in Jesus'. The intersecting Vs may form a monogram for A[ve] M[aria]; the 1847 letter describes the findspot as 'found at Kirkleavington near Yarm in the sill of a brook' in the North Riding of Yorkshire.

Gold hoop and discoid bezel with incuse ropework border; incuse image of a bird of prey perching with wings spread and head turned; blackletter incuse and reversed inscription in an arc above the bird's head and pinions '·al : for : ye : best ·' (all for the best); repair to hoop.

Or a leg ring inscribed '+Earle of Rutland' in derivative black letter script, for a female merlin or sparrow hawk (due to the youth of Edmund Plantagenet who died aged 17); the ring with a convex interior face.

Displaying large flower heads, foliage and a skull to the outer face, enhanced with black enamelling; interior inscribed in a cursive script 'In god alone wee two are one', together with possible maker's stamps 'D' and 'F' in two rectangular cartouches.

Composed of a gently carinated hoop, the interior inscribed in cursive script 'Love is the bond of pease'.

Composed of a decoratively notched hoop divided into chased rhomboidal panels displaying foliate tendrils and horizontal hatching alternately; the interior inscribed in Roman capitals with the Latin phrase: 'x x x x VIVE x VT x VIVAS'.

Set comprising gold five pounds, two pounds, sovereign and half sovereign. Obvs: profile bust with GEORGIVS VI D G BR OMN REX F D IND IMP legends. Revs: St George and dragon; date in exergue; with original Royal Mint hinged red leatherette case of issue.

Standing holding a cross in one hand and a lamb in the other; with polychrome detailing and lead came borders, two modern loops for suspension to top corners. 144 grams, 21.1 cm



Private collection, Paris.

Mainly comprising finger rings with decorative bezels, including geometric motifs, hearts, lettering, a glass cabochon and others. 96 grams total, 19-29 mm



Acquired on the London art market, 1980s-1990s.

Featuring gently tapering sidewalls. 184 grams, 17 cm wide



Acquired 1990s-early 2000s. East Anglian private collection.

Each with remains of gilding and/or enamelling and loops for suspension or attachment; devices including: one discoid with pointillé field and facing female bust; one a gilt rectangular plaque and hinged panel each with a blue enamelled lion passant; one a quatrefoil plaque with blue enamel field and reserved spread eagle. 25.6 grams total, 28-42 mm



Found UK. Acquired on the UK art market after 2000. Ex Stratford collection, Suffolk, UK.

Including a glazed tripod vessel with twin handles, a glazed pouring pot with handle; a vessel with scalloped rim and handle, unglazed. 1.97 kg total, 16-25 cm wide



Acquired 1960s-1990s. Late Alison Barker collection, a retired London barrister.

Of lancet form displaying a bishop wearing a mitre and holding a crook and globus cruciger; one remaining attachment loop. 3.63 grams, 35 mm



European collection, 1990s. Property of a Cambridgeshire, UK, gentleman.

Presenting relief design of Christ crucified, wearing long V-neck robe tied at the waist with a knotted girdle and with full sleeves, the sun and moon beneath his feet; stitching loops to the remaining arms, pellet border and raised lettering: 'S[IGNVM SANCTI] VV / LTI / [LV]CEN / SIS' (sign of the Holy Face of Lucca); Lucca, Italy. 5.75 grams, 5 cm



Found Billingsgate spoil from the Thames foreshore, London, UK.

Lucca was situated on the Via Francigena, the principal route for English pilgrims travelling to Rome. Its most treasured relic was the 'Volto Santo', (the Holy Face), a large-than-life figure of Christ crucified, the face reputedly carved by an angel. This badge is a souvenir of the Volto Santo.

Comprising glazed vessels including tripod pots with handles, jar, platter, jug and pouring pot; polychrome floral decoration to one fragment; chipped and cracked. 3.7 kg total, 5.2-24 cm



Acquired 1990s-early 2000s. East Anglian private collection.

Standing figure facing wearing a mitre; right hand raised in sign of blessing, left hand emerging from the robe at the hip to grasp a staff; vestment with low-relief detail to front and back including four bosses and a broad collar; rectangular base with small supplicant to one side. 8.59 grams, 50 mm



From the Forgeais (1822-1878) collection, France, thence by family descent. with Gallery 51, 21 June 2013, lot 79.

Displaying polychrome detailing; the panel bordered by lead cames; two modern suspension loops to top edge. 143 grams, 21.1 cm



Private collection, Paris.

Displayed wearing a headdress and floor-length dress, one hand outstretched to the side of her body, the other drawn up towards her shoulder, floral flourishes in the corners; remains of bedding cement to reverse. 982 grams, 19 cm



Ex Benjamin Proust, 2015. Ex central London gallery.

Mainly comprising cleavers, sickle blades and knives of various types. 2.75 kg total, 14-42 cm



Acquired 1990s-early 2000s. East Anglian private collection.