A red glass insert of a profile face with remains of a pharaonic crown to the forehead.

A blue-glazed composition amulet in the form of an ibis (representing the god Thoth) seated on a wedge-shaped base, facing a figure of Maat appearing as a diminutive stooping female with an ostrich feather; some details to both figures rendered in a darker blue glaze; suspension loop to the rear of the bird's neck.

A white limestone figure of the god Ptah with false beard, wearing an enveloping cloak and a broad wesekh-collar, holding the shaft of a was sceptre; serene, oval face with almond-shaped eyes and fleshy lips; remnants of dorsal pillar to reverse; mounted on a custom-made display stand.

A spectacular bronze hydria composed of a tapering body, broad shoulder and waisted neck, the everted rim decorated with egg-and-dart motifs, three round-section handles and tiered, ogival foot; professionally restored.

A red-figure terracotta bell-krater displaying polychrome figural panels between a laurel wreath and a band of Greek key motifs; side a) two robed male figures holding staffs, wearing a taenia or a band around the head, standing facing a central altar; side b) a woman wearing a chiton and holding a casket and olive sprig in her outstretched hands, advancing right towards a nude man standing right, his head turned towards her, holding a bucket and olive sprig, a cloak draped over his arm, elaborate volute palmettes beneath both handles; restored.

A free-standing bronze imperial or military eagle terminal from a staff or a sceptre, modelled in the round in a dynamic pose standing on a globe, wings spread, head turned to the right, semi-naturalistic anatomical and feather detailing; the globe bearing an incised eight-armed stylised Macedonian star; sub-triangular lug to back of the neck; collar to globe with hollow underside.

The best example of only three examples of this type known, a copper-alloy knee brooch composed of a rectangular-section body, spring pin within bow plate and remains of catchplate to reverse; both sides of the body with two panels of Latin lettering moulded in relief: 'FIBUL[A] EX REG LAGITIENSE', translating to 'Brooch from the Regio Lagitiensis' (Roman Castleford); remains of blue glass enamelling to the recessed fields.

A large fired clay brick from the Wall of Babylon bearing six lines of stamped Babylonian cuneiform inscription to one face which reads: 'AG - ku -dur-ri-URU' / 'LUGAL ba-bi-lu' / 'za-ni-nu é-sag-ila' / 'u e-zi-da IBILA' / 'SAG.KAL. sa AG-IBILA-URU' / 'LUGAL ba-bi-lu ana-ku', which translates: 'Nebuchadnezzar, king of Babylon, who provides for Esagila and Ezida, the eldest son of Nabopolassar, king of Babylon, am I'; traces of bitumen on the blank side; accompanied by an old label which reads: 'Brick from the Wall of Babylon / Presented by W.Bro. Gentle-Cackett Secretary Bible Lands Mission / The impression records the fact that it was built by King Nebuchadnezzar [II]'.

A tinned sheet-bronze legionary helmet of Imperial Gallic Type A with deep rounded bowl, simple C-shaped cut-outs for the ears, integral flared neck-guard extending some way along the sides, corrugated ribs to the occipital area at the rear and corrugated 'wings' or eyebrows (Russel-Robinson's Type E) above the brow; small stud the rear of the neck-guard attaching suspension loops to the underside; hinged bracket at each temple for a deeply curved cheek-guard with gently flared rim, bearing a loop to the inner face to accept an vinculum fastening strap; accompanied by a custom-made display stand.

A gilt copper-alloy mount composed of a broad annular body with slightly domed profile, the body quartered with each cell displaying a chip-carved interlace motif configured A:B:A:B; rim, edges and central cell with raised rim; rivet and flat-section mounting bar to reverse.

A bronze bowl mount or escutcheon comprising a discoid panel with gently curved profile and zoomorphic hook; the panel with reserved La Tène comma-leaf decoration on a pounced field (intended to receive enamel fill); the hook with median gusset to the outer face, horse-head finial, bulbous La Tène ornament at the base.

A pair of large Early Anglo-Saxon gilt copper-alloy saucer brooches each comprising a broad (13mm+) angled flange surrounding a central disc with carinated border; outer zone comprising four arches subdivided by hatching to the inner edge and four C-shaped panels with triangular separators, inner zone separated by a carinated border, central disc with four radiating bilinear crescents; pin-lugs and catch to the reverse with traces of mineralised fabric.

A silver chessman-type seal matrix with pierced trefoil head and knop above; central motif of a leopard statant gardant before a tree, pelletted border and blackletter legend '* sigillum [lozenge] steffani [cinquefoil cinquefoil] ale [cinquefoil lozenge] lane' (for 'seal of Stephen [at?] ale lane').

An annular gold band with everted upper and lower lip, filigree ropework above and below each rim, with circumferential inscription to the recessed exterior face; of the five separate bands, the central one accommodating an applied strip of paler gold bearing a Medieval French blackletter inscription in relief, reading: '+loiautet (5 five cinquefoils) pas tout (5 five cinquefoils)', or 'Loyalty Passes All'; the inscription band may once have been enamelled; plain interior; the outer rim and twisted band on one edge are slightly bent; cleaned and repaired.

A substantial gold signet ring composed of a lentoid-section hoop, expanding capital style shaped shoulders and irregular octagonal bezel engraved with a skull, two flowers below separating the reversed initials in capitals: 'CL', framed by a beaded border.

A marble copy of the kneeling Venus (original in the Vatican Museums), crouching on an octagonal base; the arms raised in expressive pose, head tilted, hair drawn up in a chignon; lettering to base 'KNEELING VENUS' and 'ROME'.

A copper-alloy ring composed of a broad hoop with slightly convex outer face, large oval-shaped bezel engraved with an archer's bow with nocked arrow, separating the numbers '12 / 26' and aimed towards the letters 'KΛTΛ'. 8.88 grams, 24.70 mm overall, 21.66 mm internal diameter (approximate size British V 1/2, USA 10 3/4, Europe 24.4, Japan 23)



Private collection formed since the 1940s. UK art market. Property of an Essex gentleman.

A carnelian intaglio bust of Apollo in profile with chlamys to the shoulder, diadem to the brow. 4.54 grams, 26 mm



Acquired in the late 1980s-early 1990s. Important North West London collection.

A stone amulet formed as a double phallus with stylised detailing. 10 grams, 44 mm



Acquired in the late 1980s-early 1990s. Important North West London collection.

A framed and glazed hand-finished watercolour drawing on paper with French captions, entitled 'Antiquité. Assyrie et Babylone', depicting Assyrian female figures with details of costume, eventails (fly-whisks), chaussures (footwear) parasols (sunshades) and other items. 3.4 kg, 70.5 x 58.5 cm



By repute with Sotheby's, London, UK. Ex London, UK, gallery. Property of a London gentleman.

A gold finger ring with segmented flange to the bezel open to the underside, cell with notched rim, inset carnelian cloison with incuse gryllus motif. 8.05 grams, 25.33 mm overall, 22.39 mm internal diameter (approximate size British N 1/2, USA 6 3/4, Europe 14.35, Japan 13)



Acquired at auction. English private collection.

A copper-alloy ring composed of a slender hoop supporting an octagonal bezel, set with a blue glass intaglio displaying an enigmatic, possibly pseudo-armorial design. 2.72 grams, 21.50 mm overall, 19.47 mm internal diameter (approximate size British N 1/2, USA 6 3/4, Europe 14.35, Japan 13)



Acquired 1990s. English private collection. Property of an Essex gentleman.

A matched pair of carved limestone pillar elements, each square in plan with three sides bearing ornamental scrolls and foliate motifs, a wreath of leaves to the base of the neck; pierced for support and one corner hollowed. 15.8 kg total, 18 x 18 cm each

Fine condition.

UK gallery, acquired in the 2000s. Property of an English gentleman.

A pewter finger ring composed of a lentoid-section hoop supporting a cushion-shaped bezel, decorated with three graduated arms at each shoulder terminating in shallow recessed circles, additional decorative lobes to the upper and lower edges and four clusters of claws holding a clear rectangular glass inlay. 4.02 grams, 26.59 mm overall, 19.50 mm internal diameter (approximate size British S, USA 9, Europe 20, Japan 19)



Found Cambridgeshire in the 1990s.

A gold finger ring with segmented hoop, cupped bezel with rosette to the underside, inset jasper cloison with intaglio advancing balatro jester playing pan-pipes while a dog jumps at his lower legs. 8.27 grams, 30.52 mm overall, 18.80 mm internal diameter (approximate size British Q 1/2, USA 8 1/4, Europe 18.12, Japan 17)



English private collection.

A silver seal with loop terminal and octagonal matrix, bearing an incuse griffin standing right to the base; accompanied by an impression. 3.09 grams, 18 mm



Acquired on the UK antiques market between 1974-1985. Albert Ward collection, Essex, UK.

A mixed group of ten, mainly silver finger rings of various sizes and designs, including one inscribed 'Eternity' in both English and Chinese characters; at least six stamped '925'. 44.5 grams total, 20-24 mm

Fine condition.

Found Tyne and Wear, UK.

A copper-alloy finger ring with slightly convex hoop with a raised knop at the bottom, ellipsoidal bezel with ring-and-dot motifs to the perimeter and a blue and red glass cabochon on a raised central platform. 5.24 grams, 26.96 mm overall, 20.46 mm internal diameter (approximate size British U, USA 10, Europe 22.52, Japan 21)



Private collection formed since the 1940s. UK art market. Property of an Essex gentleman.