A red glass insert of a profile face with remains of a pharaonic crown to the forehead.

A blue-glazed composition amulet in the form of an ibis (representing the god Thoth) seated on a wedge-shaped base, facing a figure of Maat appearing as a diminutive stooping female with an ostrich feather; some details to both figures rendered in a darker blue glaze; suspension loop to the rear of the bird's neck.

A white limestone figure of the god Ptah with false beard, wearing an enveloping cloak and a broad wesekh-collar, holding the shaft of a was sceptre; serene, oval face with almond-shaped eyes and fleshy lips; remnants of dorsal pillar to reverse; mounted on a custom-made display stand.

A spectacular bronze hydria composed of a tapering body, broad shoulder and waisted neck, the everted rim decorated with egg-and-dart motifs, three round-section handles and tiered, ogival foot; professionally restored.

A red-figure terracotta bell-krater displaying polychrome figural panels between a laurel wreath and a band of Greek key motifs; side a) two robed male figures holding staffs, wearing a taenia or a band around the head, standing facing a central altar; side b) a woman wearing a chiton and holding a casket and olive sprig in her outstretched hands, advancing right towards a nude man standing right, his head turned towards her, holding a bucket and olive sprig, a cloak draped over his arm, elaborate volute palmettes beneath both handles; restored.

A free-standing bronze imperial or military eagle terminal from a staff or a sceptre, modelled in the round in a dynamic pose standing on a globe, wings spread, head turned to the right, semi-naturalistic anatomical and feather detailing; the globe bearing an incised eight-armed stylised Macedonian star; sub-triangular lug to back of the neck; collar to globe with hollow underside.

The best example of only three examples of this type known, a copper-alloy knee brooch composed of a rectangular-section body, spring pin within bow plate and remains of catchplate to reverse; both sides of the body with two panels of Latin lettering moulded in relief: 'FIBUL[A] EX REG LAGITIENSE', translating to 'Brooch from the Regio Lagitiensis' (Roman Castleford); remains of blue glass enamelling to the recessed fields.

A large fired clay brick from the Wall of Babylon bearing six lines of stamped Babylonian cuneiform inscription to one face which reads: 'AG - ku -dur-ri-URU' / 'LUGAL ba-bi-lu' / 'za-ni-nu é-sag-ila' / 'u e-zi-da IBILA' / 'SAG.KAL. sa AG-IBILA-URU' / 'LUGAL ba-bi-lu ana-ku', which translates: 'Nebuchadnezzar, king of Babylon, who provides for Esagila and Ezida, the eldest son of Nabopolassar, king of Babylon, am I'; traces of bitumen on the blank side; accompanied by an old label which reads: 'Brick from the Wall of Babylon / Presented by W.Bro. Gentle-Cackett Secretary Bible Lands Mission / The impression records the fact that it was built by King Nebuchadnezzar [II]'.

A tinned sheet-bronze legionary helmet of Imperial Gallic Type A with deep rounded bowl, simple C-shaped cut-outs for the ears, integral flared neck-guard extending some way along the sides, corrugated ribs to the occipital area at the rear and corrugated 'wings' or eyebrows (Russel-Robinson's Type E) above the brow; small stud the rear of the neck-guard attaching suspension loops to the underside; hinged bracket at each temple for a deeply curved cheek-guard with gently flared rim, bearing a loop to the inner face to accept an vinculum fastening strap; accompanied by a custom-made display stand.

A gilt copper-alloy mount composed of a broad annular body with slightly domed profile, the body quartered with each cell displaying a chip-carved interlace motif configured A:B:A:B; rim, edges and central cell with raised rim; rivet and flat-section mounting bar to reverse.

A bronze bowl mount or escutcheon comprising a discoid panel with gently curved profile and zoomorphic hook; the panel with reserved La Tène comma-leaf decoration on a pounced field (intended to receive enamel fill); the hook with median gusset to the outer face, horse-head finial, bulbous La Tène ornament at the base.

A pair of large Early Anglo-Saxon gilt copper-alloy saucer brooches each comprising a broad (13mm+) angled flange surrounding a central disc with carinated border; outer zone comprising four arches subdivided by hatching to the inner edge and four C-shaped panels with triangular separators, inner zone separated by a carinated border, central disc with four radiating bilinear crescents; pin-lugs and catch to the reverse with traces of mineralised fabric.

A silver chessman-type seal matrix with pierced trefoil head and knop above; central motif of a leopard statant gardant before a tree, pelletted border and blackletter legend '* sigillum [lozenge] steffani [cinquefoil cinquefoil] ale [cinquefoil lozenge] lane' (for 'seal of Stephen [at?] ale lane').

An annular gold band with everted upper and lower lip, filigree ropework above and below each rim, with circumferential inscription to the recessed exterior face; of the five separate bands, the central one accommodating an applied strip of paler gold bearing a Medieval French blackletter inscription in relief, reading: '+loiautet (5 five cinquefoils) pas tout (5 five cinquefoils)', or 'Loyalty Passes All'; the inscription band may once have been enamelled; plain interior; the outer rim and twisted band on one edge are slightly bent; cleaned and repaired.

A substantial gold signet ring composed of a lentoid-section hoop, expanding capital style shaped shoulders and irregular octagonal bezel engraved with a skull, two flowers below separating the reversed initials in capitals: 'CL', framed by a beaded border.

A marble copy of the kneeling Venus (original in the Vatican Museums), crouching on an octagonal base; the arms raised in expressive pose, head tilted, hair drawn up in a chignon; lettering to base 'KNEELING VENUS' and 'ROME'.

A large silver spoon composed of an ovoid bowl, rectangular neck with tapering upper sides and tapering round-section stem, the neck decorated with geometric and foliate motifs, flanked by a peacock on both sides with wing and tail feather detailing; repaired. 67 grams, 27 cm long



Acquired in 1988. UK private collection.

A bead necklace composed of graduated lapis lazuli beads of various types, including tubular, biconical, oblate and other types. 143 grams, 48 cm long



Acquired 1980-2015. Ex Abelita family collection.

Two Egyptian style composition artefacts: plaque in the form of the bust of Anubis; a scarab with anatomical detailing and hieroglyphs to the base, pierced for suspension. 34.2 grams total, 24-57 mm



German collection formed before 2000. Ex private European collection.

A copper-alloy roundel displaying Saint George on horseback slaying the dragon, the sun's rays beating down upon them; in relief. 7.42 grams, 34 mm



Acquired circa 2010. From an old Essex, UK, collection.

A necklace string composed of cylindrical lapis lazuli beads with gold-coloured spacer beads and graduated convex tabular beads. 43 grams, 55 cm long



Acquired 1980s-1990s. H.N. collection, Milton Keynes, UK.

A letter opener comprising a blue enamelled handle with reserved scrolled tendril detailing and white enamelled pellets, waisted baluster, lentoid-section nanded agate blade. 19.5 grams, 15.5 cm



English private collection.

A mixed group of archaistic items including a figure of Bastet, a nude female lying supine, a lapis lazuli stamp seal and other items. 199 grams total, 7-52 mm



Acquired 1990s. Ex French collection.

A mixed group of lapis lazuli, carnelian and other gemstones with intaglio figures of Minerva, Triton and others. 6.63 grams total, 14-18 mm



English private collection.

A silver shoe buckle with articulate tongue, set with cut jewels. 33 grams, 57.5 mm



Acquired 1960s-1990s. From the late Alison Barker collection, a retired London barrister.

A string of lapis lazuli beads of various types. 102 grams total, 42 cm long



Acquired 1980-2015. Ex Abelita family collection.

A complete silver dress fitting or strap mount in the form of two conjoined scallop shells along one edge of a sub rectangular bar with sloping sides, the fitting with central perforation and two slender mounting lugs to reverse. 1.24 grams, 12 mm



Found whilst searching with a metal detector by Kevin Ford on 1st March 2019 in Chinnor, South Oxfordshire, UK. Accompanied by a copy of the British Museum's Portable Antiquities Scheme Report (PAS) number OXON-86C7C3. Accompanied by a letter to HM Coroner for Oxfordshire from the Oxfordshire Finds Liaison Officer (FLO) with treasure reference number 2019 T648.

The scallop shell was associated with St. James and the pilgrimage site of Santiago de Compostela in Spain, one of the most important pilgrimage centres in medieval Europe. The scallop shell became the symbol for pilgrimage more generally in this period. It is an overtly Catholic symbol which could have been worn with freedom before c. 1540, or in the period of the Marian revival of Catholicism from 1553-1558. Pilgrimage to the shrine at Compostela from England would have been interrupted by the English Reformation. The PAS report notes that similar examples have been declared as treasure, including: KENT-FEE744 (2014 T641) and NLM-538148 (2010 T539), both dating to the 16th century A.D.

A mixed group of archaistic items including a lapis lazuli cylinder seal, glazed composition scarab in white metal setting and other items. 507 grams total, 27-85mm



Acquired 1990s. Ex French collection.