A red glass insert of a profile face with remains of a pharaonic crown to the forehead.

A blue-glazed composition amulet in the form of an ibis (representing the god Thoth) seated on a wedge-shaped base, facing a figure of Maat appearing as a diminutive stooping female with an ostrich feather; some details to both figures rendered in a darker blue glaze; suspension loop to the rear of the bird's neck.

A white limestone figure of the god Ptah with false beard, wearing an enveloping cloak and a broad wesekh-collar, holding the shaft of a was sceptre; serene, oval face with almond-shaped eyes and fleshy lips; remnants of dorsal pillar to reverse; mounted on a custom-made display stand.

A spectacular bronze hydria composed of a tapering body, broad shoulder and waisted neck, the everted rim decorated with egg-and-dart motifs, three round-section handles and tiered, ogival foot; professionally restored.

A red-figure terracotta bell-krater displaying polychrome figural panels between a laurel wreath and a band of Greek key motifs; side a) two robed male figures holding staffs, wearing a taenia or a band around the head, standing facing a central altar; side b) a woman wearing a chiton and holding a casket and olive sprig in her outstretched hands, advancing right towards a nude man standing right, his head turned towards her, holding a bucket and olive sprig, a cloak draped over his arm, elaborate volute palmettes beneath both handles; restored.

A free-standing bronze imperial or military eagle terminal from a staff or a sceptre, modelled in the round in a dynamic pose standing on a globe, wings spread, head turned to the right, semi-naturalistic anatomical and feather detailing; the globe bearing an incised eight-armed stylised Macedonian star; sub-triangular lug to back of the neck; collar to globe with hollow underside.

The best example of only three examples of this type known, a copper-alloy knee brooch composed of a rectangular-section body, spring pin within bow plate and remains of catchplate to reverse; both sides of the body with two panels of Latin lettering moulded in relief: 'FIBUL[A] EX REG LAGITIENSE', translating to 'Brooch from the Regio Lagitiensis' (Roman Castleford); remains of blue glass enamelling to the recessed fields.

A large fired clay brick from the Wall of Babylon bearing six lines of stamped Babylonian cuneiform inscription to one face which reads: 'AG - ku -dur-ri-URU' / 'LUGAL ba-bi-lu' / 'za-ni-nu é-sag-ila' / 'u e-zi-da IBILA' / 'SAG.KAL. sa AG-IBILA-URU' / 'LUGAL ba-bi-lu ana-ku', which translates: 'Nebuchadnezzar, king of Babylon, who provides for Esagila and Ezida, the eldest son of Nabopolassar, king of Babylon, am I'; traces of bitumen on the blank side; accompanied by an old label which reads: 'Brick from the Wall of Babylon / Presented by W.Bro. Gentle-Cackett Secretary Bible Lands Mission / The impression records the fact that it was built by King Nebuchadnezzar [II]'.

A tinned sheet-bronze legionary helmet of Imperial Gallic Type A with deep rounded bowl, simple C-shaped cut-outs for the ears, integral flared neck-guard extending some way along the sides, corrugated ribs to the occipital area at the rear and corrugated 'wings' or eyebrows (Russel-Robinson's Type E) above the brow; small stud the rear of the neck-guard attaching suspension loops to the underside; hinged bracket at each temple for a deeply curved cheek-guard with gently flared rim, bearing a loop to the inner face to accept an vinculum fastening strap; accompanied by a custom-made display stand.

A gilt copper-alloy mount composed of a broad annular body with slightly domed profile, the body quartered with each cell displaying a chip-carved interlace motif configured A:B:A:B; rim, edges and central cell with raised rim; rivet and flat-section mounting bar to reverse.

A bronze bowl mount or escutcheon comprising a discoid panel with gently curved profile and zoomorphic hook; the panel with reserved La Tène comma-leaf decoration on a pounced field (intended to receive enamel fill); the hook with median gusset to the outer face, horse-head finial, bulbous La Tène ornament at the base.

A pair of large Early Anglo-Saxon gilt copper-alloy saucer brooches each comprising a broad (13mm+) angled flange surrounding a central disc with carinated border; outer zone comprising four arches subdivided by hatching to the inner edge and four C-shaped panels with triangular separators, inner zone separated by a carinated border, central disc with four radiating bilinear crescents; pin-lugs and catch to the reverse with traces of mineralised fabric.

A silver chessman-type seal matrix with pierced trefoil head and knop above; central motif of a leopard statant gardant before a tree, pelletted border and blackletter legend '* sigillum [lozenge] steffani [cinquefoil cinquefoil] ale [cinquefoil lozenge] lane' (for 'seal of Stephen [at?] ale lane').

An annular gold band with everted upper and lower lip, filigree ropework above and below each rim, with circumferential inscription to the recessed exterior face; of the five separate bands, the central one accommodating an applied strip of paler gold bearing a Medieval French blackletter inscription in relief, reading: '+loiautet (5 five cinquefoils) pas tout (5 five cinquefoils)', or 'Loyalty Passes All'; the inscription band may once have been enamelled; plain interior; the outer rim and twisted band on one edge are slightly bent; cleaned and repaired.

A substantial gold signet ring composed of a lentoid-section hoop, expanding capital style shaped shoulders and irregular octagonal bezel engraved with a skull, two flowers below separating the reversed initials in capitals: 'CL', framed by a beaded border.

A marble copy of the kneeling Venus (original in the Vatican Museums), crouching on an octagonal base; the arms raised in expressive pose, head tilted, hair drawn up in a chignon; lettering to base 'KNEELING VENUS' and 'ROME'.

A crescentic gold lunula pendant with granule clusters to the terminals and body, granulated suspension loop. 1.78 grams, 28 mm



Acquired before 2000. From the collection of a European gentleman living in the UK.

A sheet-bronze votive plaque fragment displaying repoussé ornament, likely the god Asclepius holding his snake-entwined staff beneath a columned arch, additional snakes raising their heads and necks beside and above him, other enigmatic symbols in the field. 2.67 grams, 52 mm



Acquired before 2000. From the collection of a European gentleman living in the UK.

Aesculapius, god of medicine, the Greek Asclepius, son of Apollo and a mortal, Coronis, is often accompanied by a snake, a symbol of wisdom and healing power. Aesculapius-Asclepius is also often represented with the staff having a snake wrapped around it.

A bronze ring with D-section hoop, lentoid bezel engraved with a running hare. 1.48 grams, 20.32 mm overall, 17.70 mm internal diameter (approximate size British K 1/2, USA 5 1/2, Europe 10.58, Japan 10)



Acquired in the 1970s. Important European collection.

The libidinous hare was sacred to Aphrodite and Eros (Venus and Cupid), and live hares were often presented as love gifts.

A bronze finger ring with inset carnelian gemstone, intaglio scorpion. 4.31 grams, 21.20 mm overall, 17.45 mm internal diameter (approximate size British J, USA 4 3/4, Europe 8.69, Japan 8)



Acquired before 2000. From the collection of a European gentleman living in the UK.

The ring could have belonged to a praetorian guardsman. The scorpion was one of the main symbols of the praetorian guard since the age of Augustus.

A bronze oyster fork comprising a tapering balustered handle, hoop and two long tines. 6 grams, 10.4 cm



Acquired early 2000s. Property of a Birmingham, UK, collector. Property of an Essex, UK, gentleman.

A shallow mottled 'red' and 'white' marble dish, possibly porphyry marble, with gently sloping gusseted sidewall. 134 grams, 65 mm wide



French collection, 1960s-early 2000s. From an important Paris gallery, France.

A pair of bone dice with dot-in-ring numbering, both composed: 1:6, 2:5, 3:4. 4.28 grams total, 10 mm each



English collection formed in the 1990s. UK art market. Property of an Essex gentleman.

A redware ceramic fragment with moulded low-relief decoration of a victorious Auriga (chariot-driver) standing in his chariot with four rearing horses yoked to it; geometric detail to his tunic, a frond in his bent left arm and a whip in his raised right hand; incised bilinear lettering '-TA' to the left and 'PV- / TO[V?]-' to the right in Greek letters; modern mounting loop to the reverse. 74 grams, 90 mm



Acquired 1960s-1990s. From the late Alison Barker collection, a retired London barrister.

The pottery fragment shows an image of a charioteer in the moment of victory, with his left hand carrying a palm branch. The iconography is visible in the monument of Porphyrios in Constantinople and the charioteers of the Baccano mosaics. The detailed representation of the Auriga shows the attributes of his work: he wears a close-fitting undershirt with sleeves (γυμναστικiον) and an ornamented sleeveless tunic over it, leaving the knees exposed as is typical for charioteers (αυριγαριον).

An emerald green glass unguentarium with a slender piriform body and tubular neck with rolled rim; iridescent surfaces. 21.3 grams, 10.1 cm



Acquired 1980-2015. Ex Abelita family collection.

A silver annular band decorated with dot-in-ring motifs alternating with diagonal dashes. 6.55 grams, 27.50 mm overall, 24.10 mm internal diameter (approximate size British Z+4, USA 14 1/4, Europe 33.83, Japan 32)



Acquired before 2000. From the collection of a European gentleman living in the UK.

A nicolo gemstone with profile portrait bust, set in a 2nd century A.D. hollow-formed gold ring with granule clusters to the shoulders. 2.55 grams, 23.99 mm overall, 16.55 mm internal diameter (approximate size British M, USA 6, Europe 12.46, Japan 12)



UK private collection, since 1956. Formed in the 1950s by by Mr and Mrs S. Broukal, thence by decent. with Bonham's, London, New Bond Street, 30 November 2016, lot 155 [Part]. English private collection.

A pear-shaped pale green glass flask with broad flared neck, applied trails to the neck and broader, undulating trails to the equator embellished with raised ledges; areas of iridescence; old French collection label to base dated c.1900 A.D. 59 grams, 12 cm high



French collection, 1960s-early 2000s. From an important Paris gallery, France.