A red glass insert of a profile face with remains of a pharaonic crown to the forehead.

A blue-glazed composition amulet in the form of an ibis (representing the god Thoth) seated on a wedge-shaped base, facing a figure of Maat appearing as a diminutive stooping female with an ostrich feather; some details to both figures rendered in a darker blue glaze; suspension loop to the rear of the bird's neck.

A white limestone figure of the god Ptah with false beard, wearing an enveloping cloak and a broad wesekh-collar, holding the shaft of a was sceptre; serene, oval face with almond-shaped eyes and fleshy lips; remnants of dorsal pillar to reverse; mounted on a custom-made display stand.

A spectacular bronze hydria composed of a tapering body, broad shoulder and waisted neck, the everted rim decorated with egg-and-dart motifs, three round-section handles and tiered, ogival foot; professionally restored.

A red-figure terracotta bell-krater displaying polychrome figural panels between a laurel wreath and a band of Greek key motifs; side a) two robed male figures holding staffs, wearing a taenia or a band around the head, standing facing a central altar; side b) a woman wearing a chiton and holding a casket and olive sprig in her outstretched hands, advancing right towards a nude man standing right, his head turned towards her, holding a bucket and olive sprig, a cloak draped over his arm, elaborate volute palmettes beneath both handles; restored.

A free-standing bronze imperial or military eagle terminal from a staff or a sceptre, modelled in the round in a dynamic pose standing on a globe, wings spread, head turned to the right, semi-naturalistic anatomical and feather detailing; the globe bearing an incised eight-armed stylised Macedonian star; sub-triangular lug to back of the neck; collar to globe with hollow underside.

The best example of only three examples of this type known, a copper-alloy knee brooch composed of a rectangular-section body, spring pin within bow plate and remains of catchplate to reverse; both sides of the body with two panels of Latin lettering moulded in relief: 'FIBUL[A] EX REG LAGITIENSE', translating to 'Brooch from the Regio Lagitiensis' (Roman Castleford); remains of blue glass enamelling to the recessed fields.

A large fired clay brick from the Wall of Babylon bearing six lines of stamped Babylonian cuneiform inscription to one face which reads: 'AG - ku -dur-ri-URU' / 'LUGAL ba-bi-lu' / 'za-ni-nu é-sag-ila' / 'u e-zi-da IBILA' / 'SAG.KAL. sa AG-IBILA-URU' / 'LUGAL ba-bi-lu ana-ku', which translates: 'Nebuchadnezzar, king of Babylon, who provides for Esagila and Ezida, the eldest son of Nabopolassar, king of Babylon, am I'; traces of bitumen on the blank side; accompanied by an old label which reads: 'Brick from the Wall of Babylon / Presented by W.Bro. Gentle-Cackett Secretary Bible Lands Mission / The impression records the fact that it was built by King Nebuchadnezzar [II]'.

A tinned sheet-bronze legionary helmet of Imperial Gallic Type A with deep rounded bowl, simple C-shaped cut-outs for the ears, integral flared neck-guard extending some way along the sides, corrugated ribs to the occipital area at the rear and corrugated 'wings' or eyebrows (Russel-Robinson's Type E) above the brow; small stud the rear of the neck-guard attaching suspension loops to the underside; hinged bracket at each temple for a deeply curved cheek-guard with gently flared rim, bearing a loop to the inner face to accept an vinculum fastening strap; accompanied by a custom-made display stand.

A gilt copper-alloy mount composed of a broad annular body with slightly domed profile, the body quartered with each cell displaying a chip-carved interlace motif configured A:B:A:B; rim, edges and central cell with raised rim; rivet and flat-section mounting bar to reverse.

A bronze bowl mount or escutcheon comprising a discoid panel with gently curved profile and zoomorphic hook; the panel with reserved La Tène comma-leaf decoration on a pounced field (intended to receive enamel fill); the hook with median gusset to the outer face, horse-head finial, bulbous La Tène ornament at the base.

A pair of large Early Anglo-Saxon gilt copper-alloy saucer brooches each comprising a broad (13mm+) angled flange surrounding a central disc with carinated border; outer zone comprising four arches subdivided by hatching to the inner edge and four C-shaped panels with triangular separators, inner zone separated by a carinated border, central disc with four radiating bilinear crescents; pin-lugs and catch to the reverse with traces of mineralised fabric.

A silver chessman-type seal matrix with pierced trefoil head and knop above; central motif of a leopard statant gardant before a tree, pelletted border and blackletter legend '* sigillum [lozenge] steffani [cinquefoil cinquefoil] ale [cinquefoil lozenge] lane' (for 'seal of Stephen [at?] ale lane').

An annular gold band with everted upper and lower lip, filigree ropework above and below each rim, with circumferential inscription to the recessed exterior face; of the five separate bands, the central one accommodating an applied strip of paler gold bearing a Medieval French blackletter inscription in relief, reading: '+loiautet (5 five cinquefoils) pas tout (5 five cinquefoils)', or 'Loyalty Passes All'; the inscription band may once have been enamelled; plain interior; the outer rim and twisted band on one edge are slightly bent; cleaned and repaired.

A substantial gold signet ring composed of a lentoid-section hoop, expanding capital style shaped shoulders and irregular octagonal bezel engraved with a skull, two flowers below separating the reversed initials in capitals: 'CL', framed by a beaded border.

A marble copy of the kneeling Venus (original in the Vatican Museums), crouching on an octagonal base; the arms raised in expressive pose, head tilted, hair drawn up in a chignon; lettering to base 'KNEELING VENUS' and 'ROME'.

A gold rosette jewellery element or appliqué formed from seven (squashed) bulbs arranged around a central circular cell set with a blue veined stone, likely lapis lazuli or sodalite. 0.48 grams, 14 mm



Acquired 1970-2010. Collection of a late Japanese gentleman.

A single gold earring composed of a twisted wire hoop, stylised bust of a sphinx with detailed breast and lion paws. 2.55 grams, 26 mm



Acquired 1980-2015. Ex Abelita family collection.

Earrings with a sphinx represent a variety of the earrings created by the Hellenised goldsmiths of the Black Sea area. These figures usually had an inlaid garnet and are dated between late 3rd and 2nd century B.C. They belong to the category of earrings with a female head, often visible in graves of the Black Sea area and not always of good quality.

A matching pair of hinged gold earrings, each composed of a hollow-formed crescentic hoop adorned with a row of granulation and pyramid granules; hinged closure above. 3.95 grams total, 18 mm each

Fine condition.

Acquired 1970-2010. Collection of a late Japanese gentleman.

A group of two silver artefacts comprising: a brooch element with catchplate and decorative ribbing; a possible earring with coiled closures. 8.55 grams total, 29-33 mm



Essex gallery, early 2000s.

A gilt dolphin fibula brooch; pin lug and catchplate to reverse. 14.66 grams, 42 mm

Fine condition.

Acquired 1980-2015. Ex Abelita family collection.

A Roman or Parthian bone figurine of a female with separate articulated bent arms, piled hairstyle, incised facial features, tiered collar, slender body with lattice detailing to the skirt; bronze stud to the shoulders, wire loop earrings with tubular blue glass beads, gold arm-rings; mounted on a custom-made stand. 355 grams total, 21.5 cm including stand

Fine condition.

Previously acquired in 1971. with Gallery Delalande, Paris, France. Property of a Brussels gentleman.

A bronze discoid plate brooch with openwork monogram of 'ROMA', hinged pin and catchplate to the reverse. 10.2 grams, 31 mm



Acquired before 2000. From the collection of a European gentleman living in the UK.

The brooch is engraved with the stylised letters ‘RMA’. When viewed from the obverse, RMA and the framing circle form a monogram for ‘Roma’. Roma refers to both the city and its divine personification, the Dea Roma. If RMA is read from right to left (or the brooch is viewed from the opposite side), the letters form a monogram for ‘AMOR’, the Latin name for Cupid, the god of love. The phrase pertains to Roma-Amor, a widely recognised palindrome espousing Roman wordplay in the ancient times.

A mixed group of coarse white wall plaster fragments from a fresco, with painted designs in white, ochre, claret, crimson and blue. 600 grams total, 73-89 mm

Fair condition.

Acquired in the 19th century. Jeger collection, Switzerland. Property of an English gentleman.

A spool-shaped glass vessel with rounded base and lip; some iridescent surfaces. 31.7 grams, 48 mm



Acquired 1980-2015. Ex Abelita family collection.

A bulbous ceramic storage jar with everted rim and splayed foot. 486 grams, 14 cm

Fine condition.

English collection formed in the 1990s. UK art market. Property of an Essex gentleman.

A mixed group of beads including tabular, oblate, melon, fusiform and other types in glass, onyx, crystal, faience, shell and other materials. 288 grams total, 2-28 mm

Fair condition.

Abelita family collection, 1980-2015.

A group of various weights comprising three biconical steelyard weights each with the remains of the iron loop, a barrel-shaped weight with five dots to one end, and a tabular-shaped weight with three large stamped dimples to one fate surface. 478 grams total, 24-34 mm



Found Rodings, Essex, UK. Acquired on the UK antiques market between 1974-1985. Albert Ward collection, Essex, UK.