A red glass insert of a profile face with remains of a pharaonic crown to the forehead.

A blue-glazed composition amulet in the form of an ibis (representing the god Thoth) seated on a wedge-shaped base, facing a figure of Maat appearing as a diminutive stooping female with an ostrich feather; some details to both figures rendered in a darker blue glaze; suspension loop to the rear of the bird's neck.

A white limestone figure of the god Ptah with false beard, wearing an enveloping cloak and a broad wesekh-collar, holding the shaft of a was sceptre; serene, oval face with almond-shaped eyes and fleshy lips; remnants of dorsal pillar to reverse; mounted on a custom-made display stand.

A spectacular bronze hydria composed of a tapering body, broad shoulder and waisted neck, the everted rim decorated with egg-and-dart motifs, three round-section handles and tiered, ogival foot; professionally restored.

A red-figure terracotta bell-krater displaying polychrome figural panels between a laurel wreath and a band of Greek key motifs; side a) two robed male figures holding staffs, wearing a taenia or a band around the head, standing facing a central altar; side b) a woman wearing a chiton and holding a casket and olive sprig in her outstretched hands, advancing right towards a nude man standing right, his head turned towards her, holding a bucket and olive sprig, a cloak draped over his arm, elaborate volute palmettes beneath both handles; restored.

A free-standing bronze imperial or military eagle terminal from a staff or a sceptre, modelled in the round in a dynamic pose standing on a globe, wings spread, head turned to the right, semi-naturalistic anatomical and feather detailing; the globe bearing an incised eight-armed stylised Macedonian star; sub-triangular lug to back of the neck; collar to globe with hollow underside.

The best example of only three examples of this type known, a copper-alloy knee brooch composed of a rectangular-section body, spring pin within bow plate and remains of catchplate to reverse; both sides of the body with two panels of Latin lettering moulded in relief: 'FIBUL[A] EX REG LAGITIENSE', translating to 'Brooch from the Regio Lagitiensis' (Roman Castleford); remains of blue glass enamelling to the recessed fields.

A large fired clay brick from the Wall of Babylon bearing six lines of stamped Babylonian cuneiform inscription to one face which reads: 'AG - ku -dur-ri-URU' / 'LUGAL ba-bi-lu' / 'za-ni-nu é-sag-ila' / 'u e-zi-da IBILA' / 'SAG.KAL. sa AG-IBILA-URU' / 'LUGAL ba-bi-lu ana-ku', which translates: 'Nebuchadnezzar, king of Babylon, who provides for Esagila and Ezida, the eldest son of Nabopolassar, king of Babylon, am I'; traces of bitumen on the blank side; accompanied by an old label which reads: 'Brick from the Wall of Babylon / Presented by W.Bro. Gentle-Cackett Secretary Bible Lands Mission / The impression records the fact that it was built by King Nebuchadnezzar [II]'.

A tinned sheet-bronze legionary helmet of Imperial Gallic Type A with deep rounded bowl, simple C-shaped cut-outs for the ears, integral flared neck-guard extending some way along the sides, corrugated ribs to the occipital area at the rear and corrugated 'wings' or eyebrows (Russel-Robinson's Type E) above the brow; small stud the rear of the neck-guard attaching suspension loops to the underside; hinged bracket at each temple for a deeply curved cheek-guard with gently flared rim, bearing a loop to the inner face to accept an vinculum fastening strap; accompanied by a custom-made display stand.

A gilt copper-alloy mount composed of a broad annular body with slightly domed profile, the body quartered with each cell displaying a chip-carved interlace motif configured A:B:A:B; rim, edges and central cell with raised rim; rivet and flat-section mounting bar to reverse.

A bronze bowl mount or escutcheon comprising a discoid panel with gently curved profile and zoomorphic hook; the panel with reserved La Tène comma-leaf decoration on a pounced field (intended to receive enamel fill); the hook with median gusset to the outer face, horse-head finial, bulbous La Tène ornament at the base.

A pair of large Early Anglo-Saxon gilt copper-alloy saucer brooches each comprising a broad (13mm+) angled flange surrounding a central disc with carinated border; outer zone comprising four arches subdivided by hatching to the inner edge and four C-shaped panels with triangular separators, inner zone separated by a carinated border, central disc with four radiating bilinear crescents; pin-lugs and catch to the reverse with traces of mineralised fabric.

A silver chessman-type seal matrix with pierced trefoil head and knop above; central motif of a leopard statant gardant before a tree, pelletted border and blackletter legend '* sigillum [lozenge] steffani [cinquefoil cinquefoil] ale [cinquefoil lozenge] lane' (for 'seal of Stephen [at?] ale lane').

An annular gold band with everted upper and lower lip, filigree ropework above and below each rim, with circumferential inscription to the recessed exterior face; of the five separate bands, the central one accommodating an applied strip of paler gold bearing a Medieval French blackletter inscription in relief, reading: '+loiautet (5 five cinquefoils) pas tout (5 five cinquefoils)', or 'Loyalty Passes All'; the inscription band may once have been enamelled; plain interior; the outer rim and twisted band on one edge are slightly bent; cleaned and repaired.

A substantial gold signet ring composed of a lentoid-section hoop, expanding capital style shaped shoulders and irregular octagonal bezel engraved with a skull, two flowers below separating the reversed initials in capitals: 'CL', framed by a beaded border.

A marble copy of the kneeling Venus (original in the Vatican Museums), crouching on an octagonal base; the arms raised in expressive pose, head tilted, hair drawn up in a chignon; lettering to base 'KNEELING VENUS' and 'ROME'.

A carved alabaster jar with slightly tapering sides and everted rim. 177 grams, 81 mm wide

Fine condition.

From an early 20th century collection. Accompanied by an old illustrated catalogue card.

A glazed composition scarab with detailed serrated legs and with a-n-r, nub and nefer signs around a cartouche containing the incomplete name of Thutmose III to the underside; set in a later gold mount for suspension. 2.34 grams, 18 mm

Fine condition.

Acquired 1969-1999. London collection of the late Mr S.M., thence by descent.

The sign groups surrounding the cartouche are indicative of Asiatic scarab production of the Second Intermediate Period, where the craftsmen did not understand the meaning of hieroglyphs and used them for purely decorative reasons. This suggests that either the beetle and sun-disc signs in the cartouche are unintentionally similar to those of Thutmose III, or that this is a later scarab with an inaccurately rendered name of the king

A cream-white ceramic mask with heavy brow over a narrow bridge to the nose, voids for the eyes, small deep-set mouth with full lower lip, rounded chin; accompanied by a custom-made display stand. 739 grams total, 25 cm high including stand

Fine condition, edges chipped.

Ex UK art market, 1970s. Property of a London gentleman.

A fragment of a glazed composition frieze with corner-angle frame and head wearing a tripartite wig, possibly from a divine triad group; set within a kiosk with supporting papyrus columns. 4.68 grams, 31 mm



From a UK private collection, 1975-1978.

A limestone fragment of provincial workmanship, displaying a partial column of titular naming hieroglyphs, possibly royal; repaired. 1.5 kg, 19 cm



London collection, acquired on the art market in the 1980s. From the collection of a West London, UK, gentleman.

A carved white marble eye inlay from a statue; unfinished. 24.4 grams, 58 mm



London, UK, art market, 1980s. From the collection of G.M.R.H., London, UK.

A group of three restrung faience mummy bead necklaces, each comprising multiple strands of polychrome beads including annular and tubular types. 84 grams total, 60-70 cm long



Acquired before 1979. From the private collection of Mr F. A., South Kensington, London, UK; thence by descent 2014.

A mixed group of mainly composition artefacts and fragments comprising: a steatite scarab beetle inscribed with a scarab, cobra and crown to base, 2024-1700 B.C.; tilapia fish, symbol of regeneration, c.1300 B.C.; Taweret hippopotamus goddess of child birth, c.1300 B.C.; sphinx amulet, c.1300 B.C; alabaster kohl jar fragment sticks, c.1400 B.C.; Djed pillar amulet, c.600-300 B.C.; stone playing counter, c.300-50 B.C.; two fruit amulets, c.18th-19th Dynasty; fragment of a large Eye of Horus, c.600 B.C.; Eye of Horus amulet with nfr sign on reverse, c. 1000 B.C. 66.8 grams total, 8-39 mm



From an old UK collection. From the private collection of Alf Baxendale (1941-2016) part 2, keen Egyptologist, member of the Egyptology Society, trustee of the Amarna Trust; thence by descent. Accompanied by twelve identification display cards. Accompanied by a copy of his obituary published in Horizon, The Amarna Project and Amarna Trust newsletter, Issue 18, 2017, p.21, by Barry John Kemp, CBE, FBA, Professor Emeritus of Egyptology at the University of Cambridge and directing excavations at Amarna in Egypt.

An amazonite feldspar scarab with simple detailing to the body and legs; drilled for suspension. 6.35 grams, 22 mm

Fine condition.

Acquired 1979-1999. London collection of the late Mr S.M., thence by descent.

A glazed composition amuletic pendant of an ibis standing on a rectangular base, its curved beak resting on its chest. 4.25 grams, 28 mm



From a UK private collection, 1975-1978.

A bronze horned beetle figure modelled in the round with semi-naturalistic anatomical detailing, its legs held tightly against its abdomen, possibly indicating that this is a beetle in a mummified form. 49.8 grams, 43 mm



Acquired 1990s-2000s. From the collection of an Essex gentleman.

A trio of blue-glazed composition amulets: the god Bes modelled stooping and wearing plumed crown, pierced for suspension; a seated cat on an arch-shaped base, suspension loop to reverse; a frog scaraboid with stylised facial and body detailing, hieroglyphs engraved to oblong base naming Amun-Re, pierced for suspension. 5.93 grams total, 17-26 mm



From an old UK collection. From the private collection of Alf Baxendale (1941-2016) part 2, keen Egyptologist, member of the Egyptology Society, trustee of the Amarna Trust; thence by descent. Accompanied by a copy of his obituary published in Horizon, The Amarna Project and Amarna Trust newsletter, Issue 18, 2017, p.21, by Barry John Kemp, CBE, FBA, Professor Emeritus of Egyptology at the University of Cambridge and directing excavations at Amarna in Egypt.