A red glass insert of a profile face with remains of a pharaonic crown to the forehead.

A blue-glazed composition amulet in the form of an ibis (representing the god Thoth) seated on a wedge-shaped base, facing a figure of Maat appearing as a diminutive stooping female with an ostrich feather; some details to both figures rendered in a darker blue glaze; suspension loop to the rear of the bird's neck.

A white limestone figure of the god Ptah with false beard, wearing an enveloping cloak and a broad wesekh-collar, holding the shaft of a was sceptre; serene, oval face with almond-shaped eyes and fleshy lips; remnants of dorsal pillar to reverse; mounted on a custom-made display stand.

A spectacular bronze hydria composed of a tapering body, broad shoulder and waisted neck, the everted rim decorated with egg-and-dart motifs, three round-section handles and tiered, ogival foot; professionally restored.

A red-figure terracotta bell-krater displaying polychrome figural panels between a laurel wreath and a band of Greek key motifs; side a) two robed male figures holding staffs, wearing a taenia or a band around the head, standing facing a central altar; side b) a woman wearing a chiton and holding a casket and olive sprig in her outstretched hands, advancing right towards a nude man standing right, his head turned towards her, holding a bucket and olive sprig, a cloak draped over his arm, elaborate volute palmettes beneath both handles; restored.

A free-standing bronze imperial or military eagle terminal from a staff or a sceptre, modelled in the round in a dynamic pose standing on a globe, wings spread, head turned to the right, semi-naturalistic anatomical and feather detailing; the globe bearing an incised eight-armed stylised Macedonian star; sub-triangular lug to back of the neck; collar to globe with hollow underside.

The best example of only three examples of this type known, a copper-alloy knee brooch composed of a rectangular-section body, spring pin within bow plate and remains of catchplate to reverse; both sides of the body with two panels of Latin lettering moulded in relief: 'FIBUL[A] EX REG LAGITIENSE', translating to 'Brooch from the Regio Lagitiensis' (Roman Castleford); remains of blue glass enamelling to the recessed fields.

A large fired clay brick from the Wall of Babylon bearing six lines of stamped Babylonian cuneiform inscription to one face which reads: 'AG - ku -dur-ri-URU' / 'LUGAL ba-bi-lu' / 'za-ni-nu é-sag-ila' / 'u e-zi-da IBILA' / 'SAG.KAL. sa AG-IBILA-URU' / 'LUGAL ba-bi-lu ana-ku', which translates: 'Nebuchadnezzar, king of Babylon, who provides for Esagila and Ezida, the eldest son of Nabopolassar, king of Babylon, am I'; traces of bitumen on the blank side; accompanied by an old label which reads: 'Brick from the Wall of Babylon / Presented by W.Bro. Gentle-Cackett Secretary Bible Lands Mission / The impression records the fact that it was built by King Nebuchadnezzar [II]'.

A tinned sheet-bronze legionary helmet of Imperial Gallic Type A with deep rounded bowl, simple C-shaped cut-outs for the ears, integral flared neck-guard extending some way along the sides, corrugated ribs to the occipital area at the rear and corrugated 'wings' or eyebrows (Russel-Robinson's Type E) above the brow; small stud the rear of the neck-guard attaching suspension loops to the underside; hinged bracket at each temple for a deeply curved cheek-guard with gently flared rim, bearing a loop to the inner face to accept an vinculum fastening strap; accompanied by a custom-made display stand.

A gilt copper-alloy mount composed of a broad annular body with slightly domed profile, the body quartered with each cell displaying a chip-carved interlace motif configured A:B:A:B; rim, edges and central cell with raised rim; rivet and flat-section mounting bar to reverse.

A bronze bowl mount or escutcheon comprising a discoid panel with gently curved profile and zoomorphic hook; the panel with reserved La Tène comma-leaf decoration on a pounced field (intended to receive enamel fill); the hook with median gusset to the outer face, horse-head finial, bulbous La Tène ornament at the base.

A pair of large Early Anglo-Saxon gilt copper-alloy saucer brooches each comprising a broad (13mm+) angled flange surrounding a central disc with carinated border; outer zone comprising four arches subdivided by hatching to the inner edge and four C-shaped panels with triangular separators, inner zone separated by a carinated border, central disc with four radiating bilinear crescents; pin-lugs and catch to the reverse with traces of mineralised fabric.

A silver chessman-type seal matrix with pierced trefoil head and knop above; central motif of a leopard statant gardant before a tree, pelletted border and blackletter legend '* sigillum [lozenge] steffani [cinquefoil cinquefoil] ale [cinquefoil lozenge] lane' (for 'seal of Stephen [at?] ale lane').

An annular gold band with everted upper and lower lip, filigree ropework above and below each rim, with circumferential inscription to the recessed exterior face; of the five separate bands, the central one accommodating an applied strip of paler gold bearing a Medieval French blackletter inscription in relief, reading: '+loiautet (5 five cinquefoils) pas tout (5 five cinquefoils)', or 'Loyalty Passes All'; the inscription band may once have been enamelled; plain interior; the outer rim and twisted band on one edge are slightly bent; cleaned and repaired.

A substantial gold signet ring composed of a lentoid-section hoop, expanding capital style shaped shoulders and irregular octagonal bezel engraved with a skull, two flowers below separating the reversed initials in capitals: 'CL', framed by a beaded border.

A marble copy of the kneeling Venus (original in the Vatican Museums), crouching on an octagonal base; the arms raised in expressive pose, head tilted, hair drawn up in a chignon; lettering to base 'KNEELING VENUS' and 'ROME'.

A finely carved carnelian scarab (Scarabaeus sacer) modelled naturalistically in the round with anatomical detailing to the carapace, head, legs and underside of the body; slightly domed profile; drilled laterally to the underside of the body for suspension. 3.07 grams, 19 mm

Fine condition.

From an early 20th century Home Counties collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.114474-196152.

The Egyptians saw the scarab as a symbol of renewal and rebirth. The beetle was associated with the sun god because scarabs roll large balls of dung in which to lay their eggs, a behavior that the Egyptians thought resembled the progression of the sun through the sky from east to west. Scarab amulets were used for their magical rejuvenating properties by both the living and the dead. The regenerative powers of scarabs such as the one offered here could be used by either the living or the dead for healing and protection. The striking red/orange colour of the carnelian stone used to produce this amulet strengthens its solar associations.

A restrung panel of small glazed composition beads in various colours representing a mummy face mask with false beard. 44 grams, 13 cm wide



Acquired 1990s. Ex Mariaud des Serres, Paris, France.

The practice of providing a bead mask as additional protection for the face of the mummy developed in the Late Period. The green beads used as the principal colour in the creation of the stylised face symbolise regeneration and re-birth. An example discovered at Esna in Upper Egypt and still attached to the face of a mummy is on display in the World Museum Liverpool (accession number 7.6.20.60).

A mixed group of mainly faience, glass, shell and stone polychrome beads of various types and dates. 120 grams total, 2-23 mm



Acquired in the 1970s. Important European collection.

A group of fragments of blue and white glass offering cups; one with a partial cartouche of Amenhotep III. 14 grams total, 30-34 mm



From a UK private collection, 1975-1978.

A green glazed composition figure of Bes standing on a base; plumed headdress and loop absent. 4.79 grams, 34 mm



Acquired early 1990s. Ex private American collection; thence by descent. Private Swiss collection since 1998.

A mixed group of mainly composition and glass amulets, most with piercings or loops for suspension; including glazed fruit, figures, amulets with geometric motifs and others. 8.9 grams total, 11-23 mm



From an early 20th century UK collection.

A piriform veined alabaster vessel with everted neck and broad rim. 342 grams, 78 mm high



French collection, 1960s-early 2000s. From an important Paris gallery, France.

A restrung faience mummy bead necklace comprising multiple strands of polychrome beads including annular and tubular types. 26 grams, 74 cm long



Acquired before 1979. From the private collection of Mr F. A., South Kensington, London, UK; thence by descent 2014.

A carnelian fly amulet with simple head and body detailing, the eyes doubling as the suspension loop. 0.43 grams, 12 mm



From an early 20th century UK collection.

A gilt stucco sphinx from a funerary catafalque, lying couchant on a sub-rectangular base with stylised anatomical and facial detailing; accompanied by a custom-made wooden display base. 36 grams, 75 mm long (155 grams total, 10.8 cm including base)

Fine condition.

From a mid 20th century collection (based on the stand). With Richard Gill, Eternal Egypt, London SW19, 1990s. Acquired 31 August 1993. Property of a South Oxfordshire private collector. Accompanied by original invoice no.10575, dated 31 August 1993, and associated correspondence.

A carved carnelian amuletic pendant of the cat goddess Bastet, sitting on a rectangular base, suspension loop behind the shoulders. 1.82 grams, 16 mm



Acquired 1980s. Private collection of L.H., Staffordshire, UK. Property of a Sussex, UK, teacher.

A sheet-gold fly amulet with heart-shaped wings, head formed as suspension loop. 0.72 grams, 18 mm



Acquired 1970-2010. Collection of a late Japanese gentleman.